Editorial Wild Oats Part 2

A third joke was played upon Nicodemus a day or two later--he walked up the middle aisle of the village church, Sunday night, with a staring hand-bill pinned between his shoulders. The joker spent the remainder of the night, after church, in the cellar of a deserted house, and Nicodemus sat on the cellar door till towards breakfast-time to make sure that the prisoner remembered that if any noise was made some rough treatment would be the consequence.

The cellar had two feet of stagnant water in it, and was bottomed with six inches of soft mud.

But I wander from the point. It was the subject of skeletons that brought this boy back to my recollection. Before a very long time had elapsed, the village smarties began to feel an uncomfortable consciousness of not having made a very shining success out of their attempts on the simpleton from "old Shelby." Experimenters grew scarce and chary. Now the young doctor came to the rescue.

There was delight and applause when he proposed to scare Nicodemus to death, and explained how he was going to do it. He had a n.o.ble new skeleton--the skeleton of the late and only local celebrity, Jimmy Finn, the village drunkard--a grisly piece of property which he had bought of Jimmy Finn himself, at auction, for fifty dollars, under great compet.i.tion, when Jimmy lay very sick in the tanyard a fortnight before his death. The fifty dollars had gone promptly for whiskey and had considerably hurried up the change of ownership in the skeleton. The doctor would put Jimmy Finn's skeleton in Nicodemus's bed!

This was done--about half-past ten in the evening. About Nicodemus's usual bedtime--midnight--the village jokers came creeping stealthily through the jimpson weeds and sunflowers towards the lonely frame den. They reached the window and peeped in. There sat the long-legged pauper, on his bed, in a very short shirt, and nothing more; he was dangling his legs contentedly back and forth, and wheezing the music of "Camptown Races" out of a paper-overlaid comb which he was pressing against his mouth; by him lay a new jews-harp, a new top, a solid india-rubber ball, a handful of painted marbles, five pounds of "store" candy, and a well-knawed slab of gingerbread as big and as thick as a volume of sheet music. He had sold the skeleton to a travelling quack for three dollars and was enjoying the result!

[Ill.u.s.tration: "WHEEZING THE MUSIC OF 'CAMPTOWN RACES'"]

Mr. Bloke's Item

Our esteemed friend, Mr. John William Bloke, of Virginia City, walked into the office where we are sub-editor at a late hour last night, with an expression of profound and heartfelt suffering upon his countenance, and, sighing heavily, laid the following item reverently upon the desk, and walked slowly out again. He paused a moment at the door, and seemed struggling to command his feelings sufficiently to enable him to speak, and then, nodding his head towards his ma.n.u.script, e.j.a.c.u.l.a.t.ed in a broken voice, "Friend of mine--oh! how sad!" and burst into tears. We were so moved at his distress that we did not think to call him back and endeavor to comfort him until he was gone, and it was too late. The paper had already gone to press, but knowing that our friend would consider the publication of this item important, and cherishing the hope that to print it would afford a melancholy satisfaction to his sorrowing heart, we stopped the press at once and inserted it in our columns:

DISTRESSING ACCIDENT.--Last evening, about six o'clock, as Mr.

William Schuyler, an old and respectable citizen of South Park, was leaving his residence to go down-town, as has been his usual custom for many years with the exception only of a short interval in the spring of 1850, during which he was confined to his bed by injuries received in attempting to stop a runaway horse by thoughtlessly placing himself directly in its wake and throwing up his hands and shouting, which, if he had done so even a single moment sooner, must inevitably have frightened the animal still more instead of checking its speed, although disastrous enough to himself as it was, and rendered more melancholy and distressing by reason of the presence of his wife's mother, who was there and saw the sad occurrence, notwithstanding it is at least likely, though not necessarily so, that she should be reconnoitring in another direction when incidents occur, not being vivacious and on the lookout, as a general thing, but even the reverse, as her own mother is said to have stated, who is no more, but died in the full hope of a glorious resurrection, upward of three years ago, aged eighty-six, being a Christian woman and without guile, as it were, or property, in consequence of the fire of 1849, which destroyed every single thing she had in the world. But such is life. Let us all take warning by this solemn occurrence, and let us endeavor so to conduct ourselves that when we come to die we can do it. Let us place our hands upon our heart, and say with earnestness and sincerity that from this day forth we will beware of the intoxicating bowl.--_First edition of the Californian._

The head editor has been in here raising the mischief, and tearing his hair and kicking the furniture about, and abusing me like a pickpocket. He says that every time he leaves me in charge of the paper for half an hour, I get imposed upon by the first infant or the first idiot that comes along. And he says that that distressing item of Mr. Bloke's is nothing but a lot of distressing bosh, and has no point to it, and no sense in it, and no information in it, and that there was no sort of necessity for stopping the press to publish it.

Now all this comes of being good-hearted. If I had been as unaccommodating and unsympathetic as some people, I would have told Mr. Bloke that I wouldn't receive his communication at such a late hour; but no, his snuffling distress touched my heart, and I jumped at the chance of doing something to modify his misery. I never read his item to see whether there was anything wrong about it, but hastily wrote the few lines which preceded it, and sent it to the printers. And what has my kindness done for me? It has done nothing but bring down upon me a storm of abuse and ornamental blasphemy.

Now I will read that item myself, and see if there is any foundation for all this fuss. And if there is, the author of it shall hear from me.

I have read it, and I am bound to admit that it seems a little mixed at a first glance. However, I will peruse it once more.

I have read it again, and it does really seem a good deal more mixed than ever.

I have read it over five times, but if I can get at the meaning of it, I wish I may get my just deserts. It won't bear a.n.a.lysis. There are things about it which I cannot understand at all. It don't say what ever became of William Schuyler. It just says enough about him to get one interested in his career, and then drops him. Who is William Schuyler, anyhow, and what part of South Park did he live in, and if he started down-town at six o'clock, did he ever get there, and if he did, did anything happen to him? Is _he_ the individual that met with the "distressing accident"? Considering the elaborate circ.u.mstantiality of detail observable in the item, it seems to me that it ought to contain more information than it does. On the contrary, it is obscure--and not only obscure, but utterly incomprehensible. Was the breaking of Mr. Schuyler's leg, fifteen years ago, the "distressing accident" that plunged Mr. Bloke into unspeakable grief, and caused him to come up here at dead of night and stop our press to acquaint the world with the circ.u.mstance? Or did the "distressing accident" consist in the destruction of Schuyler's mother-in-law's property in early times? Or did it consist in the death of that person herself three years ago (albeit it does not appear that she died by accident)? In a word, what _did_ that "distressing accident" consist in? What did that drivelling a.s.s of a Schuyler stand _in the wake_ of a runaway horse for, with his shouting and gesticulating, if he wanted to stop him? And how the mischief could he get run over by a horse that had already pa.s.sed beyond him? And what are we to take "warning" by? And how is this extraordinary chapter of incomprehensibilities going to be a "lesson"

to us? And, above all, what has the intoxicating "bowl" got to do with it, anyhow? It is not stated that Schuyler drank, or that his wife drank, or that his mother-in-law drank, or that the horse drank--wherefore, then, the reference to the intoxicating bowl? It does seem to me that if Mr. Bloke had let the intoxicating bowl alone himself, he never would have got into so much trouble about this exasperating imaginary accident. I have read this absurd item over and over again, with all its insinuating plausibility, until my head swims, but I can make neither head nor tail of it. There certainly seems to have been an accident of some kind or other, but it is impossible to determine what the nature of it was, or who was the sufferer by it. I do not like to do it, but I feel compelled to request that the next time anything happens to one of Mr. Bloke's friends, he will append such explanatory notes to his account of it as will enable me to find out what sort of an accident it was and whom it happened to. I had rather all his friends should die than that I should be driven to the verge of lunacy again in trying to cipher out the meaning of another such production as the above.

[Ill.u.s.tration: "I HAVE READ THIS ABSURD ITEM OVER"]

How I Edited an Agricultural Paper

I did not take temporary editorship of an agricultural paper without misgivings. Neither would a landsman take command of a ship without misgivings. But I was in circ.u.mstances that made the salary an object. The regular editor of the paper was going off for a holiday, and I accepted the terms he offered, and took his place.

The sensation of being at work again was luxurious, and I wrought all the week with unflagging pleasure. We went to press, and I waited a day with some solicitude to see whether my effort was going to attract any notice. As I left the office, towards sundown, a group of men and boys at the foot of the stairs dispersed with one impulse, and gave me pa.s.sageway, and I heard one or two of them say, "That's him!" I was naturally pleased by this incident. The next morning I found a similar group at the foot of the stairs, and scattering couples and individuals standing here and there in the street, and over the way, watching me with interest. The group separated and fell back as I approached, and I heard a man say, "Look at his eye!" I pretended not to observe the notice I was attracting, but secretly I was pleased with it, and was purposing to write an account of it to my aunt. I went up the short flight of stairs, and heard cheery voices and a ringing laugh as I drew near the door, which I opened, and caught a glimpse of two young rural-looking men, whose faces blanched and lengthened when they saw me, and then they both plunged through the window with a great crash. I was surprised.

In about half an hour an old gentleman, with a flowing beard and a fine but rather austere face, entered, and sat down at my invitation.

He seemed to have something on his mind. He took off his hat and set it on the floor, and got out of it a red silk handkerchief and a copy of our paper.

He put the paper on his lap, and while he polished his spectacles with his handkerchief, he said, "Are you the new editor?"

I said I was.

"Have you ever edited an agricultural paper before?"

"No," I said; "this is my first attempt."

"Very likely. Have you had any experience in agriculture practically?"

"No; I believe I have not."

"Some instinct told me so," said the old gentleman, putting on his spectacles, and looking over them at me with asperity, while he folded his paper into a convenient shape. "I wish to read you what must have made me have that instinct. It was this editorial.

Listen, and see if it was you that wrote it:

"Turnips should never be pulled, it injures them. It is much better to send a boy up and let him shake the tree."

"Now, what do you think of that--for I really suppose you wrote it?"

"Think of it? Why, I think it is good. I think it is sense. I have no doubt that every year millions and millions of bushels of turnips are spoiled in this township alone by being pulled in a half-ripe condition, when, if they had sent a boy up to shake the tree--"

"Shake your grandmother! Turnips don't grow on trees!"

"Oh, they don't, don't they! Well, who said they did? The language was intended to be figurative, wholly figurative. Anybody that knows anything will know that I meant that the boy should shake the vine."

Then this old person got up and tore his paper all into small shreds, and stamped on them, and broke several things with his cane, and said I did not know as much as a cow; and then went out and banged the door after him, and, in short, acted in such a way that I fancied he was displeased about something. But not knowing what the trouble was, I could not be any help to him.

Pretty soon after this a long cadaverous creature, with lanky locks hanging down to his shoulders, and a week's stubble bristling from the hills and valleys of his face, darted within the door, and halted, motionless, with finger on lip, and head and body bent in listening att.i.tude. No sound was heard. Still he listened. No sound. Then he turned the key in the door, and came elaborately tiptoeing towards me till he was within long reaching distance of me, when he stopped and, after scanning my face with intense interest for a while, drew a folded copy of our paper from his bosom, and said:

"There, you wrote that. Read it to me--quick! Relieve me. I suffer."

[Ill.u.s.tration: "A LONG CADAVEROUS CREATURE"]

I read as follows; and as the sentences fell from my lips I could see the relief come, I could see the drawn muscles relax, and the anxiety go out of the face, and rest and peace steal over the features like the merciful moonlight over a desolate landscape:

"The guano is a fine bird, but great care is necessary in rearing it. It should not be imported earlier than June or later than September. In the winter it should be kept in a warm place, where it can hatch out its young.

"It is evident that we are to have a backward season for grain.

Therefore it will be well for the farmer to begin setting out his corn-stalks and planting his buckwheat-cakes in July instead of August.

"Concerning the pumpkin.--This berry is a favorite with the natives of the interior of New England, who prefer it to the gooseberry for the making of fruit-cake, and who likewise give it the preference over the raspberry for feeding cows, as being more filling and fully as satisfying. The pumpkin is the only esculent of the orange family that will thrive in the North, except the gourd and one or two varieties of the squash. But the custom of planting it in the front yard with the shrubbery is fast going out of vogue, for it is now generally conceded that the pumpkin as a shade tree is a failure.

"Now, as the warm weather approaches, and the ganders begin to sp.a.w.n"--

The excited listener sprang towards me to shake hands, and said: