Fever - Burned Part 1

Burned : a fever novel.

Karen Marie Moning.

Dear Reader,

If this is the first book you've picked up in the Fever series, at the end of Burned, I've included a guide of People, Places, and Things to illuminate the backstory.

If you're a seasoned reader of the series, the guide will reacquaint you with notable events and characters, when they were introduced, what they did, if they survived and, if not, how they died.

You can either read the guide first, getting acquainted with the world, or reference it as you go along to refresh your memory. You'll find a few nuggets not mentioned in the books. The guide features characters by type, followed by places and then things.

To the new reader, welcome to the Fever world.

To the devoted readers who make it possible for me to do what I love every day, welcome back.

Karen.

Eleven months ago, the Clarin House Hotel.

Dublin, Ireland.

August 6, BWC.

JERICHO BARRONS.

"Who is it?"

Two A.M. Humans sleep. Her voice through the door is drowsy, sweet, southern, and young. So f.u.c.king young. Innocent. In my zoo, MacKayla Lane is an exotic.

"Jericho Barrons."

"What do you want?" All trace of slumber is gone from her voice. She couldn't sound more awake if she'd rolled over on a rattlesnake in her bed.

I laugh silently, mirthlessly. More than she can handle. "We have information to exchange. You want to know what it is. I want to know what you know about it."

"Bright guy, aren't you? I figured that out back at the store. What took you so long?"

Sarcasm fails to mask the fear in her voice. I choose my next words carefully. I want her to open the door of her own accord, invite me in. It means something, that courtesy. "I am unaccustomed to asking for what I want. Nor am I accustomed to bartering with a woman."

She is silent a moment, liking my reply, that I placed her in a cla.s.s of women with whom I am willing to barter. It makes her feel she has a modic.u.m of control over the situation-as if I am a "situation." What stands on her doorstep is a f.u.c.king cataclysm. Words. Why do they always ask for words? Why do they ever believe them?

"Well, get used to it with me, bud, because I don't take orders from anyone. And I don't give up anything for free."

She called me "bud."

I might kill her for that alone before I'm done questioning her.

"Do you intend to open this door, Ms. Lane, or shall we converse where anyone might attend our business?" Formality makes her perceive me as older than I am, less dangerous. I will wear any skin to get in.

"Do you really intend to exchange information?"

"I do."

"And you'll go first?"

"I will." So f.u.c.king gullible.

"We can trade through the door."

In her dreams. My d.i.c.k isn't that long. I came here for two things. I'm not leaving without them. "No."

"Why not?"

"I am a private person, Ms. Lane. This is not negotiable."

"But I-"

"No."

"How did you find me?"

Bedsprings squeak. The sound of jeans being pulled on.

"You procured a hired conveyance at my establishment."

"We call them taxis where I come from. And bookstores."

Is that a little spine? Does she have a backbone under all that fluff? "We call them manners where I come from, Ms. Lane."

"You should talk," she grumbles. "It's not my fault. Being threatened brings out the worst in me."

She opens the door. Peers out. Puny-a.s.s chain across it. I could break it with a blink.

f.u.c.k, I think. Just that. A mult.i.tude of various f.u.c.ks all in one great big cl.u.s.terf.u.c.k. As in: I am f.u.c.ked if I want this ... this ... newborn imbecile. And she is so f.u.c.ked if I take her. And f.u.c.k if I'm going to walk away. Letting her leave my store was bad enough. Should have killed the cabbie. Taken what I wanted then. Innocent. Soft. Smells good. Sleep-swollen. Hair a blond tangle of invitation for a fist. I see it spilling down her back, grazing the curves of her a.s.s. Me under her, behind her. Driving up into her. What will she do? Say? How does she sound when she comes? Does she, like most women, lose a part of her soul in s.e.x? Leave it lying there for the taking? f.u.c.k. "May I come in?" I don't smile. My smiles don't make people relax.

"I wouldn't have let you up this far."

Her eyes are green, angry. Her nipples are hard. l.u.s.t is absurd. It strikes in the strangest places at the oddest times. She doesn't even realize she's feeling it. She's erected a barricade of propriety and lies between us. I despise the type of woman she is. I loathe her soft pink innocence. My body doesn't concur. I wonder why her? Why not, say, a streetlamp, for all we have in common? She's chiffon and satin ribbons. I'm raw meat and razor blades. I have never been drawn to my opposite. I like what I am. "Your nipples are hard," I murmur, allowing her the choice to hear it, or pretend she didn't.

She blinks, shakes her head. "How did you get up here?"

Ah, the human ear has splendid filters. "I told them I was your brother."

"Right. Because we look so much alike."

The lace of her sleep-shirt flutters with each breath. She's trembling, trying to conceal it. I glance beyond her, at the tiny room. It's little better than a let-by-the-hour. It won't take that long to get what I came for. Business first. "Well, Ms. Lane?"

"I'm thinking."

"Don't hurt yourself."

"Don't be a jacka.s.s."

"You have till the count of three, then I leave. Two."

"Oh, fine, come in," she snaps.

I do smile then but permit it only because she has closed the door to unhook the chain and can't see me. She opens it and steps back. I have found there to be little distance between the unlatching of a chain and the spreading of a woman's legs. As if they can never unbar only a single entrance. It's a disease called hope.

She pushes the door flat to the wall. She thinks it makes her safe. I enter. Don't bother to close it. That will come later. She toes a rug and a lacy bra beneath the bed. I will see much more than that before I leave.

"So, what is it? No, wait-how do you spell it?"

I pace a circle around her. She spins as I stalk her, unwilling to give me her back. I'm going to have it anyway. Every way. "S-i-n-s-a-r."

"Sinsar?"

"Shi-sa. Shi-sa-du." I continue pacing. I like the way her body moves. If she glances down, she'll see my coat is open and my suit fails to conceal how hard I am. She never takes her gaze from my face. Few keep it there.

"Oh, that makes great sense. And the du?"

I stop circling, facing the door. She stops, her back to it. Three feet separate us. I can feel her. Smell her.

"D-u-b-h."

"Dubh is 'do'? Should I be calling pubs 'poos'?"

"Dubh is Gaelic, Ms. Lane. Pub is not."

"Don't bust a gut laughing."

"Nothing about the Sinsar Dubh is a laughing matter."

"I stand corrected. So what is this gravest of graves?"

Flippant. She has no business being here. Fio was right.

It would be merciful, Jericho. Kill her quickly before one of the others tortures her for days then rips out her throat.

Does mercy look like my middle f.u.c.king name?

Do it for me, Jericho. I can't bear the thought of what one of the others will do to her.

One of them? Or me, Fiona? Which thought can't you bear?

I saw the look in your eyes. Jericho, how could you want that ... that ... that foolish, empty-headed child! What could she possibly offer you?

"Too long," I say. Fiona has been with me too long.

"What?" she says blankly.

I'm suddenly furious that MacKayla Lane came to my city, thinks to play on the same field with me and mine, made herself my problem in any capacity. "Go home, Ms. Lane. Be young. Be pretty. Get married. Have pretty babies. Grow old with your pretty husband."

"Oh, screw you, Jericho Barrons! Tell me what it is. You said you would."

"If you insist. Don't be a fool. Don't insist."

"I'm insisting. What is it?"

"Last chance." For many things.

"Too bad. I don't want a last chance. Tell me."

I was lying anyway. Her last chance was her first one. She walked through my door. "The Sinsar Dubh is a book."

"A book? That's all? Just a book?"

"On the contrary, Ms. Lane, never make that mistake. Never think it just a book. It is an exceedingly rare and exceedingly ancient ma.n.u.script countless people would kill to possess."

"Including you? Would you kill to possess it?"

"Absolutely. Anyone and anything that gets in my way. Always have. Always will. Reconsidering your stay, Ms. Lane?"

"Absolutely not."

"You'll be going home in a box, then."

"Is that another of your threats?"

"It is not me who will put you there."

"Who will?"

"I answered your question, now it's your turn to answer mine. What do you know of the Sinsar Dubh, Ms. Lane? Tell me. And don't lie. I'll know." I could Voice her, force her to tell me everything. Little fun there.