Elson Grammar School Literature Part 46

Her oaken ribs the vulture-beak Of Northern ice may peel; The sunken rock and coral peak May grate along her keel; And know we well the painted sh.e.l.l We give to wind and wave, Must float, the sailor's citadel, Or-sink, the sailor's grave!

Ho!--strike away the bars and blocks, And set the good ship free!

Why lingers on these dusty rocks The young bride of the sea?

Look! how she moves adown the grooves, In graceful beauty now!

How lowly on the breast she loves Sinks down her virgin prow!

G.o.d bless her! wheresoe'er the breeze Her snowy wing shall fan, Aside the frozen Hebrides, Or sultry Hindostan!

Where'er, in mart or on the main, With peaceful flag unfurled, She helps to wind the silken chain Of commerce round the world!

Be hers the Prairie's golden grain, The Desert's golden sand, The cl.u.s.tered fruits of sunny Spain, The spice of Morning-land!

Her pathway on the open main May blessings follow free, And glad hearts--welcome back again Her white sails from the sea!

HELPS TO STUDY.

Notes and Questions.

What time of day is indicated in the first and second stanzas?

What tells you this?

How does the smith "scourge" the anvil?

What effect does the poet fancy this has upon the anvil?

Which of these two thoughts do you suppose first occurred to the poet?

What are the "island barges"?

What is a "century-circled oak"? Did you ever see one?

What is Whittier's idea of a shipbuilder's work?

In what way would a "yawning seam" tempt the sea?

What is the "painted sh.e.l.l"?

How is a ship launched?

What other poem have you read which describes the launching of a ship? Who wrote it?

Which poem do you like better? Why?

Words and Phrases for Discussion.,

"gnarled oak"

"faithless joint"

"coral peak"

"the sailor's citadel"

"snowy wing"

"Desert's golden sand"

"spice of Morningland"

OLIVER WENDELL HOLMES

Oliver Wendell Holmes's birth year, 1809, was made memorable on both sides of the Atlantic by the births of Lincoln, Tennyson, Poe, and Gladstone. His father, of colonial descent, was a Congregational minister at Cambridge. On his mother's side--the Wendells or Vondels--he was of Dutch descent.

Holmes was brought up very simply in the old gambrel-roofed house, half parsonage and half farm house. He read the "New England Primer," "Pilgrim's Progress" and such poems as were to be found in the early school books.

Later he was a student at Harvard, a member of the cla.s.s of 1829, which, while not to be compared for literary genius with the Bowdoin cla.s.s of 1825, was one of Harvard's most famous cla.s.ses. Not long after his graduation, the cla.s.s of 1829 began to held annual dinners and Holmes was regularly called upon to furnish an ode for the occasion. It was on the thirtieth anniversary that he wrote and recited "The Boys." In 1889, at the sixtieth anniversary, he wrote the last cla.s.s poem, "After the Curfew."

It was in the first year after his graduation that his verses went into type and then he says he had his first attack of "lead poisoning." After leaving Harvard he studied law for a while and then turned to medicine and surgery, spending two years in study in Paris. It is a singular coincidence and shows his double work in life, that in 1836 when he published his first volume of poems he also took his degree as doctor of medicine. As a physician he was always deeply interested in the problems of heredity and he wrote several novels in which inherited characteristics play an important part.

It was in September, 1830, that Holmes chanced to read in a newspaper of the proposal of the Navy Department to dismantle the frigate Const.i.tution, which had done such good service in 1812 but which was then lying, old and unseaworthy, in the navy yard at Charleston. He wrote at once with a lead pencil on a sc.r.a.p of paper the stirring verses "Old Ironsides" and sent them to the Boston Daily Advertiser, from which they were copied in all the papers of the country. The frigate was converted into a school-ship, and Oliver Wendell Holmes became known as a poet.

On every public occasion which could be enlivened or dignified by a special poem, Dr. Holmes was called upon. Such a position is a trying one and one to which only men with a sense of humor are often called. The doctor rarely refused to respond; so that nearly one-half of his verse is of this occasional character. Much of his verse is in lighter vein, but of the serious, surest in their hold upon his readers are "The Last Leaf" and "The Chambered Nautilus." But Holmes, while he had a genuine gift of song, was no persistent singer like Longfellow or Whittier, and so he reached almost the age of fifty without feeling that the reading public had any special interest in him. Then in 1857, when the Atlantic Monthly was established, and Lowell took the editorship only on condition that Holmes would be a contributor, he wrote the "Autocrat of the Breakfast Table." In this role of talker, comfortable, brilliant, and witty, Holmes made friends wherever the Autocrat was read.

Holmes's intellect remained bright and he continued an active worker into extreme old age. In 1890 he published his last volume, "Over the Teacups."

As one by one this brilliant company of New England writers left the world, Holmes sang to each a farewell song. When his own time came he was really "The Last Leaf upon the Tree." The end came peacefully as he was talking to his son, October 7, 1894.

THE CHAMBERED NAUTILUS

OLIVER WENDELL HOLMES

This is the ship of pearl, which, poets feign, Sails the unshadowed main-- The venturous bark that flings On the sweet summer wind its purpled wings, In gulfs enchanted, where the Siren sings, And coral reefs lie bare, Where the cold sea-maids rise to sun their streaming hair.

Its webs of living gauze no more unfurl; Wrecked is the ship of pearl!

And every chambered cell, Where its dim dreaming life was wont to dwell, As the frail tenant shaped his growing sh.e.l.l, Before thee lies revealed-- Its irised ceiling rent, its sunless crypt unsealed!

Year after year beheld the silent toil That spread his l.u.s.trous coil; Still, as the spiral grew, He left the past year's dwelling for the new, Stole with soft step its shining archway through, Built up its idle door, Stretched in his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn!

Prom thy dead lips a clearer note is born Than ever Triton blew from wreathed horn!

While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:

Build thee more stately mansions, O my soul, As the swift seasons roll!

Leave thy low-vaulted past!

Let each new temple, n.o.bler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown sh.e.l.l by life's unresting sea!