David Poindexter's Disappearance, and Other Tales Part 10

what a blank and chilly road lies before us now!

I drove her back to her hotel; we hardly spoke all the way; my heart was too full, and hers also, I think; though she did not know, as I did, that it was our last interview. It must be our last! Heaven help me to keep that resolution!

Susie was not at all impressed by the pathos of the situation; she babbled all the time, and thus, at all events, afforded us an excuse for our silence. At parting, one incident occurred that may as well be recorded. I had shaken hands with Ethel, speaking a few words of farewell, and allowing her to infer that we might meet again on the morrow; then I turned to Susie, and gave her the kiss which I would have given the world to have had the right to press on her mother's lips. Ethel saw, and, I think, understood. She stooped quickly down, and laid her mouth where mine had been. Through the innocent medium of the child, our hearts met; and then I saw her no more.

_May 3d_.--Of course, it may not be true, probably it is not; mistakes are so easily made in the first moments of such horror and confusion; the dead come to life, and the living die. Or, at the worst, he may be only wounded or disabled. At all events, I decline to believe, save upon certain evidence, that the poor fellow has actually been killed.

Were it to turn out so, I should feel almost like a murderer; for was not I writing, in this very journal, and perhaps at the very moment the accident occurred, that if my wish could send him to another world, I would not spare him?

_Later_.--I have read all the accounts in the newspapers this morning, and all agree in putting Courtney's name among the killed. There can be no doubt about it any longer; he is dead. When the collision occurred, the car in which he vas riding was thrown across the track, and the other train crashed through it. Judging by the condition of the body when discovered, death must have been nearly instantaneous. Poor Courtney! My conscience is not at ease. Of course, I am not really responsible; that is only imagination. But I begin to suspect that my imagination has been playing me more than one trick lately.

And now, with this new state of affairs so suddenly and terribly brought about, what is to be done? I am as yet scarcely in a condition to reflect calmly; but a voice within me seems to say that something else besides my conscience has been awakened by Courtney's death. Can it be that imagination, dallying with what it took for impossibilities, could so far mislead a man? Well, I shall start at once for the scene of the disaster, and relieve the poor fellow's widow of whatever pain I can. Ethel Courtney a widow! Ah, Ethel! Death sheds a ghastly light upon the idle vagaries of the human heart.

_May 15th_.--_Denver_, _Colorado_.--Magnificent weather and scenery; very different from my own mental scenery and mood at this moment. I am sorely out of spirits; and no wonder, after the reckless and insane emotion of the first days of this month. One pays for such indulgences at my age.

I have been re-reading the foregoing pages of this journal. Was I a fool or a coward, or was I merely intoxicated for eight-and-forty hours? At all events, Courtney's tragic end sobered me, and put what I had been doing in a true light. I am glad my insanity was not permitted to proceed farther than it did; but I have quite enough to reproach myself with as it is. So far as I hare been able to explain the matter to myself, my prime error lay in attributing, in a world subject to constant change, too much permanence to a given state of affairs. The fact that Ethel was the wife of another man seemed to me so fixed and unalterable that I allowed my imagination to play with the picture of what might happen if that unalterable fact were altered. Secure in this fallacy, I worked myself up to the pitch of believing that I was actually and pa.s.sionately in love with a woman whose inaccessibility was, after all, her most winning attraction. Moreover, by writing down, in this journal, the events and words of the hours we spent together, I confirmed myself in my false persuasion, and probably imported into the record of what we said and did an amount of color and hidden significance that never, as I am now convinced, belonged to it in reality. Deluded by the notion that I was playing with a fancy, I was suddenly aroused to find myself imbrued in facts. The whole episode has profoundly humiliated me, and degraded me in my own esteem.

But I am not at the bottom of the mystery yet. Was I not in love with Ethel? Surely I was, if love be anything. Then why did I not ask her to marry me? Would she have refused me? No. That last look she gave me from under her black veil, when I told her I was going away.... Ah, no, she would not have refused me. Then why did I hesitate? Was not such a marriage precisely what I have always longed for? During all these seven years have I not been bewailing my bachelorhood, and wishing for an Ethel to cheer my solitary fireside with her gracious presence, to be interested in my work and hopes, to interest me in her wifely and maternal ways and aspirations? And when at last all these things were offered me, why did I shrink back and reject them?

Honestly, I can not explain it. Perhaps, if I had never loved her before, I might have loved her this time enough to unite my fate with hers. Or, perhaps--for I may as well speak plainly, since I am speaking to myself--perhaps, by force of habit, I had grown to love, better than love itself, those self-same forlorn conditions and dreary solitudes which I was continually lamenting and praying to be delivered from.

What a dismal solution of the problem this would be were it the true one! It amounts to saying that I prefer an empty room, a silent hearth, an old pair of slippers, and a dressing-gown to the love and companionship of a refined and beautiful woman!--that I love even my own discomforts more than the comfort she would give me! It sounds absurd, scandalous, impossible; and yet, if it be not the literal truth, I know not what the truth is. It is amazing that an educated and intelligent man can live to be forty years old and still have come to no better an understanding of himself than I had. Verily, as my old author said, thought is free, but nature is captive, and loveth her chain. Yes, my old author was right.

MY FRIEND PATON.

Mathew Morriss, my father, was a cotton merchant in Liverpool twenty-five years ago--a steady, laborious, clear-headed man, very affectionate and genial in his private intercourse. He was wealthy, and we lived in a sumptuous house in the upper part of the city. This was when I was about ten years old. My father was twice married; I was the child of the first wife, who died when I was very young; my stepmother came five years later. She was the elder of two sisters, both beautiful women. The sister often came to visit us. I remember I liked her better than I liked my stepmother; in fact, I regarded her with that sort of romantic attachment that often is developed in lads of my age. She had golden brown hair and a remarkably sweet voice, and she sang and played in a manner that transported me with delight; for I was already devoted to music. She was of a gentle yet impulsive temperament, easily moved to smiles and tears; she seemed to me the perfection of womankind, and I made no secret of my determination to marry her when I grew up. She used to caress me, and look at me in a dreamy way, and tell me I was the nicest and handsomest boy in the world. "And as soon as you are a year older than I am, John," she would say, "you shall marry me, if you like."

Another frequent visitor at our house at this time was not nearly so much a favorite of mine. This was a German, Adolf Korner by name, who had been a clerk in my father's concern for a number of years, and had just been admitted junior partner. My father placed every confidence in him, and often declared that he had the best idea of business he had ever met with. This may very likely have been the fact; but to me he appeared simply a tall, grave, taciturn man, of cold manners, speaking with a slight German accent, which I disliked. I suppose he was about thirty-seven years of age, but I always thought of him as older than my father, who was fifty. Another and more valid reason for my disliking Korner was that he was in the habit of paying a great deal of attention to my ladylove, Miss Juliet Tretherne. I used to upbraid Juliet about encouraging his advances, and I expressed my opinion of him in the plainest language, at which she would smile in a preoccupied wav, and would sometimes draw me to her and kiss me on the forehead. Once she said, "Mr. Korner is a very n.o.ble gentleman; you must not dislike him."

This had the effect of making me hate him all the more.

One day I noticed an unusual commotion in the house, and Juliet came down-stairs attired in a lovely white dress, with a long veil, and fragrant flowers in her hair. She got into a carriage with my father and stepmother, and drove away. I did not understand what it meant, and no one told me. After they were gone I went into the drawing-room, and, greatly to my surprise, saw there a long table covered with a white cloth and laid out with a profusion of good things to eat and drink in sparkling dishes and decanters. In the middle of the table was a great cake covered with white frosting; the butler was arranging some flowers round it.

"What is that cake for, Curtis?" I asked.

"For the bride, to be sure," said Curtis, without looking up.

"The bride! who is she?" I demanded in astonishment.

"Your aunt Juliet, to be sure!" said Curtis, composedly, stepping back and contemplating his floral arrangement with his head on one side.

I asked no more, but betook myself with all speed to my room, locked the door, flung myself on the bed, and cried to heartbreaking with grief, indignation, and mortification. After a very long time some one tried the door, and a voice--the voice of Juliet--called to me. I made no answer. She began to plead with me; I resisted as long as I could, but finally my affection got the better of my resentment, and I arose and opened the door, hiding my tear-stained face behind my arm. Juliet caught me in her arms and kissed me; tears were running down her own cheeks. How lovely she looked! My heart melted, and I was just on the point of forgiving her when the voice of Korner became audible from below, calling out "Mrs. Korner!" I tore myself away from her, and cried pa.s.sionately, "You don't love me! you love him! go to him!" She looked at me for a moment with a pained expression; then she put her hand in the pocket of her dress and drew out something done up in white paper. "See what I have brought you, you unkind boy," said she. "What is it?" I demanded. "A piece of my wedding-cake," she replied. "Give it me!" said I. She put it in my hand; I ran forward to the head of the stairs, which Korner was just ascending, dashed the cake in his face, and then rushed back to my own room, whence neither threats nor coaxing availed to draw me forth for the rest of the day.

I never saw Juliet again. She and her husband departed on their wedding-trip that afternoon; it was to take them as far as Germany, for Korner said that he wished to visit his father and mother, who were still alive, before settling down permanently in Liverpool. Whether they really did so was never discovered. But, about a fortnight later, a dreadful fact came to light. Korner--the grave and reticent Korner, whom everybody trusted and thought so highly of--was a thief, and he had gone off with more than half my father's property in his pocket.

The blow almost destroyed my father, and my stepmother, too, for that matter, for at first it seemed as though Juliet must have been privy to the crime. This, however, turned out not to have been the case. Her fate must have been all the more terrible on that account; but no news of either of them ever came back to us, and my father would never take any measures to bring Korner to justice. It was several months before he recovered from the shock sufficiently to take up business again; and then the American Civil War came and completed his ruin. He died, a poor and broken-down man, a year later. My stepmother, who was really an admirable woman, realized whatever property remained to us, took a small house, and sent me to an excellent school, where I was educated for Cambridge. Meanwhile I had been devoting all possible time to music; for I had determined to become a composer, and I was looking forward, after taking my degree, to completing my musical education abroad; but my mother's health was precarious, and, when the time came, she found herself unequal to making the journey, and the change of habits and surroundings that it implied. We lived very quietly in Liverpool for three or four years; then she died, and, after I had settled our affairs, I found myself in possession of a small income and alone in the world. Without loss of time I set out for the Continent.

I went to a German city, where the best musical training was to be had, and made my arrangements to pa.s.s several years there. At the banker's, when I went to provide for the regular receipt of my remittances, I met a young American, by name Paton Jeffries. He was from New England, and, I think, a native of the State of Connecticut; his father, he told me, was a distinguished inventor, who had made and lost a considerable fortune in devising a means of promoting sleep by electricity. Paton was studying to be an architect, which, he said, was the coming profession in his country; and it was evident, on a short acquaintance, that he was a fellow of unusual talents--one of those men of whom you say that, come what may, they are always sure to fall on their feet.

For my part, I have certainly never met with so active and versatile a spirit. He was a year or so older than I, rather tall than short, lightly but strongly built, with a keen, smiling, subtle face, a finely-developed forehead, light wavy hair, and gray eyes, very penetrating and bright. There was a pleasing kind of eagerness and volubility in his manner of talking, and a slight imperfection, not amounting to a lisp, in his utterance, which imparted a naive charm to his speech. He used expressive and rapid gestures with his hands and arms, and there was a magnetism, a fascination, about the whole man that strongly impressed me. I was at that period much more susceptible of impressions, and p.r.o.ne to yield to them, than I am now. Paton's rattling vivacity, his knowledge of the world, his entertaining talk and stories, his curiosity, enterprise, and audacity, took me by storm; he was my opposite in temperament and character, and it seemed to me that he had most of the advantages on his side. Nevertheless, he professed, and I still believe he felt, a great liking for me, and we speedily came to an agreement to seek a lodging together. On the second day of our search, we found just what we wanted.

It was an old house, on the outskirts of the town, standing by itself, with a small garden behind it. It had formerly been occupied by an Austrian baron, and it was probably not less than two hundred years old. The baron's family had died out, or been dispersed, and now the venerable edifice was let, in the German fashion, in separate floors or _etages_, communicating with a central staircase. Some alterations rendered necessary by this modification had been made, but substantially the house was unchanged. Our apartment comprised four or five rooms on the left of the landing and at the top of the house, which consisted of three stories. The chief room was the parlor, which looked down through a square bow-window on the street. This room was of irregular shape, one end being narrower than the other, and nearly fitting the s.p.a.ce at this end was a kind of projecting shelf or mantelpiece (only, of course, there was no fireplace under it, open fireplaces being unknown in Germany), upon which rested an old cracked looking-gla.s.s, made in two compartments, the frame of which, black with age and fly-spots, was fastened against the wall. The shelf was supported by two pilasters; but the object of the whole structure was a mystery; so far as appeared, it served no purpose but to support the looking-gla.s.s, which might just as well have been suspended from a nail in the wall. Paton, I remember, betrayed a great deal of curiosity about it; and since the consideration of the problem was more in his line of business than in mine, I left it to him. At the opposite end of the room stood a tall earthenware stove. The walls were wainscoted five feet up from the dark polished floor, and were hung with several smoky old paintings, of no great artistic value. The chairs and tables were plain, but very heavy and solid, and of a dark hue like the room. The window was nearly as wide as it was high, and opened laterally from the center on hinges. The other rooms were of the same general appearance, but smaller. We both liked the place, and soon made ourselves very comfortable in it. I hired a piano, and had it conveyed upstairs to the parlor; while Paton disposed his architectural paraphernalia on and in the ma.s.sive writing-table near the window. Our cooking and other household duties were done for us by the wife of the _portier_, the official corresponding to the French _concierge_, who, in all German houses, attends at the common door, and who, in this case, lived in a couple of musty little closets opening into the lower hall, and eked out his official salary by cobbling shoes. He was an odd, grotesque humorist, of most ungainly exterior, black haired and bearded, with a squint, a squab nose, and a short but very powerful figure. Dirty he was beyond belief, and he was abominably fragrant of vile tobacco. For my part, I could not endure this fellow; but Paton, who had much more of what he called human nature in him than I had, established friendly relations with him at once, and reported that he found him very amusing. It was characteristic of Paton that, though he knew much less about the German language than I did, he could understand and make himself understood in it much better; and, when we were in company, it was always he who did the talking.

It would never have occurred to me to wonder, much less to inquire, who might be the occupants of the other _etages_; but Paton was more enterprising, and before we had been settled three days in our new quarters, he had gathered from his friend the portier, and from other sources, all the obtainable information on the subject. The information was of no particular interest, however, except as regarded the persons who dwelt on the floor immediately below us. They were two--an old man and a young woman, supposed to be his daughter. They had been living here several years--from before the time, indeed, that the portier had occupied his present position. In all these years the old man was known to have been out of his room only twice. He was certainly an eccentric person, and was said to be a miser and extremely wealthy. The portier further averred that his property--except such small portion of it as was invested and on the income of which he lived--was realized in the form of diamonds and other precious stones, which, for greater security, he always carried, waking or sleeping, in a small leathern bag, fastened round his neck by a fine steel chain. His daughter was scarcely less a mystery than he, for, though she went out as often as twice or thrice a week, she was always closely veiled, and her figure was so disguised by the long cloak she wore that it was impossible to say whether she were graceful or deformed, beautiful or ugly. The balance of belief, however, was against her being attractive in any respect. The name by which the old miser was known was Kragendorf; but, as the portier sagaciously remarked, there was no knowing, in such cases, whether the name a man bore was his own or somebody's else.

This Kragendorf mystery was another source of apparently inexhaustible interest to Paton, who was fertile in suggestions as to how it might be explained or penetrated. I believe he and the portier talked it over at great length, but, so far as I am aware, without arriving at any solution. I took little heed of the matter, being now fully absorbed in my studies; and it is to be hoped that Herr Kragendorf was not of a nervous temperament, otherwise he must have inveighed profanely against the constant piano-practice that went on over his head. I also had a violin, on which I flattered myself I could perform with a good deal of expression, and by and by, in the long, still evenings--it was November, but the temperature was still mild--I got into the habit of strolling along the less frequented streets, with my violin under my shoulder, drawing from it whatever music my heart desired. Occasionally I would pause at some convenient spot, lean against a wall, and give myself up to improvisation. At such times a little cl.u.s.ter of auditors would gradually collect in front of me, listening for the most part silently, or occasionally giving vent to low grunts and interjections of approval. One evening, I remember, a young woman joined the group, though keeping somewhat in the background; she listened intently, and after a time gradually turned her face toward me, unconsciously as it were; and the light of a street-lamp at a little distance revealed a countenance youthful, pale, sad, and exquisitely beautiful. It impressed me as with a vague reminiscence of something I had seen or imagined--some pictured face, perhaps, caught in a glance and never to be identified. Her eyes finally met mine; I stopped playing. She started, gave me an alarmed look, and, gliding swiftly away, disappeared. I could not forget this incident; it haunted me strangely and persistently. Many a time thereafter I revisited the same spot, and drew together other audiences, but the delicate girl with the dark-blue eyes and the tender, sensitive mouth, was never again among them.

It was at this epoch, I think, that the inexhaustible Paton made a discovery. From my point of view it was not a discovery of any moment; but, as usual, he took interest in it enough for both of us. It appeared that, in attempting to doctor the crack in the old looking-gla.s.s, a large piece of the plate had got loose, and come away in his hands; and in the s.p.a.ce behind he had detected a paper, carefully folded and tied up with a piece of faded ribbon. Paton was never in the habit of hampering himself with fine-drawn scruples, and he had no hesitation in opening the folded paper and spreading it out on the table. Judging from the glance I gave it, it seemed to be a confused and abstruse mixture of irregular geometrical figures and cramped German chirography. But Paton set to work upon it with as much concentration as if it had been a recipe for the Philosopher's Stone; he reproduced the lines and angles on fresh paper, and labored over the writing with a magnifying-gla.s.s and a dictionary. At times he would mutter indistinctly to himself, lift his eyebrows, nod or shake his head, bite his lips, and rub his forehead, and anon fall to work again with fresh vigor. At last he leaned back in his chair, thumped his hand on the table, and laughed.

"Got it!" he exclaimed. "Say, John, old boy, I've got it! and it's the most curious old thing ever you saw in your life!"

"Something in a.n.a.lytical geometry, isn't it?" said I, turning round on my piano-stool.

"a.n.a.lytical pudding's end! It's a plan of a house, my boy, and, what's more, of this very house we're in! That's a find, and no mistake! These are the descriptions and explanations--these bits of writing. It's a perfect labyrinth of Crete! Udolpho was nothing to it!"

"Well, I suppose it isn't of much value except as a curiosity?"

"Don't be too sure of that, John, my boy! Who knows but there's a treasure concealed somewhere in this house? or a skeleton in a secret chamber! This old paper may make our fortune yet!"

"The treasure wouldn't belong to us if we found it; and, besides, we can't make explorations beyond our own premises, and we know what's in them already."

"Do we? Did we know what was behind the looking-gla.s.s? Did you never hear of sliding panels, and private pa.s.sages, and concealed staircases?

Where's your imagination, man? But you don't need imagination--here it is in black and white!"

As he spoke, he pointed to a part of the plan; but, as I was stooping to examine it, he seemed to change his mind.

"No matter," he exclaimed, suddenly folding up the paper and rising from his chair. "You're not an architect, and you can't be expected to go in for these things. No; there's no practical use in it, of course.

But secret pa.s.sages were always a hobby of mine. Well, what are you going to do this evening? Come over to the cafe and have a game of billiards!"

"No; I shall go to bed early to-night."

"You sleep too much," said Paton. "Everybody does, if my father, instead of inventing a way of promoting sleep, had invented a way of doing without it, he'd have been the richest man in America to-day.

However, do as you like. I sha'n't be back till late."

He put on his hat and sallied forth with a cigar in his mouth. Paton was of rather a convivial turn; he liked to have a good time, as he called it; and, indeed, he seemed to think that the chief end of man was to get money enough to have a good time continually, a sort of good eternity. His head was strong, and he could stand a great deal of liquor; and I have seen him sip and savor a gla.s.s of raw brandy or whisky as another man would a gla.s.s of Madeira. In this, and the other phases of his life about town, I had no partic.i.p.ation, being const.i.tutionally as well as by training averse therefrom; and he, on the other hand, would never have listened to my sage advice to modify his loose habits. Our companionship was apart from these things; and, as I have said, I found in him a good deal that I could sympathize with, without approaching the moralities.

That night, after I had been for some time asleep, I awoke and found myself listening to a scratching and shoving noise that seemed quite unaccountable. By-and-by it made me uneasy. I got up and went toward the parlor, from which the noise proceeded. On reaching the doorway, I saw Paton on his knees before one of the pilasters in the narrow end of the room; a candle was on the floor beside him, and he was busily at work at something, though what it was I could not make out. The creak of the threshold under my foot caused him to look round. He started violently, and sprang to his feet.

"Oh! it's you, is it?" he said, after a moment. "Great Scott! how you scared me! I was--I dropped a bit of money hereabouts, and I was sc.r.a.ping about to find it. No matter--it wasn't much! Sorry I disturbed you, old boy." And, laughing, he picked up his candle and went into his own room.

From this time there was a change vaguely perceptible in our mutual relations; we chatted together less than before, and did not see so much of each other. Paton was apt to be out when I was at home, and generally sat up after I was abed. He seemed to be busy about something--something connected with his profession, I judged; but, contrary to his former custom, he made no attempt to interest me in it.

To tell the truth, I had begun to realize that our different tastes and pursuits must lead us further and further apart, and that our separation could be only a question of time. Paton was a materialist, and inclined to challenge all the laws and convictions that mankind has inst.i.tuted and adopted; there was no limit to his radicalism. For example, on coming in one day, I found him with a curious antique poniard in his hands, which he had probably bought in some old curiosity shop. At first I fancied he meant to conceal it; but, if so, he changed his mind.

"What do you think of that?" he said, holding it out to me. "There's a solution of continuity for you! Mind you don't p.r.i.c.k yourself! It's poisoned up to the hilt!"

"What do you want of such a thing?" I asked.

"Well, killing began with Cain, and isn't likely to go out of fashion in our day. I might find it convenient to give one of my friends--you, for instance--a reminder of his mortality some time. You'll say murder is immoral. Bless you, man, we never could do without it! No man dies before his time, and some one dies every day that some one else may live."

This was said in a jocose way, and, of course, Paton did not mean it.