Colonial Born Part 6

"My mate asks if you want a fill--of his plug," Peters said quietly.

"Oh, tea-leaves is good enough for me, if you ain't going to use them. I haven't had a smoke of tea-leaves for weeks; stores wouldn't run to it, and gum-leaves don't smoke cool. Thanks, young fellow, don't mind if I do," he broke off, as Tony reached out half a plug of tobacco towards him.

When he had filled his own pipe, he pa.s.sed the plug to his mate, who helped himself before pa.s.sing back to Tony the little that remained.

Meanwhile the others were stowing away the remnants of the meal in the "tucker-bag," and they and the two new arrivals were only comfortably settled round the fire with their pipes going when another shout from beyond the creek announced the arrival of more travellers.

This time a dozen men straggled into the camp, but it was evident by the size of their swags that they were not quite so down on their luck as the first-comers.

They straggled up to the fire, each man with a brief crisp remark, and swung their swags from their shoulders, loosening their billy-cans, which they filled at the creek before setting them beside the fire to boil. Every man had his own store of provisions with him, and as they prepared their meal there was a constant buzz of conversation. Question after question was asked as to the quality of the gold at the new find; whether there was plenty of timber on the field; how about the supply of water, and the depth of the payable dirt. Gleeson, as the discoverer, was the man to whom most of the inquiries were addressed, and if he had not done much work in preparing camp, he had to do more than his share now, a fact upon which Peters was not slow to remark.

The cross-fire of questions would probably have lasted as long as Gleeson cared to furnish answers, but another delight was suddenly introduced by one of the new arrivals producing an accordion from his swag, and sounding a couple of chords. At once the attention of the men was taken off the topic of the new field; there was a want of alcohol in the camp wherewith to rouse their spirits to the full enjoyment of their new good fortune, but the melody of accordion and song made an excellent subst.i.tute.

"Good boy, Palmer Billy," one of the men cried as soon as he heard the sound. "Give us the good old Palmer stave."

There was a burst of approval from all the men as they came nearer the fire, forming themselves into a ring round the blazing pile, some sitting, some standing, some stretched out on the ground, but all smoking. Palmer Billy, a middle-aged man with a face lined and tanned by many a summer's sun, and without a spare ounce of flesh on his sinewy frame, stood a bit apart with the accordion in his hands, his hat pushed back, and his head on one side as he looked round the a.s.sembly. Palmer Billy was the musician and vocalist of Boulder Creek, without a rival, equal, or superior, albeit his musical prowess was limited to the five chords which the key arrangement of the accordion automatically provided for, and his vocal _repertoire_ to one song, sung to the American melody of "Marching through Georgia," and celebrating the glories of the great Palmer Goldfield--whence came Palmer Billy's pseudonym. His voice was neither cultivated nor melodious--from a musical point of view; but it was loud, and of the peculiar penetrating timbre which is invaluable for the use of that language which alone serves in inducing a bullock team to pull well, or for sending the stanzas of a bush song hurtling round a camp fire.

As he raised his accordion to strike the preliminary canter of the five automatic chords, every voice was silenced, and all eyes were turned upon him, for Palmer Billy was always ready to oblige a camp with his vocal entertainment, though in return he demanded, on the part of his audience, silence (except when the chorus-time came) and attention.

Failing either, or both, Palmer Billy yielded to the sense of outraged artistic sensibility and lapsed into silence himself, and when men are living a more or less lonely life a hundred miles from anywhere, they are inclined to look leniently upon the eccentricities of such genius as fate casts in their way.

Palmer Billy, casting his eye round the firelit circle of bearded and bronzed faces, and seeing every mouth closed and every eye fixed on his, was satisfied, and completed the five automatic chords. Then he lifted up his raucous, stridulating voice and sang, with the accentuation of an artistic drawl which no one but himself ever knew where it was likely to come, the opening verse of his song--

"Then roll the swag and blanket up, And let us haste away To the Golden Palmer, boys, Where every one, they say, Can get his ounce of gold, or It may be more, a day, In the Golden Gullies of the Palmer."

At the conclusion of the last word, which the vocalist sang as "Par-her-mur," with a graceful little flourish on the "her," he swept his eye round his audience, swung the accordion up to the full extent of his arms over his left shoulder, and shouting, "Chorus, boys," opened his mouth and his chest in the full glory of his stridulating notes as he yelled, the others l.u.s.tily joining--

"Hurrah! Hurrah! We'll sound the jubilee.

Hurrah! Hurrah! And we will merry be, When we reach the diggings, boys, There the nuggets see, In the Golden Gullies of the Palmer."

[Ill.u.s.tration: "THEN ROLL THE SWAG AND BLANKET UP, AND LET US HASTE AWAY." [_Page 56._]

The force of the chorus pleased him, and his eyes twinkled; for even if every one of his audience had not caught the exact rhythm of the melody, there could be no question as to their endeavours being in earnest, and good soul-stirring noise, Palmer Billy, as a musician, maintained, was miles ahead of a mere ordinary tune.

The second verse afforded the opportunity, in Palmer Billy's mind, for the exercise of expressive pathos; and when the chorus after the first verse was given with a will, and the audience thus testified its capacity for appreciation, he was as generous with his expression as he was with his force. Two portentous sniffs and a whine were blended with the word he considered the most appropriate for pathetic accentuation, the word following being bawled in full vigour with a prolonged quiver in the voice by way of contrast. Thus with alternate sniffs, whines, and bawls, he sang--

"Kick at troubles when they come, boys, The motto be for all; And if you've missed the ladder In climbing Fortune's wall, Depend upon it, boys, You'll recover from the fall, In the Golden Gullies of the Palmer."

The chorus was again taken up with an energy amounting to enthusiasm, and at the third verse, delivered with a declamatory power that carried moral conviction in every syllable, Palmer Billy introduced his special accomplishment by reversing the order in which he played the accompaniment of the five automatic chords. The declamation and the accompaniment always made the third verse a triumph.

"Then work with willing hands, boys, Be steady, and be wise; For no one need despair there, If honestly he tries, Perhaps to make a fortune, At all events a rise, In the Golden Gullies of the Palmer."

The chorus was so l.u.s.tily given that the soloist called for the audience to join him in the last verse, a most unusual compliment, and so well did they respond that the sound of their voices travelled far through the silent bush, farther than they intended, farther than they knew, as they yelled--

"Then sound the chorus once again And give it with a roar, And let its echoes ring, boys, Upon the sea and sh.o.r.e, Until it reach the mountains, Where gold is in galore, In the Golden Gullies of the Palmer."

"Hurrah! Hurrah! We'll sound the jubilee.

Hurrah! Hurrah! And we will merry be, When we reach the diggings, boys, There the nuggets see, In the Golden Gullies of the Palmer."

CHAPTER V.

THE SWAY OF GOLD.

The sounds of the eighteen voices, joined in the Palmer song, travelled through the silent bush, back towards Boulder Creek, along the route where many a camp-fire twinkled in the darkness as the marching army of miners formed their bivouacs in twos and threes. And where it echoed, men turned their heads to listen, and ceased even to smoke for the moment, as they strove to gauge the distance the main camp was ahead, and wondered if it were "good enough to shove along" in the dark. On either side of the main camp, and all around, the sounds reverberated amidst the tall, gaunt, scanty-leaved gums, till the 'possums scratched and chattered as they danced along the boughs, and the slow-witted bears sniffed the cool-scented air of the night to find some reason for the unusual flood of melody. Farther ahead still it travelled, till the lonely dingo heard it as he prowled, and, sitting on his haunches, raised his throat towards the skies and poured forth a melancholy howl in unison, rousing the suspicions of the night curlew that everything was not as it should be, and inducing him in turn to give utterance to his cry, mournful and weird as the wail of an outcast soul, to warn his fellows to be on the alert, and to add to the unspeakably awe-inspiring solemnity of the bush at night.

Farther still it travelled, until, little more than a faint echo, it reached another camp-fire far ahead of the main camp, a fire beside which two men sat. A blanket was spread between them, and upon it lay a pile of small nuggets of gold, and, on a tin plate, a heap of gold-dust.

One of the two, a man whose eyebrows formed a black heavy band across the forehead, held up his hand as the sound came to him. Then he laughed.

"Hear that?" he asked, looking at his companion. "If we'd waited till to-morrow where would our chance have been? They're barely two miles away, and there's a mob of them, by the sound. The news of the great find is out, Tap, my son, and the rush has begun. They'll be swarming over the place to-morrow, swarming--and swearing," he added, as he again laughed loudly.

His companion, a slim, long-limbed man, with a sharp-featured face and shifty eyes, sat listening intently to the faint echo of the refrain of Palmer Billy's song.

"They're less than two miles, less than one mile away," he said, with a fleeting glance at the dark, heavy face of the other. "Look here--what if some of them push on in the dark?"

"Well, what if they do? Do you think the first-comers will know where to look? You're as weak in the nerves as ever, Tap, my son."

"The new-comers might not, but what about Gleeson and Walker? Are they such new chums as to let the others get in ahead, do you think?" Tap answered.

"I don't know either of them, and don't want to."

"Well, you'll find they're a bit too tough to handle----"

"See here, Tap," the other interrupted. "Ten years down yonder ain't changed me for the better, and don't you forget it. I don't give a d.a.m.n for you nor your mates. See? I don't care if it's five or fifty, I'll face the lot of you. Two words and your interest in this is----" he pointed to the gold, and then snapped his fingers in the other man's face. The black brows were lower over the eyes and the eyes flashed brighter in the firelight, and Tap did what most men of his type do before danger, real or imagined--shifted his ground and cringed.

"I didn't mean to say anything----"

"Then dry up," the other retorted quickly. "We'll finish dividing this first, and then make the next move."

"But--some of them are bound to have horses--Gleeson will, if he's there--and then they'll be on the ground before we are ten miles away, and he'll track us as easy as a black-fellow."

"Will he? And you think----here," the man broke off impatiently, "what's the use of talking to a soft-brain like you? If it weren't that I wanted a mate, I'd have no shift with you. I've said we're square for old times, and square it is--you take the dust and I take the nuggets."

"The dust ain't----"

"You'll take it or leave it," the other exclaimed in a bullying tone; and Tap quietly reached for the tin plate, and proceeded to push the dust into a small bag he produced from his pocket. The other man stripped a coa.r.s.e canvas belt from his waist, and stuffed the nuggets into it through a small opening at the end.

"Now, Tap, my son," he said, when the last nugget was out of sight and the belt was again round his waist, "we're ready for the next move. Pick up the swags. We're going down to the next camp to look after their horses, if they've got any."

He started as soon as the other man had the two swags slung over his shoulder, walking away from the fire and into the bush in the direction from whence the sound of the song had come. There was just light enough from the stars to make the pale bark of the gums show against the sombre shade of distance, and to reveal the presence of shrubs by a darker loom on the black shadow. The heavy, brutal-shaped head turned from side to side as the man walked, as though he were noting the lay of the land as he pa.s.sed; but in reality the eyes always looked back to see that Tap, with the two swags on his shoulder, was still following. Neither exchanged a word as they walked on, carefully and quietly, through the gloomy mystery of the silent bush. The howl of a dingo in the distance, the wail of a curlew, or the hum of a mosquito, were the only sounds beyond the occasional crackle of a twig trodden under foot, or the swish of a bent shrub swinging back to its original position.

A faint, ruddy gleam, which was reflected on the pale, smooth surface of a white gum on his right, made the leader stop in his stride, with arms held out like a semaph.o.r.e--a danger-signal his follower saw just in time to avoid colliding with him.

"There's the glow of their fire," he whispered, as Tap came beside him.

"Their camp's just to the left. If I haven't forgotten the country, there's a creek runs that way through a belt of wattle, and beyond it the ridge slopes down."

"That's right," Tap answered. "You didn't lose your memory in----"