Denmark Part 1

Denmark.

by M. Pearson Thomson.

CHAPTER I

MERRY COPENHAGEN--I

Copenhagen, the metropolis of Denmark, is a large and flourishing city, with all the modern improvements of a commercial capital. It has an atmosphere of its own, an atmosphere of friendliness and gaiety, particularly appreciated by English people, who in "Merry Copenhagen"

always feel themselves at home.

The approach to this fine city from the North by the Cattegat is very charming. Sailing through the Sound, you come upon this "Athens of the North" at its most impressive point, where the narrow stretch of water which divides Sweden and Denmark lies like a silvery blue ribbon between the two countries, joining the Cattegat to the Baltic Sea. In summer the sparkling, blue Sound, of which the Danes are so justly proud, is alive with traffic of all kinds. Hundreds of steamers pa.s.s to and from the North Sea and Baltic, carrying their pa.s.sengers and freights from Russia, Germany, Finland, and Sweden, to the whole world. In olden times Denmark exacted toll from these pa.s.sing ships, which the nations found irksome, but the Danes most profitable. This "Sundtold" was abolished finally at the wish of the different nations using this "King's highway," who combined to pay a large lump sum to Denmark, in order that their ships might sail through the Sound without this annoyance in future.

Kronborg Castle, whose salute demanded this toll in olden days, still rears its stately pinnacles against the blue sky, and looking towards the old fortress of Kjarnan, on the Swedish coast, seems to say, "Our glory is of a bygone day, and in the land of memories."

Elsinore, the ancient town which surrounds this castle, is well known to English and American tourists as the supposed burial-place of Hamlet, the Prince of Denmark immortalized by Shakespeare. Kronborg Castle is interesting to us, in addition, as being the place where Anne of Denmark was married by proxy to James I. of England. Here, also, the "Queen of Tears," Caroline Matilda, sister of George III., spent some unhappy months in prison, gazing sadly over the Sound, waiting for the English ships to come and deliver her.

We pa.s.s up the Sound viewing the luxuriant cool green beech-woods of Denmark, and the pretty fishing villages lying in the foreground. Villas with charming gardens--their tiny rickety landing-stages, bathing sheds, and tethered boats, adding fascination to the homely scene--seem to welcome us to this land of fairy tales and the home of Hans Andersen.

The many towers and pinnacles of Copenhagen, with the golden dome of the Marble Church, flash a welcome as we steam into the magnificent harbour of this singularly well-favoured city. Here she stands, this "Queen of the North," as a gracious sentinel bowing acquiescence to the pa.s.sing ships as they glide in and out of the Baltic. The broad quays are splendidly built, lined with fine warehouses, and present a busy scene of commercial activity. The warships lying at their moorings in the Sound denote that this is the station of the fleet; here also we see the country's only fortress--the formidable bulwarks which surround the harbour.

Kjobenhavn in Danish means "merchants' harbour," and as early as the eleventh century it was a trading centre for foreign merchants attracted by the rich supply of herrings found by the Danish fishermen in the Baltic. Bishop Absalon was the founder of the city. This warrior Bishop strongly fortified the place, in 1167, on receiving the little settlement from King Valdemar the Great, and had plenty to do to hold it, as it was continually hara.s.sed by pirates and the Wends. These, however, found the Bishop more than a match for them. His outposts would cry, "The Wends are coming!" and the Bishop would leave his preaching, his bed, or anything else he might be doing, gather his forces together, and fight gallantly for his little stronghold. He perhaps recognized that this might one day be the key to the Baltic, which it has since become.

This city, therefore, is not a new one, but bombardment and conflagrations are responsible for its modern appearance. Fortunately, some of the handsome edifices raised during the reign of Christian IV.

(1588-1648) still remain to adorn the city. This monarch was a great architect, sailor, warrior, and King, and is one of the most striking figures in Danish history. He was beloved by his people, and did much for his kingdom. The buildings planned and erected during this monarch's reign are worthy of our admiration. The beautiful Exchange, with its curious tower formed by four dragons standing on their heads, and entwining their tails into a dainty spire; Rosenborg Castle, with its delicate pinnacles; the famous "Runde Taarn" (Round Tower), up whose celebrated spiral causeway Peter the Great is said to have driven a carriage and pair, are amongst the most noteworthy. The originality in design of the spires and towers of Copenhagen is quite remarkable. Vor Frelsers Kirke, or Church of Our Saviour, has an outside staircase, running round the outside of its spire, which leads up to a figure of our Saviour, and from this height you get a fine view of the city. The tower of the fire-station, in which the fire-hose hangs at full length; the copper-sheathed clock and bell tower--the highest in Denmark--of the Town Hall; the Eiffel-like tower of the Zoo, are among the most singular. In all these towers there is a beautiful blending of copper and gold, which gives a distinctive and attractive character to the city. Other prominent features are the pretty fish-scale tiling, and the copper and bronze roofs of many of the buildings, with their "stepped"

gables. Charming, too, are the city's many squares and public gardens, ca.n.a.ls with many-masted ships making an unusual spectacle in the streets. But, after all, it is perhaps the innate gaiety of the Copenhagener which impresses you most. You feel, indeed, that these kindly Danes are a little too content for national development; but their light-hearted way of viewing life makes them very pleasant friends, and their hospitality is one of their chief characteristics.

Every lady at the head of a Danish household is an excellent cook and manager, as well as being an agreeable and intelligent companion. The Copenhagener is a "flat" dweller, and the dining-room is the largest and most important room in every home. The Dane thinks much of his dinner, and dinner-parties are the princ.i.p.al form of entertainment. They joke about their appreciation of the good things of the table, and say, "a turkey is not a good table-bird, as it is a little too much for one Dane, but not enough for two!" A very pleasant side of Copenhagen life has sprung up from this appreciation, for the restaurants and cafes are numerous, and cater well for their customers. While the Dane eats he must have music, which, like the food, must be good; he is very critical, and a good judge of both. This gay cafe and restaurant life is one of the fascinations of Denmark's "too-large heart," as this pleasant capital is called by its people.

CHAPTER II

MERRY COPENHAGEN--II

The climate of Copenhagen is delightful in summer, but quite the reverse in winter. Andersen says "the north-east wind and the sunbeams fought over the 'infant Copenhagen,' consequently the wind and the 'mud-king'

reign in winter, the sunbeams in summer, and the latter bring forgetfulness of winter's hardships." Certainly, when the summer comes, the sunshine reigns supreme, and makes Copenhagen bright and pleasant for its citizens. Then the many water-ways and ca.n.a.ls, running up from the sea as they do into the heart of the city, make it delightfully refreshing on a hot day. Nyhavn, for instance, which opens out of the Kongen's Nytorv--the fashionable centre of the town--is one of the quaintest of water-streets. The cobbled way on either side of the water, the curious little shops with sailors' and ships' wares, old gabled houses, fishing and cargo boats with their forests of masts, the little puffing motor-boats plying to and fro--all serve to make a distinctive picture. On another ca.n.a.l-side the fish-market is held every morning. A Danish fish-market is not a bit like other fish-markets, for the Dane must buy his fish alive, and the ca.n.a.l makes this possible. The fishing-smacks line up the whole side of the quay; these have perforated wooden boat-shaped tanks dragging behind them containing the lively fish. The market-women sit on the quay, surrounded by wooden tubs, which are half-filled with water, containing the unfortunate fish. A trestle-table, on which the fish are killed and cleaned, completes the equipment of the fish-wives. The customers scrutinize the contents of the tub, choose a fish as best they can from the leaping, gasping mult.i.tude, and its fate is sealed. When the market-women require more fish, the perforated tank is raised from the ca.n.a.l, and the fish extracted with a landing-net and deposited in their tubs. Small fish only can be kept alive in tanks and tubs; the larger kinds, such as cod, are killed and sold in the ordinary way. This market is not at all a pleasant sight, so it is better to turn our backs on it, and pa.s.s on to the fragrant flower-market.

Here the famous Amager women expose their merchandise. This market square is a gay spectacle, for the Dane is fond of flowers, and the Amager wife knows how to display her bright blooms to advantage. These vendors are notable characters. They are the descendants of the Dutch gardeners brought over by Christian II. to grow fruit and vegetables for Copenhagen, and settled on the fertile island of Amager which abuts on the city. Every morning these Amager peasants may be seen driving their laden carts across the bridge which joins their island to the mainland.

These genial, stout, but sometimes testy Amager wives have it all their own way in the market-place, and are clever in attracting and befooling a customer. So it has become a saying, if you look sceptical about what you are told, the "story-teller" will say, "Ask Amager mother!" which means, "Believe as much as you like." These women still wear their quaint costume: bulky petticoats, clean checked ap.r.o.n, shoulder-shawl, and poke-bonnets with white kerchief over them; and the merry twinkle of satisfaction in the old face when a good bargain has been completed against the customer's inclination is quite amusing. These interesting old characters are easily irritated, and this the little Copenhageners know full well. When stalls are being packed for departure, a naughty band of urchins will appear round the corner and call out:

"Amager mother, Amager mo'er, Give us carrots from your store; You are so stout and roundabout, Please tell us if you find the door Too small to let you through!"

The Amager wife's wrath is soon roused, and she is often foolish enough to try and move her bulky proportions somewhat quicker than usual in order to catch the boys. This of course she never manages to do, for they dart away in all directions. By this means the Amager woman gets a little much-needed exercise, the boys a great deal of amus.e.m.e.nt.

[Ill.u.s.tration: THE FLOWER MARKET, COPENHAGEN.]

Sunday is a fete-day in Copenhagen, and the Dane feels no obligation to attend a Church service before starting out on his Sunday expedition. A day of leisure means a day of pleasure to the Copenhagener. The State helps and encourages him by having cheap fares, and good but inexpensive performances at the theatre and places of entertainment on Sunday. Even the poorest people manage to spare money for this periodical outing, mother and children taking their full share in the simple pleasures of the day. The Copenhagener looks forward to this weekly entertainment, and longs for the fresh air. This is not surprising, for many homes are stuffy, ventilation and open windows not seeming a necessity. A fine summer Sunday morning sees a leisurely stream of people--the Danes never hurry themselves--making for tram, train, or motor-boat, which will carry them off to the beautiful woods and sh.o.r.es lying beyond the city.

Basking in the sunshine, or enjoying a stroll through the woods, feasting on the contents of their picnic baskets, with a cup of coffee or gla.s.s of pilsener at a cafe where music is always going on, they spend a thoroughly happy day. In the evening the tired but still joyous throng return home, all the better for the simple and pleasant outing.

No country uses the bicycle more than Denmark, and Sunday is the day when it is used most. For the people who prefer to take their dinner at home on Sunday there is the pleasant stroll along the celebrated Langelinie. This famous promenade, made upon the old ramparts, overlooks the Sound with its innumerable yachts skimming over the blue water, and is a delightful place for pedestrians. A walk round the moat of the Citadel, on the waters of which the children sail their little boats, is also enjoyable. This Citadel, now used as barracks, was built by Frederik III. in 1663, and formerly served as a political prison.

Struensee, the notorious Prime Minister, was imprisoned here and beheaded for treason. A few narrow, picturesque streets surrounding this fort are all that remain of old Copenhagen.

The art treasures contained in the museums of Copenhagen being renowned, I must tell you a little about them. Two or three of the palaces not now required by the Royal Family are used to store some of these treasures.

Rosenborg Castle, built by Christian IV., and in which he died, contains a collection of family treasures belonging to the Oldenburg dynasty.

This historical collection of these art-loving Kings is always open to the public. Besides Thorvaldsen's Museum, which contains the greater portion of his works, there is the Carlsberg Glyptotek, which contains the most beautiful sculpture of the French School outside France. The Danish Folk-Museum is another interesting collection. This ill.u.s.trates the life and customs of citizens and peasants from the seventeenth century to the present day, partly by single objects, and partly by representations of their dwellings. The "Kunstmusaeet" contains a superb collection of pictures, sculpture, engravings, and national relics.

Here a table may be seen which formerly stood in Christian II.'s prison.

History tells how the unhappy King was wont to pace round this table for hours taking his daily exercise, leaning upon his hand, which in time ploughed a groove in its hard surface. The Amalienborg, a fine tessellated square, contains four Royal palaces, in one of which our Queen Alexandra spent her girlhood. From the windows of these palaces the daily spectacle of changing the guard is witnessed by the King and young Princes.

Copenhagen is celebrated for its palaces, its parks, porcelain, statuary, art-treasures, and last, but not least, its gaiety.

CHAPTER III

HANS CHRISTIAN ANDERSEN, THE "FAIRY TALE" OF HIS LIFE

I suppose the Dane best known to English boys and girls is Hans Christian Andersen, whose charming fairy-tales are well known and loved by them all. Most of you, however, know little about his life, but are interested enough in him, I dare say, to wish to learn more, especially as the knowledge will give you keener delight--if that is possible--in reading the works of this "Prince of Story-tellers."

Andersen himself said: "My life has been so wonderful and so like a fairy-tale, that I think I had a fairy G.o.dmother who granted my every wish, for if I had chosen my own life's way, I could not have chosen better."

Hans C. Andersen was the son of a poor shoemaker, an only child, born in Odense, the capital of the Island of Funen. His parents were devoted to him, and his father, who was of a studious turn of mind, delighted in teaching his little son and interesting him in Nature. Very early in life Hans was taken for long Sunday rambles, his father pointing out to him the beauties of woods and meadows, or enchanting him with stories from the "Arabian Nights."

At home the evenings were spent in dressing puppets for his favourite show, or else, sitting on his father's knee, he listened while the latter read aloud to his mother scenes from Holberg's plays. All day Hans played with his puppet theatre, and soon began to imagine plays and characters for the dolls, writing out programmes for them as soon as he was able. Occasionally his grandmother would come and take the child to play in the garden of the big house where she lived in the gardener's lodge. These were red-letter days for little Hans, as he loved his granny and enjoyed most thoroughly the pleasant garden and pretty flowers.

The boy's first great trouble came when his father caught a fever and died, leaving his mother without any means of support. To keep the little home together his mother went out washing for her neighbours, leaving little Hans to take care of himself. Being left to his own devices, Hans developed his theatrical tendencies by constructing costumes for his puppets, and making them perform his plays on the stage of his toy theatre. Soon he varied this employment by reading plays and also writing some himself. His mother, though secretly rejoicing in her son's talent, soon saw the necessity for his doing something more practical with his time and a.s.sisting her to keep the home together. So at twelve years of age Hans was sent to a cloth-weaving factory, where he earned a small weekly wage. The weavers soon discovered that Hans could sing, and the men frequently made him amuse them, while the other boys were made to do his work. One day the weavers played a coa.r.s.e practical joke on poor sensitive Hans, which sent him flying home in such deep distress that his mother said he should not again return to the factory.

Hans was now sent to the parish school for a few hours daily, and his spare time was taken up with his "peep-show" and in fashioning smart clothes for his puppets. His mother intended to apprentice her son to the tailoring, but Hans had fully made up his mind to become an actor and seek his fortune in Copenhagen. After his Confirmation--on which great occasion he wore his father's coat and his first new boots--his mother insisted on his being apprenticed without further delay. With difficulty he finally succeeded in persuading her to let him start for the capital with his few savings. His mother had married again, so could not accompany him; therefore, with reluctance and with many injunctions to return at once if all did not turn out well, she let him go.

Accompanying him to the town gate, they pa.s.sed a gipsy on the way, who, on being asked what fortune she could prophesy for the poor lad, said he would return a great man, and his native place would be illuminated and decorated in his honour!

Hans arrived in Copenhagen on September 5, a date which he considered lucky for ever after. A few days in the city soon saw an end to his money. He applied and got work at a carpenter's shop, but was driven away by the coa.r.s.eness of his fellow-workers. Hans made a friend of the porter at the stage-door of the theatre, and begged for some employment in the theatre; so occasionally he was allowed to walk across the stage in a crowd, but obtained scanty remuneration, and the lad was often hungry. Starving and dest.i.tute, the happy idea occurred to our hero to try and earn something by his voice. He applied to Siboni, the Director of the Music School, and was admitted to his presence whilst the latter was at dinner. Fortunately for Hans, Baggersen the poet and Weyse the celebrated composer were of the party, so for their amus.e.m.e.nt the boy was asked to sing and recite. Weyse was so struck by the quality of his voice and Baggersen with his poetic feeling, that they made a collection among them there and then for him, and Siboni undertook to train his voice. Unfortunately, in six months' time his voice gave way, and Siboni counselled him to learn a trade. Hans returned to the theatre in the hope of employment, and his persistence finally gained him a place in a market scene. Making a friend of the son of the librarian, he obtained permission to read at the library, and he wrote tragedies and plays, some of which he took to the director of the theatre. This man became Andersen's friend for life, for the grains of gold which he saw in his work, marred though it was by want of education, roused his interest.

The director brought Andersen to the notice of the King, and he was sent to the Latin school, where he took his place--although now a grown man--among the boys in the lowest cla.s.s but one. The master's tongue was sharp, and the sensitive youth was dismayed by his own ignorance. The kindness and sympathetic encouragement of the director was the only brightness of this period of Hans' life. University life followed that of school, and Andersen took a good degree. He now wrote a play, which was accepted and produced at the theatre with such success that he wept for joy. Soon his poems were published, and happiness and prosperity followed. Later the King granted him a travelling stipend, of forty-five pounds a year, and travelling became his greatest pleasure. Andersen visited England two or three times, and reckoned Charles d.i.c.kens among his friends. He was the honoured guest of Kings and Princes, and the Royal Family of Denmark treated him as a personal friend.

Though his "Fairy Tales" are the best known of his writings, he wrote successful novels, dramas and poems. Andersen's tastes were simple, and his child-like, affectionate nature made him much beloved by all. His native town, which he left as a poor boy, was illuminated and decorated to welcome his return. Thus the gipsy's prophecy came true. He died after the public celebration of his seventieth birthday, leaving all his fortune to the family of his beloved benefactor, the director of the theatre. A beautiful bronze monument is erected to his memory in the children's garden of the King's Park, Copenhagen. Here the little Danes have ever a gentle reminder of their great friend, Hans C. Andersen, who felt--to use his own words--"like a poor boy who had had a King's mantle thrown over him."

[Ill.u.s.tration: DRAGoR PEASANT.]

CHAPTER IV

FAMOUS DANES

Bertel Thorvaldsen (1770-1844), the famous Danish sculptor, was born in Copenhagen. His father was an Icelander, his mother a Dane, and both very poor. Bertel's ambition when a little boy was to work his mother's spinning-wheel, which, of course, he was never permitted to do. One bright, moonlight night his parents were awakened by a soft, whirring sound, and found their little son enjoying his realized ambition. In the moonlit room he had successfully started the wheel and begun to spin, much to his parents' astonishment. This was the beginning of his creative genius, but many years went over his youthful head before he created the works which made him famous. His father carved wooden figure-heads for ships, and intended his son to follow the same calling.