Doctor Cupid Part 42

'I am afraid she must have taken a chill,' pursues Peggy, wrinkling up her forehead into anxious lines. 'I am sure I do not know how, but I think she must; she has had to go to bed.'

The young man's brow clears. If Prue's illness involves only her absence from the dinner-table, he will not very violently quarrel with it after all.

'Very wise of her,' he says in a lighter voice; 'the best place for her!

Poor Prue!'

'But----,' begins Peggy, whose brow has not smoothed itself in sympathy with her lover.

'But what?' inquires he sharply, his apprehensions returning. 'You are not going to tell me that on my last evening I am to be sacrificed to a _malade imaginaire_!'

'She is not a _malade imaginaire_,' answers Margaret half indignantly; 'her cheeks are as hot as fire, and her pulse has run up to ninety.'

'I believe she runs it up on purpose. Are you barring the gate for fear I should force my way in?'

'Oh, no, no!' cries she, hastily dropping her arms from their resting-place on the top rail, and flinging her portals hospitably wide.

'Come in! come in! how could you dream of such a thing? Do you suppose that I am going to send you away without your dinner? But after dinner----'

'After dinner?'

'When she is ill, she likes me to sit beside her, bathing her forehead and her hands. I have always done it, ever since she was a baby. When you are ill, I will bathe your forehead and your hands. Oh!' clasping her fingers soft and fast upon his arm, and looking up with brimful eyes into his angry face, 'do not look so cross at me! Do not you think that it is hard enough for me without that?'

CHAPTER XXVIII

The dinner is over--the first _tete-a-tete_ dinner that John and Peggy have ever shared. To dine _tete-a-tete_ with her in her own still house, amid her old and homely surroundings, with the summer evening tossing them in its lavish perfumes through the wide-opened windows, would have seemed to him, a month ago, the realisation of his fairest and most hopeless dream. But in their translation into the bald language of reality--the jejune prose of fact--our dreams have a way of losing their finer essence. It has escaped, without our being able to tell whither or by what channel. Over both a sort of wet blanket has fallen. Try as he may, Talbot's temper cannot recover from the poignant disappointment of his lost last evening; and try as she may--broken in, as she is, by a lifetime's habit of self-sacrifice--Peggy cannot hinder the lump from rising in her throat, and the tears from crowding into her eyes, at the reflection that her own hand has cut off, and flung away, the blossoms of these final crowning hours. How many things she had saved to say to him on this last evening--things too tender for her shamefacedness to utter, save under the justification of an imminent severance--things that he would have liked to have heard all through these days, but that she had laid up in the storehouse of her heart as too close and sacred for aught but to sweeten their parting! How can she say them now across a dinner-table, with Sarah coming out and in, Prue sending peevish messages to her, a score of trivial interruptions forbidding any but the most ba.n.a.l talk? It was only with her head on her love's breast, in the dusk of the starshine, that she could ever have found courage to utter them. When will they be uttered now? The present, the brave solid present, is our own, to caress or misuse; but who dares say to the future, that formless form wrapped in uncertain gray, 'Thou art mine'?

And now the dinner is over, and they have separated, with spurious coldness. Peggy has vanished upstairs to her sister, and Talbot is left to employ the hours of his last evening as he best may. It is true that Margaret has eagerly begged him to take possession of house and garden, and has held out tearful hopes of s.n.a.t.c.hing here and there a moment from Prue's sick exactions to give him. But his ireful restlessness will not allow him to accept this concession. It would be worse to be within apparent reach of her, yet just beyond her eye and touch, than to be quite outside her domain. He tells her so, half harshly; and opening the gate into the park, takes himself and his ill-temper to the oaks and the deer for consolation.

At first he walks along over the dew-freshened sward, under the isolated oak giants, or between the more gregarious beeches and limes of spinny and copse, without seeing them. He has no eyes, save those angry inward ones that are turned upon his own disappointment. His last evening!--his last evening! If it had been any but the last! Henceforth, in retrospect, this holiday of his will take all its colour from this bitter last evening. It is the end that stamps anything as bad or good.

Oh, cruel Peggy! He has had so few really good hours in his life; and now she has ruthlessly robbed him of his best. And for what?

With the answer which he is compelled to give himself to this question comes his first dawn of consolation. Certainly to no personal gratification has she sacrificed him. He can hardly, in his most aggrieved moments, picture her as better amused than himself as she stoops--with the tears called up by his ill-tempered words scarcely dried upon her cheek--over her equally ill-tempered invalid, bathing her forehead, holding her jealous hands.

Poor Peggy! He will go back at once, and beg her pardon. But no. The consciousness of his being hanging wrathfully about will only further complicate her difficulties. He will take a lesson out of her book, and efface himself wholly for this one evening, even though it is the last.

The last in one sense, but in another----?

He has sat down on a felled trunk, stripped of its branches, but not yet removed by the wood-cutter's cart. The hawthorn comes in _acre_ whiffs to him. His heart, though he is alone for the whole evening--though he will probably have to go back to his alehouse without one more glimpse of her damask-textured face, gives a great bound. The last? For him and her there will be no last evening until--for G.o.d, who has given him so much, will surely give him, too, the supreme boon to die first--until, bending over him as she now bends over Prue, her voice and her hands smooth his pa.s.sage to the easy grave.

The revulsion of feeling from his earlier ill-humour, produced by this thought, brings the moisture to his eyes. What is this parting in comparison with that six-months-ago one--when he had taken leave of her with no rational hope of ever having his eyes enriched by her again--when he had been afraid to trust his tongue to any speech, lest it should drift into tendernesses he had believed for ever prohibited to it? That parting in the walled garden! Why should not he go thither now, so that, surrounded by the mute witnesses of his former despair, he may the better gauge the extent of his new felicity? The idea, once conceived, approves itself so instantly to his imagination that he starts up; and, exchanging his former purposeless saunter for a quick walk, sets off in the direction of the Manor gardens.

The evening is falling, in late May's best serenity, weighted with the innocent sweetness of country odours. The deer--their mottled sides growing indistinct--are browsing wakefully among the bracken. The throstles have reached their song's last verse.

He has gained the pleasure-grounds, just as the vanguard of the stars take possession of the emptied sky. He hastens along, almost as hurriedly as if it were to a rendezvous with the real Peggy, instead of with the six-months-old memory of her, that he were speeding; between the burnished laurels; past the fresh-blown splendours of the great rhododendron-beds, on fire with red, and pale with cream and blush and lilac; narcissus and may taking his nostrils by storm as he brushes past them to his goal, the still walled garden.

As he nears it, a misgiving seizes him that he may perhaps find himself locked out--that he may perhaps have to content himself with the mutilated satisfaction of peering in at it, between the wrought iron of its gate; and it is with a trepidating hand that, standing at last before it, he tries the handle with fingers not very confident of success. But for the first time to-night Fate is kind to him. The gate yields to his touch; and pushing it, he walks in. He has not been inside the enclosure's quiet precincts since the night of that parting, whose bitterness he has now come, in the wantonness of his new joy, purposely to revive. He must indeed be happy that goes, of his own accord, courting a dead misery. He draws a long luxurious breath, as he looks round in search of the landmarks of that past woe. They are here, but they wear a changed aspect. Through the wrought-iron railing, indeed, the church tower and the yews, its brothers in age and gentle gravity, still rise in the friendly dusk; but another race of flowers has sprung in the place of those that witnessed his despair. The ghostly white gladioli are gone, and the autumn-faced asters. The winter winds have dispersed the down of the traveller's joy; and the penetrating breath of the mignonette has long ago died off the air. But in their place another nation has arisen; a better, he says to himself, as he stands with all spring's scented hopefulness crowded about his feet.

He walks slowly along, seeking to recover the exact spot where that parting had taken place; seeking to recover it by the aid of the small landmarks that bear upon it. There had been a moon, a section of a moon, to light it. There is none now.

He is glad. She has been the accomplice of half the world's crimes. He wishes that the outward conditions should be as altogether changed as the inward ones. He is glad that the trees, then wrapped in the heavy uniformity of late summer, are now showing the juicy variety of their early leaf.a.ge. He is glad that the creepers are in bud, instead of in lavish flower; glad of the fresher quality of the light air; glad of anything that marks the fact that that bad old night has gone, and this good young new one come. For so changed is his mood since the time that he set off from the Red House gate, that his evening, though spent in solitude, does seem eminently good to him, and his heart bounds with almost as high an elation as if she were pacing beside him in the starlight, with her head on his shoulder, as she will do in the future, many hundred happy times.

He has paused in his walk. It was here that she stood--just here. He knows the exact spot, by a comparison of the distance from the long bed of violets, which, alone unchanged of all the flowers, still stretches beneath the south wall, and mingles its odours with that of the new-come flowers, as it had done with the departed ones. Just here! And he himself had stood here. She had been facing the gate, and he with his back to it. Thus, thus. The little crafty half-moon had shone into her eyes, as she made him her last wistful speech:

'Since you are so determined to go downhill, I suppose that I dare not say I hope our roads will ever cross again.'

Six months ago, only six months between the moment when he had in dumb hopelessness acquiesced in the fact that their paths must for ever diverge, and this in which they are, for all eternity, merged in one.

His eyes have dropped to the gravel, as if seeking the print of her dear feet, that he may stoop and kiss it. His back is, as on that former occasion that his imagination has so potently summoned from its grave, turned towards the gate. He is alone. There are no witnesses to make him ridiculous. Why may not he be as foolish as he pleases? He has actually dropped on his knees, and is stooping his lips towards the pebbles, which may or may not be the very ones her light step pressed half a year ago, when the sound of the click of a latch behind him makes him raise his head and spring to his feet. Who, at this late hour of the evening, can be turning the handle of the gate? Who but one? She has forsaken Prue for him after all. Love's instinct has told her the path he took; and here, on the spot where he had for ever renounced her, she has come to him under the stars. What welcome can he give her that will be thankful and joyful enough for such an unlooked-for grace? He turns--his whole face alight with ecstasy--towards her, but his feet do not move to meet her.

By a refinement of love's cunning he will await her here; and, on the very foot of ground that witnessed their separation, he will receive her into his arms again. She has pushed the gate now, and, like himself, she is within the enclosure; her white gown (he has often praised her in white, and she must have put it on since he left her) flitting like a snow-winged dove, along the dusky walk towards him.

'What an odd place you have chosen to say your prayers in!' cries a high-pitched voice.

'BETTY!' For, by one of Fate's juggles, it is the old and not the new love to whom his radiant greeting is addressed. It is the old and not the new love whom, if his arms clasp any woman under the stars to-night, they must enfold. They do not, indeed, show much readiness to do so.

They hang as if palsy-struck at his sides, while his voice repeats in a horrified whisper that he would fain, if he could, make one of incredulity, '_Betty!_'

'Do not trouble yourself to repeat it a third time,' says she, with a flighty laugh that has yet no tinge of mirth in it. 'I do not need convincing that _I_ am _I_, nor need you.'

'_You_ here?'

'I may return the compliment--_you_ here?'

He is staring at her with wide, shocked eyes that are also full of an astonishment he is powerless to master. Is _this_ the Betty he had parted from on that awful Christmas morning? _this_ the wretched woman, clammy-handed, dishevelled, reckless of all save her own mastering agony, who--her haggard mother-eyes unable to attain the boon of any tears--had hoa.r.s.ely forbidden him her presence for ever? Can this be she--this hovering vision of lace and gauze--that has floated towards him on the wings of the night, and now lifts to his, eyes that in this light look as clear as Peggy's--cheeks whose carnations seem no less lovely and real? Before his confused consciousness, the two visions--of _that_ Betty and of _this_--inextricably entangled, and yet irrevocably separated, pa.s.s and repa.s.s; and he continues standing, wordlessly, stupidly staring, in a horror and a wonder that are beyond the weight of his volition to conquer, at the woman before him.

After her last sentence she is wordless too, and also stands looking at him, mute and full, as if she had forgotten his face, and were learning it off by heart again, her fact.i.tious gaiety for the moment died down and gone in the silent starlight. It is he who first speaks.

'You--you came here to see your children?'

'To see my children?' repeats she. 'Ha! ha! Yes, that was the reason I gave at home; and a very pretty and laudable one too, was not it? To see my children! But, as it happens, a woman has often more than one reason.

I had more than one.'

She has lapsed into her flippant gaiety again, and now pauses as if expecting him to inquire into the nature of the other reason to which she alludes; but if so, he does not gratify her. He is still fighting with the horror of that double consciousness. Can this be the woman to whom in that icy winter dawning his whole soul had gone out in such an overpowering pa.s.sion of pity? And if it be indeed she, has she clean forgotten the sacred agony of their last farewell? Her laugh is still dissonantly jarring on his stunned ear, when, finding it hopeless any longer to wait for questioning on his part, she resumes:

'It is always well to kill two birds with one stone--is not it?' says she, looking hardily into his eyes. 'Pardon the homeliness of the expression! You know that reports reach even quiet places--Harborough, for instance. Well, such a report--a _canard_ probably, but still there was something oddly circ.u.mstantial about it--was spreading there yesterday about a--person--I--used--to know--rather well--have some interest in--in fact----'

She pauses again; her words have, for the last half of her speech, come draggingly, with a little break between each, and not for one instant does her eye release him. But again he makes no comment. Her breath is coming perceptibly quicker when she next takes up her theme.

'You do not ask what the report was? No? I fear my little tale does not interest you. It would perhaps be civiller on your part if you could pretend that it did; perhaps you will think that it improves as it goes on. Well, the subject of the report is a man; and the report itself--do not you think that it was the simplest plan on my part to come and verify it in person?--is that he is going to take to his bosom a--ha!

ha! I never can help laughing when I think of it--a--guess! No; you would never guess--_a sack of pota_----'

'Do not call her names,' says Talbot, for the first time finding his voice, and stretching out his hands, but now hanging so nervelessly at his sides, in authoritative wrathful prohibition; 'do not dare to call her names!'

'Then it _is_ true?'

Her laugh, little kin as it had ever had with real merriment, is dead--strangled in her throbbing throat; and she puts up her hand as if she were choking.

'Until you can speak of her with the respect that is her due, I will answer no questions,' he replies sternly.