Driftwood Spars Part 9

What would the Sahib himself do if his honour were a.s.sailed? If one rose up and insulted him and his race? Called him baboon, born of baboons, for example? Or had the Sahib no honour? Why should he have been transported when he was not sentenced to transportation? What had he done but defend his honour and avenge insults? Unless he were now tried for murder and suicide, and sentenced to hard labour in Aden Jail, he would go on murdering until they did send him there. If they said, "Well, you shan't go there, whatever you do," he would kill himself. If he could get no sort of weapon he would starve himself (he did not in his ignorance quote the gentle and joyous Pankhurst family) or hold his breath. So they had better send him, and that was all he had got to say about it.

"Send him for trial before the City Magistrate and recommend that he go to Aden Jail at once, before he hurts somebody else," said the native members of the Committee. "Why should we be troubled with the off-scourings of Aden?"

"Certainly not," opined the Collector of Duri. A pretty state of affairs if every criminal were to be allowed to select his own place of punishment, and to terrorize any penitentiary that had the misfortune to lack favour in his sight. Let the boy be well flogged for the a.s.sault and attempted suicide, and then let him rejoin the ordinary gangs and cla.s.ses. It was the Superintendent's duty to watch his charges and keep discipline in what was, after all, a school.

"Sir, he is one violent and dangerous character and will a.s.sault the peaceful and mild. Yea--he may even attack _me_," objected the babu.

"Are we to understand that you admit your inability to maintain order in this Reformatory?" inquired the Director of Public Instruction from the Chair.

Anything but that. They were to understand, on the contrary, that the babu was respectfully a most unprecedented disciplinarian.

"You don't expect c.o.c.k angels in a Reformatory, y' know," said the engineer, suddenly awaking to light a fat black cheroot. "Got to use the--ah--strong hand;--on their--ah--_you_ know," and he resumed his slumbers, puffing mechanically and unconsciously at his cheroot.

So Moussa Isa was flogged and sent back to gardening, lessons and drawing.

Yes--the Somali was taught drawing. Not mere utilitarian drawing-to-scale and making plans and elevations, but "freehand"-drawing, the reproducing of meaningless twirly curves and twiddly twists from symmetrical conventional "copies". He copied copies and drew lines--but never copied things, nor drew things. In time he could, with infinite labour, produce a copy of a flat "copy" that a really observant eye could identify with the original, but had you asked him to draw his foot or the door of the room, his desk, his watering-can or book, he would probably have replied, "_They_ are not drawing-copies," and would have laughed at your absurd joke. No, he was not taught to draw _things_, nor to give expression to impression.

And he had a special warder all to himself, who watched him as a cat watches a mouse. However, warders cannot prevent looks and smiles, and whenever Moussa Isa saw the Brahmin youth, he gave a peculiar look and a meaning smile. It was borne in upon the clever young man that the Hubshi looked at his neck, below his ear, when he smiled that dreadful smile.

Sometimes a significant gesture accompanied the meaning smile. For Moussa Isa had decided, upon the rejection of his prayer by the Committee, to wait until he was a little older and bigger, more like a proper criminal and less of a wretched little "juvenile offender," and then to qualify, by murder, for the Aden Jail--with the unoffered help of the Brahmin boy.

Allah would vouchsafe opportunity, and when he did so, Moussa Isa, his servant, would seize it. Doubtless it would come as soon as he was big enough to receive the privileges of an adult and serious criminal.

Anyhow, the insult would be properly punished and the honour of the Somal race avenged....

Came the day when certain of the sinful inhabitants of the Duri Reformatory were to be conducted to a neighbouring Government High School, a centre for the official Drawing Examinations for the district, there to sit and be examined in the gentle art of Art.

To this end they had been trained in the copying of lines and in the painting of areas of conventional shape, not that they might be made to observe natural form, express themselves in reproduction, render the inner outer, originate, articulate ... but that they might pa.s.s an examination in copying unnatural things in impossible colours. Thus it came to pa.s.s that, in the big hall of this school, divers of the Reformed found themselves copying, and colouring the copy of, a curious picture pinned to a blackboard--the picture of a floral wonder unknown to Botany, possessed of delicate mauve leaves, blue-veined, shaped some like the oak-leaf and some like the ivy; of long slender blades like those of the iris, but of tenderest pink; of beautiful and profusely chromatic blossoms, reminding one now of the orchid, now of the sunflower and anon of the forget-me-not; and likewise of cl.u.s.tering fulgent fruit.

And at the back of all these budding artists and blossoming jail-birds, and in the same small desk sat the Brahmin youth and--Oh Merciful Allah!--Moussa Isa, Somali.

The native gentleman in charge of the party from the Duri Reformatory had duly escorted his charges into the hall, handed them over to Mr.

Edward Jones, the Head of the High School, and been requested to wait outside with similar custodians of parties. (Mr. Edward Jones had known very strange things to happen in Examination Halls to which the friends and supporters of candidates had access during the examination.)

To Mr. Edward Jones the thus deserted Brahmin boy made frantic and piteous appeal.

"Oh, Sir," prayed he, "let me sit somewhere else and not beside this African."

"You'll stay where you are," replied Mr. Edward Jones, suspicious of the appeal and the appellant. If the fat glib youth objected to the African on principle, Mr. Edward Jones would be glad, metaphorically speaking, to rub his Brahminical nose in it. If this were not his reason, it was, doubtless, one even less creditable. Mr. Edward Jones had been in India long enough to learn to look very carefully for the motive.

Moussa Isa licked his chops once again, and, as Mr. Jones turned away, the unhappy Brahmin cried in his anguish of soul:--

"Oh, Sir! Watch this African carefully."

"All will be watched carefully," was the suspicious and cold reply.

Moussa smiled broadly upon his erstwhile contemptuous and insulting enemy, and began to consider the possibilities of a long and well-pointed lead-pencil as a means of vengeance. Pencils were intended for marking fair surfaces--might one not be used on this occasion for the cleaning of a sullied surface, that of a besmirched honour?

One insulter of the Somal race had died by the stab of a piece of broken bottle. Might not another die by the stab of a lead-pencil?

Doubtful. Very risky. The stabbing and piercing potentialities of a lead pencil are not yet properly investigated, tabulated, established and known. It would be a pity to do small damage and incur a heavy corn-grinding punishment. He might never get another chance of vengeance either, if he bungled this one.

Well, there were three hours in which to decide ... and Moussa Isa commenced to draw, pausing, from time to time, to smile meaningly at the Brahmin, and to lick his chops suggestively. Anon he rested from his highly uninteresting and valueless labours, laid his pencil on the desk, and gazed around in search of inspiration in the matter of the best method of dealing with his enemy.

His eye fell upon a picture of a lion that ornamented the wall of the hall; he stiffened like a pointer and fingered some scars on his right arm. He had never seen a picture of a lion before and, for a fraction of a second, he was shocked and alarmed--and then, while his body sat in an Indian High School hall, his spirit flew to an East African desert, and there sojourned awhile.

Moussa Isa was again the slave of an ivory-poaching, hide-poaching, specimen-poaching, slave-dealing gang of Arabs, Negroes, and Portuguese half-castes, led by a white man of the Teutonic persuasion. He could feel the smiting heat, see the scrub, jungle, and sand shimmering and dancing in the heat haze. He could see the line of porters, bales on heads, the Arabs on horseback, the white man in a litter swinging from a long bamboo pole beneath which half a dozen Swahili loped along. He could see the velvet star-gemmed night and the camp-fires, smell the smoke and the savoury odours of the cooking, hear the sudden shrieks and yells that followed the roar of the springing lion, feel the crushing crunch of its great teeth in his arm as it seized him from beside the nearest fire and stood over him.... Yes, that was the night when the fair Sheikh from the North had showed the mettle of his pastures and bound Moussa Isa to him for ever in the bonds of worshipping grat.i.tude and love. For, while others shrieked, yelled, fled, flung burning brands and spears, or fired hasty, unaimed, ineffectual shots, the fair Sheikh from the North had sprung at the lion as it stood over Moussa Isa and driven his knife into its eye, and as it smote him to the earth, buried its fangs in his shoulder and started to drag him away, had stabbed upward between the ribs, giving it a second death-blow, transfixing its heart. Thus it was he had earned the name by which he was known from Zanzibar to Berbera, "He-who-slays-lions-with-the-knife," had earned the envy and hatred of the fat white man and the Arabs, the boundless admiration of the Swahili askaris, hunters and porters, and the deep dog-like affection of Moussa Isa....

And then Moussa's spirit returned to his body and he saw but the picture of a lion on a High School wall. He commenced to draw again and suddenly had an inspiration. Deliberately he broke the point of his pencil and, rising, marched up to the dais, whereon, at a table, sat Mr. Edward Jones.

Mr. Edward Jones had been shot with bewildering suddenness from Cambridge quadrangles into the Indian Educational Service. Of India he knew nothing, of education he knew less, but boldly took it upon him to combine the two unknowns for the earning of his living. If wise and beneficent men offered him a modest wage for becoming a professor and exponent of that which he did not know, he had no objection to accepting it; but there were people who wondered why it should be that, out of forty million English people, Mr. Edward Jones should be the chosen one to represent England to the youth of Duri, and asked whether there were no keen, strictly conscientious, sporting, strong Englishmen available; no enthusiastic educational experts left in all the British Isles, that Mr. Edward Jones of all people had come to Duri?

"What do you want?" he asked (how he hated these poverty-stricken, smelly, ign.o.ble creatures. Why was he not a master at Eton, instead of at Duri High School. Why wouldn't somebody give him a handsome income for looking handsome and standing around beautifully--like these aide-de-camp Johnnies and "staff" people. Since there was nothing on earth he could do well, he ought to have been provided with a job in which he could look well).

"May I borrow the Sahib's knife?" asked Moussa Isa, "I have broken my pencil and cannot draw." Mr. Edward Jones picked up the penknife that lay on his desk, the cheap article of restricted utility supplied to Government Offices by the Stationery Department, and handed it to Moussa Isa. Even as he took it with respectful salaam, Moussa Isa summed up its possibilities. Blade two inches long, sharp-pointed, handle six inches long, wooden; not a clasp knife, blade immovable in handle. It would do--and he turned to go to his seat and presumably to sharpen his pencil.

Idly watching the boy and thinking of other things, Jones saw him try the point of the knife on his thumb, walk up behind the other occupant of his desk, his Brahmin neighbour, seize that neighbour by the hair, push his head sharp over on to the shoulder, and plunge the knife into his neck; seat himself, and commence to draw with the unfortunate Brahmin's pencil.

Jones sprang to his feet and rushed to the spot, to find that he had not been dreaming. No--on the back seat drooped a boy bleeding like a stuck pig and another industriously drawing, his face illuminated by a smile of contentment.

Jones pressed his thumbs into the neck of the sufferer, as he called to an a.s.sistant-supervisor to run to the hospital for Dr. Almeida, hoping to be able to close the severed jugular from which welled an appalling stream of blood.

"It is quite useless, Sahib," observed Moussa, "nor can a doctor help.

When one has got it _there_, he may give his spear to his son and turn his face to the wall. That dog will never say '_Hubshi_' to a Somal again."

"Catch hold of that boy," said Mr. Edward Jones to another a.s.sistant-supervisor who clucked around like a perturbed hen.

"Fear not, Sahib, I shall not escape. I go to Aden Jail," said Moussa cheerfully--but he pondered the advisability of attempting escape from the Reformatory should he be sentenced to be hanged. It had always seemed an impossibility, but it would be better to attempt the impossible than to await the rope. But doubtless they would say he was too small and light to hang satisfactorily, and would send him to Aden.

Thanks, Master Brahmin, realize as you die that you have greatly obliged your slayer....

"Now you will most certainly be hanged to death by rope and I shall be rid of troublesome fellow," said the Superintendent to Moussa Isa when that murderous villain was temporarily handed over to him by the police-sepoy to whom he had been committed by Mr. Jones.

"I have avenged my people and myself," replied Moussa Isa, "even as I said, I go to Aden Jail--where there are _men_, and where a Somal is known from a Hubshi"

"You go to hang--across the road there at Duri Gaol," replied the babu, and earnestly hoped to find himself a true prophet. But though the wish was father to the thought, the expression thereof was but the wicked uncle, for it led to the undoing of the wish. So convinced and convincing did the babu appear to Moussa Isa, that the latter decided to try his luck in the matter of unauthorized departure from the Reformatory precincts. If they were going to hang him (for defending and purging his private and racial honour), and not send him to Aden after all, he might as well endeavour to go there at his own expense and independently. If he were caught they could not do more than hang him; if he were not caught he would get out of this dark ignorant land, if he had to walk for a year....

When he came to devote his mind to the matter of escape, Moussa Isa found it surprisingly easy. A sudden dash from his cell as the door was incautiously opened that evening, a bound and scramble into a tree, a leap to an out-house roof, another scramble, and a drop which would settle the matter. If something broke he was done, if nothing broke he was within a few yards of six-foot-high crops which extended to the confines of the jungle, wherein were neither police, telegraph offices, railways, roads, nor other apparatus of the enemy. Nothing broke--Duri Reformatory saw Moussa Isa no more. For a week he travelled only by night, and thereafter boldly by day, getting lifts in _bylegharies_,[45]

doing odd jobs, living as the crows and jackals live when jobs were unavailable, receiving many a kindness from other wayfarers, especially those of the poorer sort, but always faring onward to the West, ever onward to the setting sun, always to the sea and Africa, until the wonderful and blessed day when he believed for a moment that he was mad and that his eyes and brain were playing him tricks.... After months and months of weary travel, always toward the setting sun, he had arrived one terrible evening of June at a wide river and a marvellous bridge--a great bridge hung by mighty chains upon mightier posts which stood up on either distant bank. It was a _pukka_ road, a Grand Trunk Road suspended in the air across a river well-nigh great as Father Nile himself.

[45] Bullock carts.

On the banks of this river stood an ancient walled city of tall houses separated by narrow streets, a city of smells and filth, wherein there were no Sahibs, few Hindus and many Mussulmans. In a mud-floored miserable _mussafarkhana_,[46] without its gates, Moussa Isa slept, naked, hungry and very sad--for he somehow seemed to have missed the sea. Surely if one kept on due westward always to the setting sun, one reached the sea in time? The time was growing long, however, and he was among a strange people, few of whom understood the Hindustani he had learnt at Duri. Luckily they were largely Mussulmans. Should he abandon the setting sun and take to the river, following it until it reached the sea? He could take ship then for Africa by creeping aboard in the darkness, and hiding himself until the ship had started.... There might be no city at the mouth of the river when he got there. It might never reach the sea. It might just vanish into some desert like the Webi-Shebeyli in Somaliland. No, he would keep on toward the West, crossing the great bridge in the morning. He did so, and turned aside to admire the railway-station of the Cantonment on the other side of the river, to get a drink, and to see a train come in, if happily such might occur.

[46] Poor travellers' rest-house.

Ere he had finished rinsing his mouth and bathing his feet at the public water-standard on the platform, the whistle of a distant train charmed his ears and he sat him down, delighted, to enjoy the sights and sounds, the stir and bustle, of its arrival and departure. And so it came about that certain pa.s.sengers by this North West Frontier train were not a little intrigued to notice a small and very black boy suddenly arise from beside the drinking-fountain and, with a strange hoa.r.s.e scream, fling himself at the feet of a young Englishman (who in Norfolk jacket and white flannel trousers strolled up and down outside the first-cla.s.s carriage in which he was travelling to Kot Ghazi from Karachi), and with every sign of the wildest excitement and joy embrace and kiss his boots....

Moussa Isa was convinced that he had gone mad and that his eyes and brain were playing him tricks.