Diary of a Pilgrimage Part 6

I have heard a good deal in praise of the Rhine, and I am glad to be able to speak well of it myself. I found it most refreshing.

I was, however, sorry that we had washed in it afterwards. I have heard from friends who have travelled since in Germany that we completely spoiled that river for the rest of the season. Not for business purposes, I do not mean. The barge traffic has been, comparatively speaking, uninterfered with. But the tourist trade has suffered terribly. Parties who usually go up the Rhine by steamer have, after looking at the river, gone by train this year. The boat agents have tried to persuade them that the Rhine is always that colour: that it gets like that owing to the dirt and refuse washed down into it during its course among the mountains.

But the tourists have refused to accept this explanation. They have said:

"No. Mountains will account for a good deal, we admit, but not for all _that_. We are acquainted with the ordinary condition of the Rhine, and although muddy, and at times unpleasant, it is pa.s.sable. As it is this summer, however, we would prefer not to travel upon it. We will wait until after next year's spring-floods."

We went to bed after our wash. To the _blase_ English bed-goer, accustomed all his life to the same old hackneyed style of bed night after night, there is something very pleasantly piquant about the experience of trying to sleep in a German bed. He does not know it is a bed at first. He thinks that someone has been going round the room, collecting all the sacks and cushions and antimaca.s.sars and such articles that he has happened to find about, and has piled them up on a wooden tray ready for moving. He rings for the chambermaid, and explains to her that she has shown him into the wrong room. He wanted a bedroom.

She says: "This _is_ a bedroom."

He says: "Where's the bed?"

"There!" she says, pointing to the box on which the sacks and antimaca.s.sars and cushions lie piled.

"That!" he cries. "How am I going to sleep in that?"

The chambermaid does not know how he is going to sleep there, never having seen a gentleman go to sleep anywhere, and not knowing how they set about it; but suggests that he might try lying down flat, and shutting his eyes.

"But it is not long enough," he says.

The chambermaid thinks he will be able to manage, if he tucks his legs up.

He sees that he will not get anything better, and that he must put up with it.

"Oh, very well!" he says. "Look sharp and get it made, then."

She says: "It is made."

He turns and regards the girl sternly. Is she taking advantage of his being a lonely stranger, far from home and friends, to mock him? He goes over to what she calls the bed, and s.n.a.t.c.hing off the top-most sack from the pile and holding it up, says:

"Perhaps you'll tell me what this is, then?"

"That," says the girl, "that's the bed!"

He is somewhat nonplussed at the unexpected reply.

"Oh!" he says. "Oh! the bed, is it? I thought it was a pincushion!

Well, if it is the bed, then what is it doing out here, on the top of everything else? You think that because I'm only a man, I don't understand a bed!"

"That's the proper place for it," responds the chambermaid.

"What! on top?"

"Yes, sir."

"Well, then where are the clothes?"

"Underneath, sir."

"Look here, my good girl," he says; "you don't understand me, or I don't understand you, one or the other. When I go to sleep, I lie on a bed and pull the clothes over me. I don't want to lie on the clothes, and cover myself with the bed. This isn't a comic ballet, you know!"

The girl a.s.sures him that there is no mistake about the matter at all.

There is the bed, made according to German notions of how a bed should be made. He can make the best of it and try to go to sleep upon it, or he can be sulky and go to sleep on the floor.

He is very much surprised. It looks to him the sort of bed that a man would make for himself on coming home late from a party. But it is no use arguing the matter with the girl.

"All right," he says; "bring me a pillow, and I'll risk it!"

The chambermaid explains that there are two pillows on the bed already, indicating, as she does so, two flat cushions, each one a yard square, placed one on top of the other at one end of the mixture.

"These!" exclaims the weary traveller, beginning to feel that he does not want to go to bed at all. "These are not pillows! I want something to put my head on; not a thing that comes down to the middle of my back!

Don't tell me that I've got to sleep on these things!"

But the girl does tell him so, and also implies that she has something else to do than to stand there all day talking bed-gossip with him.

"Well, just show me how to start," he says, "which way you get into it, and then I won't keep you any longer; I'll puzzle out the rest for myself."

She explains the trick to him and leaves, and he undresses and crawls in.

The pillows give him a good deal of worry. He does not know whether he is meant to sit on them or merely to lean up against them. In experimenting upon this point, he b.u.mps his head against the top board of the bedstead. At this, he says, "Oh!" and shoots himself down to the bottom of the bed. Here all his ten toes simultaneously come into sharp contact with the board at the bottom.

Nothing irritates a man more than being rapped over the toes, especially if he feels that he has done nothing to deserve it. He says, "Oh, d.a.m.n!"

this time, and spasmodically doubles up his legs, thus giving his knees a violent blow against the board at the side of the bed. (The German bedstead, be it remembered, is built in the form of a shallow, open box, and the victim is thus completely surrounded by solid pieces of wood with sharp edges. I do not know what species of wood it is that is employed.

It is extremely hard, and gives forth a curious musical sound when struck sharply with a bone.)

After this he lies perfectly still for a while, wondering where he is going to be hit next. Finding that nothing happens, he begins to regain confidence, and ventures to gently feel around with his left leg and take stock of his position.

For clothes, he has only a very thin blanket and sheet, and beneath these he feels decidedly chilly. The bed is warm enough, so far as it goes, but there is not enough of it. He draws it up round his chin, and then his feet begin to freeze. He pushes it down over his feet, and then all the top part of him shivers.

He tries to roll up into a ball, so as to get the whole of himself underneath it, but does not succeed; there is always some of him left outside in the cold.

He reflects that a "boneless wonder" or a "man serpent" would be comfortable enough in this bed, and wishes that he had been brought up as a contortionist. If he could only tie his legs round his neck, and tuck his head in under his arm, all would yet be well.

Never having been taught to do any really useful tricks such as these, however, he has to be content to remain spread out, warming a bit of himself at a time.

It is, perhaps, foolish of him, amid so many real troubles, to allow a mere aesthetical consideration to worry him, but as he lies there on his back, looking down at himself, the sight that he presents to himself considerably annoys him. The puffed-up bed, resting on the middle of him, gives him the appearance of a man suffering from some monstrous swelling, or else of some exceptionally well-developed frog that has been turned up the wrong way and does not know how to get on to its legs again.

Another vexation that he has to contend with is, that every time he moves a limb or breathes extra hard, the bed (which is only of down) tumbles off on to the floor.

You cannot lean out of a German bed to pick up anything off the floor, owing to its box-like formation; so he has to scramble out after it, and of course every time he does this he barks both his shins twice against the sides of the bed.

When he has performed this feat for about the tenth time, he concludes that it was madness for him, a mere raw amateur at the business, to think that he could manage a complicated, tricky bed of this sort, that must take even an experienced man all he knows to sleep in it; and gets out and camps on the floor.

At least, that is what I did. B. is accustomed to German beds, and doubled himself up and went off to sleep without the slightest difficulty.

We slept for two hours, and then got up and went back to the railway-station, where we dined. The railway refreshment-room in German towns appears to be as much patronised by the inhabitants of the town as by the travellers pa.s.sing through. It is regarded as an ordinary restaurant, and used as such by the citizens. We found the dining-room at Cologne station crowded with Cologneists.

All cla.s.ses of citizens were there, but especially soldiers. There were all sorts of soldiers--soldiers of rank, and soldiers of rank and file; attached soldiers (very much attached, apparently) and soldiers unattached; stout soldiers, thin soldiers; old soldiers, young soldiers.