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Dona Perfecta Part 14

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"Let us go, then."

A moment later Don Juan Tafetan and Pepe Rey were entering the parlor of the Troyas. The poverty he saw, that struggled desperately to disguise itself, afflicted the young man. The three girls were very lovely, especially the two younger ones, who were pale and dark, with large black eyes and slender figures. Well-dressed and well shod they would have seemed the daughters of a d.u.c.h.ess, and worthy to ally themselves with princes.

When the visitors entered, the three girls were for a moment abashed: but very soon their naturally gay and frivolous dispositions became apparent. They lived in poverty, as birds live in confinement, singing behind iron bars as they would sing in the midst of the abundance of the forest. They spent the day sewing, which showed at least honorable principles; but no one in Orbajosa, of their own station in life, held any intercourse with them. They were, to a certain extent, proscribed, looked down upon, avoided, which also showed that there existed some cause for scandal. But, to be just, it must be said that the bad reputation of the Troyas consisted, more than in any thing else, in the name they had of being gossips and mischief-makers, fond of playing practical jokes, and bold and free in their manners. They wrote anonymous letters to grave personages; they gave nicknames to every living being in Orbajosa, from the bishop down to the lowest vagabond; they threw pebbles at the pa.s.sers-by; they hissed behind the window bars, in order to amuse themselves with the perplexity and annoyance of the startled pa.s.ser-by; they found out every thing that occurred in the neighborhood; to which end they made constant use of every window and aperture in the upper part of the house; they sang at night in the balcony; they masked themselves during the Carnival, in order to obtain entrance into the houses of the highest families; and they played many other mischievous pranks peculiar to small towns. But whatever its cause, the fact was that on the Troya triumvirate rested one of those stigmas that, once affixed on any one by a susceptible community, accompanies that person implacably even beyond the tomb.

"This is the gentleman they say has come to discover the gold-mines?"

said one of the girls.

"And to do away with the cultivation of garlic in Orbajosa to plant cotton or cinnamon trees in its stead?"

Pepe could not help laughing at these absurdities.

"All he has come for is to make a collection of pretty girls to take back with him to Madrid," said Tafetan.

"Ah! I'll be very glad to go!" cried one.

"I will take the three of you with me," said Pepe. "But I want to know one thing; why were you laughing at me when I was at the window of the Casino?"

These words were the signal for fresh bursts of laughter.

"These girls are silly things," said the eldest.

"It was because we said you deserved something better than Dona Perfecta's daughter."

"It was because this one said that you are only losing your time, for Rosarito cares only for people connected with the Church."

"How absurd you are! I said nothing of the kind! It was you who said that the gentleman was a Lutheran atheist, and that he enters the cathedral smoking and with his hat on."

"Well, I didn't invent it; that is what Suspiritos told me yesterday."

"And who is this Suspiritos who says such absurd things about me?"

"Suspiritos is--Suspiritos."

"Girls," said Tafetan, with smiling countenance, "there goes the orange-vender. Call him; I want to invite you to eat oranges."

One of the girls called the orange-vender.

The conversation started by the Troyas displeased Pepe Rey not a little, dispelling the slight feeling of contentment which he had experienced at finding himself in such gay and communicative company. He could not, however, refrain from smiling when he saw Don Juan Tafetan take down a guitar and begin to play upon it with all the grace and skill of his youthful years.

"I have been told that you sing beautifully," said Rey to the girls.

"Let Don Juan Tafetan sing."

"I don't sing."

"Nor I," said the second of the girls, offering the engineer some pieces of the skin of the orange she had just peeled.

"Maria Juana, don't leave your sewing," said the eldest of the Troyas.

"It is late, and the ca.s.sock must be finished to-night."

"There is to be no work to-day. To the devil with the needles!"

exclaimed Tafetan.

And he began to sing a song.

"The people are stopping in the street," said the second of the girls, going out on the balcony. "Don Juan Tafetan's shouts can be heard in the Plaza--Juana, Juana!"

"Well?"

"Suspiritos is walking down the street."

"Throw a piece of orange-peel at her."

Pepe Rey looked out also; he saw a lady walking down the street at whom the youngest of the Troyas, taking a skilful aim, threw a large piece of orange-peel, which struck her straight on the back of the head. Then they hastily closed the blinds, and the three girls tried to stifle their laughter so that it might not be heard in the street.

"There is no work to-day," cried one, overturning the sewing-basket with the tip of her shoe.

"That is the same as saying, to-morrow there is to be no eating," said the eldest, gathering up the sewing implements.

Pepe Rey instinctively put his hand into his pocket. He would gladly have given them an alms. The spectacle of these poor orphans, condemned by the world because of their frivolity, saddened him beyond measure.

If the only sin of the Troyas, if the only pleasure which they had to compensate them for solitude, poverty, and neglect, was to throw orange-peels at the pa.s.sers-by, they might well be excused for doing it. The austere customs of the town in which they lived had perhaps preserved them from vice, but the unfortunate girls lacked decorum and good-breeding, the common and most visible signs of modesty, and it might easily be supposed that they had thrown out of the window something more than orange-peels. Pepe Rey felt profound pity for them. He noted their shabby dresses, made over, mended, trimmed, and retrimmed, to make them look like new; he noted their broken shoes--and once more he put his hand in his pocket.

"Vice may reign here," he said to himself, "but the faces, the furniture, all show that this is the wreck of a respectable family. If these poor girls were as bad as it is said they are, they would not live in such poverty and they would not work. In Orbajosa there are rich men."

The three girls went back and forward between him and the window, keeping up a gay and sprightly conversation, which indicated, it must be said, a species of innocence in the midst of all their frivolity and unconventionality.

"Senor Don Jose, what an excellent lady Dona Perfecta is!"

"She is the only person in Orbajosa who has no nickname, the only person in Orbajosa who is not spoken ill of."

"Every one respects her."

"Every one adores her."

To these utterances the young man responded by praises of his aunt, but he had no longer any inclination to take money from his pocket and say, "Maria Juana, take this for a pair of boots." "Pepa, take this to buy a dress for yourself." "Florentina, take this to provide yourself with a week's provisions," as he had been on the point of doing. At a moment when the three girls had run out to the balcony to see who was pa.s.sing, Don Juan Tafetan approached Rey and whispered to him:

"How pretty they are! Are they not? Poor things! It seems impossible that they should be so gay when it may be positively affirmed that they have not dined to-day."

"Don Juan, Don Juan!" cried Pepilla. "Here comes a friend of yours, Nicolasito Hernandez, in other words, Cirio Pascual, with this three-story hat. He is praying to himself, no doubt, for the souls of those whom he has sent to the grave with his extortion."

"I wager that neither of you will dare to call him by his nickname."

"It is a bet."

"Juana, shut the blinds, wait until he pa.s.ses, and when he is turning the corner, I will call out, 'Cirio, Cirio Pascual!'"

Don Juan Tafetan ran out to the balcony.

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Dona Perfecta Part 14 summary

You're reading Dona Perfecta. This manga has been translated by Updating. Author(s): Benito Perez Galdos. Already has 638 views.

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