Colonel Carter's Christmas and The Romance of an Old-Fashioned Gentleman Part 13

And the long talks in the improvised studio, she sitting under the big north window in the softened light of the sheet; the joy she took in his work; the charm of his sympathetic companionship. Then the long rides on horseback when the morning's work was over, she on Black Bess, he on his own mare; the rompings and laughter in the cool woods; the delight over the bursting of new blossoms; the budding of new leaves and tendrils, and the ceaseless song of the birds! Were there ever days like these!

And the swing and dash and freedom of it all! The perfect trust, each in the other. The absence of all coquetry and allurement, of all pretence or sham. Just chums, good fellows, born comrades; joining in the same laugh, stilled by the same thoughts; absorbed in the same incidents, no matter how trivial: the hiving of a swarm of bees, the antics of a pair of squirrels, or the unfolding of a new rose. He twenty-five, clean-souled, happy-hearted; lithe as a sapling and as graceful and full of spring. She twenty-two, soft-cheeked as a summer rose and as sweet and wholesome and as innocent of all guile as a fawn, drinking in for the first time, in unknown pastures, the fresh dew of the morning of life.

And the little comedy in the garret was played to the very end.

Each day my lady would dress herself with the greatest care in the flowered satin and coax the stray curl into position, and each day Adam would go through the ceremony of receiving her at the door with his mahlstick held before him like a staff of state. Then, bowing like a courtier, he would lead her past the yellow satin screen and big jar of blossoms and place her in the high-back chair, little Phil acting as page, carrying her train.

And so the picture was finished!

On that last day, as he stood in front of it, the light softened by the screening sheet falling full upon it, his heart swelled with pride. He knew what his brush had wrought. Not only had he given the exact pose he had labored for--the bent head, the full throat, the slope of the gently falling line from the ear to the edge of the corsage, the round of the white shoulders relieved by the caressing curl; but he had caught a certain joyous light in the eyes--a light which he had often seen in her face when, with a sudden burst of affection, she had strained little Phil to her breast and kissed him pa.s.sionately.

"I'm not so beautiful as that," she had said to Adam with a deprecatory tone in her voice, as the two stood before it. "It's only because you think I am, and because you've kept on saying it over and over until you believe it. It's the gown and the peach blossoms in the jar behind my chair--not me."

The servants were none the less enthusiastic. Bundy screwed up his toad eyes and expressed the opinion that it was "de 'spress image,"

and fat old Aunt Dinah, who had stumbled up the garret stairs from the kitchen, the first time in years--her quarters being on the ground floor of one of the cabins--put on her spectacles, and lifting up her hands, exclaimed in a camp-meeting voice:

"De Lawd wouldn't know t'other from which if both on ye went to heaben dis minute! Dat's you, sho' nuff, young mist'ess."

Only one thing troubled the young painter: What would the Judge say when he returned in the morning? What alterations would he insist upon? He had been compelled so many times to ruin a successful picture, just to please the taste of the inexperienced, that he trembled lest this, the best work of his brush, should share their fate. Should the Judge disapprove Olivia's heart would well nigh be broken, for she loved the picture as much as he did himself.

The night before Judge Colton's return the two sat out on the porch in the moonlight. The air was soft and full of the coming summer.

Fire-flies darted about; the croaking of tree-toads could be heard.

From the quarters of the negroes came the refrain of an old song:

"Corn top's ripe and de meadow's in de bloom, Weep no mo' me lady."

"I feel as if I had been dreaming and had just waked up," sighed Olivia. "Is it all over?"

"Yes, I can't make it any better," he answered in a positive tone, his thoughts on his picture.

"Must you go away after you finish Phil's?" Her mind was not on the portrait.

"Yes, unless the Judge wants his own painted. I wish he would. I'd love to stay with you--you've been so kind to me. n.o.body has ever been so good."

"And you've been very kind to me," Olivia sighed. "Oh, so kind!"

"And just think how beautiful it is here," he rejoined; "and the wonderful weather; and the lovely life we have led. You ought to be very contented in so beautiful a home, with everybody so good to you."

"It's all been very, very happy, hasn't it?" She had not listened, nor had she answered him. It was the refrain of the old song that filled her ears.

"Yes, the happiest of my life. If you'd been my own sister you couldn't have been lovelier to me."

"Where shall you go?" She was not looking at him. Her eyes were fixed on the group of trees breaking the sky line.

"Home, to my people," he answered slowly.

"How far away is it?"

"Oh, a long distance! It takes me three days' constant riding to get home."

"And you love them?"

"Yes."

"Do they love you?"

"Yes."

Again the song rolled out:

"Few mo' days to tote de weary load, Weep no mo' me lady."

II

The home-coming of the master brought everybody on the run to the porch: the men in the neighboring field; the gardener, who came bounding over his flower-beds; Aunt Dinah, drying her fat hands on her ap.r.o.n, to grasp her master's; Bundy, who helped him to alight; half a dozen pickaninnies and twice as many dogs, and last Adam and Olivia, who came flying down the front stairs, followed by little Phil.

The Judge alighted from the gig with some difficulty, Bundy guiding his foot so that it rested on the iron step, and helped him to the ground. The ride had been a trying one, and the heat and dust had left their marks on his face.

"And how about the portrait?" were his first words after kissing his wife and child and shaking hands with Gregg. "Is it finished, and are you pleased, my dear?"

"Yes, and it's lovely, only it's not me, I tell him."

"Not you? Who is it, then?"

"Oh, somebody twice as pretty!"

"No. It's not one-quarter, not one-tenth as beautiful!" There was a ring in Adam's voice that showed the tribute came from his heart.

"But that's the dress and the background; and the lovely blossoms. Oh, you'd never believe that old jar could look so well!"

"Background! Jar! Where did you sit?" He had changed his coat now, and Bundy was brushing the dust from his trousers and shoes.

"Oh, up in the garret. You wouldn't know the place. Mr. Gregg pulled everything round until it is the cosiest room you ever saw."

The Judge shot a quick, searching glance at Adam. Then his eye took in the lithe, graceful figure of the young man, so buoyant with health and strength.

"Up in the garret! Why didn't you paint it here, or in the front room?"

"I needed a north light, sir."

"And you could only find that in a garret? I should have thought the parlor was the place for a lady. And are you satisfied with the result?" he asked in a more formal tone, as he dropped into a chair and turned to Adam. The long ride had fatigued him more than he had thought possible.