Dancing Girls and Other Stories Part 4

After she had been registered, her few valuables taken from her and locked in the safe ("So they won't be stolen by the patients," the receptionist said), her house keys de-livered to Morrison at her request, she disappeared down one of the corridors between two interns. She was not cry-ing, nor did she say goodbye to any of them, though she gave Morrison a dignified, freezing nod. "I expect you to bring my notebook to me," she said with a p.r.o.nounced English accent. "The black one, I need it. You'll find it on my desk. And I'll need some underwear. Leota can bring that."

Morrison, shamed and remorseful, promised he would visit.

When they got back to the city they dropped Dave Jamie-son off at his place; then the three of them had pizza and c.o.kes together. Paul and Leota were friendlier than usual: they wanted to find out more. They leaned across the table, questioning, avid, prying; they were enjoying it. This, he realized, was for them the kind of entertainment the city could best afford.

Afterwards they all went to Louise's cellar to gather up for her those shreds of her life she had asked them to allow her. Leota found the underwear (surprisingly frilly, most of it purple and black) after an indecently long search through Louise's bureau drawers; he and Paul tried to decide which of the black notebooks on her desk she would want. There were eight or nine of them; Paul opened a few and read excerpts at random, though Morrison protested weakly. References to the poles and the circle dated back several months; before he had known her, Morrison thought.

In her notebooks Louise had been working out her private system, in aphorisms and short poems which were thoroughly sane in themselves but which taken together were not; though, Morrison reflected, the only difference is that she's taken as real what the rest of us pretend is only metaphorical. Between the aphorisms were little sketches like wiring diagrams, quotations from the English poets, and long detailed a.n.a.lyses of her acquaintances at the uni-versity.

"Here's you, Morrison," Paul said with a relishing chuckle. " 'Morrison is not a complete person. He needs to be completed, he refuses to admit his body is part of his mind. He can be in the circle possibly, but only if he will surrender his role as a fragment and show himself willing to merge with the greater whole.'

Boy, she must've been nutty for months."

They were violating her, entering her privacy against her will. "Put that away," Morrison said, more sharply than he ordinarily dared speak to Paul. "We'll take the half-empty notebook, that must be the one she meant."There were a dozen or so library books scattered around the room, some overdue: geology and history for the most part, and one volume of Blake. Leota volunteered to take them back.

As he was about to slip the catch on the inside lock Morrison glanced once more around the room. He could see now where it got its air of pastiche: the bookcase was a copy of the one in Paul's livingroom, the prints and the table were almost identical with those at the Jamiesons'. Other details stirred dim images of objects half-noted in the various houses, at the various but nearly identical get-ac-quainted parties. Poor Louise had been trying to construct herself out of the other people she had met. Only from himself had she taken nothing; thinking of his chill interior, embryonic and blighted, he realized it had nothing for her to take.

He kept his promise and went to see her. His first visit was made with Paul and Leota, but he sensed their resentment: they seemed to think their countrywoman should be per-mitted to go mad without witness or partic.i.p.ation by any Yanks. After that he drove out by himself in his own car.

On the second visit Louise initially seemed better. They met in a cramped cubicle furnished with two chairs; Louise sat on the edge of hers, her hands folded in her lap, her face polite, withholding. Her English accent was still noticeable, though hard r's surfaced in it from time to time. She was having a good rest, she said; the food was all right and she had met some nice people but she was eager to get back to her work; she worried about who was looking after her stu-dents.

"I guess I said some pretty crazy things to you," she smiled.

"Well..." Morrison stalled. He was pleased by this sign of her recovery.

"I had it all wrong. I thought I could put the country together by joining the two halves of the city into a circle, using the magnetic currents." She gave a small disparaging laugh, then dropped her voice. "What I hadn't figured out though was that the currents don't flow north and south, like the bridge. They flow east and west, like the river. And I didn't need to form the circle out of a bunch of incom-plete segments. I didn't even need the baby. I mean," she said in a serious whisper, dropping her accent completely, "I am the circle. I have the poles within myself. What I have to do is keep myself in one piece, it depends on me."

At the desk he tried to find out what was officially wrong with Louise but they would not tell him anything; it wasn't the policy.

On his next visit she spoke to him almost the whole time in what to his untrained ear sounded like perfectly flu-ent French. Her mother was a French Protestant, she told him, her father an English Catholic.

"Je peux vous dire tout ceci," she said, "parce que vous etes americain. You are out-side it." To Morrison this explained a lot; but the next time she claimed to be the daughter of an Italian opera singer and a n.a.z.i general. "Though I also have some Jewish blood," she added hastily. She was tense and kept standing up and sitting down again, crossing and recrossing her legs; she would not look at Morrison directly but addressed her stac-cato remarks to the centre of his chest.

After this Morrison stayed away for a couple of weeks. He did not think his visits were doing either of them any good, and he had papers to mark. He occupied himself once more with the painting of his apartment and the organ music of the woman downstairs; he shovelled his steps and put salt on them to melt the ice. His landlady, uneasy because she had still not supplied him with a lock, unexpectedly had him to tea, and the tacky plastic grotesqueries of her inte-rior decoration fueled his reveries for a while. The one good thing in her bogus ranch-style bungalow had been an egg, blown and painted in the Ukrainian manner, but she had dismissed it as ordinary, asking him to admire instead a cake of soap stuck with artificial flowers to resemble a flowerpot; she had got the idea out of a magazine. The Korean came up one evening to ask him about life insurance.

But the thought of Louise out there in the windswept inst.i.tution grounds with nothing and no one she knew bothered him in twinges, like a mental neuralgia, goading him finally into the section of the city that pa.s.sed for downtown: he would buy her a gift. He selected a small box of water-colour paints: she ought to have something to do. He was intending to mail it, but sooner than he expected he found himself again on the wide deserted entrance drive-way.

They met once more in the visitors' cubicle. He was alarmed by the change in her: she had put on weight, her muscles had slackened, her b.r.e.a.s.t.s drooped. Instead of sitting rigidly as she had done before, she sprawled in the chair, legs apart, arms hanging; her hair was dull and practi-cally uncombed. She was wearing a short skirt and purple stockings, in one of which there was a run. Trying not to stare at this run and at the white, loose thigh flesh it re-vealed, Morrison had the first unmistakably physical stir-rings of response he had ever felt towards her.

"They have me on a different drug," she said. "The other one was having the wrong effect. I was allergic to it." She mentioned that someone had stolen her hairbrush, but when he offered to bring her another oneshe said it didn't matter. She had lost interest in the circle and her elaborate system and did not seem to want to talk much. What little she said was about the hospital itself: she was trying to help the doctors, they didn't know how to treat the patients but they wouldn't listen to her. Most of those inside were get-ting worse rather than better; many had to stay there be-cause no one would take the responsibility of looking after them, even if they were drugged into manageability. They were poor, without relations; the hospital would not let them go away by themselves. She told him about one girl from further north who thought she was a caribou.

She hardly glanced at the water-colour paints, though she thanked him sluggishly. Her eyes, normally wide and vivacious, were puffed shut nearly to slits and her skin ap-peared to have darkened. She reminded him of someone, though it took him several minutes to remember: it was an Indian woman he had seen early in the fall while he was still searching for a place to have a civilized drink. She had been sitting outside a cheap hotel with her legs apart, taking off her clothes and chanting, "Come on boys, what're you waiting for, come on boys, what're you waiting for." Around her a group of self-conscious, sn.i.g.g.e.ring men had gathered. Morrison, against his will and appalled at her, the men, and himself, had joined them. She was naked to the waist when the police got there.

When he rose to say goodbye Louise asked him, as if it was a matter of purely academic interest, whether he thought she would ever get out.

On his way out to the car it struck him that he loved her. The thought filled him like a goal, a destiny. He would res-cue her somehow; he could pretend she was his cousin or sister; he would keep her hidden in the apartment with all his dangerous implements, razors, knives, nailfiles, locked away; he would feed her, give her the right drugs, comb her hair. At night she would be there in the sub-zero bedroom for him to sink into as into a swamp, warm and obliterating.

This picture at first elated, then horrified him. He saw that it was only the hopeless, mad Louise he wanted, the one devoid of any purpose or defence. A sane one, one that could judge him, he would never be able to handle. So this was his dream girl then, his ideal woman found at last: a disintegration, mind returning to its component shards of matter, a defeated formless creature on which he could in-flict himself like shovel on earth, axe on forest, use without being used, know without being known. Louise's notebook entry, written when she had surely been saner than she was now, had been right about him. Yet in self-defence he rea-soned that his desire for her was not altogether evil: it was in part a desire to be reunited with his own body, which he felt less and less that he actually occupied.

Oppressed by himself and by the building, the prison he had just left, he turned when he reached the main road away from the city instead of towards it: he would take his car for a run. He drove through the clenched landscape, recalling with pain the gentle drawl of the accommodating hills east and south, back in that settled land which was so far away it seemed not to exist. Here everything was tight-lipped, ungiving, good for nothing and nothing.

He was halfway to the zoo before he knew he was go-ing there. Louise had said it was kept open all winter.

Not much of the day was left when he reached the entrance: he would be driving back in darkness. He would have to make his visit short, he did not want to be caught inside when they locked the gates. He paid the admission fee to the scarfed and m.u.f.fled figure in the booth, then took his car along the empty drives, glancing out the side win-dow at the herds of llama, of yak, the enclosure of the Sibe-rian tiger in which only the places a tiger might hide were to be seen.

At the buffalo field he stopped the car and got out. The buffalo were feeding near the wire fence, but at his ap-proach they lifted their heads and glared at him, then snorted and rocked away from him through the haunch-deep snowdunes.

He plodded along the fence, not caring that the wind was up and chilling him through his heavy coat, the blood retreating from his toes. Thin sinister fingers of blown snow were creeping over the road; on the way back he would have to watch for drifts. He imagined the snow rising up, sweeping down in great curves, in waves over the city, each house a tiny centre of man-made warmth, fending it off. By the grace of the power plant and the gas plant: a bomb, a catastrophe to each and the houses would close like eyes. He thought of all the people he barely knew, how they would face it, chopping up their furniture for firewood un-til the cold overcame. How they were already facing it, the Koreans' fishes fluttering on the clothesline like defiant sil-ver flags, the woman downstairs shrilling "Whispering Hope" off-key into the blizzard, Paul in the flimsy armour of his cheap nationalism, the landlady holding aloft torch-like her bar of soap stuck with artificial flowers. Poor Lou-ise, he saw now what she had been trying desperately to do: the point of the circle, closed and self-sufficient, was not what it included but what it shut out. His own efforts to remainhuman, futile work and sterile love, what happened when it was all used up, what would he be left with?

Black trees on a warm orange wall; and he had painted everything white...

Dizzy with cold, he leaned against the fence, forehead on mittened hand. He was at the wolf pen. He remembered it from his trip with Louise. They had stood there for some time waiting for the wolves to come over to them but they had kept to the far side. Three of them were near the fence now though, lying in its shelter. An old couple, a man and a woman in nearly identical grey coats, were standing near the wolves. He had not noticed them earlier, no cars had pa.s.sed him, they must have walked from the parking lot. The eyes of the wolves were yellowish grey: they looked out through the bars at him, alert, neutral.

"Are they timber wolves?" Morrison said to the old woman. Opening his mouth to speak, he was filled with a sudden chill rush of air.

The woman turned to him slowly: her face was a haze of wrinkles from which her eyes stared up at him, blue, glacial.

"You from around here?" she asked.

"No," Morrison said. Her head swung away; she con-tinued to look through the fence at the wolves, nose to the wind, short white fur ruffled up on edge.

Morrison followed her fixed gaze: something was being told, something that had nothing to do with him, the thing you could learn only after the rest was finished with and discarded. His body was numb; he swayed. In the corner of his eye the old woman swelled, wavered, then seemed to disappear, and the land opened before him. It swept away to the north and he thought he could see the mountains, white-covered, their crests glittering in the falling sun, then forest upon forest, after that the barren tundra and the blank solid rivers, and beyond, so far that the endless night had already descended, the frozen sea.

Under Gla.s.s

I'm feeling better. For once the sky is out, there's a breeze, I'm walking through the ellipses and arranged vistas of the park, the trees come solidly up through the earth as though they belong there, nothing wa-vers.

I have confidence in the gra.s.s and the distant build-ings, they can take care of themselves, they don't need my attention on them to keep them together, my eyes holding them down.

The steam-covered mothers and shrill, hyperthyroid children of yesterday's trip to the zoo are far away, the traces they have left in me are faint as grease smudges and scratchings of twigs on window panes.

That was a risk I shouldn't have taken, it would have been cleverer to have waited, but I managed it. I even made it through the Moon-light Pavilion, darkened tunnels full of screaming, the gog-gling rodents and shrunken foetal-headed primates deluded by the grey light into going about their lives, so publicly, behind the soundproof panels. I enjoy knowing I can do it without anyone to help.

I pa.s.s the 7-B greenhouse: it glitters, it beckons. Inside are the plants that look like stones, their fleshy lobed leaves knuckle-sized and mottled so that they blend perfectly with the pebbles. I was pleased at first to have discovered them. I think with a kind of horror at myself of the hours I've spent watching them, all of us keeping quite still. Today, however, the greenhouse has no attraction: I walk on two legs, I wear clothes.

In the street outside the station I go shopping. It feels new, my legs ripple as though I've just gotten out of a wheelchair. I buy little brown paper parcels and stow them away inside my serviceable black bag with handles on it like a doctor's. Bread and b.u.t.ter, grapes, greengages which he has probably never had before but we must all try different experiences. Before I zip the bag I rearrange the packages to safeguard the rose, encased in plastic wrap with stem swathed in wet toilet paper. Redundant. It's a gift though and I'm proud of myself for being able, we don't do much of that. I cut it in the garden, which isn't mine. I admire roses but I've never wanted to be one, maybe that's why I'm not worrying much about whether the stem hurts.

What part of a rose bush is the body? Last night I dreamed I had a baby which was the right size and colour. It's a healthy sign, maybe I'll be able to after all, the way other women are supposed to. Usually when I dream of babies they are scrawny as kittens, pale greenish and highly intelligent; they talk in polysyllables and I know they aren't mine but are creatures from another planet sent to take over the earth, or that they are dead. Sometimes they're covered with fur. But last night's was pink and rea.s.suringly illiter-ate; it cried. He ought to find this promising, he wants to have sons. I've thought about it, I've even gone so far as to read a couple of books on exercises and what they call natu-ral childbirth, though having a gourd or a tomato would surely be more pleasant and useful these days than having a baby, the world has no need of my genes. That's an excuse though.

I put the bag on my knees and keep hold of the handles. It's playing house, we both know I can't cookhim anything till he gets his stove repaired, which somehow he postpones: still it's the first domestic thing I've ever done for him. He ought to approve, he's obliged to approve, he'll see it's get-ting better. I'm feeling so good I even look at other people in the train, their faces and clothes, noticing them, wonder-ing about their lives. See how kind I am, what a cornucopia.

The cement stairway going down to his door smells of p.i.s.s and antiseptic; I hold my breath as usual. I look in through the letter flap: he isn't up, so I let myself in with my key. His two-room flat is more untidy than last time but it's been worse. Today the dust and litter leave my skin alone. I set my black bag on the table and go through to the bedroom.

He's on the bed, asleep in a tangled net of blankets, on his back with his knees up. I'm always afraid to wake him: I remember the stories about men who kill in their sleep with their eyes open, thinking the woman is a burglar or an en-emy soldier. You can't be convicted for it. I touch him on the leg and stand back, ready to run, but he wakes immedi-ately and turns his head towards me.

"Hi," he says. "Jesus I'm hung over."

It's rude of him to be hung over when I've come all this way to see him. "I brought you a flower," I say, determined to be calm and cheerful.

I go out to the other room and unwind the rose from its toilet paper and look for something to put it in.

There's a stack of never-used plates in his cupboard, the rest of the s.p.a.ce is books and papers. I find a lone gla.s.s and fill it with water at the sink. Forks and knives, also unused, are rusting in the drainer. I list to myself the things he needs: a vase, more gla.s.ses, a dishtowel.

I carry the rose in to him and he sniffs at it dutifully and I set the gla.s.s beside the alarm clock on the improvised table, two chairs and a board. He would really like to go back to sleep, but he compromises by pulling me down be-side him and involving me in the blankets. His head seeks the hollow between my shoulder and collarbone and he closes his eyes.

"I've missed you," he says. Why should he have missed me, I've only been gone five days. The last time wasn't good, I was nervous, the wallpaper was bothering me and the bright peel-off stick-on b.u.t.terflies on the cupboard, not his, prior to him. He kisses me: he does have a hangover, his mouth tastes of used wine, tobacco resin and urban decay. He doesn't want to make love, I can tell, I stroke his head understandingly; he nuzzles. I think again of the Moonlight Pavilion, the Slow Loris creeping cautiously through its ar-tificial world, water dishes and withering branches, its eyes large with apprehension, its baby clutched to its fur.

"Want to have lunch?" he says. This is his way of tell-ing me he's in no shape.

"I brought it. Or most of it anyway. I'll go round the corner and get the rest. It's healthier than those greasy ham-burgers and chips."

"Great," he says, but he makes no move to get up.

"Have you been taking your vitamin pills?" They were my idea, I was afraid he'd get scurvy, eating the way he does. I always take them myself. I feel him nod ritualisti-cally.

I can't see whether he's telling the truth. I turn over so I'm looking down at him. "Who were you drinking with? Did you go out after you moved the furniture?"

"The furniture was already moved when I got there. She couldn't call to tell me." That's true, he has no phone; our conversations take place in booths. "She wanted to go out and drink instead. I spilled chop suey all over myself," he says with self-pity.

I am supposed to commiserate. "Was it digested or un-digested?" I ask.

"I hadn't touched a bite of it."

I'm surprised at her for being so obvious, but then she's always seemed unsubtle, blunt and straightforward, captain of a women's basketball team, no, high school gym teacher with whistle in mouth.

An old friend. No nonsense. Mine had bloomers and skinny legs and made jokes about what she called The Cramps in a way that suggested we weren't supposed to have them. Trampolines, the body contorted, made to perform, the mind barking orders.

"She's been trying to seduce you for months," I say, smiling; the thought amuses me, she looks like a marmot. At this he tries to shrug, but I have him pinned, one arm across the neck. "Did she succeed?"

"By the time we got out of the bar the subway was closed."

I hadn't been serious, but this is suddenly a confession. I want to ignore it but I go on. "You mean she spent the night here?"

"As opposed to trying to get all the way back to her place," he says, "yes." It would be a reason like that.

Logi-cal as h.e.l.l.

What do you think you are, the YWCA, I want to say, but instead I ask the obvious. "I suppose you slept with her." My voice is steady, I'm steady too, I won't let it tip me.

"It was her idea. I was drunk." He thinks both these things are good excuses."Why did you tell me?" If he hadn't told me and I'd found out I'd say, Why didn't you tell me; I know this while I'm asking it.

"You could have figured it out for yourself, the alarm's set for eight."

"What does that mean?" I say; I don't connect. I'm cold, I get up off the bed and move backwards towards the doorway.

I am sitting in a brand-new hamburger palace; across the table from me is a man eating a cheeseburger.

Feeding places are the only chances I have to watch him: the rest of the time I'm looking at the blurs through taxi windows or tracing the unfamiliar wallpaper designs. The colour of his face matches the Formica tabletops: off-white. At other ta-bles are other men, also eating cheeseburgers and being watched by other women. We all have our coats on. The air shimmers with rock music and the smell of exhausted french fries. Though it is winter the room reminds me of a beach, even to the crumpled .paper napkins and pop bottles discarded here and there and the slightly gritty texture of the cheeseburgers.

He pushes away his cole slaw.

"You should eat it," I say.

"No no; can't eat vegies," he says. The suppressed dieti-cian in me notes that he is probably suffering from a vita-min A deficiency. I should have been a health inspector, or maybe an organic farmer.

"I'll trade you then," I say. "I'll eat your cole slaw if you'll finish my cheeseburger."

He thinks there's a catch somewhere but decides to risk it. The switch is made and we both examine our halves of the deal. Beyond the plate-gla.s.s window slush drifts from the night sky, inside though we are lighted, safe and warm, filtering music through our gills as though it's oxygen.

He finishes my cheeseburger and lights a cigarette. I'm annoyed with him for some reason, though I can't recall which. I thumb my card-file of nasty remarks, choose one: You make love like a cowboy raping a sheep. I've been waiting for the right time to say that, but maybe peace is more important.

Not for him; hunger satisfied, he turns back to an ear-lier argument. "You're trying to see how much s.h.i.t I'll take, aren't you?" he says. "Stop treating me like a nine-year-old."

"There's one good way to keep me from treating you like one," I say. What I mean is that he should stop acting like one, but he doesn't bite. In fact he may not even have heard: the music is louder.

"Let's split," he says, and we get up. I check the cashier as we go out: cashiers fill me with dismay, I want them to be happy but they never are. This one is waterlogged and baggy, saturated with too much sound and too many french fries. She is apathetic rather than surly. Fight back, I tell her silently.

We hit the air and walk, not touching. I can't remember what he did but he won't get away with it. He's wearing a long khaki army surplus coat with bra.s.s b.u.t.tons; it's hand-some, but right now it only reminds me of my fear of door-men, bus drivers and postal officials, those who use their uniforms as excuses. I steer my course so he will have to go through all the puddles. If I can't win, I tell him, neither can you. I was saner then, I had defences.

"I never get up at eight. She had to go to work." He's conscious now that I'm not going to laugh with him over this one as I have over the others. "If you'd been here it wouldn't have happened," he says, trying to put it off on me.

I see it so clearly, in such an ordinary light, I know what he did, how he moved, what he said even, one warm body attracts another, it's how people behave and I want to be sick. More, I want to take my carefully selected brown paper parcels and shove them down his never-cleaned toilet, which I even-crown of idiocy-had thoughts of cleaning for him, poor thing, no one ever showed him how to do it.

Where they belong. So this is what it would be like, me picking up his dirty socks and cigarette b.u.t.ts in my experi-enced way, woman's greatest joy, safely eight months preg-nant so you can't get out of it now, grunting away at the natural childbirth exercises while he's off s.c.r.e.w.i.n.g whatever was propped against him when he hit the mystic number of drinks. A spiritual relationship with you, he said, and merely physical ones with the others. Shove that. What does he think I saw in him in the first place, his remarkable soul?

"I'm going out to do some shopping," I say. I'm too visible here, desert mice with their burrows running down the side of the gla.s.s, what an intrusion I thought at the time. "Do you want me to come back?"

This is the call to repentance, he nods without speaking, he really is unhappy but I don't have time to think about that, I have to get out where there are a lot more around me, camouflage. I'm careful not to slam the door, I cross to the market street and dig in among the crowd of shoppers.

It's a room, with bed, dressing table surmounted by mirror, night table plus lamp and telephone, linoleum-patterned drapes covering the windows which in their turn cover the night and a drop of ten stories to molten lights and metal parts, hall opening on bathroom which includes a sink and two taps, hot and cold, closed door. Outside the door is another hall and a line of similar closed doors. It is all cor-rect, all in placethough slightly dented around the edges. I've been trying to sleep in the bed, with no success. I'm going back and forth across the floor, raising from the car-pet an airport smell of upholstery cleaner. Earlier there was a tray with steak rinds and shreds of old salad on it, but I set it out in the hall a long time ago.

From time to time I open the windows and the room is inundated with traffic noise as though it is part of a city-sized motor; then I close the windows and the room heats again, internal combustion engine.

Sometimes I go into the bathroom and turn the taps on and off, taking drinks of water and sleeping pills, it gives me the illusion of action. I also look at my watch. It's early spring, there are no leaves and no snow; the days have too much sun, it shows the dust on everything, it hurts your eyes. Three hours ago he phoned to say he would be home in half an hour. He speaks of this room where we have never been before and will never be again as home, I suppose because I'm in it. I'm in it and I can't get out, he has the key, where would I go, it's a foreign city. I work out plans: I'll pack now, leave, he'll come back after being-where is he? He could have been in an accident, he's in the hospital, he's dying, no, he would never do it so neatly.

The room will be empty. The room is empty now, I'm a place not a person. I'll go into the bath-room, lock the door, lie down in the tub with my arms crossed in the lily position, eyes weighted with invisible pennies.

I'll wash down the rest of the sleeping pills and be found draped over something, the bureau, the telephone, in a coma. Their breathing is always described in murder mys-teries as 'stertorous,' I've never known what that meant. He'll come in just as I'm about to fly out the window into the solid hurricane below, my nightgown spread out around me like a huge nylon kite. Hold on to the string, it's tied to my head.

The mechanisms of the room continue their clicking and gurgling, indifferent. I've turned all the k.n.o.bs on the heating unit but nothing happens, maybe I'm not really here. He ought to be here, he has no right not to be here, this machine is his creation. I get back into the bed for the fifth or sixth time and try to concentrate on the shapes moving across my closed eyelids. Sun, dust, bright colours, headlights, a Persian carpet.

There are pictures now, ducks oddly enough, a woman sitting in a chair, a lawn with a country house, Grecian portico and all, clocks made of flowers, a line of dancing cartoon mice, who put them there?

Whoever you are, get me out and I promise I'll never never again. Next time it will be just from the neck down, I'll leave his motivations alone.