Confessions of a Book-Lover Part 13

Who, writing in French or in any language, _outre-mer_, does better, or as well, as Holliday? And where is the peer of Charles S. Brooks in "Hints to Pilgrims"? "Luca Sarto," the best novel of old Italian life by an American--since Mrs. Wharton's "Valley of Decision"--proved him to be a fine artist. He perhaps knew his period better psychologically than Mrs. Wharton, but here there's room for argument. Mrs. Wharton, although she is an admirable artist, grows indifferent and insular at long intervals.

"Luca Sarto" dropped like the gentle rain from heaven; and then came "Hints to Pilgrims." This I wanted to write about in the _Yale Review_, but the selfish editor, Mr. Cross, said that he preferred to keep it for himself!

"Hints to Pilgrims" is the essence of the modern essay. Strangely enough, it sent me back to the "Colour of Life" by the only real _precieuse_ living in our world to-day, Alice Meynell; and I read that with new delight between certain paragraphs in Brooks's paper "On Finding a Plot." Why is not "Hints to Pilgrims" in its fourteenth edition? Or why has it no _claque_? The kind of _claque_ that is so common now--which opens suddenly like a chorus of cicadas in the "Idylls of Theocritus"? After all, your education must have been well begun before you can enjoy "Hints to Pilgrims," while for "Huckleberry Finn"

the less education you have, the better. Mr. Brooks writes:

Let us suppose, for example, that Carmen, before she got into that ugly affair with the Toreador, had settled down in Barchester beneath the towers. Would the shadow of the cloister, do you think, have cooled her Southern blood? Would she have conformed to the decent gossip of the town? Or, on the contrary, does not a hot colour always tint the colder mixture? Suppose that Carmen came to live just outside the Cathedral close and walked every morning with her gay parasol and her pretty swishing skirts past the Bishop's window.

We can fancy his pen hanging dully above his sermon, with his eyes on s.p.a.ce for any wandering thought, as if the clouds, like treasure ships upon a sea, were freighted with riches for his use. The Bishop is brooding on an address to the Ladies' Sewing Guild. He must find a text for his instructive finger. It is a warm spring morning and the daffodils are waving in the borders of the gra.s.s. A robin sings in the hedge with an answer from his mate. There is wind in the tree-tops with lively invitation to adventure, but the Bishop is bent to his sober task. Carmen picks her way demurely across the puddles in the direction of the Vicarage. Her eyes turn modestly toward his window. Surely she does not see him at his desk. That dainty inch of scarlet stocking is quite by accident. It is the puddles and the wind frisking with her skirt.

"Eh! Dear me!" The good man is merely human. He pushes up his spectacles for nearer sight. He draws aside the curtain. "Dear me!

Bless my soul! Who is the lady? Quite a foreign air. I don't remember her at our little gatherings for the heathen." A text is forgotten. The clouds are empty caravels. He calls to Betsy, the housemaid, for a fresh neckcloth and his gaiters. He has recalled a meeting with the Vicar and goes out whistling softly, to disaster.

You do not find delightful fooling like this every day; and there is much more of it. Take this:

Suppose, for a better example, that the cheerful Mark Tapley, who always came out strong in adversity, were placed in a modern Russian novel. As the undaunted Taplovitch he would have shifted its gloom to a sunny ending. Fancy our own dear Pollyanna, the glad girl, adopted by an aunt in "Crime and Punishment." Even Dostoyevsky must have laid down his doleful pen to give her at last a happy wedding--flower-girls and angel-food, even a shrill soprano behind the hired palms and a table of cut gla.s.s.

Oliver Twist and Nancy--merely acquaintances in the original story--with a fresh hand at the plot, might have gone on a bank holiday to Margate. And been blown off sh.o.r.e. Suppose that the whole excursion was wrecked on Treasure Island and that everyone was drowned except Nancy, Oliver, and perhaps the trombone player of the ships' band, who had blown himself so full of wind for fox-trots on the upper deck that he couldn't sink. It is Robinson Crusoe, lodging as a handsome bachelor on the lonely island--observe the cunning of the plot!--who battles with the waves and rescues Nancy. The movie-rights alone of this are worth a fortune. And then Crusoe, Oliver, Friday, and the trombone player stand a siege from John Silver and Bill Sikes, who are pirates, with Spanish doubloons in a hidden cove. And Crusoe falls in love with Nancy. Here is a tense triangle. But youth goes to youth.

Crusoe's whiskers are only dyed their glossy black. The trombone player, by good luck (you see now why he was saved from the wreck), is discovered to be a retired clergyman--doubtless a Methodist. The happy knot is tied. And then--a sail! A sail! Oliver and Nancy settle down in a semi-detached near London, with oyster sh.e.l.ls along the garden path and cat-tails in the umbrella jar. The story ends prettily under their plane-tree at the rear--tea for three, with a trombone solo, and the faithful Friday and Old Bill, reformed now, as gardener, clipping together the shrubs against the sunny wall.

When I found Brooks, I felt again the pang of loss, that Theodore Roosevelt had not read "Hints to Pilgrims," before he pa.s.sed into "the other room" and eternal light shone upon him! He would have discovered "Hints to Pilgrims," and celebrated it as soon as any of us.

How he loved books! And he seemed to have read all the right things in his youth; you forgot time and kicked Black Care away when he talked with you about them. He could drop from Dante to Brillat-Savarin (in whom he had not much interest, since he was a _gourmet_ and did not regard sausages as the highest form of German art!) and his descents and ascents from book to book were as smooth as Melba's sliding scales--and her scales were smoother than Patti's.

Do you remember his "Dante in the Bowery," and "The Ancient Irish Sagas"? He caught fire at the quotation from the "Lament of Deirdre"; and concluded at once that the Celts were the only people who, before Christianity invented chivalry, understood the meaning of romantic love.

It is a great temptation to write at length on the books he liked, and how he fought for them, and explained them, and lived with them.

Thinking of him, the most constant of book-lovers, I can only say, "Farewell and Hail!"

THE END