Duplicate Effort Part 1

Duplicate Effort.

KRISTINE KATHRYN RUSCH.

1.

Ki Bowles skipped down the steps outside InterDome Media, trying not to smile. She had been offered her old job back. Twice the salary, three times the visibility.

She had turned InterDome down.

This close to Armstrong's downtown, the sidewalks were crowded in the middle of the day. Dome Daylight was on full, simulating an Earth summer day, and everything seemed etched in a kind of well-lit clarity, the kind that a domed community on the Moon didn't often achieve.

She thought it appropriate to her mood. She was seeing not only all the businesspeople around her, but the edges of the buildings and the entries into the alleys-things that were usually shrouded in a kind of permanent twilight.

No one could hide on a day like today. No one could pretend to be something other than what they were.

She stuffed the scarf she'd been carrying into the bag she had slung over her shoulder. Her long hair, which she'd dyed black, silver, and deep red just before she recorded the first in-depth independent piece, flowed around her-her old trademark look, one that used to attract attention and still did, even now.

For once, she didn't care. That was why she no longer covered up her hair with the scarf. For the first time in almost a year, she didn't mind being recognized. She wasn't back on top, not yet, but she was clawing her way up the ladder, one treacherous rung at a time.

By the time her series on the law firm Wagner, Stuart, and Xendor ended, she would be the most famous investigative reporter in Armstrong, maybe even in the Earth Alliance. She would receive a lot more offers than the one from InterDome Media, and she might not take any of them.

She might continue to freelance and keep control of her life.

Miles Flint had been right when he'd given her this story six months ago.

You're ruthless, Ki , he had said. , he had said. You want the story more than you want to protect people's lives and reputations. You have no real ethics. If you think you can bring someone down, you will, without regard to the effect on their lives. You want the story more than you want to protect people's lives and reputations. You have no real ethics. If you think you can bring someone down, you will, without regard to the effect on their lives.

Much as she hated the characterization, she had finally accepted it. The difference between the woman he had accused of being ruthless and the woman she was now was that now she demanded real doc.u.mentation. When she worked as an investigative journalist for InterDome, they had wanted two pieces of proof for every claim, but the pieces could be as flimsy as two different people saying the same thing without backup.

On the WSX stories, she demanded hard, cold evidence, things that would stand up in court. In case she got sued, she had stored all the doc.u.mentation with Flint's lawyer, Maxine Van Alen.

And Bowles would get sued; she knew that much. There had always been rumors that Wagner, Stuart, and Xendor, the Moon's largest law firm and one of the largest law firms in the Earth Alliance, had partic.i.p.ated in illegal deal making, but now she had proof. That proof showed that WSX had profited while harming its own clients.

She expected WSX to come after her first, followed by several of its high-profile clients. Van Alen wouldn't represent Bowles-there was a large conflict of interest that Bowles didn't entirely understand-but Van Alen had gotten Bowles the best libel, copyright, and defamation attorneys in the Earth Alliance.

But Bowles didn't trust the new attorneys enough to keep her research with them. She trusted Van Alen, who had been there when Flint hired her. Van Alen had some involvement in all of this, and Bowles didn't know what it was.

At the moment, she didn't care. She had the story of the century, and she was going to use it to revive not just her career, but her entire life.

The success of her introductory piece, which had run for the first time on the news nets only the night before, made her giddy. By morning, everyone had watched the story, and it had already made the regular news bulletins all over the galaxy.

Her face was plastered everywhere-and a lot of the coverage began with this kind of lead: Award-winning investigative reporter Ki Bowles has returned with the first in a series of hard-hitting stories about controversial law firm Wagner, Stuart, and Xendor. Bowles, who was fired from InterDome Media earlier this year for an accurate but widely misinterpreted story about the Moon's security chief, Noelle DeRicci, claims she has doc.u.mentation from confidential sources that proves WSX has sold out its clients in return for great profits throughout the Alliance.

Just a few days ago no one would have acknowledged that Bowles was an award-winning reporter, let alone the fact that the story that had cost her the job at InterDome had been accurate.

All of this was just what she had hoped for. She was going to buy herself lunch at the Hunting Club, one of Armstrong's most exclusive restaurants, just to celebrate. She wished she could invite Flint to join her, but she knew better.

He hated her and made no secret of it. Noelle DeRicci had been his old partner when he had been a police detective, before he quit it all (under mysterious circ.u.mstances) and became a Retrieval Artist. He never forgave Bowles for that piece she ran on DeRicci, and sometimes Bowles wondered whether she got this job because Flint didn't mind making Bowles a target.

He had certainly been clear about what she was getting into. You'll be headlining these stories You'll be headlining these stories, he said. WSX will come after you. If Justinian Wagner is feeling particularly threatened, he won't finesse it. He might even try to have you killed. WSX will come after you. If Justinian Wagner is feeling particularly threatened, he won't finesse it. He might even try to have you killed.

Because of those statements, Bowles had added a condition into the deal she was making with Flint. She would take full ownership of the investigative reports she was doing, and he would pay for a security detail for her.

He had agreed to both conditions and had set a few of his own. He doled out files, which she had come to realize were confidential WSX files. He seemed to have a lot of them.

She still hadn't seen everything, but she didn't mind. Too much information would probably get in the way. It would be too tempting. With the slow flow of information, she was able to verify each piece, and put it in a coherent form.

Then she did her own research, interviews with former employees of WSX and digging into the public records, comparing what she knew with what had been reported long ago.

When she released each story, she released some of her notes-not the ones that could trace her back to Flint, but the ones that confirmed the information already in the files.

That last had been her salvation. Initially, no one wanted to buy the series of investigative pieces from her, so she had to sell them one by one. The only taker had been a small media player out of Earth-Upstart Productions.

Upstart hadn't paid much, but they hadn't bought much, either. So when the story caused the uproar that it did as quickly as it did, it filled Bowles's bank account, not Upstart's.

Upstart had gotten free publicity and a larger market share than they had ever imagined they would, though.

She turned down the exclusive side street that led to the Hunting Club. The club had bought the entire block, planting it with real trees that cost a small fortune to maintain, and put in gra.s.s of a kind found "in the forests of Earth," whatever that meant.

As she stepped into the club's forest, she glanced over her shoulder. The security detail hung back, like it was directed to do. She had already told the company of her plans-a visit to InterDome, followed by lunch at the Hunting Club, and then work at the studio. They had divided their team among all three locations.

She figured she would be the most vulnerable during the week after the first piece ran, which was why the team had spread out to all three locations. Usually, two bodyguards followed her everywhere, but for the next seven days members of the team would clear anyplace she was going before she arrived, as well as having two bodyguards accompany her.

A breeze blew through the trees, carrying with it the scent of green leaves and warmth. She stopped, tilted her head back, and inhaled deeply. She knew the breeze was fake, but it was a fake she could appreciate.

Especially today.

Especially when she was on the top of her world. Then something tugged at her bag. Bowles let the bag go like she'd been trained to do, but she was already off balance.

Someone grabbed her, wrapped an arm around her throat, and another around her waist, pulling her back into one of the trees.

"Help!" she screamed. She sent the message along her links at the same time. She used her emergency links as well as the links to her bodyguards. "Help!"

She wasn't panicked-which surprised her-because she had been expecting an attack. But she hadn't expected one here. She should have. The security company should have expected it here, too. Dammit, where were they?

The man-she was convinced it was a man, just by the hairy arm wrapped around her neck-tugged her into the trees. He smelled of garlic and sweat and something a bit more pungent-fear? What did he have to be afraid of? She was the one with an arm around her throat.

He hadn't cut off any air, although the grip on her stomach pinched. She let him drag her into the trees as she fished for her bag. It hadn't fallen off. In it, she had a small defensive laser knife, just for a moment like this.

The bag was halfway open-the stupid b.a.s.t.a.r.d should have tossed it-and she reached in, her fingers closing around the coolness of the laser. She found the depression that turned the weapon on full, then brought it out- Only to have another man emerge from the trees, grabbing the laser from her hand. He turned it on her, slashing just below the man's grip on her stomach.

Hot pain seared through her skin and she would have doubled over if the b.a.s.t.a.r.d had let go of her. But he hadn't. She flailed at him-panicked now-striking at everything.

The other man came toward her, the red blade still active, and pointed it at her face. She turned away at the last moment, and heard the man behind her scream.

Maybe the men weren't working in tandem. Maybe the man with her laser knife was trying to rescue her. Maybe he had hit her by accident as he went for the other man's arm.

Then something red flashed near her right eye and the pain seared down her face, cutting into her cheek and her mouth. She couldn't scream if she wanted to.

She was thrashing now, kicking and flailing, her entire body as much of a weapon as she could make it. C'mon, c'mon C'mon, c'mon, she sent to the security people through her links. Help me. Help me.

The redness slashed across her throat and she made a gurgling sound that panicked her even more. If she survived this, she would need surgery; she wouldn't be able to talk or to breathe on her own- Like she couldn't breathe now. Black dots ran across her vision. She couldn't pa.s.s out. She didn't dare. She would die if she pa.s.sed out. She willed herself to stay awake- And fought the darkness, even as it took her away.

2.

Miles Flint hurried into the Administration Center in the Port of Armstrong. His heart was pounding, and he wasn't sure whether it was from anger or confusion or both. He headed down the familiar corridors to the offices of s.p.a.ce Traffic Control, where he had started his work as a police officer more than a decade ago.

After his daughter Emmeline died.

He stopped a few meters from the large windows overlooking the corridor, and made himself take some deep breaths. His old friend Murray in s.p.a.ce Traffic had called him less than thirty minutes before to tell Flint that his daughter was in holding.

His daughter Talia.

Talia was Emmeline's clone, and two and a half years younger than Emmeline would have been. Flint had gotten Talia when her mother, Rhonda Shindo, had died. Before that, Flint didn't even know that Emmeline had been cloned, not once, but six times.

He had no idea whether the previous five clones had lived. He wouldn't let himself investigate. If they had lived, his investigation might endanger them.

He took a step forward and peered through the window. s.p.a.ce Traffic's headquarters was one large room that hadn't been updated in decades. A desk sat near the front, with some chairs for the handful of visitors s.p.a.ce Traffic got each year.

Talia was sitting in one of those chairs, her knees pressed against her chest. She'd wrapped her arms around her ankles. Her cheek rested against one kneecap. She had her eyes closed, but Flint knew she wasn't asleep.

He sighed. In the past, he used to imagine himself with his daughter Emmeline as she grew up. He'd envision himself holding toddler Emmeline's hand as she crossed the street, laughing with six-year-old Emmeline as they played ball in what once pa.s.sed for his backyard, scaring the boy-friends of teenager Emmeline when they came to call for that very important first date.

He'd never ever imagined his daughter as a difficult thirteen-year-old who had tried to run away five times in the past six months.

He rubbed a hand over his face, then straightened his shoulders and walked past the windows. He pulled the door open, expecting Talia to open her eyes. But she kept her eyes closed, playing at being asleep. He could play that game, too. He gently closed the door behind himself as if he were trying not to wake her up.

Murray, who had been desk sergeant since Flint was a rookie, turned toward the door. When he saw Flint, he shook his head.

"That's trouble over there, that's what that is." Murray hadn't had the enhancements most people his age got. So he looked elderly and had from the day Flint first saw him. Flint used to think Murray was long past retirement age, but now he knew better. Murray could be anywhere from seventy to one hundred and twenty. There was just no way to know.

Flint stood near the desk, angled so that he could see Talia, Murray, and the murals painted across the walls. The murals covered the entire history of the s.p.a.ceships that had traveled to the Moon, starting with the first Apollo modules so long ago. He used to love those murals. Now they were looking a bit faded, rather like he felt.

"What happened this time?" he asked Murray. "Caught her boarding a freighter for Earth. Thank whatever G.o.d you believe in that the freighter captain was ethical enough to run her through the networks. Most wouldn't have."

Talia still hadn't moved, but she looked rigid.

She was listening.

"You didn't see her board?" Flint asked. That was how Murray had caught her on two previous occasions-the very first time, when she tried to sneak aboard a cargo ship, and the last time, when she'd boarded a pleasure cruise heading for Mars.

"That little one has figured out how to stay off my screens." Murray gave Flint a significant look. Apparently Murray knew Talia was awake as well. "Never said she wasn't bright."

"Believe me, I know," Flint said.

Murray gave him a compa.s.sionate glance. Murray had raised four children of his own. He used to regale Flint with stories from his children's past.

"You got to hire some help. Maybe a specialist. The kid would be a handful for anyone. For a new parent . . ." Murray let the word trail off, then shrugged his shoulders.

Meaning Murray didn't know how to handle her, either.

Flint studied his daughter. No one knew she was cloned. He'd told everyone in Armstrong that she was the child of a last-minute encounter with his ex-wife-and his ex hadn't told him about the baby before she left for her new job on one of Jupiter's moons.

Flint didn't care that Talia was a clone or that the law had made him jump through a dozen hoops to claim her as his own. She was biologically identical to the child he had lost, if only a few years younger. She had been raised by her biological mother.

Talia was his, and he would have claimed her as such even if she didn't have his curly blond hair-so unusual in this part of the universe-or his deep blue eyes. Her dusky skin had come from her mother, but in all other ways, she was Flint's child, through and through.

Right down to the brilliance.

He'd been that smart at that age, just not that rebellious. For the first time in years, he wished his parents were still alive so that he could ask them how they had managed to keep his brain occupied while his hormones jumped out of control.

Which wasn't entirely fair to Talia. The bulk of her problems didn't come from her changing hormones. Her problems came from the way that her life had imploded.

In the s.p.a.ce of twenty-four hours, she had learned she was a clone, that her mother had lied to her about almost everything, and that her mother was dead. By the end of that week, Talia had left everything she'd ever known to move in with a man she'd never met before, one who claimed to be her father even though, by Alliance law, he didn't have to.

She was angry, she was sad, and she was lonely, and he didn't know what to do about any of those things.

He pushed himself away from the desk and walked over to the chairs. He sat in the one next to hers and put his hand on her back. The k.n.o.bs of her spine felt sharp beneath his palm.

"Talia," he said gently. She didn't move. She was breathing quietly. "I know you're awake," he said.

She let out a large gust of air and sat up so fast he had to move his hand so that she wouldn't slam it against the back of the chair.

"Now you got half the Moon spying on me," she said.