Emma McChesney and Co Part 21

"This is my daughter, Miss Gladys Orton-Wells."

Buck found himself wondering why this slim, negative creature should have such sad eyes. There came an impatient snort from Mannie Nussbaum. Buck waved a hasty hand in the direction of Emma's office.

"If you'll wait there, I'll send in to Mrs. Buck."

The three turned toward Emma's bright little office. Buck scribbled a hasty word on one of the cards.

Emma McChesney Buck was leaning over the great cutting-table, shears in hand. It might almost be said that she sprawled. Her eyes were very bright, and her cheeks were very pink. Across the table stood a designer and two cutters, and they were watching Emma with an intentness as flattering as it was sincere. They were looking not only at cloth but at an idea.

"Get that?" asked Emma crisply, and tapped the pattern spread before her with the point of her shears. "That gives you the fulness without bunching, d'you see?"

"Sure," a.s.sented Koritz, head designer; "but when you get it cut you'll find this piece is wasted, ain't it?" He marked out a triangular section of cloth with one expert forefinger.

"No; that works into the ruffle," explained Emma. "Here, I'll cut it.

Then you'll see."

She grasped the shears firmly in her right hand, smoothed the cloth spread before her with a nervous little pat of her left, pushed her bright hair back from her forehead, and prepared to cut. At which critical moment there entered Annie, the errand-girl, with the three bits of white pasteboard.

Emma glanced down at them and waved Annie away.

"Can't see them. Busy."

Annie stood her ground.

"Mr. Buck said you'd see 'em. They're waiting."

Emma picked up one of the cards. On it Buck had scribbled a single word: "Movers." Mrs. T. A. Buck smiled. A little malicious gleam came into her eyes.

"Show 'em in here, Annie," she commanded, with a wave of the huge shears. "I'll teach 'em to interrupt me when I've got my hands in the bluing-water."

She bent over the table again, measuring with her keen eye. When the three were ushered in a moment later, she looked up briefly and nodded, then bent over the table again. But in that brief moment she had the three marked, indexed and pigeonholed. If one could have looked into that lightning mind of hers, one would have found something like this:

"Hmm! What Ida Tarbell calls 'Restless women.' Money, and always have had it. Those hats were born in one of those exclusive little shops off the Avenue. Rich but somber. They think they're advanced, but they still resent the triumph of the motor-car over the horse. That girl can't call her soul her own. Good eyes, but too sad. He probably didn't suit mother."

What she said was:

"Howdy-do. We're just bringing a new skirt into the world. I thought you might like to be in at the birth."

"How very interesting!" chirped the two older women. The girl said nothing, but a look of antic.i.p.ation brightened her eyes. It deepened and glowed as Emma McChesney Buck bent to her task and the great jaws of the shears opened and shut on the virgin cloth. Six pairs of eyes followed the fascinating steel before which the cloth rippled and fell away, as water is cleft by the prow of a stanch little boat. Around the curves went the shears, guided by Emma's firm white hands, snipping, slashing, doubling on itself, a very swashbuckler of a shears.

"There!" exclaimed Emma at last, and dropped the shears on the table with a clatter. "Put that together and see whether it makes a skirt or not. Now, ladies!"

The three drew a long breath. It was the sort of sound that comes up from the crowd when a sky-rocket has gone off successfully, with a final shower of stars.

"Do you do that often?" ventured Mrs. Orton-Wells.

"Often enough to keep my hand in," replied Emma, and led the way to her office.

The three followed in silence. They were strangely silent, too, as they seated themselves around Emma Buck's desk. Curiously enough, it was the subdued Miss Orton-Wells who was the first to speak.

"I'll never rest," she said, "until I see that skirt finished and actually ready to wear."

She smiled at Emma. When she did that, you saw that Miss Orton-Wells had her charm. Emma smiled back, and patted the girl's hand just once.

At that there came a look into Miss Orton-Wells' eyes, and you saw that most decidedly she had her charm.

Up spoke Mrs. Orton-Wells.

"Gladys is such an enthusiast! That's really her reason for being here. Gladys is very much interested in working girls. In fact, we are all, as you probably know, intensely interested in the working woman."

"Thank you!" said Emma McChesney Buck.

"That's very kind. We working women are very grateful to you."

"We!" exclaimed Mrs. Orton-Wells and Miss Susan Croft blankly, and in perfect time.

Emma smiled sweetly.

"Surely you'll admit that I'm a working woman."

Miss Susan H. Croft was not a person to be trifled with. She elucidated acidly.

"We mean women who work with their hands."

"By what power do you think those shears were moved across the cutting-table? We don't cut our patterns with an ouija-board."

Mrs. Orton-Wells rustled protestingly.

"But, my dear Mrs. Buck, you know, we mean women of the Laboring Cla.s.s."

"I'm in this place of business from nine to five, Monday to Sat.u.r.day, inclusive. If that doesn't make me a member of the laboring cla.s.s I don't want to belong."

It was here that Mrs. Orton-Wells showed herself a woman not to be trifled with. She moved forward to the edge of her chair, fixed Emma Buck with determined eyes, and swept into midstream, sails spread.

"Don't be frivolous, Mrs. Buck. We are here on a serious errand. It ought to interest you vitally because of the position you occupy in the world of business. We are launching a campaign against the extravagant, ridiculous, and oftentimes indecent dress of the working girl, with especial reference to the girl who works in garment factories. They squander their earnings in costumes absurdly unfitted to their station in life. Our plan is to influence them in the direction of neatness, modesty, and economy in dress. At present each tries to outdo the other in style and variety of costume. Their shoes are high-heeled, cloth-topped, their blouses lacy and collarless, their hats absurd. We propose a costume which shall be neat, becoming, and appropriate. Not exactly a uniform, perhaps, but something with a fixed idea in cut, color, and style. A corps of twelve young ladies belonging to our best families has been chosen to speak to the shop girls at noon meetings on the subject of good taste, health, and morality in women's dress. My daughter Gladys is one of them. In this way, we hope to convince them that simplicity, and practicality, and neatness are the only proper notes in the costume of the working girl.

Occupying as you do a position unique in the business world, Mrs. Buck, we expect much from your cooperation with us in this cause."

Emma McChesney Buck had been gazing at Mrs. Orton-Wells with an intentness as flattering as it was unfeigned. But at the close of Mrs.

Orton-Wells' speech she was strangely silent. She glanced down at her shoes. Now, Emma McChesney Buck had a weakness for smart shoes which her slim, well-arched foot excused. Hers were what might be called intelligent-looking feet. There was nothing thick, nothing clumsy, nothing awkward about them. And Emma treated them with the consideration they deserved. They were shod now, in a pair of slim, aristocratic, and modish ties above which the grateful eye caught a flashing glimpse of black-silk stocking. Then her eye traveled up her smartly tailored skirt, up the bodice of that well-made and becoming costume until her glance rested on her own shoulder and paused. Then she looked up at Mrs. Orton-Wells. The eyes of Mrs. Orton-Wells, Miss Susan H. Croft, and Miss Gladys Orton-Wells had, by some strange power of magnetism, followed the path of Emma's eyes. They finished just one second behind her, so that when she raised her eyes it was to encounter theirs.

"I have explained," retorted Mrs. Orton-Wells, tartly, in reply to nothing, seemingly, "that our problem is with the factory girl. She represents a distinct and separate cla.s.s."

Emma McChesney Buck nodded:

"I understand. Our girls are very young--eighteen, twenty, twenty-two.

At eighteen, or thereabouts, practical garments haven't the strong appeal that you might think they have."

"They should have," insisted Mrs. Orton-Wells.