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Exceptions To Reality Part 14

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Mudge made a face. "More incomprehensible spellsinger lyrics?"

"Run!" Turning, Jon-Tom broke into a desperate sprint. How far up the tunnel had they come? How far was it back to the pa.s.senger platform?

As the light of the oncoming train bore down on them, he fumbled with the duar and with memories of train-related songs. There was the theme from the film Trainspotting Trainspotting-no, that probably wouldn't work. He could not remember the words to "A Train a-Comin'." Heavy metal, punk, ska, even industrial had little use for trains.

He was frantically seeking efficacious lyrics as the train bore down on them. The engineer saw the wide-eyed trio running in front of his engine and threw on the brakes. An ear-piercing screeee! screeee! echoed from the walls of the tunnel. Too little, too late. echoed from the walls of the tunnel. Too little, too late.

Jon-Tom found himself stumbling, going down. As he fell, he saw something directly beneath him. It was not the empty candy wrappers or stubbed cigarettes or torn, useless lotto tickets that drew his attention. It was a flat circle of softly seething black mist, lying neatly between but not touching the tracks or the center rail. He let himself fall, hoping his companions would see what was happening to him, hoping they would follow.



Of course, it might simply be a lingering patch of black fog, rising from the heat of the tracks.

He felt himself thankfully, blissfully, continuing to fall long after he should have struck the ground.

Seeming to pa.s.s directly over his head, barely inches from his ear, the roar of the train faded. He hit the ground, rolled, and opened his eyes. They were still in his head, which was in turn still attached to his shoulders. These were good signs. Sitting up, he rubbed the back of his neck and winced. Reaching around behind him, he found that the precious duar had taken a battering from the fall but was still intact.

Nearby, Mudge cast a pain-racked eye at his friend. "That's it, mate. I've bleedin' 'ad it, I 'ave. Gimme me share o' old Wolfham's gold and I'll be quietly on me way." Behind him a groaning Stromagg was just starting to regain consciousness.

Looking away from the angry otter, Jon-Tom found himself staring. "Don't you think you ought to have a look around, first?"

"Why? Wot the b.l.o.o.d.y 'ell should I..." The otter broke off, joined his friend in gawking silently.

Namur Castle rose from a narrow ridge of rock surrounded on all sides by sheer precipices. A wooden bridge crossed from the mountainside on which man and otter found themselves to a small intervening pinnacle, from where a second, slightly narrower bridge arched upward to meet a high wooden doorway. Towering granite spires rose on all sides, while a tree-lined flat-topped plateau dominated the distant horizon. Jon-Tom and his companions were enthralled. It was an impressive setting.

The London Underground, bemused pedestrians, and wild-eyed pursuing costumers were nowhere to be seen.

Starting across the first bridge, a cautious Mudge glanced over the single railing. Like a bright blue ribbon dropped from a giant's hand, a small river wound and twisted its way through the deep canyon beneath. They reached the intervening pinnacle and crossed the second bridge, whereupon they found themselves confronting a ma.s.sive, iron-bound door.

Tilting back his head, Mudge rested hands on low hips and muttered to his friend and companion. "Wot now, Mr. Spelltwit, sor? You goin' to sing us up a key, or wot?"

An annoyed Jon-Tom contemplated the barrier. "Give me a minute, Mudge. I got us here, didn't I?"

The otter snorted softly. "Oi, that you did-though one might complain about the roundaboutness o' the route you chose. 'London,' it were called?" He shook his head dolefully. "Give me Lynchbany any day."

While man and otter argued, the silent Stromagg approached the impediment, spent a moment contemplating the wood and iron, then balled both paws into fists the size of cannonb.a.l.l.s. Raising them high over his head and rising on tiptoes-a sight in itself to behold-he brought both fists down and forward with all his considerable weight behind them. The center of the door promptly imploded in a cloud of shattered slats and splinters. Dust rose from the apex of the destruction.

Approaching cautiously, Mudge peered through the newly made opening. "So much for a bloomin' key."

The interior of the foyer was dim, illuminated only by light shining through high windows. Nothing moved within, not even a piebald rat. Mudge's sensitive nose was working overtime, his long whiskers twitching.

"Sure you got the right towerin', forebodin' castle 'ere, mate?"

Jon-Tom continued through the high vestibule, eyed the sweeping double stairway at the far end of the great room. "I sang for one and one only. This has to be the right place."

Still, he found himself wondering and worrying until their explorations eventually brought them to an expansive, exquisitely decorated bedchamber. Rainbow-hued light poured in through stained-gla.s.s windows, burnishing the furnishings with gold and turning the canopied, lace-netted bed at the far end to filigreed sunshine.

The woman who slept thereon might or might not be a princess, but she was certainly of ravishing beauty. She was sleeping peacefully on her back, her hands folded across her chest, a soft smile on her full lips. Slapping away Mudge's fingers, Jon-Tom considered the somnifacient figure thoughtfully.

"Something familiar about this..."

V.

"Not to mention somethin' irregular." Mudge contemplated the unconscious female with mixed emotions. "That Wolfsheep didn't say anythin' about 'is beloved bein' in a coma. 'Ow are you supposed to sing 'er a song o' love if she can't bleedin' 'ear you?"

The soft shussh of leather on stone made the trio turn as one. Standing in the doorway was their erstwhile employer, but it was a Wolfram transformed. No longer the supplicating elder, he seemed to have grown taller in stature and broader of frame. His formerly simple cloth cloak glistened in the stained-gla.s.s light, and the vitreous globe atop his staff flickered with caged lightning. His entire being and bearing radiated barely restrained power.

"So you have done that which I could not." Stepping into the room, he ignored them to focus his attention on the figure lying supine in the bed. "Ignorant sots. Did you really think that I, Wolfram the Magnificent, the All-Consuming, Master of the Warmlands, would consign the future of the Mistress of the Namur to your puerile attentions?"

As he replied, Jon-Tom slowly edged his duar around in front of him. "Somehow I knew you'd say something like that."

A belligerent Mudge stepped forward. "If you're so b.l.o.o.d.y all-whatever, guv'nor, then wot did you need us poor souls for?"

The sorcerer gazed down contemptuously. "Isn't it obvious? The bonds that conceal this place are such as I cannot penetrate. It needs the attention of a kind of magic entirely different from what I propound, powerful as that may be. It required someone such as an innocent spellsinger to blaze a path here and divert any dangers that might lie along the way. This so that I could follow safely in your wake-as I have done."

"Then," Jon-Tom said, indicating the exquisite figure reposing serenely in the bed, "this isn't your beloved?"

"Oh, but she is." Wolfram smiled thinly from behind his narrow, pointed beard. "It is just that she does not know it yet. You see, whoever touches the princess in such a way as to rouse her from her sleep shall make of her a perfect match to the one who does the touching, and shall have her to wife, thus acquiring dominion over this portion of an important realm and its concurrent significant interdimensionality."

"Is that all?" Mudge was studying his fingernails. "'Tis okay by me, guv."

"Oh no it isn't." Jon-Tom advanced to stand alongside the otter. "If an interdimensionality is involved here, it means that this piece of whiskery double-crossing sc.u.m might be able to make trouble in my world as well."

The otter shrugged. "Not me problem. Mayhap 'is meddlin's might improve that revoltin' London place."

The sorcerer nodded knowingly. "I thought I would have no trouble with you three."

His fingers creeping across the strings of the duar, Jon-Tom mentally considered and discarded a dozen different songs. Which would be the most effective against a powerful, malign personality like Wolfram? Knowing little about the man, it was hard to conjure something specific. Then he recalled the sorcerer's words, and knew what he needed to do.

Whirling, he made a dive for the bed.

"Ha.s.sone!" Raising his staff, Wolfram thrust it in the spellsinger's direction. Gray vapor shot from the globe at its terminus to coalesce directly between the diving Jon-Tom and the bed. Slamming into the abruptly materialized wall of solid rock, Jon-Tom stumbled once, staggered slightly, and then crumpled to the floor. Raising his staff, Wolfram thrust it in the spellsinger's direction. Gray vapor shot from the globe at its terminus to coalesce directly between the diving Jon-Tom and the bed. Slamming into the abruptly materialized wall of solid rock, Jon-Tom stumbled once, staggered slightly, and then crumpled to the floor.

Gathering anxiously around their fallen comrade, Mudge and Stromagg exchanged a look, then turned their rising ire on the serene figure of Wolfram. Raising their weapons, they rushed the sorcerer, each screaming his own battle cry.

"BEEER!" The grizzly's bellow echoed off the walls and rattled the stained-gla.s.s windows. The grizzly's bellow echoed off the walls and rattled the stained-gla.s.s windows.

"No refunds!" the otter howled in tandem. the otter howled in tandem.

"Parimazzo!" Wolfram countered, bringing his glowing staff around in a sweeping arc parallel to the floor. Wolfram countered, bringing his glowing staff around in a sweeping arc parallel to the floor.

Rising from the stone underfoot, all manner of fetid, armed horrors confronted the onrushing duo, swinging weapons made of the same stone as that from which they had been called forth. Mildly amused, Wolfram leaned on his staff and coolly observed the battle that ensued.

Behind the fracas, a groggy Jon-Tom slowly came around. Seeing what was taking place, he reached cautiously for his duar. Still lying on the floor, trying to avoid Wolfram's notice, he began to play, and started to sing.

"Once there was an-urrrp!"

The unexpected belch did more than put a crimp in the chosen spellsong. The visible, tangible result was a solid, softly glowing jet-black musical quarter note that hovered in the air a foot or so in front of the astonished Jon-Tom's face.

"Well what do you know," he murmured to himself. "Music really does does look like that." look like that."

Reaching up he grabbed the note, rose, whirled it over his head, and flung it in Wolfram's direction. Seeing it coming, the startled sorcerer raised his staff to defend himself. The note pa.s.sed right through the protective glow to smack the startled mage on the forehead and send him staggering backward.

Emboldened, avoiding the nearby swordplay, Jon-Tom strode determinedly toward the stunned sorcerer, playing, singing, and belching as never before.

"And ever the drink-urp-shall flow freely-breep-to the sea-burk..."

Each belch produced a fresh glowing note, which he heaved one after another in the direction of the now panicking Wolfram. Desperate, the wizard executed a small motion in the air with his staff.

"Immunitago!" A pair of large earm.u.f.fs appeared before him, drifted backward to settle themselves against his ears. Slowly his confident smile returned. Staff up-raised, he started toward Jon-Tom. Now the notes thrown by the spellsinger burst harmlessly in the air before reaching their target. A pair of large earm.u.f.fs appeared before him, drifted backward to settle themselves against his ears. Slowly his confident smile returned. Staff up-raised, he started toward Jon-Tom. Now the notes thrown by the spellsinger burst harmlessly in the air before reaching their target.

It was a newly anxious Jon-Tom's turn to retreat. Changing tactics as he backpedaled, he also changed music. The roar of Rammstein thundered through the chaotic chamber. The duar glowed angrily, fiery with bist bist mist. mist.

Shaken by the heavy-metal chords, Wolfram halted and clutched at his stricken ears. Trying to keep the earm.u.f.fs from vibrating off his head, he flung a wild blast from his staff. Ducking, Jon-Tom watched as the flare of malevolent energy shot over his head.

To strike the grizzly, who was busy turning his stony, stone-faced a.s.sailants into gravel.

"Stromagg!" a pained Jon-Tom yelled.

The force of the blast blew the bear backward into, and through, the stone wall that Wolfram had conjured earlier to encircle the sleeping princess. Rock went flying as the barely conscious bear landed on the bed. Groaning, he rolled to his right. His arm rose, arced, and fell feebly-to land on the waist of the slumbering princess.

Aghast, a horrified Wolfram let out a shriek of despair. "Nooo!" "Nooo!" Jon-Tom remembered the sorcerer's words. Jon-Tom remembered the sorcerer's words.

Whoever touches the princess in such a way as to rouse her from her sleep shall make of her a perfect match to the one who does the touching, and shall have her to wife.

A delicate, swirling haze now rose about and enveloped the Princess Larinda. Her outline shimmered, shifted, flowed. She was changing, metamorphosing, into...

When the mist finally cleared, not one but two grizzlies lay rec.u.mbent on the bed. One was clad in armor, the other in attire most elegant and comely. Rubbing at her eyes, the princess sat up and turned to gaze at her savior. Blinking, holding one hand to his bleeding head, Stromagg looked back. Instantly the pain of the sorcerer's perfidious blow was forgotten.

"Duhh-wow!"

"No, no, no!" Shrouded in tantrum sorceral, a despairing Wolfram was jumping up and down, swinging his deadly staff indiscriminately.

Sitting up on the bed, which now creaked alarmingly beneath the unexpected weight, Stromagg took both of the princess's hands-or rather, paws-in his own and gazed deeply into dark brown eyes that mirrored his.

"Duh, hiya."

Long lashes fluttered as she met his unflinching, if somewhat overwhelmed, gaze. "I always did like the strong, silent type."

"This shall not last! By my oath, I swear it!" Numinous cape swirling about him, Wolfram whirled and fled through the open doorway. "I shall find a way to renew the sleeping spell. Then it will most a.s.suredly be I who awakens her the second time!"

Lightning flickering from his staff of theurgic power, he raced unimpeded down the stairway and back through the foyer. Outside the smashed main doorway, the bridge back to the rest of reality beckoned.

From the shadows there emerged a foot. A furry foot, sandal-clad. It interposed itself neatly between the sorcerer's feet.

Looking very surprised, Wolfram tripped down and forward, his momentum carrying him right over the side of the bridge. As he fell, he looked back up at a rapidly shrinking fuzzy face, astonished that he could have been defeated by something so common, so ordinary. As he plunged downward, he flailed madly for the staff he had dropped while stumbling. Though he never succeeded in recovering it, at least staff and owner hit the bottom of the canyon in concert.

Peering over the side of the bridge, Mudge let out a derisive whistle. "Bleedin' wizards never look where they're goin'."

By the time the otter rejoined his companions, Jon-Tom was facing a revitalized Stromagg and his new-found paramour. The paws of each grizzly were locked in the other's grasp.

"Sorry, guys," Stromagg was murmuring. "I think I'd kinda like to stay here."

Jon-Tom was grinning. "I can't imagine why."

A familiar hand tapped him on the arm. "You'd best lose that sappy grin now, guv, or they'll likely 'ang you for it back in Lynchbany. You look b.l.o.o.d.y thick."

"Be at peace, my good friends and saviors." Though rather deeper than was traditional, the voice of the restored princess was still sweet and feminine. "I have some small powers. I promise that upon your return home, you will receive a reward in the form of whatever golden coins you have most recently handled and that these shall completely fill your place of dwelling. As Mistress of the Namur, this I vow."

"Well, now, luv," declared a delighted Mudge. "That's more like it!"

It took some time, and not a small adventure or two, before they found themselves once more back in their beloved Bellwoods. Espying his riverbank home, a tired and dusty Mudge broke into a run.

"Time to cash in, mate! Remember the hairy princess's promise."

Following at a more leisurely pace, Jon-Tom was just in time to see his friend fling open his front door-only to be buried beneath an avalanche of gleaming golden discs. Hurrying forward, he dragged the otter clear of the mountain of metal.

"Rich, rich! At last! Finally!" The otter was beside himself with glee.

Or was, until he peered more closely at a handful of the discs. Doubt washed over his furry face. "'Tis odd, mate, but I swear I ain't never before seen gold like this."

Gathering up a couple of the discs, Jon-Tom regarded them with a resigned expression. "That's because it's not gold, Mudge."

"Not gold?" Sputtering outrage, the otter sprang to his feet. Which, given the shortness of his legs, was a simple enough maneuver. "But the princess bleedin' promised, she did. 'The last golden coin I 'andled,' she said. I remember! That were wot that slimy Wolfram character paid us with at the tavern back in Timswitty." His expression darkened. "You're shakin' your 'ead, mate. I don't like it when you shake your 'ead."

"She said 'golden coin,' Mudge. Not 'gold coin.'" His open palm displayed the discs. "Remember when we were fleeing my world? These are London Underground tokens, Mudge." At the otter's openmouthed look of horror, he added unhelpfully, "Look at it this way: You can ride free around Greater London for the rest of eternity." coin,' Mudge. Not 'gold coin.'" His open palm displayed the discs. "Remember when we were fleeing my world? These are London Underground tokens, Mudge." At the otter's openmouthed look of horror, he added unhelpfully, "Look at it this way: You can ride free around Greater London for the rest of eternity."

Sitting down hard on the useless h.o.a.rd, the otter slowly removed his feathered cap from between his ears and let it dangle loosely from his fingers. "I don't suppose-I don't suppose you 'ave a worthy spellsong for rescuin' this sorry situation, do you, mate?"

Bringing the duar around, Jon-Tom shrugged. "No harm in trying."

But Pink Floyd's "Money" did not turn the tokens to real gold, nor did all the otter tears that spilled into the black river all the rest of that memorable day...

Redundancy

This story was originally commissioned for UNIX UNIX magazine. New intelligent software had been developed that allowed a computer to make decisions not only based on a predetermined set of standards, but also by appraising and evaluating situations and reaching an appropriate conclusion on its own. Similar software helps the Mars rovers to navigate independently while out of the range of communication with Earth. magazine. New intelligent software had been developed that allowed a computer to make decisions not only based on a predetermined set of standards, but also by appraising and evaluating situations and reaching an appropriate conclusion on its own. Similar software helps the Mars rovers to navigate independently while out of the range of communication with Earth.

The tale never appeared in UNIX UNIX magazine because, according to the editor who commissioned it, his superiors felt that a science-fiction story was not appropriate for a venue that dealt with actual science. This would, I think, be news to several generations of scientists, engineers, and researchers who have ofttimes been inspired by the science-fiction stories they read while growing up. magazine because, according to the editor who commissioned it, his superiors felt that a science-fiction story was not appropriate for a venue that dealt with actual science. This would, I think, be news to several generations of scientists, engineers, and researchers who have ofttimes been inspired by the science-fiction stories they read while growing up.

In composing stories, I frequently have to try to put myself in the mental and physical position of various aliens. Though designed by humans, nonhumanoid machines still qualify as perfectly alien. What, really, is your computer thinking when you put it, and yourself, to sleep? Relying entirely on the standards and practices that have been programmed into it, how could one possibly make what in the last a.n.a.lysis amounts to a moral or ethical decision?

In Tom G.o.dwin's cla.s.sic SF story "The Cold Equations," a human is forced to make a life-or-death decision in a machine-like fashion.

What if the reverse were true?

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Exceptions To Reality Part 14 summary

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