David Poindexter's Disappearance, and Other Tales Part 4

"'Maybe I will, Elsie, on one condition. I am an artist; I make pictures of people. If you will promise to come to my studio and let me paint your portrait, I'll give you the ring, and some money besides.'

"'And will you give me the ring now?' said Elsie.

"'Yes, if you'll promise.'

"'And will you play the music to me?' she continued.

"'As much as you like.'

"'But maybe I'll not be handsome enough for ye,' said she, with a glance of her eyes beneath the dark hood.

"'I'll take the risk of that,' I answered, laughing, 'though, all the same, I don't mind taking a peep beforehand to remember you by.' So saying, I put forth a hand to draw back the concealing hood. But Elsie eluded me, I scarce know how, and laughed a third time, with the same airy, mocking cadence.

"'Give me the ring first, and then you shall see me,' she said, coaxingly.

"'Stretch out your hand, then,' returned I, removing the ring from my finger. 'When we are better acquainted, Elsie, you won't be so suspicious.'

"She held out a slender, delicate hand, on the forefinger of which I slipped the ring. As I did so, the folds of her cloak fell a little apart, affording me a glimpse of a white shoulder and of a dress that seemed in that deceptive semi-darkness to be wrought of rich and costly material; and I caught, too, or so I fancied, the frosty sparkle of precious stones.

"'Arrah, mind where ye tread!' said Elsie, in a sudden, sharp tone.

"I looked round, and became aware for the first time that we were standing near the middle of a ruined bridge which spanned a rapid stream that flowed at a considerable depth below. The parapet of the bridge on one side was broken down, and I must have been, in fact, in imminent danger of stepping over into empty air. I made my way cautiously across the decaying structure; but, when I turned to a.s.sist Elsie, she was nowhere to be seen.

"What had become of the girl? I called, but no answer came. I gazed about on every side, but no trace of her was visible. Unless she had plunged into the narrow abyss at my feet, there was no place where she could have concealed herself--none at least that I could discover. She had vanished, nevertheless; and since her disappearance must have been premeditated, I finally came to the conclusion that it was useless to attempt to find her. She would present herself again in her own good time, or not at all. She had given me the slip very cleverly, and I must make the best of it. The adventure was perhaps worth the ring.

"On resuming my way, I was not a little relieved to find that I once more knew where I was. The bridge that I had just crossed was none other than the one I mentioned some time back; I was within a mile of the town, and my way lay clear before me. The moon, moreover, had now quite dispersed the clouds, and shone down with exquisite brilliance.

Whatever her other failings, Elsie had been a trustworthy guide; she had brought me out of the depth of elf-land into the material world again. It had been a singular adventure, certainly; and I mused over it with a sense of mysterious pleasure as I sauntered along, humming s.n.a.t.c.hes of airs, and accompanying myself on the strings. Hark! what light step was that behind me? It sounded like Elsie's; but no, Elsie was not there. The same impression or hallucination, however, recurred several times before I reached the outskirts of the town--the tread of an airy foot behind or beside my own. The fancy did not make me nervous; on the contrary, I was pleased with the notion of being thus haunted, and gave myself up to a romantic and genial vein of reverie.

"After pa.s.sing one or two roofless and moss-grown cottages, I entered the narrow and rambling street which leads through the town. This street a short distance down widens a little, as if to afford the wayfarer s.p.a.ce to observe a remarkable old house that stands on the northern side. The house was built of stone, and in a n.o.ble style of architecture; it reminded me somewhat of certain palaces of the old Italian n.o.bility that I had seen on the Continent, and it may very probably have been built by one of the Italian or Spanish immigrants of the sixteenth or seventeenth century. The molding of the projecting windows and arched doorway was richly carved, and upon the front of the building was an escutcheon wrought in high relief, though I could not make out the purport of the device. The moonlight falling upon this picturesque pile enhanced all its beauties, and at the same time made it seem like a vision that might dissolve away when the light ceased to shine. I must often have seen the house before, and yet I retained no definite recollection of it; I had never until now examined it with my eyes open, so to speak. Leaning against the wall on the opposite side of the street, I contemplated it for a long while at my leisure. The window at the corner was really a very fine and ma.s.sive affair. It projected over the pavement below, throwing a heavy shadow aslant; the frames of the diamond-paned lattices were heavily mullioned. How often in past ages had that lattice been pushed open by some fair hand, revealing to a lover waiting beneath in the moonlight the charming countenance of his high-born mistress! Those were brave days. They had pa.s.sed away long since. The great house had stood empty for who could tell how many years; only bats and vermin were its inhabitants. Where now were those who had built it? and who were they? Probably the very name of them was forgotten.

"As I continued to stare upward, however, a conjecture presented itself to my mind which rapidly ripened into a conviction. Was not this the house that Dr. Dudeen had described that very evening as having been formerly the abode of the Kern of Querin and his mysterious bride?

There was the projecting window, the arched doorway. Yes, beyond a doubt this was the very house. I emitted a low exclamation of renewed interest and pleasure, and my speculations took a still more imaginative, but also a more definite turn.

"What had been the fate of that lovely lady after the Kern had brought her home insensible in his arms? Did she recover, and were they married and made happy ever after; or had the sequel been a tragic one? I remembered to have read that the victims of vampires generally became vampires themselves. Then my thoughts went back to that grave on the hill-side. Surely that was unconsecrated ground. Why had they buried her there? Ethelind of the white shoulder! Ah! why had not I lived in those days; or why might not some magic cause them to live again for me? Then would I seek this street at midnight, and standing here beneath her window, I would lightly touch the strings of my bandore until the cas.e.m.e.nt opened cautiously and she looked down. A sweet vision indeed! And what prevented my realizing it? Only a matter of a couple of centuries or so. And was time, then, at which poets and philosophers sneer, so rigid and real a matter that a little faith and imagination might not overcome it? At all events, I had my banjo, the bandore's legitimate and lineal descendant, and the memory of Fionguala should have the love-ditty.

"Hereupon, having retuned the instrument, I launched forth into an old Spanish love-song, which I had met with in some moldy library during my travels, and had set to music of my own. I sang low, for the deserted street re-echoed the lightest sound, and what I sang must reach only my lady's ears. The words were warm with the fire of the ancient Spanish chivalry, and I threw into their expression all the pa.s.sion of the lovers of romance. Surely Fionguala, the white-shouldered, would hear, and awaken from her sleep of centuries, and come to the latticed cas.e.m.e.nt and look down! Hist! see yonder! What light--what shadow is that that seems to flit from room to room within the abandoned house, and now approaches the mullioned window? Are my eyes dazzled by the play of the moonlight, or does the cas.e.m.e.nt move--does it open? Nay, this is no delusion; there is no error of the senses here. There is simply a woman, young, beautiful, and richly attired, bending forward from the window, and silently beckoning me to approach.

"Too much amazed to be conscious of amazement, I advanced until I stood directly beneath the cas.e.m.e.nt, and the lady's face, as she stooped toward me, was not more than twice a man's height from my own. She smiled and kissed her finger-tips; something white fluttered in her hand, then fell through the air to the ground at my feet. The next moment she had withdrawn, and I heard the lattice close. I picked up what she had let fall; it was a delicate lace handkerchief, tied to the handle of an elaborately wrought bronze key. It was evidently the key of the house, and invited me to enter. I loosened it from the handkerchief, which bore a faint, delicious perfume, like the aroma of flowers in an ancient garden, and turned to the arched doorway. I felt no misgiving, and scarcely any sense of strangeness. All was as I had wished it to be, and as it should be; the mediaeval age was alive once more, and as for myself, I almost felt the velvet cloak hanging from my shoulder and the long rapier dangling at my belt. Standing in front of the door I thrust the key into the lock, turned it, and felt the bolt yield. The next instant the door was opened, apparently from within; I stepped across the threshold, the door closed again, and I was alone in the house, and in darkness.

"Not alone, however! As I extended my hand to grope my way it was met by another hand, soft, slender, and cold, which insinuated itself gently into mine and drew me forward. Forward I went, nothing loath; the darkness was impenetrable, but I could hear the light rustle of a dress close to me, and the same delicious perfume that had emanated from the handkerchief enriched the air that I breathed, while the little hand that clasped and was clasped by my own alternately tightened and half relaxed the hold of its soft cold fingers. In this manner, and treading lightly, we traversed what I presumed to be a long, irregular pa.s.sageway, and ascended a staircase. Then another corridor, until finally we paused, a door opened, emitting a flood of soft light, into which we entered, still hand in hand. The darkness and the doubt were at an end.

"The room was of imposing dimensions, and was furnished and decorated in a style of antique splendor. The walls were draped with mellow hues of tapestry; cl.u.s.ters of candles burned in polished silver sconces, and were reflected and multiplied in tall mirrors placed in the four corners of the room. The heavy beams of the dark oaken ceiling crossed each other in squares, and were laboriously carved; the curtains and the drapery of the chairs were of heavy-figured damask. At one end of the room was a broad ottoman, and in front of it a table, on which was set forth, in ma.s.sive silver dishes, a sumptuous repast, with wines in crystal beakers. At the side was a vast and deep fire-place, with s.p.a.ce enough on the broad hearth to burn whole trunks of trees. No fire, however, was there, but only a great heap of dead embers; and the room, for all its magnificence, was cold--cold as a tomb, or as my lady's hand--and it sent a subtle chill creeping to my heart.

"But my lady! how fair she was! I gave but a pa.s.sing glance at the room; my eyes and my thoughts were all for her. She was dressed in white, like a bride; diamonds sparkled in her dark hair and on her snowy bosom; her lovely face and slender lips were pale, and all the paler for the dusky glow of her eyes. She gazed at me with a strange, elusive smile; and yet there was, in her aspect and bearing, something familiar in the midst of strangeness, like the burden of a song heard long ago and recalled among other conditions and surroundings. It seemed to me that something in me recognized her and knew her, had known her always. She was the woman of whom I had dreamed, whom I had beheld in visions, whose voice and face had haunted me from boyhood up.

Whether we had ever met before, as human beings meet, I knew not; perhaps I had been blindly seeking her all over the world, and she had been awaiting me in this splendid room, sitting by those dead embers until all the warmth had gone out of her blood, only to be restored by the heat with which my love might supply her.

"'I thought you had forgotten me,' she said, nodding as if in answer to my thought. 'The night was so late--our one night of the year! How my heart rejoiced when I heard your dear voice singing the song I know so well! Kiss me--my lips are cold!'

"Cold indeed they were--cold as the lips of death. But the warmth of my own seemed to revive them. They were now tinged with a faint color, and in her cheeks also appeared a delicate shade of pink. She drew fuller breath, as one who recovers from a long lethargy. Was it my life that was feeding her? I was ready to give her all. She drew me to the table and pointed to the viands and the wine.

"'Eat and drink,' she said. 'You have traveled far, and you need food.'

"'Will you eat and drink with me?' said I, pouring out the wine.

"'You are the only nourishment I want,' was her answer.' This wine is thin and cold. Give me wine as red as your blood and as warm, and I will drain a goblet to the dregs.'

"At these words, I know not why, a slight shiver pa.s.sed through me. She seemed to gain vitality and strength at every instant, but the chill of the great room struck into me more and more.

"She broke into a fantastic flow of spirits, clapping her hands, and dancing about me like a child. Who was she? And was I myself, or was she mocking mo when she implied that we had belonged to each other of old? At length she stood still before me, crossing her hands over her breast. I saw upon the forefinger of her right hand the gleam of an antique ring.

"'Where did you get that ring?' I demanded.

"She shook her head and laughed. 'Have you been faithful?' she asked.

'It is my ring; it is the ring that unites us; it is the ring you gave me when you loved me first. It is the ring of the Kern--the fairy ring, and I am your Ethelind--Ethelind Fionguala.'

"'So be it,' I said, casting aside all doubt and fear, and yielding myself wholly to the spell of her inscrutable eyes and wooing lips.

'You are mine, and I am yours, and let us be happy while the hours last.'

"'You are mine, and I am yours,' she repeated, nodding her head with an elfish smile. 'Come and sit beside me, and sing that sweet song again that you sang to me so long ago. Ah, now I shall live a hundred years.'

"We seated ourselves on the ottoman, and while she nestled luxuriously among the cushions, I took my banjo and sang to her. The song and the music resounded through the lofty room, and came back in throbbing echoes. And before me as I sang I saw the face and form of Ethelind Fionguala, in her jeweled bridal dress, gazing at me with burning eyes.

She was pale no longer, but ruddy and warm, and life was like a flame within her. It was I who had become cold and bloodless, yet with the last life that was in me I would have sung to her of love that can never die. But at length my eyes grew dim, the room seemed to darken, the form of Ethelind alternately brightened and waxed indistinct, like the last flickerings of a fire; I swayed toward her, and felt myself lapsing into unconsciousness, with my head resting on her white shoulder."

Here Keningale paused a few moments in his story, flung a fresh log upon the fire, and then continued:

"I awoke, I know not how long afterward. I was in a vast, empty room in a ruined building. Rotten shreds of drapery depended from the walls, and heavy festoons of spiders' webs gray with dust covered the windows, which were dest.i.tute of gla.s.s or sash; they had been boarded up with rough planks which had themselves become rotten with age, and admitted through their holes and crevices pallid rays of light and chilly draughts of air. A bat, disturbed by these rays or by my own movement, detached himself from his hold on a remnant of moldy tapestry near me, and after circling dizzily around my head, wheeled the flickering noiselessness of his flight into a darker corner. As I arose unsteadily from the heap of miscellaneous rubbish on which I had been lying, something which had been resting across my knees fell to the floor with a rattle. I picked it up, and found it to be my banjo--as you see it now.

"Well, that is all I have to tell. My health was seriously impaired; all the blood seemed to have been drawn out of my veins; I was pale and haggard, and the chill--Ah, that chill," murmured Keningale, drawing nearer to the fire, and spreading out his hands to catch the warmth--"I shall never get over it; I shall carry it to my grave."

"WHEN HALF-G.o.dS GO, THE G.o.dS ARRIVE."

"What a beautiful girl!" said Mr. Ambrose Drayton to himself; "and how much she looks like--" He cut the comparison short, and turned his eyes seaward, pulling at his mustache meditatively the while.

"This American atmosphere, fresh and pure as it is in the nostrils, is heavy-laden with reminiscences," his thoughts ran on. "Reminiscences, but always with differences, the chief difference being, no doubt, in myself. And no wonder. Nineteen years; yes, it's positively nineteen years since I stood here and gazed out through yonder gap between the headlands. Nineteen years of foreign lands, foreign men and manners, the courts, the camps, the schools; adventure, business, and pleasure--if I may lightly use so mysterious a word. Nineteen and twenty are thirty-nine; in my case say sixty at least. Why, a girl like that lovely young thing walking away there with her light step and her innocent heart would take me to be sixty to a dead certainty. A rather well-preserved man of sixty--that's how she'd describe me to the young fellow she's given her heart to. Well, sixty or forty, what difference?

When a man has pa.s.sed the age at which he falls in love, he is the peer of Methuselah from that time forth. But what a fiery season that of love is while it lasts! Ay, and it burns something out of the soul that never grows again. And well that it should do so: a susceptible heart is a troublesome burden to lug round the world. Curious that I should be even thinking of such things: a.s.sociation, I suppose. Here it was that we met and here we parted. But what a different place it was then!

A lovely cape, half bleak moorland and half s.h.a.ggy wood, a few rocky headlands and a great many coots and gulls, and one solitary old farmhouse standing just where that spick-and-span summer hotel, with its balconies and cupolas, stands now. So it was nineteen years ago, and so it may be again, perhaps, nine hundred years hence; but meanwhile, what a pretty array of modern aesthetic cottages, and plank walks, and bridges, and bathing-houses, and pleasure-boats! And what an admirable concourse of well-dressed and pleasurably inclined men and women! After all, my countrymen are the finest-looking and most prosperous-appearing people on the globe. They have traveled a little faster than I have, and on a somewhat different track; but I would rather be among them than anywhere else. Yes, I won't go back to London, nor yet to Paris, or Calcutta, or Cairo. I'll buy a cottage here at Squittig Point, and live and die here and in New York. I wonder whether Mary is alive and mother of a dozen children, or--not!"

"Auntie," said Miss Leithe to her relative, as they regained the veranda of their cottage after their morning stroll on the beach, "who was that gentleman who looked at us?"

"Hey?--who?" inquired the widow of the late Mr. Corwin, absently.

"The one in the thin gray suit and Panama hat; you must have seen him.

A very distinguished-looking man and yet very simple and pleasant; like some of those nice middle-aged men that you see in 'Punch,' slenderly built, with handsome chin and eyes, and thick mustache and whiskers.

Oh, auntie, why do you never notice things? I think a man between forty and fifty is ever so much nicer than when they're younger. They know how to be courteous, and they're not afraid of being natural. I mean this one looks as if he would. But he must be somebody remarkable in some way--don't you think so? There's something about him--something graceful and gentle and refined and manly--that makes most other men seem common beside him. Who do you suppose he can be?"