Complete Plays of John Galsworthy Part 60

[MADGE comes in and stands at the open door, watching the street.]

MADGE. You'll be late, Father; they're beginning. [She catches him by the sleeve.] For the love of G.o.d, stand up to him, Father--this time!

THOMAS. [Detaching his sleeve with dignity.] Leave me to do what's proper, girl!

[He goes out. MADGE, in the centre of the open doorway, slowly moves in, as though before the approach of some one.]

ROUS. [Appearing in the doorway.] Madge!

[MADGE stands with her back to MRS. ROBERTS, staring at him with her head up and her hands behind her.]

ROUS. [Who has a fierce distracted look.] Madge! I'm going to the meeting.

[MADGE, without moving, smiles contemptuously.]

D' ye hear me?

[They speak in quick low voices.]

MADGE. I hear! Go, and kill your own mother, if you must.

[ROUS seizes her by both her arms. She stands rigid, with her head bent back. He releases her, and he too stands motionless.]

ROUS. I swore to stand by Roberts. I swore that! Ye want me to go back on what I've sworn.

MADGE. [With slow soft mockery.] You are a pretty lover!

ROUS. Madge!

MADGE. [Smiling.] I've heard that lovers do what their girls ask them--

[JAN sounds the cuckoo's notes]

--but that's not true, it seems!

ROUS. You'd make a blackleg of me!

MADGE. [With her eyes half-closed.] Do it for me!

ROUS. [Dashing his hand across his brow.] d.a.m.n! I can't!

MADGE. [Swiftly.] Do it for me!

ROUS. [Through his teeth.] Don't play the wanton with me!

MADGE. [With a movement of her hand towards JAN--quick and low.]

I would be that for the children's sake!

ROUS. [In a fierce whisper.] Madge! Oh, Madge!

MADGE. [With soft mockery.] But you can't break your word for me!

ROUS. [With a choke.] Then, BeG.o.d, I can!

[He turns and rushes off.]

[MADGE Stands, with a faint smile on her face, looking after him. She turns to MRS. ROBERTS.]

MADGE. I have done for Roberts!

MRS. ROBERTS. [Scornfully.] Done for my man, with that----!

[She sinks back.]

MADGE. [Running to her, and feeling her hands.] You're as cold as a stone! You want a drop of brandy. Jan, run to the "Lion"; say, I sent you for Mrs. Roberts.

MRS. ROBERTS. [With a feeble movement.] I'll just sit quiet, Madge.

Give Jan--his--tea.

MADGE. [Giving JAN a slice of bread.] There, ye little rascal.

Hold your piping. [Going to the fire, she kneels.] It's going out.

MRS. ROBERTS. [With a faint smile.] 'T is all the same!

[JAN begins to blow his whistle.]

MADGE. Tsht! Tsht!--you

[JAN Stops.]

MRS. ROBERTS. [Smiling.] Let 'im play, Madge.

MADGE. [On her knees at the fire, listening.] Waiting an' waiting.

I've no patience with it; waiting an' waiting--that's what a woman has to do! Can you hear them at it--I can!

[JAN begins again to play his whistle; MADGE gets up; half tenderly she ruffles his hair; then, sitting, leans her elbows on the table, and her chin on her hands. Behind her, on MRS.

ROBERTS'S face the smile has changed to horrified surprise. She makes a sudden movement, sitting forward, pressing her hands against her breast. Then slowly she sinks' back; slowly her face loses the look of pain, the smile returns. She fixes her eyes again on JAN, and moves her lips and finger to the tune.]

The curtain falls.

SCENE II

It is past four. In a grey, failing light, an open muddy s.p.a.ce is crowded with workmen. Beyond, divided from it by a barbed-wire fence, is the raised towing-path of a ca.n.a.l, on which is moored a barge. In the distance are marshes and snow-covered hills. The "Works" high wall runs from the ca.n.a.l across the open s.p.a.ce, and ivy the angle of this wall is a rude platform of barrels and boards. On it, HARNESS is standing. ROBERTS, a little apart from the crowd, leans his back against the wall. On the raised towing-path two bargemen lounge and smoke indifferently.

HARNESS. [Holding out his hand.] Well, I've spoken to you straight.