Fifty Contemporary One-Act Plays Part 183

FIRST GIRL. Come here!

[_Life comes to her. With a quick movement she s.n.a.t.c.hes one of the gold chains from about his neck._]

SECOND GIRL [_frightened_]. How can you dare?

FIRST GIRL. What you see you must take. [_She seizes his wrist and pulls from it a bracelet._]

SECOND GIRL [_frightened_]. Ah!

FIRST GIRL. Go!

[_Exit Life._]

SECOND GIRL. But why--

FIRST GIRL. He does not like beggars, Life. You see, he is a slave himself.

SECOND GIRL. He is so beautiful.

FIRST GIRL. Do not forget that he is your slave.... This rosebush [_touches it_] is a queen who forgot.

SECOND GIRL. Ah!

FIRST GIRL [_pointing to bones that seemed part of bushes along roadside_]. Those are the bones of others who forgot.

SECOND GIRL. But he is beautiful!

FIRST GIRL. Only so long as you are his master.

SECOND GIRL. But he is kind!

FIRST GIRL. Only so long as you are not afraid of him.

SECOND GIRL. But you s.n.a.t.c.hed--

FIRST GIRL. Life is the only person to whom one should be rude.

[_They hear sounds of moaning and cries and a harsh voice menacing some unseen crowd._]

SECOND GIRL. What is that?

FIRST GIRL. Come! We must not be seen! [_Pulls her companion behind bush at side of stage._]

SECOND GIRL. What will be done to us?

FIRST GIRL. Hush! If he should see you! He is always watching for the first sign of fear.

SECOND GIRL. What is the first sign of fear?

FIRST GIRL. It is a thought--

SECOND GIRL. But can he see one's thoughts--

FIRST GIRL. Only thoughts of fear.

SECOND GIRL. If one hides them well even from oneself?

FIRST GIRL. Even then. But words are more dangerous still. If we say we are afraid we will be more afraid, because whatever we make into words makes itself into our bodies.

VOICES OFF STAGE. Oh, master! Mercy, master!

FIRST GIRL. It spoils him, this cringing. It spoils a good servant. As long as he is kept in his place--

[_A man enters and kneels, looking at Life off stage, in fear._]

FIRST GIRL [_steals to man and says_]. But he is only a slave. Do you not see that he is a slave?

MAN. How can you say that? Look at his terrible face. Who that has seen his face can doubt that he is a master, and a cruel one?

FIRST GIRL. He cannot be a master unless you make him so.

MAN. What is this that you are saying? Is it true?

FIRST GIRL. Yes, it is true. Even though it can be put into words it is true.

MAN [_starts to rise, sinks to knees again_]. Yes. I see that it is true. But go away.

FIRST GIRL [_crouching behind bush again_]. Ah!

[_Life crosses the stage, with a whip of many thongs driving a huddled throng of half crouching men and women. They kneel and kiss his robe. His mouth is wide and grinning, his eyes slant, his nostrils are thick. He is hideous._]

LIFE. You! Give me your ideals. Three ideals! Is that all you have?

YOUNG MAN. Life has robbed me of my ideals.

WORKMAN. He robbed me too.

YOUNG MAN. But I had so few.

WORKMAN. When you have toiled to possess more, he will take those from you also.

LIFE [_to an old woman_]. For twelve hours you shall toil at what you hate. For an hour you shall work at what you love, to keep the wound fresh, to make the torture keener.

OLD MAN. Ah, pity! Do not be so cruel! Let me forget the work I love!

LIFE. Dog! Take what I give you! It is not by begging that you may win anything from me!

A VOICE. Give me a dream! A dream to strengthen my hands!