Dear Brutus Part 9

ACT II

We are translated to the depths of the wood in the enchantment of a moonlight night. In some other glade a nightingale is singing, in this one, in proud motoring attire, recline two mortals whom we have known in different conditions; the second chance has converted them into husband and wife. The man, of gross muddy build, lies luxurious on his back exuding affluence, a prominent part of him heaving playfully, like some little wave that will not rest in a still sea. A handkerchief over his face conceals from us what Colossus he may be, but his mate is our Lady Caroline. The nightingale trills on, and Lady Caroline takes up its song.

LADY CAROLINE. Is it not a lovely night, Jim. Listen, my own, to Philomel; he is saying that he is lately married. So are we, you ducky thing. I feel, Jim, that I am Rosalind and that you are my Orlando.

(The handkerchief being removed MR. MATEY is revealed; and the nightingale seeks some farther tree.)

MATEY. What do you say I am, Caroliny?

LADY CAROLINE (clapping her hands). My own one, don't you think it would be fun if we were to write poems about each other and pin them on the tree trunks?

MATEY (tolerantly). Poems? I never knew such a la.s.s for high-flown language.

LADY CAROLINE. Your la.s.s, dearest. Jim's la.s.s.

MATEY (pulling her ear). And don't you forget it.

LADY CAROLINE (with the curiosity of woman). What would you do if I were to forget it, great bear?

MATEY. Take a stick to you.

LADY CAROLINE (so proud of him). I love to hear you talk like that; it is so virile. I always knew that it was a master I needed.

MATEY. It's what you all need.

LADY CAROLINE. It is, it is, you knowing wretch.

MATEY. Listen, Caroliny. (He touches his money pocket, which emits a crinkly sound--the squeak of angels.) That is what gets the ladies.

LADY CAROLINE. How much have you made this week, you wonderful man?

MATEY (blandly). Another two hundred or so. That's all, just two hundred or so.

LADY CAROLINE (caressing her wedding ring). My dear golden fetter, listen to him. Kiss my fetter, Jim.

MATEY. Wait till I light this cigar.

LADY CAROLINE. Let me hold the darling match.

MATEY. Tidy-looking Pet.i.tey Corona, this. There was a time when one of that sort would have run away with two days of my screw.

LADY CAROLINE. How I should have loved, Jim, to know you when you were poor. Fancy your having once been a clerk.

MATEY (remembering Napoleon and others). We all have our beginnings.

But it wouldn't have mattered how I began, Caroliny: I should have come to the top just the same. (Becoming a poet himself.) I am a climber and there are nails in my boots for the parties beneath me.

Boots! I tell you if I had been a bootmaker, I should have been the first bootmaker in London.

LADY CAROLINE (a humourist at last). I am sure you would, Jim; but should you have made the best boots?

MATEY (uxoriously wishing that others could have heard this). Very good. Caroliny; that is the nearest thing I have heard you say. But it's late; we had best be strolling back to our Rolls-Royce.

LADY CAROLINE (as they rise). I do hope the ground wasn't damp.

MATEY. Don't matter if it was; I was lying on your rug.

(Indeed we notice now that he has had all the rug, and she the bare ground. JOANNA reaches the glade, now an unhappy lady who has got what she wanted. She is in country dress and is unknown to them as they are to her.) Who is the mournful party?

JOANNA (hesitating). I wonder, sir, whether you happen to have seen my husband? I have lost him in the wood.

MATEY. We are strangers in these parts ourselves, missis. Have we pa.s.sed any one, Caroliny?

LADY CAROLINE (coyly). Should we have noticed, dear? Might it be that old gent over there? (After the delightful manner of those happily wed she has already picked up many of her lover's favourite words and phrases.)

JOANNA. Oh no, my husband is quite young.

(The woodlander referred to is MR COADE in gala costume; at his mouth a whistle he has made him from some friendly twig. To its ravishing music he is seen pirouetting charmingly among the trees, his new occupation.)

MATEY (signing to the unknown that he is wanted). Seems a merry old c.o.c.k. Evening to you, sir. Do you happen to have seen a young gentleman in the wood lately, all by himself, and looking for his wife?

COADE (with a flourish of his legs). Can't say I have.

JOANNA (dolefully). He isn't necessarily by himself; and I don't know that he is looking for me. There may be a young lady with him.

(The more happily married lady smiles, and Joanna is quick to take offence.)

JOANNA. What do you mean by that? LADY CAROLINE (neatly). Oho--if you like that better.

MATEY. Now, now, now--your manners, Caroliny.

COADE. Would he be singing or dancing?

JOANNA. Oh no--at least, I hope not.

COADE (an artist to the tips). Hope not? Odd! If he is doing neither I am not likely to notice him, but if I do, what name shall I say?

JOANNA (gloating not). Purdie; I am Mrs. Purdie.

COADE. I will try to keep a look-out, and if I see him ... but I am rather occupied at present ... (The reference is to his legs and a new step they are acquiring. He sways this way and that, and, whistle to lips, minuets off in the direction of Paradise.)

JOANNA (looking elsewhere). I am sorry I troubled you. I see him now.

LADY CAROLINE. Is he alone?

(JOANNA glares at her.)

Ah, I see from your face that he isn't.