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Fifty Contemporary One-Act Plays Part 150

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ADOLF. And you never see him in the street?

THEKLA. No; he must have buried himself somewhere on the west coast. But why do you harp on that subject just now?

ADOLF. I don't know. When I was so alone these last few days, it just occurred to me what he must have felt like when he was left stranded.

THEKLA. I believe you've got pangs of conscience.

ADOLF. Yes.



THEKLA. You think you're a thief, don't you?

ADOLF. Pretty near.

THEKLA. All right. You steal women like you steal children or fowl. You regard me to some extent like his real or personal property. Much obliged.

ADOLF. No; I regard you as his wife, and that's more than property: it can't be made up in damages.

THEKLA. Oh yes, it can. If you happen to hear one fine day that he has married again, these whims and fancies of yours will disappear. [_She comes over to him._] Haven't you made up for him to me?

ADOLF. Have I?--and did you use to love him in those days?

THEKLA [_goes behind him to the fireplace on the right_]. Of course I loved him--certainly.

ADOLF. And afterwards?

THEKLA. I got tired of him.

ADOLF. And just think, if you get tired of me in the same way?

THEKLA. That will never be.

ADOLF. But suppose another man came along with all the qualities that you want in a man? a.s.sume the hypothesis, wouldn't you leave me in that case?

THEKLA. No.

ADOLF. If he riveted you to him so strongly that you couldn't be parted from him, then of course you'd give me up?

THEKLA. No; I have never yet said anything like that.

ADOLF. But you can't love two people at the same time?

THEKLA. Oh yes. Why not?

ADOLF. I can't understand it.

THEKLA. Is anything then impossible simply because you can't understand it? All men are not made on the same lines, you know.

ADOLF [_getting up a few steps to the left_]. I am now beginning to understand.

THEKLA. No, really?

ADOLF [_sits down in his previous place by the square table_]. No, really? [_Pause, during which he appears to be making an effort to remember something, but without success._] Thekla, do you know that your frankness is beginning to be positively agonizing? [_Thekla moves away from him behind the square table and goes behind the sofa on the left._]

Haven't you told me, times out of number, that frankness is the most beautiful virtue you know, and that I must spend all my time in acquiring it? But it seems to me you take cover behind your frankness.

THEKLA. Those are the new tactics, don't you see.

ADOLF [_after a pause_]. I don't know how it is, but this place begins to feel uncanny. If you don't mind, we'll travel home this very night.

THEKLA. What an idea you've got into your head again. I've just arrived, and I've no wish to travel off again.

[_She sits down on the sofa on the left._]

ADOLF. But if I want it?

THEKLA. Nonsense! What do I care what you want? Travel alone.

ADOLF [_seriously_]. I now order you to travel with me by the next steamer.

THEKLA. Order? What do you mean by that?

ADOLF. Do you forget that you're my wife?

THEKLA [_getting up_]. Do you forget that you're my husband?

ADOLF [_following her example_]. That's just the difference between one s.e.x and the other.

THEKLA. That's right, speak in that tone--you have never loved me.

[_She goes past him to the right up to the fireplace._]

ADOLF. Really?

THEKLA. No, for loving means giving.

ADOLF. For a man to love means giving, for a woman to love means taking--and I've given, given, given.

THEKLA. Oh, to be sure, you've given a fine lot, haven't you?

ADOLF. Everything.

THEKLA [_leans on the chimneypiece_]. There has been a great deal besides that. And even if you did give me everything, I accepted it.

What do you mean by coming now and handing the bill for your presents?

If I did take them, I proved to you by that very fact that I loved you.

[_She approaches him._] A girl only takes presents from her lover.

ADOLF. From her lover, I agree. There you spoke the truth. [_With a step to the left._] I was just your lover, but never your husband.

THEKLA. A man ought to be jolly grateful when he's spared the necessity of playing cover, but if you aren't satisfied with the position you can have your _conge_. I don't like a husband.

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Fifty Contemporary One-Act Plays Part 150 summary

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