Crucial Instances Part 22

He stared at me strangely. "And what if your own fail you?"

"In her? Never. I call every saint to witness!"

"And yet--and yet--ah, this is a blind," he shouted; "you know all and perjure yourself to spare me!"

At that, my son, I felt a knife in my breast. I looked at him in anguish and his gaze was a wall of metal. Mine seemed to slip away from it, like a clawless thing struggling up the sheer side of a precipice.

"You know all," he repeated, "and you dare not let me hear her!"

"I dare not betray my trust."

He waved the answer aside.

"Is this a time to quibble over church discipline? If you believed in her you would save her at any cost!"

I said to myself, "Eternity can hold nothing worse than this for me--" and clutched my resolve again like a cross to my bosom.

Just then there was a hand on the door and we heard Donna Marianna.

"Faustina has sent to know if the _signar parocco_ is here."

"He is here. Bid her come down to the chapel." Roberta spoke quietly, and closed the door on her so that she should not see his face. We heard her patter away across the brick floor of the _salone_.

Roberto turned to me. "Egidio!" he said; and all at once I was no more than a straw on the torrent of his will.

The chapel adjoined the room in which we sat. He opened the door, and in the twilight I saw the light glimmering before the Virgin's shrine and the old carved confessional standing like a cowled watcher in its corner. But I saw it all in a dream; for nothing in heaven or earth was real to me but the iron grip on my shoulder.

"Quick!" he said and drove me forward. I heard him shoot back the bolt of the outer door and a moment later I stood alone in the garden. The sun had set and the cold spring dusk was falling. Lights shone here and there in the long front of the villa; the statues glimmered gray among the thickets.

Through the window-pane of the chapel I caught the faint red gleam of the Virgin's lamp; but I turned my back on it and walked away.

All night I lay like a heretic on the fire. Before dawn there came a call from the villa. The Count had received a second summons from Milan and was to set out in an hour. I hurried down the cold dewy path to the lake. All was new and hushed and strange as on the day of resurrection; and in the dark twilight of the garden alleys the statues stared at me like the shrouded dead.

In the _salone_, where the old Count's portrait hung, I found the family a.s.sembled. Andrea and Gemma sat together, a little pinched, I thought, but decent and self-contained, like mourners who expect to inherit. Donna Marianna drooped near them, with something black over her head and her face dim with weeping. Roberto received me calmly and then turned to his sister.

"Go fetch my wife," he said.

While she was gone there was silence. We could hear the cold drip of the garden-fountain and the patter of rats in the wall. Andrea and his wife stared out of window and Roberto sat in his father's carved seat at the head of the long table. Then the door opened and Faustina entered.

When I saw her I stopped breathing. She seemed no more than the sh.e.l.l of herself, a hollow thing that grief has voided. Her eyes returned our images like polished agate, but conveyed to her no sense of our presence. Marianna led her to a seat, and she crossed her hands and nailed her dull gaze on Roberto. I looked from one to another, and in that spectral light it seemed to me that we were all souls come to judgment and naked to each other as to G.o.d. As to my own wrongdoing, it weighed on me no more than dust. The only feeling I had room for was fear--a fear that seemed to fill my throat and lungs and bubble coldly over my drowning head.

Suddenly Roberto began to speak. His voice was clear and steady, and I clutched at his words to drag myself above the surface of my terror. He touched on the charge that had been made against his wife--he did not say by whom--the foul rumor that had made itself heard on the eve of their first parting. Duty, he said, had sent him a double summons; to fight for his country and for his wife. He must clear his wife's name before he was worthy to draw sword for Italy. There was no time to tame the slander before throttling it; he had to take the shortest way to its throat. At this point he looked at me and my soul shook. Then he turned to Andrea and Gemma.

"When you came to me with this rumor," he said quietly, "you agreed to consider the family honor satisfied if I could induce Don Egidio to let me take his place and overhear my wife's confession, and if that confession convinced me of her innocence. Was this the understanding?"

Andrea muttered something and Gemma tapped a sullen foot.

"After you had left," Roberto continued, "I laid the case before Don Egidio and threw myself on his mercy." He looked at me fixedly. "So strong was his faith in my wife's innocence that for her sake he agreed to violate the sanct.i.ty of the confessional. I took his place."

Marianna sobbed and crossed herself and a strange look flitted over Faustina's face.

There was a moment's pause; then Roberto, rising, walked across the room to his wife and took her by the hand.

"Your seat is beside me, Countess Siviano," he said, and led her to the empty chair by his own.

Gemma started to her feet, but her husband pulled her down again.

"Jesus! Mary!" We heard Donna Marianna moan.

Roberto raised his wife's hand to his lips. "You forgive me," he said, "the means I took to defend you?" And turning to Andrea he added slowly: "I declare my wife innocent and my honor satisfied. You swear to stand by my decision?"

What Andrea stammered out, what hissing serpents of speech Gemma's clinched teeth bit back, I never knew--for my eyes were on Faustina, and her face was a wonder to behold.

She had let herself be led across the room like a blind woman, and had listened without change of feature to her husband's first words; but as he ceased her frozen gaze broke and her whole body seemed to melt against his breast. He put his arm out, but she slipped to his feet and Marianna hastened forward to raise her up. At that moment we heard the stroke of oars across the quiet water and saw the Count's boat touch the landing-steps. Four strong oarsmen from Monte Isola were to row him down to Iseo, to take horse for Milan, and his servant, knapsack on shoulder, knocked warningly at the terrace window.

"No time to lose, excellency!" he cried.

Roberto turned and gripped my hand. "Pray for me," he said low; and with a brief gesture to the others ran down the terrace to the boat.

Marianna was bathing Faustina with happy tears.

"Look up, dear! Think how soon he will come back! And there is the sunrise--see!"

Andrea and Gemma had slunk away like ghosts at c.o.c.k-crow, and a red dawn stood over Milan.

If that sun rose red it set scarlet. It was the first of the Five Days in Milan--the Five Glorious Days, as they are called. Roberto reached the city just before the gates closed. So much we knew--little more. We heard of him in the Broletto (whence he must have escaped when the Austrians blew in the door) and in the Casa Vidiserti, with Casati, Cattaneo and the rest; but after the barricading began we could trace him only as having been seen here and there in the thick of the fighting, or tending the wounded under Bertani's orders. His place, one would have said, was in the council-chamber, with the soberer heads; but that was an hour when every man gave his blood where it was most needed, and Cernuschi, Dandolo, Anfossi, della Porta fought shoulder to shoulder with students, artisans and peasants. Certain it is that he was seen on the fifth day; for among the volunteers who swarmed after Manara in his a.s.sault on the Porta Tosa was a servant of palazzo Siviano; and this fellow swore he had seen his master charge with Manara in the last a.s.sault--had watched him, sword in hand, press close to the gates, and then, as they swung open before the victorious dash of our men, had seen him drop and disappear in the inrushing tide of peasants that almost swept the little company off its feet. After that we heard nothing. There was savage work in Milan in those days, and more than one well-known figure lay lost among the heaps of dead hacked and disfeatured by Croat blades.

At the villa, we waited breathless. News came to us hour by hour: the very wind seemed to carry it, and it was swept to us on the incessant rush of the rain. On the twenty-third Radetsky had fled from Milan, to face Venice rising in his path. On the twenty-fourth the first Piedmontese had crossed the Ticino, and Charles Albert himself was in Pavia on the twenty-ninth.

The bells of Milan had carried the word from Turin to Naples, from Genoa to Ancona, and the whole country was pouring like a flood-tide into Lombardy.

Heroes sprang up from the b.l.o.o.d.y soil as thick as wheat after rain, and every day carried some new name to us; but never the one for which we prayed and waited. Weeks pa.s.sed. We heard of Pastrengo, Goito, Rivoli; of Radetsky hemmed into the Quadrilateral, and our troops closing in on him from Rome, Tuscany and Venetia. Months pa.s.sed--and we heard of Custozza. We saw Charles Albert's broken forces flung back from the Mincio to the Oglio, from the Oglio to the Adda. We followed the dreadful retreat from Milan, and saw our rescuers dispersed like dust before the wind. But all the while no word came to us of Roberto.

These were dark days in Lombardy; and nowhere darker than in the old villa on Iseo. In September Donna Marianna and the young Countess put on black, and Count Andrea and his wife followed their example. In October the Countess gave birth to a daughter. Count Andrea then took possession of the palazzo Siviano, and the two women remained at the villa. I have no heart to tell you of the days that followed. Donna Marianna wept and prayed incessantly, and it was long before the baby could s.n.a.t.c.h a smile from her.

As for the Countess Faustina, she went among us like one of the statues in the garden. The child had a wet-nurse from the village, and it was small wonder there was no milk for it in that marble breast. I spent much of my time at the villa, comforting Donna Marianna as best I could; but sometimes, in the long winter evenings, when we three sat in the dimly-lit _salone_, with the old Count's portrait overhead, and I looked up and saw the Countess Faustina in the tall carved seat beside her husband's empty chair, my spine grew chill and I felt a cold wind in my hair.

The end of it was that in the spring I went to see my bishop and laid my sin before him. He was a saintly and merciful old man, and gave me a patient hearing.

"You believed the lady innocent?" he asked when I had ended.

"Monsignore, on my soul!"

"You thought to avert a great calamity from the house to which you owed more than your life?"

"It was my only thought."

He laid his hand on my shoulder.