Dream Tales and Prose Poems Part 15

'Answer me!'

'"The moon stood high like a round shield ...

Like a snake, the river shines ..., The friend's awake, the foe's asleep ...

The bird is in the falcon's clutches.... Help!"'

muttered Muzzio, humming to himself as though in delirium.

Fabio stepped back two paces, stared at Muzzio, pondered a moment ... and went back to the house, to his bedroom.

Valeria, her head sunk on her shoulder and her hands hanging lifelessly, was in a heavy sleep. He could not quickly awaken her ... but directly she saw him, she flung herself on his neck, and embraced him convulsively; she was trembling all over. 'What is the matter, my precious, what is it?'

Fabio kept repeating, trying to soothe her. But she still lay lifeless on his breast. 'Ah, what fearful dreams I have!' she whispered, hiding her face against him. Fabio would have questioned her ... but she only shuddered. The window-panes were flushed with the early light of morning when at last she fell asleep in his arms.

VIII

The next day Muzzio disappeared from early morning, while Valeria informed her husband that she intended to go away to a neighbouring monastery, where lived her spiritual father, an old and austere monk, in whom she placed unbounded confidence. To Fabio's inquiries she replied, that she wanted by confession to relieve her soul, which was weighed down by the exceptional impressions of the last few days. As he looked upon Valeria's sunken face, and listened to her faint voice, Fabio approved of her plan; the worthy Father Lorenzo might give her valuable advice, and might disperse her doubts.... Under the escort of four attendants, Valeria set off to the monastery, while Fabio remained at home, and wandered about the garden till his wife's return, trying to comprehend what had happened to her, and a victim to constant fear and wrath, and the pain of undefined suspicions....

More than once he went up to the pavilion; but Muzzio had not returned, and the Malay gazed at Fabio like a statue, obsequiously bowing his head, with a well-dissembled--so at least it seemed to Fabio--smile on his bronzed face. Meanwhile, Valeria had in confession told everything to her priest, not so much with shame as with horror. The priest heard her attentively, gave her his blessing, absolved her from her involuntary sin, but to himself he thought: 'Sorcery, the arts of the devil ... the matter can't be left so,' ... and he returned with Valeria to her villa, as though with the aim of completely pacifying and rea.s.suring her. At the sight of the priest Fabio was thrown into some agitation; but the experienced old man had thought out beforehand how he must treat him. When he was left alone with Fabio, he did not of course betray the secrets of the confessional, but he advised him if possible to get rid of the guest they had invited to their house, as by his stories, his songs, and his whole behaviour he was troubling the imagination of Valeria. Moreover, in the old man's opinion, Muzzio had not, he remembered, been very firm in the faith in former days, and having spent so long a time in lands unenlightened by the truths of Christianity, he might well have brought thence the contagion of false doctrine, might even have become conversant with secret magic arts; and, therefore, though long friendship had indeed its claims, still a wise prudence pointed to the necessity of separation. Fabio fully agreed with the excellent monk. Valeria was even joyful when her husband reported to her the priest's counsel; and sent on his way with the cordial good-will of both the young people, loaded with good gifts for the monastery and the poor, Father Lorenzo returned home.

Fabio intended to have an explanation with Muzzio immediately after supper; but his strange guest did not return to supper. Then Fabio decided to defer his conversation with Muzzio until the following day; and both the young people retired to rest.

IX

Valeria soon fell asleep; but Fabio could not sleep. In the stillness of the night, everything he had seen, everything he had felt presented itself more vividly; he put to himself still more insistently questions to which as before he could find no answer. Had Muzzio really become a sorcerer, and had he not already poisoned Valeria? She was ill ... but what was her disease? While he lay, his head in his hand, holding his feverish breath, and given up to painful reflection, the moon rose again upon a cloudless sky; and together with its beams, through the half-transparent window-panes, there began, from the direction of the pavilion--or was it Fabio's fancy?--to come a breath, like a light, fragrant current ... then an urgent, pa.s.sionate murmur was heard ... and at that instant he observed that Valeria was beginning faintly to stir. He started, looked; she rose up, slid first one foot, then the other out of the bed, and like one bewitched of the moon, her sightless eyes fixed lifelessly before her, her hands stretched out, she began moving towards the garden! Fabio instantly ran out of the other door of the room, and running quickly round the corner of the house, bolted the door that led into the garden.... He had scarcely time to grasp at the bolt, when he felt some one trying to open the door from the inside, pressing against it ... again and again ... and then there was the sound of piteous pa.s.sionate moans....

'But Muzzio has not come back from the town,' flashed through Fabio's head, and he rushed to the pavilion....

What did he see?

Coming towards him, along the path dazzlingly lighted up by the moon's rays, was Muzzio, he too moving like one moonstruck, his hands held out before him, and his eyes open but unseeing.... Fabio ran up to him, but he, not heeding him, moved on, treading evenly, step by step, and his rigid face smiled in the moonlight like the Malay's. Fabio would have called him by his name ... but at that instant he heard, behind him in the house, the creaking of a window.... He looked round....

Yes, the window of the bedroom was open from top to bottom, and putting one foot over the sill, Valeria stood in the window ... her hands seemed to be seeking Muzzio ... she seemed striving all over towards him....

Unutterable fury filled Fabio's breast with a sudden inrush. 'Accursed sorcerer!' he shrieked furiously, and seizing Muzzio by the throat with one hand, with the other he felt for the dagger in his girdle, and plunged the blade into his side up to the hilt.

Muzzio uttered a shrill scream, and clapping his hand to the wound, ran staggering back to the pavilion.... But at the very same instant when Fabio stabbed him, Valeria screamed just as shrilly, and fell to the earth like gra.s.s before the scythe.

Fabio flew to her, raised her up, carried her to the bed, began to speak to her....

She lay a long time motionless, but at last she opened her eyes, heaved a deep, broken, blissful sigh, like one just rescued from imminent death, saw her husband, and twining her arms about his neck, crept close to him. 'You, you, it is you,' she faltered. Gradually her hands loosened their hold, her head sank back, and murmuring with a blissful smile, 'Thank G.o.d, it is all over.... But how weary I am!' she fell into a sound but not heavy sleep.

X

Fabio sank down beside her bed, and never taking his eyes off her pale and sunken, but already calmer, face, began reflecting on what had happened ...

and also on how he ought to act now. What steps was he to take? If he had killed Muzzio--and remembering how deeply the dagger had gone in, he could have no doubt of it--it could not be hidden. He would have to bring it to the knowledge of the archduke, of the judges ... but how explain, how describe such an incomprehensible affair? He, Fabio, had killed in his own house his own kinsman, his dearest friend? They will inquire, What for?

on what ground?... But if Muzzio were not dead? Fabio could not endure to remain longer in uncertainty, and satisfying himself that Valeria was asleep, he cautiously got up from his chair, went out of the house, and made his way to the pavilion. Everything was still in it; only in one window a light was visible. With a sinking heart he opened the outer door (there was still the print of blood-stained fingers on it, and there were black drops of gore on the sand of the path), pa.s.sed through the first dark room ... and stood still on the threshold, overwhelmed with amazement.

In the middle of the room, on a Persian rug, with a brocaded cushion under his head, and all his limbs stretched out straight, lay Muzzio, covered with a wide, red shawl with a black pattern on it. His face, yellow as wax, with closed eyes and bluish eyelids, was turned towards the ceiling, no breathing could be discerned: he seemed a corpse. At his feet knelt the Malay, also wrapt in a red shawl. He was holding in his left hand a branch of some unknown plant, like a fern, and bending slightly forward, was gazing fixedly at his master. A small torch fixed on the floor burnt with a greenish flame, and was the only light in the room. The flame did not flicker nor smoke. The Malay did not stir at Fabio's entry, he merely turned his eyes upon him, and again bent them upon Muzzio. From time to time he raised and lowered the branch, and waved it in the air, and his dumb lips slowly parted and moved as though uttering soundless words. On the floor between the Malay and Muzzio lay the dagger, with which Fabio had stabbed his friend; the Malay struck one blow with the branch on the blood-stained blade. A minute pa.s.sed ... another. Fabio approached the Malay, and stooping down to him, asked in an undertone, 'Is he dead?' The Malay bent his head from above downwards, and disentangling his right hand from his shawl, he pointed imperiously to the door. Fabio would have repeated his question, but the gesture of the commanding hand was repeated, and Fabio went out, indignant and wondering, but obedient.

He found Valeria sleeping as before, with an even more tranquil expression on her face. He did not undress, but seated himself by the window, his head in his hand, and once more sank into thought. The rising sun found him still in the same place. Valeria had not waked up.

XI

Fabio intended to wait till she awakened, and then to set off to Ferrara, when suddenly some one tapped lightly at the bedroom door. Fabio went out, and saw his old steward, Antonio. 'Signor,' began the old man, 'the Malay has just informed me that Signor Muzzio has been taken ill, and wishes to be moved with all his belongings to the town; and that he begs you to let him have servants to a.s.sist in packing his things; and that at dinner-time you would send pack-horses, and saddle-horses, and a few attendants for the journey. Do you allow it?'

'The Malay informed you of this?' asked Fabio. 'In what manner? Why, he is dumb.'

'Here, signor, is the paper on which he wrote all this in our language, and very correctly.'

'And Muzzio, you say, is ill?' 'Yes, he is very ill, and can see no one.'

'Have they sent for a doctor?' 'No. The Malay forbade it.' 'And was it the Malay wrote you this?' 'Yes, it was he.' Fabio did not speak for a moment.

'Well, then, arrange it all,' he said at last. Antonio withdrew.

Fabio looked after his servant in bewilderment. 'Then, he is not dead?' he thought ... and he did not know whether to rejoice or to be sorry. 'Ill?'

But a few hours ago it was a corpse he had looked upon!

Fabio returned to Valeria. She waked up and raised her head. The husband and wife exchanged a long look full of significance. 'He is gone?' Valeria said suddenly. Fabio shuddered. 'How gone? Do you mean ...' 'Is he gone away?' she continued. A load fell from Fabio's heart. 'Not yet; but he is going to-day.' 'And I shall never, never see him again?' 'Never.' 'And these dreams will not come again?' 'No.' Valeria again heaved a sigh of relief; a blissful smile once more appeared on her lips. She held out both hands to her husband. 'And we will never speak of him, never, do you hear, my dear one? And I will not leave my room till he is gone. And do you now send me my maids ... but stay: take away that thing!' she pointed to the pearl necklace, lying on a little bedside table, the necklace given her by Muzzio, 'and throw it at once into our deepest well. Embrace me. I am your Valeria; and do not come in to me till ... he has gone.' Fabio took the necklace--the pearls he fancied looked tarnished--and did as his wife had directed. Then he fell to wandering about the garden, looking from a distance at the pavilion, about which the bustle of preparations for departure was beginning. Servants were bringing out boxes, loading the horses ... but the Malay was not among them. An irresistible impulse drew Fabio to look once more upon what was taking place in the pavilion. He recollected that there was at the back a secret door, by which he could reach the inner room where Muzzio had been lying in the morning. He stole round to this door, found it unlocked, and, parting the folds of a heavy curtain, turned a faltering glance upon the room within.

XII

Muzzio was not now lying on the rug. Dressed as though for a journey, he sat in an arm-chair, but seemed a corpse, just as on Fabio's first visit.

His torpid head fell back on the chair, and his outstretched hands hung lifeless, yellow, and rigid on his knees. His breast did not heave. Near the chair on the floor, which was strewn with dried herbs, stood some flat bowls of dark liquid, which exhaled a powerful, almost suffocating, odour, the odour of musk. Around each bowl was coiled a small snake of brazen hue, with golden eyes that flashed from time to time; while directly facing Muzzio, two paces from him, rose the long figure of the Malay, wrapt in a mantle of many-coloured brocade, girt round the waist with a tiger's tail, with a high hat of the shape of a pointed tiara on his head. But he was not motionless: at one moment he bowed down reverently, and seemed to be praying, at the next he drew himself up to his full height, even rose on tiptoe; then, with a rhythmic action, threw wide his arms, and moved them persistently in the direction of Muzzio, and seemed to threaten or command him, frowning and stamping with his foot. All these actions seemed to cost him great effort, even to cause him pain: he breathed heavily, the sweat streamed down his face. All at once he sank down to the ground, and drawing in a full breath, with knitted brow and immense effort, drew his clenched hands towards him, as though he were holding reins in them ... and to the indescribable horror of Fabio, Muzzio's head slowly left the back of the chair, and moved forward, following the Malay's hands.... The Malay let them fall, and Muzzio's head fell heavily back again; the Malay repeated his movements, and obediently the head repeated them after him. The dark liquid in the bowls began boiling; the bowls themselves began to resound with a faint bell-like note, and the brazen snakes coiled freely about each of them. Then the Malay took a step forward, and raising his eyebrows and opening his eyes immensely wide, he bowed his head to Muzzio ... and the eyelids of the dead man quivered, parted uncertainly, and under them could be seen the eyeb.a.l.l.s, dull as lead. The Malay's face was radiant with triumphant pride and delight, a delight almost malignant; he opened his mouth wide, and from the depths of his chest there broke out with effort a prolonged howl.... Muzzio's lips parted too, and a faint moan quivered on them in response to that inhuman sound.... But at this point Fabio could endure it no longer; he imagined he was present at some devilish incantation! He too uttered a shriek and rushed out, running home, home as quick as possible, without looking round, repeating prayers and crossing himself as he ran.

XIII

Three hours later, Antonio came to him with the announcement that everything was ready, the things were packed, and Signor Muzzio was preparing to start. Without a word in answer to his servant, Fabio went out on to the terrace, whence the pavilion could be seen. A few pack-horses were grouped before it; a powerful raven horse, saddled for two riders, was led up to the steps, where servants were standing bare-headed, together with armed attendants. The door of the pavilion opened, and supported by the Malay, who wore once more his ordinary attire, appeared Muzzio. His face was death-like, and his hands hung like a dead man's--but he walked ... yes, positively walked, and, seated on the charger, he sat upright and felt for and found the reins. The Malay put his feet in the stirrups, leaped up behind him on the saddle, put his arm round him, and the whole party started. The horses moved at a walking pace, and when they turned round before the house, Fabio fancied that in Muzzio's dark face there gleamed two spots of white.... Could it be he had turned his eyes upon him?

Only the Malay bowed to him ... ironically, as ever.

Did Valeria see all this? The blinds of her windows were drawn ... but it may be she was standing behind them.

XIV

At dinner-time she came into the dining-room, and was very quiet and affectionate; she still complained, however, of weariness. But there was no agitation about her now, none of her former constant bewilderment and secret dread; and when, the day after Muzzio's departure, Fabio set to work again on her portrait, he found in her features the pure expression, the momentary eclipse of which had so troubled him ... and his brush moved lightly and faithfully over the canvas.

The husband and wife took up their old life again. Muzzio vanished for them as though he had never existed. Fabio and Valeria were agreed, as it seemed, not to utter a syllable referring to him, not to learn anything of his later days; his fate remained, however, a mystery for all. Muzzio did actually disappear, as though he had sunk into the earth. Fabio one day thought it his duty to tell Valeria exactly what had taken place on that fatal night ... but she probably divined his intention, and she held her breath, half-shutting her eyes, as though she were expecting a blow.... And Fabio understood her; he did not inflict that blow upon her.

One fine autumn day, Fabio was putting the last touches to his picture of his Cecilia; Valeria sat at the organ, her fingers straying at random over the keys.... Suddenly, without her knowing it, from under her hands came the first notes of that song of triumphant love which Muzzio had once played; and at the same instant, for the first time since her marriage, she felt within her the throb of a new palpitating life.... Valeria started, stopped....

What did it mean? Could it be....

At this word the ma.n.u.script ended.