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Famous Modern Ghost Stories Part 17

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"The collections?" I asked, entering the room. "You must be very careful in packing those b.u.t.terfly cases; the slightest jar might break wings and antennas, you know."

Le Bihan shook hands with me and pointed to the great pile of boxes.

"They're all cork lined," he said, "but Fortin and I are putting felt around each box. The Entomological Society of Paris pays the freight."

The combined collection of the Red Admiral and the Purple Emperor made a magnificent display.

I lifted and inspected case after case set with gorgeous b.u.t.terflies and moths, each specimen carefully labelled with the name in Latin. There were cases filled with crimson tiger moths all aflame with color; cases devoted to the common yellow b.u.t.terflies; symphonies in orange and pale yellow; cases of soft gray and dun-colored sphinx moths; and cases of grayish nettle-bed b.u.t.terflies of the numerous family of Vanessa.

All alone in a great case by itself was pinned the purple emperor, the Apatura Iris, that fatal specimen that had given the Purple Emperor his name and quietus.

I remembered the b.u.t.terfly, and stood looking at it with bent eyebrows.

Le Bihan glanced up from the floor where he was nailing down the lid of a box full of cases.

"It is settled, then," said he, "that madame, your wife, gives the Purple Emperor's entire Collection to the city of Paris?"

I nodded.

"Without accepting anything for it?"

"It is a gift," I said.

"Including the purple emperor there in the case? That b.u.t.terfly is worth a great deal of money," persisted Le Bihan.

"You don't suppose that we would wish to sell that specimen, do you?" I answered a trifle sharply.

"If I were you I should destroy it," said the mayor in his high-pitched voice.

"That would be nonsense," said I, "like your burying the bra.s.s cylinder and scroll yesterday."

"It was not nonsense," said Le Bihan doggedly, "and I should prefer not to discuss the subject of the scroll."

I looked at Max Portin, who immediately avoided my eyes.

"You are a pair of superst.i.tious old women," said I, digging my hands into my pockets; "you swallow every nursery tale that is invented."

"What of it?" said Le Bihan sulkily; "there's more truth than lies in most of 'em."

"Oh!" I sneered, "does the Mayor of St. Gildas and St. Julien believe in the loup-garou?"

"No, not in the loup-garou."

"In what, then-Jeanne-la-Flamme?"

"That," said Le Bihan with conviction, "is history."

"The devil it is!" said I; "and perhaps, Monsieur the mayor, your faith in giants is unimpaired?"

"There were giants-everybody knows it," growled Max Fortin.

"And you a chemist!" I observed scornfully.

"Listen, Monsieur Darrel," squeaked Le Bihan; "you know yourself that the Purple Emperor was a scientific man. Now suppose I should tell you that he always refused to include in his collection a Death's Messenger?"

"A what?" I exclaimed.

"You know what I mean-that moth that flies by night; some call it the Death's Head, but in St. Gildas we call it 'Death's Messenger.'"

"Oh!" said I, "you mean that big sphinx moth that is commonly known as the 'death's-head moth.' Why the mischief should the people here call it death's messenger?"

"For hundreds of years it has been known as death's messenger in St. Gildas," said Max Fortin. "Even Froissart speaks of it in his commentaries on Jacques Sorgue's Chronicles. The book is in your library."

"Sorgue? And who was Jacques Sorgue? I never read his book."

"Jacques Sorgue was the son of some unfrocked priest-I forget. It was during the crusades."

"Good Heavens!" I burst out, "I've been hearing of nothing but crusades and priests and death and sorcery ever since I kicked that skull into the gravel pit, and I am tired of it, I tell you frankly. One would think we lived in the dark ages. Do you know what year of our Lord it is, Le Bihan?"

"Eighteen hundred and ninety-six," replied the mayor.

"And yet you two hulking men are afraid of a death's-head moth."

"I don't care to have one fly into the window," said Max Fortin; "it means evil to the house and the people in it."

"G.o.d alone knows why he marked one of his creatures with a yellow death's head on the back," observed Le Bihan piously, "but I take it that he meant it as a warning; and I propose to profit by it," he added triumphantly.

"See here, Le Bihan," I said; "by a stretch of imagination one can make out a skull on the thorax of a certain big sphinx moth. What of it?"

"It is a bad thing to touch," said the mayor wagging his head.

"It squeaks when handled," added Max Fortin.

"Some creatures squeak all the time," I observed, looking hard at Le Bihan.

"Pigs," added the mayor.

"Yes, and a.s.ses," I replied. "Listen, Le Bihan: do you mean to tell me that you saw that skull roll uphill yesterday?"

The mayor shut his mouth tightly and picked up his hammer.

"Don't be obstinate," I said; "I asked you a question."

"And I refuse to answer," snapped Le Bihan. "Fortin saw what I saw; let him talk about it."

I looked searchingly at the little chemist.

"I don't say that I saw it actually roll up out of the pit, all by itself," said Fortin with a shiver, "but-but then, how did it come up out of the pit, if it didn't roll up all by itself?"

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Famous Modern Ghost Stories Part 17 summary

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