Early Letters of George Wm. Curtis to John S. Dwight Part 4

"In Mr. Emerson's house I said it seemed always morning. But Hawthorne's black-ash trees and scraggy apple boughs shaded

'A land in which it seemed always afternoon.'

"I do not doubt that the lotus grew along the gra.s.sy marge of the Concord behind his house, and that it was served, subtly concealed, to all his guests. The house, its inmates, and its life lay dream-like upon the edge of the little village. You fancy that they all came together and belonged together, and were glad that at length some idol of your imagination, some poet whose spell had held you, and would hold you forever, was housed as such a poet should be.

"During the lapse of the three years since the bridal tour of twenty miles ended at the 'two tall gate-posts of roughhewn stone,' a little wicker wagon had appeared at intervals upon the avenue, and a placid babe, whose eyes the soft Concord day had touched with the blue of its beauty, lay looking tranquilly up at the grave old trees, which sighed lofty lullabies over her sleep. The tranquillity of the golden-haired Una was the living and breathing type of the dreamy life of the Old Manse. Perhaps, that being attained, it was as well to go. Perhaps our author was not surprised or displeased when the hints came, 'growing more and more distinct, that the owner of the old house was pining for his native air.' One afternoon I entered the study and learned from its occupant that the last story he should ever write there was written."

In the midnight chapter of his "Blithedale Romance," Hawthorne described an incident which actually took place in Concord. A young girl drowned herself, and her body was found as there set forth. Hawthorne wrote a full account of the drowning in his journal, which is printed by Julian Hawthorne in his biography of "Nathaniel Hawthorne and His Wife." No mention is made of Curtis, who took part in the search, and who gave his own account of the affair in his paper on Hawthorne. When Th.o.r.eau went to New York, in 1843, he put his boat into the keeping of Curtis, and he and Channing made their excursions on the river in it. In it they searched for Mary Hunt, who lived near Channing. Curtis's account of this affair deserves to be placed by the side of Hawthorne's:

"Martha was the daughter of a plain Concord farmer, a girl of delicate and shy temperament, who excelled so much in study that she was sent to a fine academy in a neighboring town, and won all the honors of the course. She met at the school and in the society of the place a refinement and cultivation, a social gayety and grace, which were entirely unknown in the hard life she had led at home, and which by their very novelty, as well as because they harmonized with her own nature and dreams, were doubly beautiful and fascinating. She enjoyed this life to the full, while her timidity kept her only a spectator; and she ornamented it with a fresher grace, suggestive of the woods and fields, when she ventured to engage in the airy game. It was a sphere for her capacities and talents. She shone in it, and the consciousness of a true position and genial appreciation gave her the full use of all her powers. She admired and was admired. She was surrounded by gratifications of taste, by the stimulants and rewards of ambition. The world was happy, and she was worthy to live in it. But at times a cloud suddenly dashed athwart the sun--a shadow stole, dark and chill, to the very edge of the charmed circle in which she stood. She knew well what it was, and what it foretold, but she would not pause nor heed.

The sun shone again, the future smiled; youth, beauty, and all hopes and thoughts bathed the moment in lambent light.

"But school-days ended at last, and with the receding town in which they had been pa.s.sed, the bright days of life disappeared, and forever. It was probable that the girl's fancy had been fed, perhaps indiscreetly pampered, by her experience there. But it was no fairy-land. It was an academy town in New England, and the fact that it was so alluring is a fair indication of the kind of life from which she had emerged, and to which she now returned. What could she do? In the dreary round of petty details, in the incessant drudgery of a poor farmer's household, with no companions or any sympathy--for the family of a hard-working New-England farmer are not the Chloes and Clarissas of pastoral poetry, nor the cowboys Corydons--with no opportunity of retirement and cultivation, for reading and studying--which is always voted 'stuff' under such circ.u.mstances--the light suddenly quenches out of life, what was she to do?

"The simple answer is that she had only used all her opportunities, and that, although it was no fault of hers that the routine of her life was in every way repulsive, she did struggle to accommodate herself to it, and failed. When she found it impossible to drag on at home, she became an inmate of a refined and cultivated household in the village, where she had opportunity to follow her own fancies and to a.s.sociate with educated and attractive persons. But even here she could not escape the feeling that it was all temporary, that her position was one of dependence; and her pride, now grown morbid, often drove her from the very society which alone was agreeable to her. This was all genuine. There was not the slightest strain of the _femme incomprise_ in her demeanor. She was always shy and silent, with a touching reserve which won interest and confidence, but left also a vague sadness in the mind of the observer. After a few months she made another effort to rend the cloud which was gradually darkening around her, and opened a school for young children. But although the interest of friends secured her a partial success, her gravity and sadness failed to excite the sympathy of her pupils, who missed in her the playful gayety always most winning to children. Martha, however, pushed bravely on, a figure of tragic sobriety to all who watched her course. The farmers thought her a strange girl, and wondered at the ways of the farmer's daughter who was not content to milk cows and churn b.u.t.ter and fry pork, without further hope or thought. The good clergyman of the town, interested in her situation, sought a confidence she did not care to bestow, and so, doling out a, b, c to a wild group of boys and girls, she found that she could not untie the Gordian knot of her life, and felt with terror that it must be cut.

"One summer evening she left her father's house and walked into the fields alone. Night came, but Martha did not return. The family became anxious, inquired if any one had noticed the direction in which she went, learned from the neighbors that she was not visiting, that there was no lecture nor meeting to detain her, and wonder pa.s.sed into apprehension. Neighbors went into the adjacent woods and called, but received no answer. Every instant the awful shadow of some dread event solemnized the gathering groups. Every one thought what no one dared whisper, until a low voice suggested the river. Then with the swiftness of certainty all friends far and near were roused, and thronged along the banks of the stream. Torches flashed in the boats that put off in the terrible search. Hawthorne, then living in the Old Manse, was summoned, and the man whom the villagers had only seen at morning as a musing spectre in his garden, now appeared among them at night, to devote his strong arm and steady heart to their service.

The boats drifted slowly down the stream, the torches flashed strangely upon the black repose of the waters, and upon the long slim gra.s.ses that weeping fringed the marge. Upon both banks silent and awe-stricken crowds hastened along, eager and dreading to find the slightest trace of what they sought. Suddenly they came to a few articles of dress, heavy with the night dew. No one spoke, for no one had doubted the result. It was clear that Martha had strayed to the river, and quietly asked of its stillness the repose she sought. The boats gathered around the spot. With every implement that could be of service the melancholy search began. Long intervals of fearful silence ensued, but at length, towards midnight, the sweet face of the dead girl was raised more placidly to the stars than ever it had been to the sun.

"So ended a village tragedy. The reader may possibly find in it the original of the thrilling conclusion of the 'Blithedale Romance,' and learn anew that dark as is the thread with which Hawthorne weaves his spells, it is no darker than those with which tragedies are spun, even in regions apparently so torpid as Concord."

Far too much has been made of the realistic elements in the "Blithedale Romance." Hawthorne says in his preface that "he has occasionally availed himself of his actual reminiscences;" but it cannot be claimed that he did anything more. The fact seems to be that he used such reminiscences and incidents merely as stimuli to his imagination, that the real romance of the story was purely of his own creation. So far as he used the facts of his life at Brook Farm it was to give an air of reality to his story; and in no other sense can it be accepted as truthful to Brook Farm life. For instance, his Zen.o.bia was in every sense an original creation, and not a description of any person he had known. Three persons he knew at Brook Farm gave him hints, traits of character, and points of departure for the activity of his imagination. The stately elements in Zen.o.bia resembled those of Mrs. George Ripley, her luxurious tastes were like those of Mrs.

Almira Barlow, while her genius and brilliancy had a few similarities to Margaret Fuller. His habit seems to have been to take a single incident in the life of a person, and to make that the chief one in a character. In this way his romances gained a realistic phase of a very impressive kind; but the character of a person as a whole he never copied. It is a strange comment on his powerful writing that so much should have been made of his superficial realism, while the persistent and profound romanticism of his work is too often overlooked. Yet this was one of the weird results of his genius, that his imagination weaves for itself a world more real than life itself, and that claims for itself an acceptance as truer to facts than the word of the historian.

In his paper on Emerson, Curtis gives further account of his life in Concord. He said that "Th.o.r.eau lives in the berry-pastures upon a bank over Walden Pond, and in a little house of his own building. One pleasant summer afternoon a small party of us helped him raise it--a bit of life as Arcadian as any at Brook Farm. Elsewhere in the village he turns up arrow-heads abundantly, and Hawthorne mentions that Th.o.r.eau initiated him into the mystery of finding them." His account of the club which gathered for a few evenings in Emerson's study deserves to be placed here in order to complete his story of Concord experiences, the fict.i.tious names used by him being changed to the real ones:

"It was in the year 1845 that a circle of persons of various ages, and differing very much in everything but sympathy, found themselves in Concord. Towards the end of the autumn, Mr. Emerson suggested that they should meet every Monday evening through the winter in his library.

'Monsieur Aubepine,' 'Miles Coverdale,' and other phantoms, since known as Nathaniel Hawthorne, who then occupied the Old Manse; the inflexible Henry Th.o.r.eau, a scholastic and pastoral Orson, then living among the blackberry pastures of Walden Pond; Plato Skimpole [Margaret Fuller's name for Alcott], then sublimely meditating impossible summer-houses in a little house on the Boston Road; the enthusiastic agriculturist and Brook Farmer [George Bradford], then an inmate of Mr. Emerson's house, who added the genial cultivation of a scholar to the amenities of the natural gentleman; a st.u.r.dy farmer-neighbor [Edmund Hosmer], who had bravely fought his weary way through inherited embarra.s.sment to the small success of a New England husbandman; two city youths [George and Burrill Curtis], ready for the fragments from the feast of wit and wisdom; and the host himself, composed the club. Ellery Channing, who had that winter harnessed his Pegasus to the New York _Tribune_, was a kind of corresponding member. The news of this world was to be transmitted through his eminently practical genius, as the club deemed itself competent to take charge of tidings from all other spheres.

"I went the first evening very much as Ixion may have gone to his banquet.

The philosophers sat dignified and erect. There was a constrained but very amiable silence, which had the impertinence of a tacit inquiry, seeming to ask, 'Who will now proceed to say the finest thing that has ever been said?' It was quite involuntary and unavoidable, for the members lacked that fluent social genius without which a club is impossible. It was a congress of oracles on the one hand, and of curious listeners upon the other. I vaguely remember that the Orphic Alcott invaded the Sahara of silence with a solemn 'Saying,' to which, after due pause, the honorable member for Blackberry Pastures responded by some keen and graphic observations, while the Olympian host, anxious that so much material should be spun into something, beamed smiling encouragement upon all parties. But the conversation became more and more staccato. Hawthorne, a statue of night and silence, sat a little removed, under a portrait of Dante, gazing imperturbably upon the group; and as he sat in the shadow, his dark hair and eyes and suit of sables made him, in that society, the black thread of mystery which he weaves into his stories; while the shifting presence of the Brook Farmer played like heat lightning around the room.

"I remember little else but a grave eating of russet apples by the erect philosophers, and a solemn disappearance into night. The club struggled through three Monday evenings. Alcott was perpetually putting apples of gold in pictures of silver; for such was the rich ore of his thoughts coined by the deep melody of his voice. Th.o.r.eau charmed us with the secrets won from his interviews with Pan in the Walden woods; while Emerson, with the zeal of an engineer trying to dam wild waters, sought to bind the wide-flying embroidery of discourse into a whole of clear, sweet sense. But still in vain. The oracular sayings were the unalloyed saccharine element; and every chemist knows how much else goes to practical food--how much coa.r.s.e, rough, woody fibre is essential. The club struggled on valiantly, discoursing celestially, eating apples, and disappearing in the dark, until the third evening it vanished altogether.

But I have since known clubs of fifty times the number, whose collected genius was not more than that of either of the Dii Majores of our Concord coterie. The fault was its too great concentration. It was not relaxation, as a club should be, but tension. Society is a play, a game, a tournament; not a battle. It is the easy grace of undress; not an intellectual, full-dress parade."

VII

As will have been seen, Curtis never lost his interest in Brook Farm or his faith in the principles on which it was founded. In his letters to Dwight he clearly pointed out its defects, and he indicated in an emphatic manner that he could not accept some of its methods. He showed that he was an individualist rather than an a.s.sociationist or socialist, that his supreme faith was in individual effort, and in each person making himself right before he undertook to reform society. His "Easy Chair"

essays make it clear that he saw with keen vision the limitations of Brook Farm; but it had for him a distinct charm, and one that increased rather than grew less as the years went on. The Brook Farm effort to right the wrongs of society, to give all persons an opportunity in life, and to bring the help of all to the aid of each one, he heartily accepted in its spirit and intent; and to that faith he ever held with unswerving confidence.

Not less did the Concord episode remain with Curtis as a bright spot in his life. He gladly went to Concord whenever the opportunity offered; he frequently lectured there, and was always heard with delight; and he gave the Centennial Address, April 19, 1875, on the occasion of the one hundredth anniversary of the battle at the old north bridge.

It was a part of the Brook Farm and Concord life which Curtis continued in his intimacy with Dwight. So great was the confidence of this friendship that he wrote to Dwight as soon as his marriage had been arranged, telling him of his happiness, and telling him that the promised bride was the daughter of their old Brook Farm friends, the Francis George Shaws. "Do you remember her in Brook Farm days?" he asked. "There was never anything that made parents and children happier." In closing his letter he wrote: "When do you come to New York? I so want you to see her and know her; then of course you will love her. Give my love to your wife--think that love is not for this world, but forever!--and remember your friend who remembers you." In his reply, Dwight said:

"You are right, George; link your destinies with _youth_. I scarcely believe in anything else--except Spring and Morning. But then, there is a way of making these--the soul of them--perpetual; and you have the secret of it, I am sure, better than most of us.

"To think of that child, who used to play about Brook Farm, and go through finger drudgery under my piano-professorship (Heaven save the mark!), the child of our young friends, Mr. and Mrs. F.S. (how can you think of them as parents?) being the future Mrs. Howadji! or I a dull drudge of an editor! I do wish indeed to see and know her, and doubt not I shall find your glowing statements all confirmed, and that in your height of joy you need not be ashamed to 'blush it east and blush it west.' There is a certain 'Maud'-like ecstasy in your note that makes me think of that.

"A small bird had already sung the news in my ear. But it was doubly pleasant to have it straight from you. It was good in you to remember me so.... Would that I might see you in New York! but I must content myself with the not very remote prospect of having you by the hand here. Till then, believe me happy in your happiness, and faithfully as ever your friend."

Francis George Shaw, and his wife Sarah B. Shaw, were not members of the Brook Farm community; but they lived in the immediate vicinity, often visited the farm, joined in its entertainments, and were intimate friends of the leaders of the a.s.sociation. He was a contributor to the Harbinger, for which he wrote a number of articles in favor of the a.s.sociationist social movement. He made an admirable translation of George Sand's "Consuelo" for the paper, in which that novel was for the first time printed in this country. Their children were frequently at the farm, and grew up in the midst of such ideas and influences as it fostered. One of them was that Colonel Robert G. Shaw who was "buried with his n.i.g.g.e.rs" at Fort Wagner, after having led one of the most gallant military movements of modern times. Three of the daughters married, Curtis, General Barlow, and General Charles Russell Lowell. Mrs. Josephine Shaw Lowell has made for herself a lasting name by her philanthropies, and her generous interest in all good causes. Mrs. Shaw wrote the biography of her son Robert, which was published in the work devoted to the Harvard graduates who fell in the Civil War.

The real effect of Brook Farm, and that movement of which it was a part, can be rightly understood only when there is taken into consideration what they did for such persons as Shaw, Curtis, Barlow, Lowell, and Mrs.

Lowell. These persons were trained by Brook Farm and Transcendentalism; and their aspirations, philanthropies, chivalrous spirit, and romantic courage were fostered and developed by them. The tone and quality of Shaw's courage, and of his heroic effort for the colored men, found in Brook Farm their motive and incentive; and in Brook Farm because it represented a phase of life much larger than itself, one that fosters the n.o.blest faith in men and in the spiritual future of humanity. Of Barlow and Lowell it may be also said that their heroism and their patriotism were the legitimate products of that movement whose hope and faith were the inspiration of their youth. To this source was due Barlow's love of justice, his unflinching courage in opposing self-seekers and partisan patriots, and his trust in the ultimate worth of what is right and true.

The letters printed in this volume have a large interest as indications of how George William Curtis was making ready for his life-work. His independence, his love of humanity, his courage in maintaining his own convictions, his chivalrous and romantic spirit, his literary skill and charm, his profound spiritual convictions, that would not be limited by any sectarian bounds, all find expression here in such form as to give sure promise for his future. It was a somewhat erratic kind of training which Curtis received; but for him it was better than any college of his day could have given him. Admirably fitted to his tastes, it was no less well adapted to his needs. It fostered in him all that was best in his character, and it served to bring out his genius to its rounded expression.

The two years which Curtis spent in Concord must have been of the greatest value to him. His contact with Emerson was of itself of inestimable worth, for it gave him that enthusiasm for ideas, that contact with a n.o.ble life lived for the highest ends of spiritual development, which fostered in him the enthusiasms which were so genuine a part of his life. Without Brook Farm, Transcendentalism, and Emerson, it is quite safe to say that the life of Curtis would have been less worthy of our admiration. The stay in Concord was a time of seed-planting, and the harvest came in all that the man was in later years. Without the enthusiasms then cherished the independent in politics would have been less courageous. And these letters may suggest anew one of the most important lessons of education, that without enthusiasms no man can do any great or n.o.ble work in the world.

What will give to youth visions, ideals, and enthusiasms is worth all other parts of culture, for out of these grow the n.o.blest results of human willing, thinking, and doing.

EARLY LETTERS TO JOHN S. DWIGHT

I

PROVIDENCE, _August 18, 1843._

Are you quite recovered from those divine enchantments which held us bound so long? Memory preserves for me those silvery sounds, and almost I seem to catch their echo. Have we indeed heard the Siren song--are we unscathed? Let me be your Father John, and to these reverend years commit the tale of youthful fervor. So good a Catholic as I, of course, has long ago made confession. But another yet remains for me--namely, that I cannot get that song. Yesterday I heard from Isaac, who cannot buy it in New York. Nothing but a copy for the guitar and that Rosalie. Would it be an expensive thing to import? Reed told me he could do that, but as I supposed there was no doubt of its being in New York, I said nothing about it. She should have the song; it would be so fine falling out of her mouth. Mouth-dropped gems would be no longer a fable. As, indeed, we have seen already. For what so universal an Interpreter as music? That art has the gift of tongues (_ecce_, the Singing-School).

Burrill met with a mishap on Wednesday. We were walking out of town, and he, springing from a wall, turned his ankle and sprained it. He is therefore laid up for some days. It is a disappointment to him, for he hoped to leave on Monday next, and meanwhile see several persons. I doubt if he can step on his foot so soon.

I had yesterday a German letter from Isaac; German in spirit, not in language. He has certainly a great heart, more delicate in his character than I thought, with a constant force, nervous, not muscular strength.

Will you accept so city-like a letter? I am busy or I should write more; another time will suffice. Let me accept from you a country-like letter.

Yours in the bonds,

G.W.C.

II

PROVIDENCE, _September 1, 1843._

My dear Friend,--Your letter did not reach my hands until last evening, when I returned from Newport, where I have pa.s.sed the last eight days, how pleasantly I need not tell you. After the quiet beauty of our farm home, there was a striking grandeur in the sea that I never beheld so plainly before. There is something sublimely cheerful about the ocean, altho' it is so stored with woe, and so constantly suggestive it is of that ocean, life, whereon we all float.

It was pleasant to me that Nature confirmed my judgment of Tennyson. The little poem that closes one of the volumes, "Break, break, break," etc., is so exquisitely human and tender, with all its vague and dim beauty, that the waves dashed to its music, and silently the whole sea sung the song. Just so the jottings down of poets, the few words that must be said, tho' the Nature which they sing is so limitless, and inexpressible are the blossoms of poetry and all literature. Will not the little song of Shakespeare's, "Take, oh! take those lips away," be as immortal as Hamlet?

Not because chance may print them together, but because it is as universal and more delicate an expression. That charm pervades our favorite, Tennyson. There is no rough-marked outline, all fades away upon earnest contemplation into the tones of his songs, into the colors of the sky. So in the landscape, tint fades gently into tint, and the beauty that attracts spreads from leaf to hill, from hill to horizon, till the whole is bathed in sunlight. Is not this fact also recognized in other arts? In painting, the great picture is without marked outline; in music, the truest and deepest is undefined. Beethoven is greater than Haydn. The precision which offends in manner is as disagreeable everywhere else. Is it not because when named as Precision, the depth which necessarily means a graceful form is absent? As when we say a woman has beautiful eyes we indirectly acknowledge her want of universal beauty. Certainly a man of elegant manners is admired not for himself, but what he represents.

Indeed, all society is only thus endurable. Nature, and to me particularly the ocean, makes no such partial impression; and therefore the poet who sits nearest to the great heart sings rather the sense of vague beauty and aspiration, of tender remembrance and gentle hope, than a bald description of the sight. The ocean is not fathomless water nor the woods green trees to him, but a presence, and a key that unlocks the chambers of his soul where the diamonds are. Therefore, when I have been into nearer conversation with Nature I have little to say, but my life is deepened.

The poet is he who with deepened life chants also a flowing hymn which utters the music of that life. You will understand why the little poem seems to me so fine, therefore. This water I also see; but not in me lies the power of the due expression of its influence.

There was another pleasant aspect in Newport, of persons. I walked one evening towards the town (for I was boarding in the outskirts), and pa.s.sed an encampment of soldiers, who in their gay uniforms glittered among the lighted tents like soldier fays. The band in the shadow of the camp was playing very sweetly airs proper for that fading light, half-mournful, half-tender and hopeful. I pa.s.sed by the houses brilliantly lighted and filled with finely dressed people, who also thronged the streets. Before one of the princ.i.p.al hotels was a band from the fort serenading, and surrounded with a crowd of easy listeners. The ice-cream resort was filled, the cottages shone among the trees, and an air of entire abandonment to joy filled the place. Old men and young men, women and girls, seemed to have laid aside all business, all care, and to be only gay. It was a vision of the Lotos islands, an earthly portrait of that meek repose which haunts us ideally sometimes.

I was surprised upon my return to find Burrill still here. He is able only to crutch about the house, but will probably return to Brook Farm with me during the latter part of next week, which is the commencement week here....