December Love Part 94

Then the menu was brought, and they began to consult about what they would eat. She did not care what it was, but she pretended to care very much. To do that was part of the game. If only she could think of all this as a game, could take it lightly, merrily! She resolved to make a strong effort to conquer the underlying melancholy which had accompanied her into this new friendship, and which she could not shake off. It came from a lost battle, from a silent and great defeat. She was afraid of it, for it was black and profound beyond all plumbing. Often in her ten years of retirement she had felt melancholy. But this was a new sort of sadness. There was an acrid edge to it. It had the peculiar and subtle terror of a grief that was not caused only by events, but also, and specially, by something within herself.

"Gnocchi--we must have gnocchi!"

"Oh, yes."

"But wait, though! There are ravioli! It would hardly do to have both, I suppose, would it?"

"No; they are too much alike."

"Then which shall we have?"

She was going to say, "I don't mind!" but remembered her role and said:

"Please, ravioli for me."

And she believed that she said it with gusto, as if she really did care.

"For me too!" said Craven.

And he went on considering and asking, with his dark head bent over the menu and his blue eyes fixed upon it.

"There! That ought to be a nice dinner!" he said, at last. "And for wine Chianti, I suppose?"

"Yes, Chianti Rosso," she answered, with the definiteness, she hoped, of the epicure.

This small fuss about what they were going to eat marked for her the severing difference between Craven's mental att.i.tude at this moment and hers. For him this little dinner was merely a pleasant way of spending a casual evening in the company of one who was kind to him, whom he found sympathetic, whom he admired probably as a striking representative of an era that was past, the Edwardian era. For her it was an event full of torment and joy. The joy came from being alone with him. But she was tortured by yearnings which he knew nothing of. He was able to give himself out to her naturally. She was obliged to hold herself in, to conceal the horrible fact that she was obsessed by him, that she was longing to commit sacrifices for him, to take him as her exclusive possession, to surround him with love and worship. He wanted from her what she was apparently giving him and nothing more. She wanted from him all that he was not giving her and would never give her. The dinner would be a tranquil pleasure for him, and a quivering torture for her, mingled with some moments of forgetfulness in which she would have a brief illusion of happiness. She made the comparison and thought with despair of the unevenness of Fate. Meanwhile she was smiling and praising the vegetable soup sprinkled with Parmesan cheese.

One of the musicians came up to their table, and inquired whether the _signora_ would like any special thing played. Lady Sellingworth shook her head. She was afraid of their songs of the South, and dared not choose one.

"Anything you like!" she said.

"They are all much the same," she added to Craven.

"But I thought you were so fond of the songs of Naples and the Bay.

Don't you remember that first evening when--"

"Yes, I remember," she interrupted him, almost sharply. "But still these songs are really all very much alike. They all express the same sort of thing--Neapolitan desires."

"And not only Neapolitan desires, I should say," said Craven.

At that moment a hard look came into his eyes, a grimness altered his mouth. His face completely changed, evidently under the influence of some sudden and keen gust of feeling. He slightly bent his head, and the colour rose in his cheeks.

Lady Sellingworth who, for the moment, had been wholly intent on Craven, now looked to see what had caused this sudden and evidently uncontrollable exhibition of feeling. She saw two people, a tall girl and a man, walking down the restaurant towards the further end. The girl she immediately recognized.

"Oh--there's Beryl!" she said.

Her heart sank as she looked at Craven.

"Yes," he said.

"Did she see me?"

"I don't know. Probably she did. But she seemed in a hurry."

"Oh! Whom is she with?"

"That fellow they are all talking about, Arabian. At least, I suppose so. Anyhow, it's the fellow I saw in Glebe Place. Ah, there they go with _Sole mio_!"

The musicians were beginning the melody of which Italians never seem to weary. Lady Sellingworth listened to it as she looked down the long and narrow room now crowded with people. Beryl Van Tuyn was standing by a table near the wall. Lady Sellingworth saw her in profile. Her companion stood beside her with his back to the room. Lady Sellingworth noticed that he was tall with an athletic figure, that he was broad-shouldered, that his head was covered with thickly growing brown hair. He gave her the impression of a strong and good-looking man. She gazed at him with an interest she scarcely understood at that moment, an interest surely more intense than even the gossip she had heard about him warranted.

He helped Miss Van Tuyn out of her coat, then took off his, and went to hang them on a stand against the wall. In doing this he turned, and for a moment showed his profile to Lady Sellingworth. She saw the line of his brown face, his arm raised, his head slightly thrown back.

So that was Nicolas Arabian, the man all the women in the Coombe set were gossiping about! She could not see him very well. He was rather a long way off, and two moving people, a waitress carrying food, an Italian man going to speak to a gesticulating friend, intervened and shut him out from her sight while he was still arranging the coats. But there was something in his profile, something in his movement and in the carriage of his head which seemed familiar to her. And she drew her brows together, wondering. Craven spoke to her through the music. She looked at him, answered him. Then once more she glanced down the room.

Beryl and Arabian had sat down. Beryl was facing her. Arabian was at the side. Lady Sellingworth still saw him in profile. He was talking to the waitress.

"I am sure I know that man's face!" Lady Sellingworth thought.

And she expressed her thought to Craven.

"If that is Nicolas Arabian I think I must have seen him about London,"

she said. "His side face seems familiar to me somehow."

Why would not Beryl look at her?

"I wonder whether Beryl saw me when she came in," continued Lady Sellingworth. "She saw you, of course."

"Yes, she saw me."

From the sound of Craven's voice, from the constraint of his manner, Lady Sellingworth gathered the knowledge that her evening was spoilt.

A few minutes before she had been quivering with anxiety, had been struggling to conquer the melancholy which, she knew, put her at a disadvantage with Craven, had been seized with despair as she compared her fate with his. Now she looked back at that beginning of the evening and thought of it as happy. For Craven had seemed contented then. Now he was obviously restless, ill at ease. He never looked down the room.

He devoted himself to her. He talked even more than usual. But she was aware of effort in it all, and knew that his thoughts were with Beryl Van Tuyn and the stranger who seemed vaguely familiar to her.

Formerly--with what intensity she remembered, visualized, the occasions--Craven had been restless with Beryl Van Tuyn because he wished to be with her; now he was restless with her. And she did not need to ask herself why.

This remembrance made her feel angry in her despair. Her hatred of Beryl revived. She recalled the girl's cruelty to her. Now Beryl had been cruel to Craven. And yet Craven was longing after her. What was the good of kindness, of the warm heart full of burning desires to be of use, to comfort, to bring joy into a life? The cruel fascinated, perhaps were even loved. Men were bored by any love that was wholly unselfish.

But was her love unselfish? She put that question from her. She felt injured, wounded. It was difficult for her any longer to conceal her misery. But she tried to talk cheerfully, naturally. She forced her lips to smile. She praised the excellence of the cooking, the efforts of the musicians.

Nevertheless the conversation presently languished. There was no spontaneity in it. All around them loud voices were talking volubly in Italian. She glanced from table to table. It seemed to her that everyone was feeling happy and at ease except herself and Craven. They were ill matched. She became horribly self-conscious. She felt as if people were looking at them with surprise, as if an undercurrent of ridicule was creeping through the room. Surely many were wondering who the painted old woman and the young man were, why they sat together in the corner by the window! She saw one of the musicians smile and whisper to the companion beside him, and felt certain he was speaking about her, was smiling, at some ugly thought which he had just put into words.

To an Italian she must certainly seem an old wreck of a woman, "_una vecchia_," an object of contempt, or of smiling pity. She looked down at her red dress, remembered the jewels in her ears and at her throat. How useless and absurd were her efforts to look her best! A terrible phrase of Caroline Briggs came into her mind: "I feel as if I were looking at bones decked out in jewels." And again she was back in Paris ten years ago; again she saw a contrast bizarre as the contrast she and Craven now presented to the crowd in the restaurant. Before the eyes of her mind there rose an old woman in a black wig and a marvellously handsome young man.

Suddenly a thrill shot through her. It was like a sharp physical pain, a sword-thrust of agony.

That profile which had seemed vaguely familiar to her just now, was it not like his profile? She tried to reason with herself, to tell herself that she was yielding to a crazy fancy, brought about by her nervous excitement and by the mental pain she was suffering. Many men slightly, sometimes markedly, resemble other men. One face seen in profile is often very much like another. But the even dark brown of the complexion!

That was not very common, not the type of complexion one sees every day.

She glanced at the men near to her. Most of them were Italians and swarthy. But not one had that peculiar, almost bronze-like darkness.