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En Route Part 14

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Then there was as it were a flash of steel in a dark shower.

In the death-like silence of the church the grinding of the scissors was heard in the ma.s.s of hair which fell under the blades, and then all was silent. Dom Etienne opened his hand, and the rain fell on his knees in long black threads.

There was a sigh of relief when the priests and bridesmaids led away the bride, looking strange in her train, with her head discrowned and her neck bare.

The procession returned almost immediately. There was no longer a bride in a white skirt, but a nun in a black robe.

She bowed before the Trappist, and again knelt between her mother and sister.

Then, while the abbot prayed the Lord to bless his handmaid, the master of the ceremonies and the deacon took, from a credence near the altar, a basket, wherein under loose rose leaves were folded a girdle of untanned leather, emblem of the end of that luxury which the Fathers of the Church placed in the region of the reins, a scapular, symbol of a life crucified to the world, a veil, which signifies the solitude of the life hidden in G.o.d, and the prelate explained the sense of these emblems to the novice, then taking the lighted taper from the candlestick before her, he gave it to her, declaring in one phrase the meaning of his action: "Accipe, charissima soror, lumen Christi."

Then Dom Etienne took the sprinkler which a priest handed him with an inclination, and as in the general absolution of the dead, he sprinkled the girl with holy water in the form of a cross, then he sat down and spoke gently and quietly without using a single gesture.

He spoke to the postulant alone, praising the august and humble life of the cloister. "Look not back," he said, "have no regrets, for by my voice Jesus repeats to you the promise once made to the Magdalen, 'yours is the better part, which shall not be taken away from you.' Say also to yourself, my daughter, that, henceforward, taken away from the eternal trifling of labours in vain, you will accomplish a useful work upon earth, you will practise charity in its highest form, you will make expiation for others, you will pray for those who never pray, you will aid, so far as your strength permits, to make amends for the hate the world bears to the Saviour.

"Suffer and you will be happy; love your spouse, and you will see how tender He is to His elect. Believe me, His love is such that He will not even wait till you are purified by death to recompense you for your miserable mortifications, your poor sufferings. Even before your hour is come, He will heap His graces upon you, and you will beg Him to let you die, so greatly will the excess of these joys exceed your strength."

Little by little the old monk grew warm, and returned to the words of Christ to the Magdalen, showing how in reference to her Jesus set forward the excellence of the contemplative over the other Orders, and gave brief advice, dwelling on the necessity of humility and poverty, which are, as Saint Clare says, the two great walls of cloistered life.

Then he blessed the novice, who kissed his hand, and when she had returned to her place, he prayed to the Lord, lifting his eyes to heaven, that He would accept this nun, who offered herself as a victim for the sins of the world. Then, standing, he intoned the "Te Deum."

Every one rose, and preceded by the cross and torch bearers, the procession pa.s.sed out of the church, and was ma.s.sed in the court.

Then Durtal might have believed himself carried back far from Paris, into the heart of the Middle Ages.

The court, surrounded by buildings, was closed opposite the entrance-gate by a high wall, in the midst of which was a folding-door; on each side six thin pines rocked to and fro, and chanting was heard behind the wall.

The postulant, in front, alone, near the closed door, held her torch, with her head bent. The abbot of La Trappe, leaning on his crosier, waited, unmoving, a few paces from her.

Durtal examined their faces, the girl, so commonplace in her bridal costume, had become charming, her body was now full of a timid grace, the lines, somewhat too marked under her worldly dress, were softened, under her religious shroud her outline was only a simple sketch, it was as though the years had rolled back, and as though there was a return to the forms only prophesied in childhood.

Durtal drew near to examine her better, he tried to look at her face, but under the chill bandage of her head-dress, she remained mute, and as if absent from life, with her eyes closed, and as though she lived only in the smile of her happy lips.

Seen nearer, the monk who had seemed so stout and ruddy in the chapel, seemed also changed, his frame remained robust, and his complexion bright, but his eyes of a light blue, like chalk water, water without reflections or waves, eyes wonderfully pure, changed the common expression of his features, and took away from him that look of a vine-dresser which he had at a distance.

"It is clear," thought Durtal, "that the soul is everything in these people, and their faces are modelled by it. There is a holy clearness in their eyes, and their lips, in those only apertures through which the soul comes to look out of the body, and almost shows itself."

The chants behind the wall suddenly ceased, the girl made a step forward, and knocked with her closed fingers at the door, and then with a failing voice she sang,--

"Aperite mihi portas just.i.tiae: Ingressa in eas, confitebor Domino."

The door opened. Another large court, paved with pebbles was seen, bounded at the end by a building, and all the community, in a sort of semicircle, with black books in their hands, cried,--

"Haec porta Domini: Justi intrabunt in eam."

The novice made another step to the sill and answered in her far-away voice,--

"Ingrediar in loc.u.m tabernaculi admirabilis: usque ad domum Dei."

And the choir of nuns, unmoving, answered,--

"Haec est domus Domini firmiter aedificata: Bene fundata est supra firmam petram."

Durtal hastily looked at those faces which could only be seen for a few minutes and on the occasion of such a ceremony. It was a row of dead bodies standing in black shrouds. All were bloodless, with white cheeks, lilac eyelids and grey lips, the voices of all were exhausted and fined down by prayer, and most of them, even the young, were bent. "Their poor bodies are worn with austere fatigue," thought Durtal.

But his reflections were cut short, the bride, now kneeling on the threshold, turned to Dom Etienne and chanted in a low voice,--

"Haec requies mea in saeculum saeculi: Hic habitabo quoniam elegi eam."

The monk laid aside his mitre and crosier and said,--

"Confirma hoc Deus, quod operatus es in n.o.bis."

And the postulant murmured,--

"A templo sacro tuo quod est in Jerusalem."

Then before re-covering his head and resuming his crosier, the prelate prayed G.o.d Almighty to pour the dew of His blessing on His handmaid; then directing the girl towards a nun who left the group of sisters and advanced to the threshold, he said to her,--

"Into your hands, Madame, we commit this new bride of the Lord, sustain her in the holy resolution she has so solemnly taken upon her, in asking to sacrifice herself to G.o.d as a victim, and to dedicate her life in honour of our Lord Jesus Christ, sacrificed on our altars. Lead her in the way of the divine Commandments, in the practice of the counsels of the Holy Gospel, and in the observance of the monastic rule. Prepare her for the eternal union to which the heavenly Spouse invites her, and from this blessed increase of the flock committed to your charge draw a new motive for maternal care. The peace of the Lord rest upon you."

This was all: the nuns one by one turned and disappeared behind the wall, while the girl followed them like a poor dog, who with drooping head accompanies at a distance a new master.

The folding doors closed.

Durtal remained stupefied, looking at the outline of the white bishop, the backs of the priests who were mounting the steps to give Benediction in the church, while behind them came in tears, their faces in their handkerchiefs, the mother and sister of the novice.

"Well?" said the abbe, pa.s.sing his arm through Durtal's.

"Well, this scene is to my mind the most touching alibi of death that it is possible to see, this living woman, who buries herself in the most frightful of tombs--for in it the flesh continues to suffer--is wonderful.

"I remember that you have yourself told me of the pressure of this observance, and I shivered in thinking of perpetual Adoration, in those winter nights, when a child like this is awakened out of her first sleep, and cast into the darkness of a chapel where unless she faints from weakness or terror, she must pray alone, through the freezing hours on her knees on the pavement.

"What pa.s.ses in that conversation with the unknown, that interview with the Shadow? Does she succeed in escaping from self, and in leaving the earth, in gaining, on the threshold of Eternity, the inconceivable Spouse, or does the soul, powerless to spring on high, remain riveted to the soil?

"We figure her to ourselves, her face bent forward, her hands joined, making appeal to herself, concentrating herself, in order to pour herself forth the better, and we imagine her thus sickly, with no strength left, trying to set her soul on fire in a shivering frame. But who can tell if on certain nights she attains to it?

"Ah! those poor lamps of exhausted oil, of flames almost dead, which tremble in the obscurity of the sanctuary, what will G.o.d make of them?

"Then there was the family present at the taking the habit, and if the daughter filled me with enthusiasm I could not restrain myself from pitying the mother. Think if the daughter died, the mother would embrace her, would perhaps speak to her, or if she did not recognize her, it would at least not be with her own good will; but in this case it is not the body, but the very soul of her child that dies before her eyes. Of her own accord her child knows her no longer, it is the contemptuous end of an affection. You will admit that for a mother this is very hard."

"Yes, but this so-called ingrat.i.tude, gained at the price of G.o.d knows what struggles, is it not, even apart from the divine vocation, the most equitable repart.i.tion of human love? Think that this elect creature becomes the scapegoat of sins committed, and like a lamentable daughter of Danaus she will unceasingly pour the offering of her mortifications and prayers, of her vigils and fastings, into the bottomless vessel of offences and crimes. Ah! if you knew what it was to repair the sins of the world. In regard to this I remember that one day the abbess of the Benedictines in the Rue Tournefort said to me: 'Since our tears are not holy enough, nor our souls pure enough, G.o.d makes trial of us in our bodies.' Here are long illnesses which cannot be cured, illnesses which doctors fail to understand, and we make thus much expiation for others.

"But if you will think over the ceremony which is just ended, you need not be affected beyond measure or compare it to the well-known ceremonies of a funeral; the postulant whom you saw has not yet p.r.o.nounced her final vows, she can if she choose leave the convent, and return to her own home. At present she is in regard to her mother, a child in a foreign country, a child at school, but she is not a dead child.

"You may say what you please, but there is a tragedy in that door which closed upon her."

"Therefore in the Benedictine convent in the Rue Tournefort, the scene takes place in the interior of the convent, and the family is not present, the mother is spared, but mitigated thus, the ceremony is but a mere form, almost a foolish rule in the seclusion wherein the Faith is hidden."

"Those nuns are also Benedictines of the perpetual Adoration, are they not?"

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En Route Part 14 summary

You're reading En Route. This manga has been translated by Updating. Author(s): Joris-Karl Huysmans. Already has 667 views.

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