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Fated to Be Free Part 20

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As he returned he revolved this information in his mind with increasing surprise. John Mortimer had a proud and confident way of talking about his father that did not sound as if he knew that he had begun life by running away from home. Valentine, he was well aware, knew nothing about it.

Coming on, he turned aside to talk to some men who were digging a well.

He knew how to talk to working people, and, what is more to the purpose, he knew how to make them talk; but though they proffered a good deal of information about the neighbourhood, nothing was said that gave him any of the knowledge he wanted. And shortly he went on, and let himself in at the little gate with his key. It was not yet eleven o'clock, and as he did not want to see the ladies of the family so soon, he determined to go down into the steep glen and look about him.

He had no doubt now that to this place the superst.i.tious story belonged.

First, he skirted it all about. From above it was nearly as round as a cup, and as deep in proportion to its size. The large old trees had been left, and appeared almost to fill it up, their softly rounded heads coming to within three feet of the level where he stood. All the mother birds--rooks, jays, thrushes, and pigeons--were plainly in view under him, as they sat brooding on their nests among the topmost twigs, and there was a great cawing and crowing of the c.o.c.k-birds while they flew about and fed their mates. The leaves were not out; their buds only looked like green eggs spotting the trees, excepting that here and there a horse-chestnut, forwarder than its brethren, was pushing its crumpled foliage out of the pale-pink sheath. Everywhere saplings had been cut down, and numbers of them strewed the damp mossy ground; but light penetrated, and water trinkled, there was a pleasant scent of herbs and flowers, and the whole place was cheerful with growth and spring.

A set of winding steps cut in the soft, red rock led into the glen just where the side was steepest, and Brandon, intent on discovery, sprang lightly down them. He wandered almost everywhere about the place. It seemed to hold within itself a different climate from the world above, where keen spring air was stirring; here hardly a breath moved, and in the soft sheltered warmth the leaves appeared visibly to be expanding.

He forgot his object, also another object that he had in view (the business, in fact, which had brought him), leaned against the trunk of a horse-chestnut, listened to the missel-thrushes, looked at a pine-tree a little way off, that was letting down a mist of golden dust, and presently lost himself in a reverie, finding, as is the way with a lover, that the scene present, whatever it may happen to be, was helping to master his everyday self, was indeed just the scene to send him plunging yet further down into the depths of his pa.s.sionate dream.

He had stood leaning against the tree, with his hat at his feet and his arms folded, for perhaps half an hour. He had inherited a world (with an ideal companion), had become absorbed into a lifetime of hope; and his love appeared to grow without let or hindrance in the growing freshness and glorious expansion of the spring.

Half an hour of hope and joy consoles for much foregone trouble, and further satisfies the heart by making it an easier thing to believe in more yet to come.

A sudden exclamation and a little crash roused him.

Laura! She had come to visit her favourite tree, and lo! a man there at last, leaning against it lost in thought, and so absolutely still that she had not noticed him.

She knew in an instant that this was not Joseph, and yet as the sight of him flashed on her sense before recognition, the nothingness she always found gave way to a feeling as of something real, that almost might have been the right thing. As for him, though he saw her flitting figure, she did not for the twinkling of an eye pa.s.s for the ghost he had come to look for. He roused himself up in an instant. "Whew!" was his inward thought, "she is alone; what could be so lucky! I'll do the business at once, and get it over."

Picking up his hat, and sinking at every step into the soft cushions of moss, he accordingly approached her and said, but perhaps just a little coldly, "I did not expect to see you here, Miss Melcombe."

Laura perceived this slight tinge of coldness as plainly as he did the improvement in her appearance since he had first seen her in the morning, for surprise at detecting him had overpowered her affectation.

She had coloured from having been startled, and while she, from habit, moved on mechanically to the tree, she answered quite simply and naturally that she walked that way almost every day.

Brandon turned and walked with her. Opposite to the said tree, and very near it, was another, under which stood a bench. Laura sat down, and while pointing out the spot where certain herons had built their platform-like nests, began to recover herself, or rather to put on the damaging affectation which in a moment of forgetfulness she had thrown off.

Brandon did not sit beside her, but while she arranged her dress to her mind, threw her plaid shawl into becoming folds, and laying her hand on her bracelet, furtively drew the ornament upon it to the upper side, he looked at her and thought what a goose she was.

She wore a straw hat with so wide a brim that as he stood before her he did not see her face, and he was not sorry for this; it was not his business to reprove her, but what he had to say would, he supposed, put her a good deal out of countenance.

He was just about to speak, and Laura was in the full enjoyment of feeling how romantic it was to be there alone with a young man, was just wishing that some of her friends could be looking down from above to see this interesting picture, and draw certain conclusions, when a decidedly sharp voice called out from behind, "Laura! what can you be doing here?

You know I don't like you to be for ever coming to that tree.--Laura!"

"Yes, I'm here," said Laura, and Mrs. Melcombe, arrayed in blue poplin, stepped into view, and made Brandon feel very foolish and Laura very cross.

"Oh! you've brought Mr. Brandon here to see the carp," said Amelia graciously, but she hardly knew what to think, and they all presently went to the pond, and watched the creatures flashing up their golden sides, each wondering all the time what the two others were thinking of. Then as it was nearly lunch time, Amelia and Laura proceeded to leave the dell, Brandon attending them and helping them up the steps. He was rather vexed that he had not been able to say his say and give Laura a certain packet that he had in his possession; and as the afternoon presently clouded over and it began to pour with rain, he hardly knew what to do with himself till the bright idea occurred to him that he would ask Mrs. Melcombe to show him the old house.

Up and down stairs and into a good many rooms they all three proceeded together. Hardly any pictures to found a question or a theory on; no old china with a story belonging to it; no brown books that had been loved by dead Melcombes. This could not have been a studious race. Not a single anecdote was told of the dead all the time they went over the place, till at last Mrs. Melcombe unlocked the door of a dark, old-fashioned sitting-room upstairs, and going to the shutters opened one of them, saying, "This is the room in which the dear old grandmother spent the later years of her life."

This really was an interesting old room. Laura and Amelia folded back the shutters with a genuine air of reverence and feeling. It was most evident that they had loved this woman whose son had forbidden her to leave her property to him.

Two or three dark old pictures hung on the walls, and there was a cabinet on which Laura laying her hand, said--

"The dear grandmother kept all her letters here."

"Indeed," Brandon answered; "it must have been very interesting to you to look them over. (And yet," he thought "you don't look as if you had found in them anything of much interest.")

"We have never opened it," said Mrs. Melcombe. "Mr. Mortimer, when he was here, proposed to look over and sort all the letters for me, but I declined his offer."

("And no doubt made him miserable by so doing") was Brandon's next thought.

"I shall keep the key for my dear boy," she continued, "and give it to him when he comes of age."

("To find out something that he will wish he didn't know.") thought Brandon again. ("That cabinet, as likely as not, contains the evidence of _it_, whatever _it_ is.")

"And in this gallery outside," she proceeded, "the dear grandmother used to walk every day."

Brandon perceived that he had got to the core and heart of the place at last. His interest was so intense that he failed to conceal it. He walked to the window and noticed the pouring rain that was streaming between the rustic pillars of the bal.u.s.trades into the garden below. He examined the pictures; only two of them were portraits, but in the background of one was an undoubted representation of the house itself; the other was a portrait of a beautiful boy in a blue jacket and a shirt with a wide frill laid back and open at the neck. Under his arm appeared the head of a greyish dog.

"That creature," Brandon thought, "is almost exactly like my old dog Smokey. I am very much mistaken if this is not the portrait of one of his ancestors."

He turned to ask some question about it, and observed to his surprise that Mrs. Melcombe had left the room, and he was alone with Laura, who had seated herself on a sofa and taken a long piece of crochet-work from her pocket, which she was doing almost with the air of one who waits patiently till somebody else has finished his investigations.

"I thought you would be interested in that picture," she said; "you recognise it, I suppose?"

"No!" he exclaimed.

"It used not to be here," said Laura; "the dear grandmother, as long as she lived, always had it in her bedroom. It's Mr. Mortimer, your stepfather, when he was a boy, and that was his dog, a great favourite; when he ran away the dog disappeared--it was always supposed that it ran after him. I suppose," continued Laura, impelled to say this to some one who was sure to be impressed by it--"I suppose n.o.body ever did mourn as my grandmother did over the loss of those two sons. Yet she never used to blame them."

They did run away then, and they did keep away, and yet she did not blame them. How deeply pathetic these things seemed. Whatever it might be that had made his step-father write that letter, it appeared now to be thrown back to the time when he had divided himself thus from his family and taken his boy brother with him.

"And that other portrait," said Laura, "we found up in one of the garrets, and hung here when the house was restored. It is the portrait of my grandmother's only brother, who was sixteen or eighteen years younger than she was. His name was Melcombe, which was her maiden name, but ours, you know, was really Mortimer. It is very much darkened by time and neglect, and never was of any particular value."

"What has he got under his arm?" said Brandon.

"I think it is a c.o.c.ked hat or some kind of hat. I think they wore c.o.c.ked hats then in the navy; he was a lieutenant in the navy. You see some sort of gold lace on it, and on the hilt of his sword."

"Did he die at sea?" asked Brandon.

"Yes. My great-grandfather left this place to his son, and as he died unmarried it was to come to our eldest uncle, and then to grandmother, as it did, you know."

"'Its name was Melcombe, and it came from the sea,'" Brandon repeated inwardly, adding, "Well, the _ghost_ can have had nothing to do with this mystery. I shall trouble myself no more about him."

"He was only about a year older than my oldest uncle," proceeded Laura, "for grandmother married at seventeen."

Brandon looked again. Something in the two pictures reminded him of the portraits of the Flambourgh family. They had evidently been done by the same artist. Each youth had something under his left arm, each was turning his face slightly, and they both looked the same way. Young Daniel Mortimer was so placed that his quiet eyes seemed to be always regarding the hearth, now empty of warmth. The other, hung on the same wall, seemed to look out into the garden, and Laura said in a sentimental way that, considering the evident love she had borne her grandmother, was not at all out of place.

"There is a bed of lilies that dear grandmother used to love to watch, and Amelia and I thought it interesting when we had had this picture put up to observe that its eyes seemed to fall on the same place. They were not friends, my grandmother and her brother, and no doubt after his death my grandmother laid their frequent quarrels to heart, for she could never bear to mention him, though she had a beautiful monument put up to his memory. You must go and see it, Mr. Brandon. We have lately had it cleaned, and dear grandmother's name added under his."

"I will," said Brandon.

CHAPTER XIII.

VENERABLE ANCIENTRY.

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Fated to Be Free Part 20 summary

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