English Literature for Boys and Girls Part 59

The crew of each vessel made themselves a cabin of turf and wood, at some distance from each other, to fence themselves against the inclemencies of the weather, which was severe beyond imagination.

"We soon observed, that in talking to one another we lost several of our words, and could not hear one another at above two yards'

distance, and that too when we sat very near the fire. After much perplexity, I found that our words froze in the air before they could reach the ears of the persons to whom they were spoken. I was soon confirmed in this conjecture, when, upon the increase of the cold, the whole company grew dumb, or rather deaf. For every man was sensible, as we afterwards found, that he spoke as well as ever, but the sounds no sooner took air than they were condensed and lost.

"It was now a miserable spectacle to see us nodding and gaping at one another, every man talking, and no man heard. One might observe a seaman that could hail a ship at a league distance, beckoning with his hands, straining his lungs, and tearing his throat, but all in vain.

"We continued here three weeks in this dismal plight. At length, upon a turn of wind, the air about us began to thaw. Our cabin was immediately filled with a dry clattering sound, which I afterwards found to be the crackling of consonants that broke above our heads, and were often mixed with a gentle hissing, which I imputed to the letter S, that occurs so frequently in the English tongue.

"I soon after felt a breeze of whispers rushing by my ear; for those, being of a soft and gentle substance, immediately liquified in the warm wind that blew across our cabin. These were soon followed by syllables and short words, and at length by entire sentences, that melted sooner or later, as they were more or less congealed; so that we now heard everything that had been spoken during the whole three weeks that we had been silent; if I may use that expression.

"It was now very early in the morning, and yet, to my surprise, I heard somebody say, 'Sir John, it is midnight, and time for the ship's crew to go to bed.' This I knew to be the pilot's voice, and upon recollecting myself I concluded that he had spoken these words to me some days before, though I could not hear them before the present thaw. My reader will easily imagine how the whole crew was amazed to hear every man talking, and seeing no man opening his mouth."

When the confusion of voices was pretty well over Sir John proposed a visit to the Dutch cabin, and so they set out. "At about half a mile's distance from our cabin, we heard the groanings of a bear, which at first startled us. But upon inquiry we were informed by some of our company, that he was dead, and now lay in salt, having been killed upon that very spot about a fortnight before, in the time of the frost."

Having reached the Dutch cabin the company was almost stunned by the confusion of sounds, and could not make out a word for about half an hour. This, Sir John thinks, was because the Dutch language being so much harsher than ours it "wanted more time than ours to melt and become audible."

Next they visited the French cabin and here Sir John says, "I was convinced of an error into which I had before fallen. For I had fancied, that for the freezing of the sound, it was necessary for it to be wrapped up, and, as it were, preserved in breath. But I found my mistake, when I heard the sound of a kit playing a minuet over our heads."

The kit was a small violin to the sound of which the Frenchmen had danced to amuse themselves while they were deaf or dumb. How it was that the kit could be heard during the frost and yet still be heard in the thaw we are not told. Sir John gave very good reasons, says Addison, but as they are somewhat long "I pa.s.s over them in silence."*

*Tatler, 254.

Addison and Steele carried on the Tatler for two years, then it was stopped to make way for a far more famous paper called the Spectator. But meanwhile the Whigs fell from power and Addison lost his Government post. In twelve months, he said to a friend, he lost a place worth two thousand pounds a year, an estate in the Indies, and, worst of all, his lady-love. Who the lady-love was is not known, but doubtless she was some great lady ready enough to marry a Secretary of State, but not a poor scribbler.

As Addison had now no Government post, it left him all the more time for writing, and his essays in the Spectator are what we chiefly remember him by.

The Spectator was still further from the ordinary newspaper than the Tatler. It was more perhaps what our modern magazines are meant to be, but, instead of being published once a week or once a month, it was published every morning.

In order to give interest to the paper, instead of dating the articles from various coffee-houses, as had been done in the Tatler, Addison and Steele between them imagined a club. And it is the doings of these members, their characters, and their lives, which supply subjects for many of the articles. In the first numbers of the Spectator these members are described to us.

First of all there is the Spectator himself. He is the editor of the paper. It is he who with kindly humorous smile and grave twinkle in his eye is to be seen everywhere. He is seen, and he sees and listens, but seldom opens his lips. "In short," he says, "I have acted in all the parts of my life as a looker-on."

And that is the meaning of Spectator--the looker-on. This on- looker, there can be little doubt, was meant to be a picture of Addison himself. In a later paper he tells us that "he was a man of a very short face, extremely addicted to silence. . . . and was a great humorist in all parts of his life."* And when you come to know Mr. Spectator well, I think you will love this grave humorist.

*Spectator, 101.

After Mr. Spectator, the chief member of the Club was Sir Roger de Coverley. "His great-grandfather was inventor of that famous country dance which is called after him. All who know that shire (in which he lives), are very well acquainted with the parts and merits of Sir Roger. He is a gentleman that is very singular in his behaviour, but his singularities proceed from his good sense, and are contradictions to the manners of the world, only as he thinks the world is in the wrong." He was careless of fashion in dress, and wore a coat and doublet which, he used laughingly to say, had been in and out twelve times since he first wore it.

"He is now in his fifty-sixth year, cheerful, gay, and hearty; keeps a good house both in town and country; a great lover of mankind; but there is such a mirthful cast in his behaviour, that he is rather beloved than esteemed. His tenants grow rich, his servants look satisfied. All the young women profess love to him and the young men are glad of his company. When he comes into a house he calls the servants by their names, and talks all the way upstairs to a visit."

Next came a lawyer of the Inner Temple, who had become a lawyer not because he wanted to be one, but because he wanted to please his old father. He had been sent to London to study the laws of the land, but he liked much better to study those of the stage.

"He is an excellent critic, and the time of the play is his hour of business. Exactly at five he pa.s.ses through New Inn, crosses through Russel Court, and takes a turn at Wills' till the play begins. He has his shoes rubbed and his periwig powdered at the barber's as you go into the Rose."

Next comes Sir Andrew Freeport, "a merchant of great eminence in the City of London." "He abounds in several frugal maxims, amongst which the greatest favorite is, 'A penny saved is a penny got.'"

"Next to Sir Andrew in the Club room sits Captain Sentry, a gentleman of great courage, good understanding, but invincible modesty. He was some years a captain, and behaved himself with great gallantry in several engagements and at several sieges.

But having a small estate of his own, and being next heir to Sir Roger, he has quitted a way of life in which no man can rise suitably to his merit, who is not something of a courtier as well as a soldier. The military part of his life has furnished him with many adventures, in the relation of which he is very agreeable to the company, for he is never overbearing, though accustomed to command men in the utmost degree below him, nor ever too obsequious, from an habit of obeying men highly above him.

"But that our society may not appear a set of humorists, unacquainted with the gallantries and pleasures of the age, we have among us the gallant Will Honeycomb, a gentleman who, according to his years, should be in the decline of his life.

But having ever been very careful of his person, and always had a very easy fortune, time has made but very little impression, either by wrinkles on his forehead, or traces in his brain. His person is well turned, of a good height. He is very ready at that sort of discourse with which men usually entertain women.

He has all his life dressed very well, and remembers habits as other do men. He can smile when one speaks to him, and laugh easily." He is in fact an old beau, a regular man about town, "a well-bred, fine gentleman," yet no great scholar, "he spelt like a gentleman and not like a scholar,"* he says.

*Spectator, 105.

Last of all there is a clergyman, a man of "general learning, great sanct.i.ty of life, and the most exact breeding." He seldom comes to the Club, "but when he does it adds to every man else a new enjoyment of himself."

This setting forth of the characters in the story will remind you a little perhaps of Chaucer in his Prologue to the Canterbury Tales. As he there gives us a clear picture of England in the time of Edward III, so Addison gives us a clear picture of England in the time of Anne. And although the essays are in the main unconnected, the slight story of these characters runs through them, weaving them into a whole. You may pick up a volume of the Spectator and read an essay here or there at will with enjoyment, or you may read the whole six hundred one after the other and find in them a slight but interesting story.

You know that the books many of your grown-up friends read most are called novels. But in the days when Joseph Addison and Richard Steele wrote the Spectator, there were no novels. Even Defoe's stories had not yet appeared, and it was therefore a new delight for our forefathers to have the adventures of the Spectator Club each day with their morning cup of tea or chocolate. "Mr. Spectator," writes one lady, "your paper is part of my tea equipage, and my servant knows my humour so well, that calling for my breakfast this morning (it being past my usual hour) she answered, the Spectator was not yet come in, but that the tea-kettle boiled, and she expected it every moment."

Thus the Spectator had then become part of everyday life just as our morning newspapers have now, and there must have been many regrets among the readers when one member of the supposed Club died, another married and settled down, and so on until at length the Club was entirely dispersed and the Spectator ceased to appear. It may interest you to know that the paper we now call the Spectator was not begun until more than a hundred years after its great namesake ceased to appear, the first number being published in 1828.

It was after the Spectator ceased that Addison published his tragedy called Cato. Cato was a great Roman who rebelled against the authority of Caesar and in the end killed himself. His is a story out of which a good tragedy might be made. But Addison's genius is not dramatic, and the play does not touch our hearts as Shakespeare's tragedies do. Yet, although we cannot look upon Addison's Cato as a really great tragedy, there are lines in it which every one remembers and quotes, although they may not know where they come from. Such are, for instance, "Who deliberates is lost," and

"'Tis not in mortals to command success, But we'll do more, Semp.r.o.nius, we'll deserve it."

But although Cato is not really great, the writer was perhaps the most popular man of his day, and so his tragedy was a tremendous success. With Cato Addison reached the highest point of his fame as an author in his own day, but now we remember him much more as a writer of delightful essays, and as the creator or at least the perfecter of Sir Roger, for to Steele is due the first invention of the worthy knight.

Fortune still smiled on Addison. When George I came to the throne, the Whigs once more returned to power, and Addison again became Secretary for Ireland. He still wrote, both on behalf of his Government and to please himself.

And now, in 1716, when he was already a man of forty-four, Addison married. His wife was the Dowager Countess of Warwick, and perhaps she was that great lady whom he had lost a few years before when he lost his post of Secretary of State. Of all Addison's pleasant prosperous life these last years ought to have been most pleasant and most prosperous. But it has been said that his marriage was not happy, and that plain Mr. Addison was glad at times to escape from the stately grandeur of his own home and from the great lady, his wife, to drink and smoke with his friends and "subjects" at his favorite coffee-house. For Addison held sway and was surrounded by his little court of literary admirers, as Dryden and Ben Jonson before him.

But whether Addison was happy in his married life or not, one sorrow he did have. Between his old friend, d.i.c.k Steele, and himself a coldness grew up. They disagreed over politics.

Steele thought himself ill-used by his party. His impatient, impetuous temper was hurt at the cool balance of his friend's, and so they quarreled. "I ask no favour of Mr. Secretary Addison," writes Steele angrily. During life the quarrel was never made up, but after Addison died Steele spoke of his friend in his old generous manner. Under his new honors and labours Addison's health soon gave way. He suffered much from asthma, and in 1718 gave up his Government post. A little more than a year later he died.

He met his end cheerfully and peacefully. "See how a Christian can die," he said to his wild stepson, the Earl of Warwick, who came to say farewell to his stepfather.

The funeral took place at dead of night in Westminster Abbey.

Whig and Tory alike joined in mourning, and as the torchlight procession wound slowly through the dim isles, the organ played and the choir sang a funeral hymn.

"How silent did his old companions tread, By midnight lamps, the mansions of the dead, Thro' breathing statues, then unheeded things, Thro' rows of warriors, and thro' walks of Kings!

What awe did the slow solemn knell inspire, The pealing organ, and the pausing choir; The duties by the lawn-robed prelate paid, And the last words, that dust to dust conveyed!

While speechless o'er thy closing grave we bend, Accept these tears, thou dear departed Friend!"*

*T. Tickell.

So our great essayist was laid to rest, but it was not until many years had come and gone that a statue in his honor was placed in the Poets' Corner. This, says Lord Macaulay, himself a great writer, was "a mark of national respect due to the unsullied statesman, to the accomplished scholar, to the master of pure English eloquence, to the consummate painter of life and manners.

It was due, above all, to the great satirist, who alone knew how to use ridicule without abusing it, who, without inflicting a wound, effected a great social reform, and who reconciled wit with virtue, after a long and disastrous separation, during which wit had been lead astray by profligacy, and virtue by fanaticism."

BOOKS TO READ

Sir Roger de Coverley. The Coverley Papers, edited by O. M.

Myers.