England, My England Part 21

And then he laughed aloud once more, evidently feeling he had won a big move in his contest with his wife.

'What about the other woman?' I asked.

'Who?'

'elise.'

'Oh'--he shifted uneasily--'she was all right--'

'You'll be getting back to her,' I said.

He looked at me. Then he made a grimace with his mouth.

'Not me,' he said. 'Back your life it's a plant.'

'You don't think the _cher pet.i.t bebe_ is a little Alfred?'

'It might be,' he said.

'Only might?'

'Yes--an' there's lots of mites in a pound of cheese.' He laughed boisterously but uneasily.

'What did she say, exactly?' he asked.

I began to repeat, as well as I could, the phrases of the letter:

'_Mon cher Alfred--Figure-toi comme je suis desolee_--'

He listened with some confusion. When I had finished all I could remember, he said:

'They know how to pitch you out a letter, those Belgian la.s.ses.'

'Practice,' said I.

'They get plenty,' he said.

There was a pause.

'Oh, well,' he said. 'I've never got that letter, anyhow.'

The wind blew fine and keen, in the sunshine, across the snow. I blew my nose and prepared to depart.

'And _she_ doesn't know anything?' he continued, jerking his head up the hill in the direction of Tible.

'She knows nothing but what I've said--that is, if she really burnt the letter.'

'I believe she burnt it,' he said, 'for spite. She's a little devil, she is. But I shall have it out with her.' His jaw was stubborn and sullen.

Then suddenly he turned to me with a new note.

'Why?' he said. 'Why didn't you wring that b---- peac.o.c.k's neck-that b---- Joey?'

'Why?' I said. 'What for?'

'I hate the brute,' he said. 'I had a shot at him--'

I laughed. He stood and mused.

'Poor little elise,' he murmured.

'Was she small--_pet.i.te_?' I asked. He jerked up his head.

'No,' he said. 'Rather tall.'

'Taller than your wife, I suppose.'

Again he looked into my eyes. And then once more he went into a loud burst of laughter that made the still, snow-deserted valley clap again.

'G.o.d, it's a knockout!' he said, thoroughly amused. Then he stood at ease, one foot out, his hands in his breeches pockets, in front of him, his head thrown back, a handsome figure of a man.

'But I'll do that blasted Joey in--' he mused.

I ran down the hill, shouting with laughter.

_You Touched Me_

The Pottery House was a square, ugly, brick house girt in by the wall that enclosed the whole grounds of the pottery itself. To be sure, a privet hedge partly masked the house and its ground from the pottery-yard and works: but only partly. Through the hedge could be seen the desolate yard, and the many-windowed, factory-like pottery, over the hedge could be seen the chimneys and the outhouses. But inside the hedge, a pleasant garden and lawn sloped down to a willow pool, which had once supplied the works.

The Pottery itself was now closed, the great doors of the yard permanently shut. No more the great crates with yellow straw showing through, stood in stacks by the packing shed. No more the drays drawn by great horses rolled down the hill with a high load. No more the pottery-la.s.ses in their clay-coloured overalls, their faces and hair splashed with grey fine mud, shrieked and larked with the men. All that was over.

'We like it much better--oh, much better--quieter,' said Matilda Rockley.

'Oh, yes,' a.s.sented Emmie Rockley, her sister.

'I'm sure you do,' agreed the visitor.

But whether the two Rockley girls really liked it better, or whether they only imagined they did, is a question. Certainly their lives were much more grey and dreary now that the grey clay had ceased to spatter its mud and silt its dust over the premises. They did not quite realize how they missed the shrieking, shouting la.s.ses, whom they had known all their lives and disliked so much.

Matilda and Emmie were already old maids. In a thorough industrial district, it is not easy for the girls who have expectations above the common to find husbands. The ugly industrial town was full of men, young men who were ready to marry. But they were all colliers or pottery-hands, mere workmen. The Rockley girls would have about ten thousand pounds each when their father died: ten thousand pounds' worth of profitable house-property. It was not to be sneezed at: they felt so themselves, and refrained from sneezing away such a fortune on any mere member of the proletariat. Consequently, bank-clerks or nonconformist clergymen or even school-teachers having failed to come forward, Matilda had begun to give up all idea of ever leaving the Pottery House.

Matilda was a tall, thin, graceful fair girl, with a rather large nose.

She was the Mary to Emmie's Martha: that is, Matilda loved painting and music, and read a good many novels, whilst Emmie looked after the house-keeping. Emmie was shorter, plumper than her sister, and she had no accomplishments. She looked up to Matilda, whose mind was naturally refined and sensible.

In their quiet, melancholy way, the two girls were happy. Their mother was dead. Their father was ill also. He was an intelligent man who had had some education, but preferred to remain as if he were one with the rest of the working people. He had a pa.s.sion for music and played the violin pretty well. But now he was getting old, he was very ill, dying of a kidney disease. He had been rather a heavy whisky-drinker.