Clerambault Part 2

Clerambault grew hotter and hotter, and Perrotin then changed his att.i.tude, showing a keen interest in the judicious remarks of his good friend, nodding his head at every word, answering direct questions by vague phrases, a.s.senting amiably as one does to someone whom one cannot contradict.

Clerambault went away out of countenance and discontented, but a few days later he was rea.s.sured as to his friend, when he read Perrotin's name on a violent protestation of the Academies against the barbarians. He wrote to congratulate him, and Perrotin thanked him in a few prudent and sibylline words:

"DEAR SIR,"--he affected in writing the studied, ceremonious formulas of _Monsieur de Port-Royal_--"I am ready to obey any suggestions of my country, for me they are commands. My conscience is at her service, according to the duty of every good citizen."

One of the most curious effects of the war on the mind, was that it aroused new affinities between individuals. People who up to this time had not a thought in common discovered all at once that they thought alike; and this resemblance drew them together. It was what people called "the Sacred Union." Men of all parties and temperaments, the choleric, the phlegmatic, monarchists, anarchists, clericals, Calvinists, suddenly forgot their everyday selves, their pa.s.sions, their fads and their antipathies,--shed their skins. And there before you were now creatures, grouped in an unforeseen manner, like metal filings round an invisible magnet. All the old categories had momentarily disappeared, and no one was astonished to find himself closer to the stranger of yesterday than to a friend of many years'

standing. It seemed as if, underground, souls met by secret roots that stretched through the night of instinct, that unknown region, where observation rarely ventures. For our psychology stops at that part of self which emerges from the soil, noting minutely individual differences, but forgetting that this is only the top of the plant, that nine-tenths are buried, the feet held by those of other plants.

This profound, or lower, region of the soul is ordinarily below the threshold of consciousness, the mind feels nothing of it; but the war, by waking up this underground life, revealed moral relationships which no one had suspected. A sudden intimacy showed itself between Clerambault and a brother of his wife whom he had looked upon until now, and with good reason, as the type of a perfect Philistine.

Leo Camus was not quite fifty years old. He was tall, thin, and stooped a little; his skin was grey, his beard black, not much hair on his head,--you could see the bald spots under his hat behind,--little wrinkles everywhere, cutting into each other, crossing, like a badly-made net; add to this a frowning, sulky expression, and a perpetual cold in the head. For thirty years he had been employed by the State, and his life had pa.s.sed in the shadow of a court-yard at the Department. In the course of years he had changed rooms, but not shadows; he was promoted, but always in the court-yard, never would he leave it in this life. He was now Under-Secretary, which enabled him to throw a shadow in his turn. The public and he had few points of contact, and he only communicated with the outside world across a rampart of pasteboard boxes and piles of doc.u.ments. He was an old bachelor without friends, and he held the misanthropical opinion that disinterested friendship did not exist upon earth. He felt no affection except for his sister's family, and the only way that he showed that was by finding fault with everything that they did. He was one of those people whose uneasy solicitude causes them to blame those they love when they are ill, and obstinately prove to them that they suffer by their own fault.

At the Clerambaults no one minded him very much. Madame Clerambault was so easy-going that she rather liked being pushed about in this way, and as for the children, they knew that these scoldings were sweetened by little presents; so they pocketed the presents and let the rest go by.

The conduct of Leo Camus towards his brother-in-law had varied with time. When his sister had married Clerambault, Camus had not hesitated to find fault with the match; an unknown poet did not seem to him "serious" enough. Poetry--unknown poetry--is a pretext for not working; when one is "known," of course that is quite another thing; Camus held Hugo in high esteem, and could even recite verses from the "Chatiments," or from Auguste Barbier. They were "known," you see, and that made all the difference.... Just at this time Clerambault himself became "known," Camus read about him one day in his favourite paper, and after that he consented to read Clerambault's poems. He did not understand them, but he bore them no ill will on that account. He liked to call himself old-fashioned, it made him feel superior, and there are many in the world like him, who pride themselves on their lack of comprehension. For we must all plume ourselves as we can; some of us on what we have, others on what we have not.

Camus was willing to admit that Clerambault could write. He knew something of the art himself,--and his respect for his brother-in-law increased in proportion to the "puffs" he read in the papers, and he liked to chat with him. He had always appreciated his affectionate kind-heartedness, though he never said so, and what pleased also in this great poet, for great he was now, was his manifest incapacity, and practical ignorance of business matters; on this ground Camus was his superior, and did not hesitate to show it. Clerambault had a simple-hearted confidence in his fellow-man, and nothing could have been better suited to Camus' aggressive pessimism, which it kept in working order. The greater part of his visits was spent in reducing Clerambault's illusions to fragments, but they had as many lives as a cat, and every time he came it had to be done over again. This irritated Camus, but secretly pleased him for he needed a pretext constantly renewed to think the world bad, and men a set of imbeciles.

Above all he had no mercy on politicians; this Government employee hated Governments, though he would have been puzzled to say what he would put in their places. The only form of politics that he understood was opposition. He suffered from a spoiled life and thwarted nature. He was a peasant's son and born to raise grapes, or else to exercise his authoritative instincts over the field labourers, like a watch-dog. Unfortunately, diseases of the vines interfered and also the pride of a quill-driver; the family moved to town, and now he would have felt it a derogation to return to his real nature, which was too much atrophied, even if he had wished it. Not having found his true place in society, he blamed the social order, serving it, as do millions of functionaries, like a bad servant, an underhand enemy.

A mind of this sort, peevish, bitter, misanthropical, it seems would have been driven crazy by the war, but on the contrary it served to tranquilise it. When the herd draws itself together in arms against the stranger it is a fall for those rare free spirits who love the whole world, but it raises the many who weakly vegetate in anarchistic egotism, and lifts them to that higher stage of organised selfishness.

Camus woke up all at once, with the feeling that for the first time he was not alone in the world.

Patriotism is perhaps the only instinct under present conditions which escapes the withering touch of every-day life. All other instincts and natural aspirations, the legitimate need to love and act in social life, are stifled, mutilated and forced to pa.s.s under the yoke of denial and compromise. When a man reaches middle life and turns to look back, he sees these desires marked with his failures and his cowardice; the taste is bitter on his tongue, he is ashamed of them and of himself. Patriotism alone has remained outside, unemployed but not tarnished, and when it re-awakes it is inviolate. The soul embraces and lavishes on it the ardour of all the ambitions, the loves, and the longings, that life has disappointed. A half century of suppressed fire bursts forth, millions of little cages in the social prison open their doors. At last! Long enchained instincts stretch their stiffened limbs, cry out and leap into the open air, as of right--right, do I say? it is now their duty to press forward all together like a falling ma.s.s. The isolated snow-flakes turned avalanche.

Camus was carried away, the little bureaucrat found himself part of it all and without fury or futile violence he felt only a calm strength.

All was "well" with him, well in mind, well in body. He had no more insomnia, and for the first time in years his stomach gave him no trouble--because he had forgotten all about it. He even got through the winter without taking cold--something that had never been heard of before. He ceased to find fault with everything and everybody, he no longer railed at all that was done or undone, for now he was filled with a sacred pity for the entire social body--that body, now his, but stronger, better, and more beautiful. He felt a fraternal bond with all those who formed part of it by their close union, like a swarm of bees hanging from a branch, and envied the younger men who went to defend it. When Maxime gaily prepared to go, his uncle gazed at him tenderly, and when the train left carrying away the young men, he turned and threw his arms round Clerambault, then shook hands with unknown parents who had come to see their sons off, with tears of emotion and joy in his eyes. In that moment Camus was ready to give up everything he possessed. It was his honey-moon with Life--this solitary starved soul saw her as she pa.s.sed and seized her in his arms.... Yes, Life pa.s.ses, the euphoria of a Camus cannot last forever, but he who has known it lives only in the memory of it, and in the hope that it may return. War brought this gift, therefore Peace is an enemy, and enemies are all those who desire it.

Clerambault and Camus exchanged ideas, and to such an extent that finally Clerambault could not tell which were his own, and as he lost footing he felt more strongly the need to act; for action was a kind of justification to himself.... Whom did he wish to justify? Alas, it was Camus! In spite of his habitual ardour and convictions he was a mere echo--and of what unhappy voices.

He began to write Hymns to Battle. There was great compet.i.tion in this line among poets who did not fight themselves. But there was little danger that their productions would clog men's memories in future ages, for nothing in their previous career had prepared these unfortunates for such a task. In vain they raised their voices and exhausted all the resources of French rhetoric, the "poilus" only shrugged their shoulders.

However people in the rear liked them much better than the stories written in the dark and covered with mud, that came out of the trenches. The visions of a Barbusse had not yet dawned to show the truth to these talkative shadows. There was no difficulty for Clerambault, he shone in these eloquent contests. For he had the fatal gift of verbal and rhythmical facility which separates poets from reality, wrapping them as if in a spider's web. In times of peace this harmless web hung on the bushes, the wind blowing through it, and the good-natured Arachne caught nothing but light in her meshes. Nowadays, however, the poets cultivated their carniverous instincts--fortunately rather out of date--and hidden at the bottom of their web one could catch sight of a nasty little beast with an eye fixed on the prey.

They sang of hatred and holy butchery, and Clerambault did as they did, even better, for he had more voice. And, by dint of screaming, this worthy man ended by feeling pa.s.sions that he knew nothing of. He learned to "know" hatred at last, know in the Biblical sense, and it only roused in him that base pride that an undergraduate feels when for the first time he finds himself coming out of a brothel.

Now he was a man, and in fact he needed nothing more, he had fallen as low as the others.

Camus well deserved and enjoyed the first taste of each one of these poems and they made him neigh with enthusiasm, for he recognised himself in them. Clerambault was flattered, thinking he had touched the popular string. The brothers-in-law spent their evenings alone together. Clerambault read, Camus drank in his verses; he knew them by heart, and told everyone who would listen to him that Hugo had come to life again, and that each of these poems was worth a victory. His noisy admiration made it unnecessary for the other members of the family to express their opinion. Under some excuse, Rosine regularly made a practice of leaving the room when the reading was over.

Clerambault felt it, and would have liked to ask his daughter's opinion, but found it more prudent not to put the question. He preferred to persuade himself that Rosine's emotion and timidity put her to flight. He was vexed all the same, but the approval of the outside world healed this slight wound. His poems appeared in the _bourgeois_ papers, and proved the most striking success of Clerambault's career, for no other work of his had raised such unanimous admiration. A poet is always pleased to have it said that his last work is his best, all the more when he knows that it is inferior to the others.

Clerambault knew it perfectly well, but he swallowed all the fawning reviews of the press with infantile vanity. In the evening he made Camus read them aloud in the family circle, beaming with joy as he listened. When it was over he nearly shouted:

"Encore!"

In this concert of praise one slightly flat note came from Perrotin.

(Undoubtedly he had been much deceived in him, he was not a true friend.) The old scholar to whom Clerambault had sent a copy of his poems did not fail to congratulate him politely, praising his great talent, but he did not say that this was his finest work; he even urged him, "after having offered his tribute to the warlike Muse, to produce now a work of pure imagination detached from the present."

What could he mean? When an artist submits his work for your approval, is it proper to say to him: "I should prefer to read another one quite different from this?" This was a fresh sign to Clerambault of the sadly lukewarm patriotism that he had already noticed in Perrotin.

This lack of comprehension chilled his feeling towards his old friend.

The war, he thought, was the great test of characters, it revised all values, and tried out friendships. And he thought that the loss of Perrotin was balanced by the gain of Camus, and many new friends, plain people, no doubt, but simple and warm-hearted.

Sometimes at night he had moments of oppression, he was uneasy, wakeful, discontented, ashamed; ... but of what? Had he not done his duty?

The first letters from Maxime were a comforting cordial; the first drops dissipated every discouragement, and they all lived on them in long intervals when no news came. In spite of the agony of these silences, when any second might be fatal to the loved one, his perfect confidence (exaggerated perhaps, through affection, or superst.i.tion) communicated itself to them all. His letters were running over with youth and exuberant joy, which reached its climax in the days that followed the victory of the Marne. The whole family yearned towards him as one; like a plant the summit of which bathes in the light, stretching up to it in a rapture of mystic adoration.

People who but yesterday were soft and torpid, expanded under the extraordinary light when fate threw them into the infernal vortex of the war, the light of Death, the game with Death; Maxime, a spoiled child, delicate, overparticular, who in ordinary times took care of himself like a fine lady, found an unexpected flavour in the privations and trials of his new life, and wondering at himself he boasted of it in his charming, vainglorious letters which delighted the hearts of his parents.

Neither affected to be cast in the mould of one of Corneille's heroes, and the thought of immolating their child on the altar of a barbaric idea would have filled them with horror; but the transfiguration of their petted boy suddenly become a hero, touched them with a tenderness never before felt. In spite of their anxiety, Maxime's enthusiasm intoxicated them, and it made them ungrateful toward their former life, that peaceful affectionate existence, with its long monotonous days. Maxime was amusingly contemptuous of it, calling it absurd after one had seen what was going on "out there."

"Out there" one was glad to sleep three hours on the hard ground, or once in a month of Sundays on a wisp of straw, glad to turn out at three o'clock in the morning and warm up by marching thirty kilometres with a knapsack on one's back, sweating freely for eight or ten hours at a time.... Glad above all to get in touch with the enemy, and rest a little lying down under a bank, while one peppered the boches....

This young Cyrano declared that fighting rested you after a march, and when he described an engagement you would have said that he was at a concert or a "movie."

The rhythm of the sh.e.l.ls, the noise when they left the gun and when they burst, reminded him of the pa.s.sage with cymbals in the divine scherzo of the Ninth Symphony. When he heard overhead as from an airy music-box the buzzing of these steel mosquitoes, mischievous, imperious, angry, treacherous, or simply full of amiable carelessness, he felt like a street boy rushing out to see a fire. No more fatigue; mind and body on the alert; and when came the long-awaited order "Forward!" one jumped to one's feet, light as a feather, and ran to the nearest shelter under the hail of bullets, glad to be in the open, like a hound on the scent. You crawled on your hands and knees, or on your stomach, you ran all bent doubled-up, or did Swedish gymnastics through the underbrush ... that made up for not being able to walk straight; and when it grew dark you said: "What, night already?--What have we been doing with ourselves, today?" ... "In conclusion," said this little French c.o.c.kerel, "the only tiresome thing in war is what you do in peace-time,--you walk along the high road."

This was the way these young men talked in the first month of the campaign, all soldiers of the Marne, of war in the open. If this had gone on, we should have seen once more the race of barefooted Revolutionaries, who set out to conquer the world and could not stop themselves.

They were at last forced to stop, and from the moment that they were put to soak in the trenches, the tone changed. Maxime lost his spirit, his boyish carelessness. From day to day he grew virile, stoical, obstinate and nervous. He still vouched for the final victory, but ceased after a while to talk of it, and wrote only of duty to be done, then even that stopped, and his letters became dull, grey, tired-out.

Enthusiasm had not diminished behind the lines, and Clerambault persisted in vibrating like an organ pipe, but Maxime no longer gave back the echo he sought to evoke.

All at once, without warning, Maxime came home for a week's leave. He stopped on the stairs, for though he seemed more robust than formerly, his legs felt heavy, and he was soon tired. He waited a moment to breathe, for he was moved, and then went up. His mother came to the door at his ring, screaming at the sight of him. Clerambault who was pacing up and down the apartment in the weariness of the long waiting, cried out too as he ran. It was a tremendous row.

After a few minutes there was a truce to embraces and inarticulate exclamations. Pushed into a chair by the window with his face to the light, Maxime gave himself up to their delighted eyes. They were in ecstasies over his complexion, his cheeks more filled out, his healthy look. His father threw his arms around him calling him "My Hero"--but Maxime sat with his fingers twitching nervously, and could not get out a word.

At table they feasted their eyes on him, hung on every word, but he said very little. The excitement of his family had checked his first impetus, but luckily they did not notice it, and attributed his silence to fatigue or to hunger. Clerambault talked enough for two; telling Maxime about life in the trenches. Good mother Pauline was transformed into a Cornelia, out of Plutarch, and Maxime looked at them, ate, looked again.... A gulf had opened between them.

When after dinner they all went back to his father's study, and they saw him comfortably established with a cigar, he had to try and satisfy these poor waiting people. So he quietly began to tell them how his time was pa.s.sed, with a certain proud reserve and leaving out tragical pictures. They listened in trembling expectation, and when he had finished they were still expectant. Then on their side came a shower of questions, to which Maxime's replies were short--soon he fell silent. Clerambault to wake up the "young rascal" tried several jovial thrusts.

"Come now, tell us about some of your engagements.... It must be fine to see such joy, such sacred fire--Lord, but I would like to see all that, I would like to be in your place."

"You can see all these fine things better from where you are," said Maxime. Since he had been in the trenches he had not seen a fight, hardly set eyes on a German, his view was bounded by mud and water--but they would not believe him, they thought he was talking "contrariwise" as he did when he was a child.

"You old humbug," said his father, laughing gaily, "What does happen then all day long in your trenches?"

"We take care of ourselves; kill time, the worst enemy of all."

Clerambault slapped him amicably on the back.