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Dwellers in the Hills Part 21

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you can't get him to eat anything that'll hurt him, an' you can't get him lost. An' old Clabe says there's Bible for it that a horse can see spooks. I tell you, Quiller, El Mahdi knowed about that bridge."

Deep in my youthful bosom I was convinced that El Mahdi knew. But I put it wholly on the ground that he was a genius.

We crossed the river, led the horses down to the end of the abutment, and tied them to a fence. Then we went back and examined the bridge as well as we could in the dark. It stood over the river as the early men and Dwarfs had built it,--solid as a wall.

Woodford had given the thing up, and the road was open to the north country.

We sat down on the corner of the abutment near the horses, to wait for the daylight, Jud wearing old Christian's cap, and I bareheaded. We sat for a long time, listening to the choke and snarl of the water as it crowded along under the bridge.

Then we fell to a sort of whispering talk.

"Quiller," he began, "do you believe that story about the Dwarfs buildin' the bridge?"

"Ump don't," I answered. "Ump says it's a c.o.c.k-and-bull story, and there never were any Dwarfs except once in a while a bad job like him."

"You can't take Ump for it," said he. "Ump won't believe anything he can't put his finger on, if it's swore to on a stack of Bibles. Quiller, I've seen them holes in the mountains where the Dwarfs lived, with the marks on the rocks like's on them logs, an' I've seen the rigamajigs that they cut in the sandstone. They could a built the bridge, if they took a notion, just by sayin' words."

He was quiet a while, and then he added, "An' I've seen the path where they used to come down to the river, an' it has places wore in the solid rock like you'd make with your big toe."

Jud stopped, and I moved up a little closer to him. I could see the ugly, crooked men crawl out of their caves and come sneaking down from the mountains to strangle the sleeping and burn the roof. I could see their twisted bare feet, their huge, slack mouths, and their long hands that hung below their knees when they walked. And then, on the hill beyond the Valley River, I heard a sound.

I seized my companion by the arm. "Jud," I said under my breath, "did you hear that?"

He leaned over me and listened. The sound was a sort of echo.

"They're comin'," he whispered.

"The Dwarfs?" said I.

"Lem Marks," said he.

CHAPTER XX

ON THE ART OF GOING TO RUIN

The sound reached the summit of the hill, and then we heard it clearly,--the ringing of horseshoes on the hard road. They came in a long trot, clattering into the little hollow at the foot of the abutment to the bridge. We heard men dismounting, horses being tied to the fence, and a humming of low talk. We listened, lying flat beside El Mahdi and the Cardinal.

It was difficult to determine how many were in the hollow, but all were now afoot but one. We could hear his horse tramping, and hear him speaking to the others from the saddle above them.

A man with his back toward us lighted a lantern. When he turned to lead the way up the abutment into the bridge, we caught a flickering picture of the group. I could make out Lem Marks as the man with the lantern, and Malan behind him, and I could see the brown shoulder of the horse and the legs of the rider, but the man's face was above the reach of the light. It was perhaps Parson Peppers.

They stopped at the sill of the bridge, and the man with the lantern began to examine the flooring and the ends of the logs set into the stone of the abutment.

He moved about slowly, holding the lantern close to the ground. Malan stopped by the horse. I could see the dingy light now moving in the bridge, now held over the edge of the abutment, now creeping along the borders of the sill.

Once it pa.s.sed close to the horse, and I saw his hoofs clearly and his brown legs, and the club feet of Malan, and the gleam of an axe. They were on the far side of the river, and the howling of the water tumbled their voices into a sort of jumble. The man on the horse seemed to give some directions which were carried out by the one with the lantern. Then they gathered in a little group and put the thing under discussion.

Lem Marks talked for some minutes, and once Malan pointed with the axe.

I could see the light slip along its edge. Then they all went into the bridge together.

The tallow candle struggling through the dingy windows of the lantern lighted the bridge as a dying fire lights a forest, in a little s.p.a.ce, half-heartedly, with all the world blacker beyond that s.p.a.ce. They stopped at the bridge-mouth on our side of the river, and Marks carried the lantern over the lower end of the abutment. Then he called Malan.

The clubfoot got down on his knees and held the light over by the log sleeper of the bridge.

I could see where the bark had been burned along the log. I heard Marks say that this was the place to cut. Then the man on the horse rode out close to Malan and bent over to look. The clubfoot raised his lantern, and the rider's face came into the play of the light. My heart lifted trembling into my throat. It was Woodford!

I grabbed for Jud, and my fingers caught the knee of his breeches. He was squatted down in the road with a stone in his hand.

Woodford nodded his head, gave some order which I could not hear, and moved his horse back from the edge of the abutment. Malan arose and picked up his axe. Marks took the lantern, trying to find some place where the light could be thrown on the face of the log. He shifted to several positions and finally took a place at the corner of the bridge, holding the light over the side.

Malan stood with his club feet planted wide on the log, leaned over, and began to hack the bark off where he wished to take out his great chip.

I could hear the little pieces of charred bark go rattling down into the river. Malan notched the borders of his chip, then shifted his weight a little to his right leg and swung the axe back over his shoulder. It came down gleaming true, it seemed to me, but the blade, turning as it descended, dealt the log a glancing blow and wrenched the handle out of the man's hand. I saw the axe glitter as it pa.s.sed the smoked gla.s.s of the lantern. Then it struck the side of the bridge with a great ripping bang, and dropped into the river.

I jumped up with a cry of "the Dwarfs!"

The swing of the axe carried Malan forward. He lost his balance, threw up his hands and began to topple. I saw the shadow of the horse fall swiftly across the light. Malan was seized by the collar and flung violently backward. Then Woodford caught the lantern from Marks and came on down the abutment toward us.

He rode slowly with the lantern against his knee. The horse, blinded by the light, did not see us until he was almost upon us. Then he jumped back with a snort. Woodford raised the lantern above his head and looked down.

Bareheaded, in Roy's roundabout, I was a queer looking youngster. Jud, with old Christian's leather cap pulled on his head and a stone in his fist, might have been brother to any cutthroat. Stumbled upon in the dark we must have looked pretty wild.

Woodford regarded us with very apparent unconcern. "Quiller," he said, as one might have announced a guest of indifferent welcome. Then he set the lantern down on his saddle horn. "Well," he said, "this is a piece of luck."

I was struck dumb by the man's friendly voice and my resolution went to pieces. I began to stammer like a novice taken in a wrong. Then Woodford did a cunning thing.

He a.s.sumed that I was not embarra.s.sed, but that I was amused at his queer words.

"Upon my life, Quiller," he said, "I don't wonder that you laugh. It was a queer thing to go blurting out, you moving the very devil to get your cattle over the Valley, and I using every influence I may have with that gentleman to prevent it. Now, that was a funny speech."

I got my voice then. "I don't see the luck of it," I said.

"And that," said he, "is just what I am about to explain. In the meantime Jud might toss that rock into the river." There was a smile playing on the man's face.

"If it's the same to you," said Jud, "I'll just hold on to the rock."

"As you please," replied Woodford, still smiling down at me. "I'd like a word with you, Quiller. Shall we go out on the road a little?"

"Not a foot," said I.

On my life, the man sighed deeply and pa.s.sed his hand over his face. "If I had such men," he said, "I wouldn't be here pulling down a bridge.

Your brother, Quiller, is in great luck. With such men, I could twist the cattle business around my finger. But when one has to depend upon a lot of numbskulls, he can expect to come out at the little end of the horn."

I began to see that this Woodford, under some lights, might be a very sensible and a very pleasant man. He got down from his saddle, held up the lantern and looked me over. Then he set the light on the ground and put his hands behind his back. "Quiller," he began, as one speaks into a sympathetic ear, "there is no cement that will hold a man to you unless it is blood wetted. You can buy men by the acre, but they are eye servants to the last one. A brother sticks, right or wrong, and perhaps a son sticks, but the devil take the others. I never had a brother, and, therefore, Providence put me into the fight one arm short."

He began to walk up and down behind the lantern, taking a few long strides and then turning sharply. "Doing things for one's self," he went on, "comes to be tiresome business. A man must have someone to work for, or he gets to the place where he doesn't care." He stopped before me with his face full in the light. "Quiller," he said, and the voice seemed to ring true, "I meant to prevent your getting north with these cattle. I hoped to stop you without being compelled to destroy this bridge, but you force me to make this move, and I shall make it. Still, on my life, I care so little that I would let the whole thing go on the spin of a coin."

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Dwellers in the Hills Part 21 summary

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