Dark Victory: The Life Of Bette Davis Part 30

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ACKNOWLEDGMENTS.

My deepest appreciation goes to my trusty psychotherapist, Dr. Gerald Perlman, who had to listen to a lot of the unpleasant muck this book stirred up. Thanks also to my psychiatrist, Dr. Barry Richman, who kept me on medication. And a round of applause certainly goes to the prescient Dr. Scott Goldsmith, who warned me, as both a psychiatrist and a friend, that I might feel some of the emotions I imagined my subject probably felt. As Miss Davis would have said, Oh, brother!

I relied, as usual, on a group of thoughtful and supportive readers, chief among them Chris Bram, to whom I dedicate this book. Others included my ace research a.s.sistant, Gregor Meyer; Tom Phillips, Bette fan extraordinaire, who also provided the What's My Line? material; Matthew Mirapaul, who never fails to prop me up in times of need; and Martin Shingler, the world's greatest Davis scholar. David Boxwell, Dan Callahan, and Jim Aquino lent me hard-to-find films and recordings. My pals in the New York Independent Film Critics Circle-Damien Bona, Howard Karren, Joe Smith, George Robinson, Andy d.i.c.kos, Adam Orman, Michael Giltz, M. George Stevenson, Daryl Chin, Jeff Zeitlin, Alex Lewin, and Jace Weaver-all contributed a mix of arcana and wit.

I thank the many friends, acquaintances, a.s.sociates, and admirers of Bette Davis who spent time helping me to understand her better: Edward Albee, Dame Eileen Atkins, Don Bachardy, Martin Baum, Jim Brochu, Betty Buckley (not that Betty Buckley), Charles Busch, d.i.c.k Cavett, David Chierichetti, Roy Christopher, Wendy Craig, Mart Crowley, Jon Dosa, Bryan England, John Epperson, David Galligan, Kim Garfield, Vik Greenfield, John Guillermin, the late Ellen Hanley, Sheldon Harnick, Anthony Harvey, Robert Hofler, Waris Hussein, John Kane, Mike Kaplan, John Kuri, Jack and Elaine LaLanne, Robert Lantz, Lionel Larner, James McCourt, Lynda Pearl, Charles Pollack, Dr. Ivin Prince, Dotson Rader, Alvin Rakoff, David Rothenberg, Ann Kaufman Schneider, Reggie Schwartzwalder, Tom Smothers, Gary Springer, Tulip Traber, and Margot Webb.

Biographies couldn't be written without the librarians and archivists who care for the infinitely valuable records in which famous people's lives are chronicled, in this case: J. C. Johnson, Sean Noel, and the staff of the Howard Gotlieb Archival Research Center at Boston University; Haden Guest and the staff of the Warner Bros. Archive at the University of Southern California; Barbara Hall and her colleagues at the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library; Michael Neault and Jim Healy at George Eastman House; and Vicky Hedley, Ayesha Khan, Anastasis Kerameos, and the other librarians at the British Film Inst.i.tute.

I also thank the many people who helped me with this project in less definable ways: Christopher Anderson, Per sberg, John Belton, Steven DeRosa, Judy Englander, Ron Fried, Kenneth Geist, David Germain, Warren Goldfarb, Chris Gorman, Dr. Nathaniel Hupert, Dr. Rainu Kaushal, Neal Leibowitz, William J. Mann, Patrick Merla, Ethan Minovitz, Evan Mirapaul, Eric Myers, S. I. Newhouse IV, Gregory Orr, Robert Rees, Tom Rhoads, Hank Sartin, Dulcie and Walter Schackman, Draper Shreeve, Jason Simos, Frances Smith, Linnell Smith, and James Yaffe.

My editors, Jennifer Barth and David Patterson, had confidence in me when I did not, and I'm enormously grateful for their continuing support, not to mention their sharp critical skills. I also thank my expert copy editor, Vicki Haire; Kenn Russell, the executive managing editor at Henry Holt; and Lindsay Ross and Patrick Clark.

As always, I'm in awe of my agent, the superb Edward Hibbert, who relayed details of the contract negotiations for this book in the uncannily precise voice of Bette Davis. Finally, I owe a profound debt of grat.i.tude to my shockingly stable family, particularly my mother, Betty Sikov; my brother, Costas Karakatsanis; and my partner, Bruce Schackman.

ILl.u.s.tRATION ACKNOWLEDGMENTS.

The Davis Girls: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Harlow Morell Davis: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University With a Ribbon in Her Hair: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Bette, by Ruthie: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Delicate Flower: Photofest.

Beauty in the Eyes: Photofest.

Unusual Portrait: Collection of the author "I always used to wipe my mouth!": Photofest Ham and Spuds: Photofest Bette as Rasputin? Photofest Jezebel: Collection of the author.

"Homely Dynamo": Photofest Wedding Day Number 2: Photofest Sisters on the Set: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University "Like a Mink": Photofest Wedding Day Number 3: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University The Evil Eye: Collection of the author Peritonitis Sets In: Photofest.

Maudlin and Magnificent: Collection of the author Two's Company: Photofest A Bette Davis western?: Photofest Designed by Bette: Photofest On Broadway: Photofest.

"Let's clear out. I draw the line at this crowd.": Tee and Charles Addams Foundation Joan, by Bette: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Lush Life: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Poetry Onstage: Photofest Bette, her Daughter Margot, and Dinner: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University Mother, Daughter, and Son: From the Bette Davis Collection in the Howard Gotlieb Archival Research Center, Boston University It Works: Photofest.

Miss Moffat: Photofest Madame Sin and her pet hawk: Collection of the author Last Picture Show: Photofest The World's Most Famous Smoker: Photofest P.s. Bette Davis: Photofest.

ABOUT THE AUTHOR.

ED SIKOV is a film historian whose other biographies include the critically acclaimed On Sunset Boulevard: The Life and Times of Billy Wilder and Mr. Strangelove: A Biography of Peter Sellers. He has taught at Columbia University, Haverford College, and Colorado College, and lives in New York City.

www.edsikov.com.

ALSO BY ED SIKOV.

ON SUNSET BOULEVARD:.

THE LIFE AND TIMES OF BILLY WILDER.

MR. STRANGELOVE:.

A BIOGRAPHY OF PETER SELLERS.

LAUGHING HYSTERICALLY:.

AMERICAN SCREEN COMEDY OF THE 1950S.

SCREWBALL: HOLLYWOOD'S MADCAP ROMANTIC COMEDIES.