Cord and Creese Part 72

"Thank G.o.d!" murmured Beatrice, fervently. "_He_ has one sorrow less.

Did _he_ save you?"

"He," said Edith, "of whom you speak does not know that I am alive, nor do I know where he is. Yet some day we will perhaps meet. And now you must not speak. You will agitate yourself too much. Here you have those who love you. For the one who brought you here is one who would lay down his life for yours, dearest--he is Paolo Langhetti."

"Langhetti!" said Beatrice. "Oh, G.o.d be thanked!"

"And she who has taken you to her heart and home is his sister."

"His sister Teresa, of whom he used to speak so lovingly? Ah! G.o.d is kinder to me than I feared. Ah, me! it is as though I had died and have awaked in heaven."

"But now I will speak no more, and you must speak no more, for you will only increase your agitation. Rest, and another time you can ask what you please."

Edith turned away and walked to one of the windows, where she looked out pensively upon the sea.

From this time Beatrice began to recover rapidly. Langhetti's sister seemed to her almost like an old friend since she had been a.s.sociated with some of her most pleasant memories. An atmosphere of love was around her: the poor sufferer inhaled the pure and life-giving air, and strength came with every breath.

At length she was able to sit up, and then Langhetti saw her. He greeted her with all the ardent and impa.s.sioned warmth which was so striking a characteristic of his impulsive and affectionate nature. Then she saw Despard.

There was something about this man which filled her with indefinable emotions. The knowledge which she had of the mysterious fate of his father did not repel her from him. A wonderful and subtle sympathy seemed at once to arise between the two. The stern face of Despard a.s.sumed a softer and more genial expression when he saw her. His tone was gentle and affectionate, almost paternal.

[Ill.u.s.tration: "AS BEATRICE OPENED HER EYES AFTER HER LONG UNCONSCIOUSNESS SHE LOOKED AROUND IN WONDER."]

What was the feeling that arose within her heart toward this man? With the one for her Father who had inflicted on his father so terrible a fate, how did she dare to look him in the face or exchange words with him? Should she not rather shrink away as once she shrank from Brandon?

Yet she did not shrink. His presence brought a strange peace and calm over her soul. His influence was more potent over her than that of Langhetti. In this strange company he seemed to her to be the centre and the chief.

To Beatrice Edith was an impenetrable mystery. Her whole manner excited her deepest reverence and at the same time her strongest curiosity. The fact that she was _his_ sister would of itself have won her heart; but there were other things about her which affected her strangely.

Edith moved among the others with a strange, far-off air, an air at once full of gentle affection, yet preoccupied. Her manner indicated love, yet the love of one who was far above them. She was like some grown person a.s.sociating with young children whom he loved. "Her soul was like a star and dwelt apart."

Paolo seemed more like an equal; but Paolo himself approached equality only because he could understand her best. He alone could enter into communion with her. Beatrice noticed a profound and unalterable reverence in his manner toward Edith, which was like that which a son might pay a mother, yet more delicate and more chivalrous. All this, however, was beyond her comprehension.

She once questioned Mrs. Thornton, but received no satisfaction. Mrs.

Thornton looked mysterious, but shook her head.

"Your brother treats her like a divinity."

"I suppose he thinks she is something more than mortal."

"Do you have that awe of her which I feel?"

"Yes; and so does every one. I feel toward her as though she belonged to another world. She takes no interest in this."

"She nursed me."

"Oh yes! Every act of love or kindness which she can perform she seeks out and does, but now as you grow better she falls back upon herself."

Surrounded by such friends as these Beatrice rapidly regained her strength. Weeks went on, and at length she began to move about, to take long rides and drives, and to stroll through the Park.

During these weeks Paolo made known to her his plans. She embraced them eagerly.

"You have a mission," said he. "It was not for nothing that your divine voice was given to you. I have written my opera under the most extraordinary circ.u.mstances. You know what it is. Never have I been able to decide how it should be represented. I have prayed for a Voice. At my time of need you were thrown in my way. My Bice, G.o.d has sent you. Let us labor together."

Beatrice grasped eagerly at this idea. To be a singer, to interpret the thoughts of Langhetti, seemed delightful to her. She would then be dependent on no friend. She would be her own mistress. She would not be forced to lead a life of idleness, with her heart preying upon itself.

Music would come to her aid. It would be at once the purpose, the employment, and the delight of her life. If there was one thing to her which could alleviate sorrow and grief it was the exultant joy which was created within her by the Divine Art--that Art which alone is common to earth and heaven. And for Beatrice there was this joy, that she had one of those natures which was so sensitive to music that under its power heaven itself appeared to open before her.

All these were lovers of music, and therefore had delights to which common mortals are strangers. To the soul which is endowed with the capacity for understanding the delights of tone there are joys peculiar, at once pure and enduring, which nothing else that this world gives can equal.

Langhetti was the high-priest of this charmed circle. Edith was the presiding or inspiring divinity. Beatrice was the medium of utterance--the Voice that brought down heaven to earth.

Mrs. Thornton and Despard stood apart, the recipients of the sublime effects and holy emotions which the others wrought out within them.

Edith was like the soul.

Langhetti like the mind.

Beatrice resembled the material element by which the spiritual is communicated to man. Hers was the Voice which spoke.

Langhetti thought that they as a trio of powers formed a means of communicating new revelations to man. It was natural indeed that he in his high and generous enthusiasm should have some such thoughts as these, and should look forward with delight to the time when his work should first be performed. Edith, who lived and moved in an atmosphere beyond human feeling, was above the level of his enthusiasm; but Beatrice caught it all, and in her own generous and susceptible nature this purpose of Langhetti produced the most powerful effects.

In the church where Mrs. Thornton and Despard had so often met there was now a new performance. Here Langhetti played, Beatrice sang, Edith smiled as she heard the expression of heavenly ideas, and Despard and Mrs. Thornton found themselves borne away from all common thoughts by the power of that sublime rehearsal.

As time pa.s.sed and Beatrice grew stronger Langhetti became more impatient about his opera. The voice of Beatrice, always marvelous, had not suffered during her sickness. Nay, if any thing, it had grown better; her soul had gained new susceptibilities since Langhetti last saw her, and since she could understand more and feel more, her expression itself had become more subtle and refined. So that Voice which Langhetti had always called divine had put forth new powers, and be, if he believed himself the High-Priest and Beatrice the Pythian, saw that her inspiration had grown more delicate and more profound.

"We will not set up a new Delphi," said he. "Our revelations are not new. We but give fresh and extraordinary emphasis to old and eternal truths."

In preparing for the great work before them it was necessary to get a name for Beatrice. Her own name was doubly abhorrent--first, from her own life-long hate of it, which later circ.u.mstances had intensified; and, secondly, from the d.a.m.ning effect which such a name would have on the fortune of any _artiste_. Langhetti wished her to take his name, but Despard showed an extraordinary pertinacity on this point.

"No," said he, "I am personally concerned in this. I adopted her. She is my sister. Her name is Despard. If she takes any other name I shall consider it as an intolerable slight."

He expressed himself so strongly that Beatrice could not refuse.

Formerly she would have considered that it was infamous for her to take that n.o.ble name; but now this idea had become weak, and it was with a strange exultation that she yielded to the solicitations of Despard.

Langhetti himself yielded at once. His face bore an expression of delight which seemed inexplicable to Beatrice. She asked him why he felt such pleasure. Was not an Italian name better for a singer? Despard was an English name, and, though aristocratic, was not one which a great singer might have.

"I am thinking of other things, my Bicina," said Langhetti, who had never given up his old, fond, fraternal manner toward her. "It has no connection with art. I do not consider the mere effect of the name for one moment."

"What is it, then, that you do consider?"

"Other things."

"What other things?"

"Not connected with Art," continued Langhetti, evasively. "I will tell you some day when the time comes."

"Now you are exciting my curiosity," said Beatrice, in a low and earnest tone. "You do not know what thoughts you excite within me. Either you ought not to excite such ideas, or if you do, it is your duty to satisfy them."