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Cleek, the Master Detective Part 21

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And just at that moment the red limousine flashed up out of the darkness, the outer door whirled open, and Narkom came pelting in.

"He took the bait, then, Cleek?" he cried, as he saw the manacled figure on the floor, with the "Roman senator" bending over and the policemen crowding in about it. "I guessed it when I saw the lights flash up. I've been on his heels ever since he snapped at that conveniently placed taxi after he left Miss Morrison and her father."

"You haven't brought them with you, I hope, Mr. Narkom? I wouldn't have that poor girl face the ordeal of what's to be revealed here to-night for words."

"No, I've not. I made a pretext of having to 'phone through to headquarters, and slipped out a moment after him. But, I say, my dear chap"--as Cleek's hands made a rapid search of the pockets of the unconscious man, and finally brought to light a folded paper--"what's that thing? What are you doing?"

"Compounding a felony in the interest of humanity," he made reply as he put the end of the paper into the flame of the candle and held it there until it was consumed. "We all do foolish things sometimes when we are young, Mr. Narkom, and George Carboys was no exception when he wrote the little thing I have just burned. Let us forget all about it. Captain Morrison is heir-at-law, and that poor girl will benefit."

"There was an estate, then?"

"Yes. My cable yesterday to the head of the Persian police set all doubt upon that point at rest. Abdul ben Meerza, parting with nothing while he lived, after the manner of misers in general, left a will bequeathing something like 12,000 to George Carboys, and his executor communicated that fact to the supposed friend of both parties, Mr. Maurice Van Nant.

Exactly ten days ago, so his former solicitor informed me, Mr. Maurice Van Nant visited him unexpectedly, and withdrew from his keeping a sealed packet which had been in the firm's custody for eight years. If you want to know why he withdrew it--Dollops!"

"Right you are, guv'ner."

"Give me the sledge-hammer. Thanks! Now, Mr. Narkom, look!" And swinging the hammer, he struck at the nymph with a force that shattered the monstrous thing to atoms; and Narkom, coming forward to look when Cleek bent over the ruin he had wrought, saw in the midst of the dust and rubbish the body of a dead man, fully clothed, and with the gap of a bullet-hole in the left temple.

Again Cleek's hands began a rapid search, and again, as before, they brought to light a paper, a little crumpled ball of paper that had been thrust into the right-hand pocket of the dead man's waistcoat, as though jammed there under the stress of strong excitement and the pressure of great haste. He smoothed it out and read it carefully, then pa.s.sed it over to Mr. Narkom.

"There!" he said, "that's how he lured him over to his death. That's the message the pigeon brought. Would any man have failed to fly to face the author of a foul lie like that?"

The message ran:

Beloved Mary, come to me again to-night. How sweet of you to think of such a thing as the belt to get him over and to make him stop until morning! Steal out after he goes to bed, darling. I'll leave the studio window unlocked, as usual. With a thousand kisses,

Your own devoted,

MAURICE.

"The dog!" said Narkom fiercely. "And against a pure creature like Mary Morrison! Here, Smathers, Petrie, Hammond, take him away. Hanging's too good for a beastly cur like that!"

"How did I know that the body was inside the statue?" said Cleek, answering Narkom's query as they drove back in the red limousine toward London and Clarges Street. "Well, as a matter of fact, I never did know for certain until he began to examine the thing to-night. From the first I felt sure he was at the bottom of the affair, that he had lured Carboys back to the house, and murdered him; but it puzzled me to think what could possibly have been done with the body. I felt pretty certain, however, when I saw that monstrous statue."

"Yes, but why?"

"My dear Mr. Narkom, you ought not to ask that question. Did it not strike you as odd that a man who was torn with grief over the disappearance of a loved friend should think of modelling any sort of a statue on that very first day, much less such an inartistic one as that?

Consider: the man has never been a first-cla.s.s sculptor, it is true, but he knew the rudiments of his art, he had turned out some fairly presentable work; and that nymph was as abominably conceived and as abominably executed as if it had been the work of a raw beginner. Then there was another suspicious circ.u.mstance. Modelling clay is not exactly as cheap as dirt, Mr. Narkom. Why, then, should this man, who was confessedly as poor as the proverbial church mouse, plunge into the wild extravagance of buying half a ton of it--and at such a time? Those are the things that brought the suspicion into my mind; the certainty, however, had to be brought about beyond dispute before I could act.

"I knew that George Carboys had returned to that studio by the dry marks of muddy footprints, that were nothing like the shape of Van Nant's, which I found on the boards of the veranda and on the carpet under one of the windows; I knew, too, that it was Van Nant who had sent that pigeon. You remember when I excused myself and went back on the pretext of having forgotten my magnifying gla.s.s the other day? I did so for the purpose of looking at that fifth pigeon. I had observed something on its breast feathers which I thought, at first glance, was dry mud, as though it had fallen or brushed against something muddy in its flight. As we descended the stairs I observed that there was a similar mark on Van Nant's sleeve. I brushed against him and sc.r.a.ped off a fleck with my fingernails. It was the dust of dried modelling clay. That on the pigeon's breast proved to be the same substance. I knew then that the hands of the person who liberated that pigeon were the hands of some one who was engaged in modelling something or handling the clay of the modeller, and the inference was clear.

"As for the rest: when Van Nant entered that studio to-night, frightened half out of his wits at the knowledge that he would have to deal with the one detective he feared, I knew that if he approached that statue and made any attempt to examine it I should have my man, and that the hiding-place of his victim's body would be proved beyond question. When he did go to it, and did examine it---- Clarges Street at last, and thank fortune for it, as I am tired and sleepy. Stop here, chauffeur.

The riddle is solved, Mr. Narkom. Good-night!"

CHAPTER VII

THE RIDDLE OF THE 5.28

It was exactly thirty-two minutes past five o'clock on the evening of Friday, December 9th, when the station-master at Anerley received the following communication by wire from the signal box at Forest Hill:

5.28 down from London Bridge just pa.s.sed. One first-cla.s.s compartment in total darkness. Investigate.

As two stations, Sydenham and Penge, lie between Forest Hill and Anerley, in the ordinary course of events this signal-box message would have been despatched to one or the other of these; but it so happens that the 5.28 from London Bridge to Croydon is a special train, which makes no stop short of Anerley station on the way down, consequently the signalman had no choice but to act as he did.

"Wire fused, I reckon, or filament burnt out. That's the worst of electric light," commented the station-master when he received the communication. "Get a light of some sort from the lamp-room, Webb.

They'll have to put up with that as far as Croydon. Move sharp. She'll be along presently." Then he took up a lantern (for, in addition to fog, a slight, sifting snow had come on about an hour previously, rendering the evening one of darkness and extreme discomfort) and crossed by way of the tunnel over to the down platform to be ready for the train's arrival, having some little difficulty in progressing easily, for it so happened that a local celebrity had been entertaining the newly elected Lord Mayor that day, and in consequence both the up and the down platforms were unusually crowded for the season and the hour.

Promptly at 5.42, the scheduled time for its arrival, the train came pelting up the snow-covered metals from Penge, and made its first stop since starting. It was packed to the point of suffocation, as it always is, and in an instant the station was in a state of congestion. Far down the uncovered portion of the platform Webb, the porter, who had now joined the station-master, spied a gap in the long line of brightly lighted windows, and the pair bore down upon it forthwith, each with a glowing lantern in his hand.

"Here she is. Now, then, let's see what's the difficulty," said the station-master, as they came abreast of the lightless compartment, where, much to his surprise, he found n.o.body leaning out and making a "to-do" over the matter. "Looks as if the blessed thing was empty, though that's by no means likely in a packed train like the 5.28. Hallo!

Door's locked. And here's an 'Engaged' label on the window. What the d.i.c.kens did I do with my key? Oh, here it is. Now, then, let's see what's amiss."

A great deal was amiss, as he saw the instant he unlocked the door and pulled it open, for the first lifting of the lantern made the cause of the darkness startlingly plain. The shallow gla.s.s globe which should have been in the centre of the ceiling had been smashed, ragged fragments of it still clinging to their fastenings, and the three electric bulbs had been removed bodily. A downward glance showed him that both these and the fragments of the broken globe lay on one seat, partly wrapped in a wet cloth, and on the other---- He gave a jump and a howl, and retreated a step or two in a state of absolute panic. For there in a corner, with his face toward the engine, half sat, half leaned, the figure of a dead man, with a bullet-hole between his eyes, and a small, nickel-plated revolver loosely clasped in the bent fingers of one limp and lifeless hand.

The body was that of a man whose age could not, at the most, have exceeded eight-and-thirty, a man who must, in life, have been more than ordinarily handsome. His hair and moustache were fair, his clothing was of extreme elegance in both material and fashioning, he wore no jewellery of any description, unless one excepts a plain gold ring on the fourth finger of the left hand, his feet were shod in patent-leather boots, in the rack overhead rested a shining silk hat of the newest fashion, an orange-wood walking-stick, and a pair of gray suede gloves.

An evening paper lay between his feet, open, as though it had been read, and in his b.u.t.tonhole there was a single mauve orchid of exquisite beauty and delicacy. The body was quite alone in the compartment, and there was not a sc.r.a.p of luggage of any description.

"Suicide," gulped the startled station-master as soon as he could find strength to say anything; then he hastily slammed and relocked the door, set Webb on guard before it, and flew to notify the engine driver and to send word to the local police.

The news of the tragedy spread like wildfire, but the station-master, who had his wits about him, would allow n.o.body to leave the station until the authorities had arrived, and suffered no man or woman to come within a yard of the compartment where the dead man lay.

Some one has said that "nothing comes by chance," but whether that is true or not, it happened that Mr. Maverick Narkom was among those who had attended the lunch in honour of the Lord Mayor that day, and that, at the very moment when this ghastly discovery was made on the down platform at Anerley station, he was standing with the crowd on the up one, waiting for the train to Victoria. This train was to convey Cleek, whom he had promised to join at Anerley, returning from a day spent with Captain Morrison and his daughter in the beautiful home they had bought when the law decided that the captain was the legitimate heir of George Carboys and lawful successor to Abdul ben Meerza's money.

As soon as the news of the tragedy reached him Mr. Narkom crossed to the scene of action and made known his ident.i.ty, and by the time the local police reached the theatre of events he was in full possession of the case, and had already taken certain steps with regard to the matter.

It was he who first thought of looking to see if any name was attached, as is often the case, to the "Engaged" label secured to the window of the compartment occupied by the dead man. There was. Written in pencil under the blue-printed "Engaged" were the three words, "For Lord Stavornell."

"By George!" he exclaimed, as he read the name which was one that half England had heard of at one time or another, and knew to belong to a man whose wild, dissipated life and violent temper had pa.s.sed into proverb.

"Come to the end at last, has he! Give me your lantern, porter, and open the door. Let's have a look and see if there's any mistake or----" The whistle of the arriving train for Victoria cut in upon his words, and, putting the local police in charge he ran for the tunnel, made for the up platform, and caught Cleek. He remained in conversation with him for two or three minutes after the Victoria train had gone on its way, and was still talking with him in undertones when, a brief time later, they appeared from the tunnel and bore down on the spot where the local police were on guard over the dark compartment.

"Mr. George Headland, one of my best men," he explained to the local inspector, who had just arrived. "Let us have all the light you can, please. Mr. Headland wishes to view the body. Crowd round, the rest of you, and keep the pa.s.sengers back. Pull down the blinds of the compartment before you turn on your bull's-eyes. All right, porter. Tell the engine driver he'll get his orders in a minute. Now then, Cl--Headland, decide; it rests with you."

Cleek opened the door of the compartment, stepped in, gave one glance at the dead man, and then spoke.

"Murder!" he said. "Look how the pistol lies in his hand. Wait a moment, however, and let me make sure." Then he took the revolver from the yielding fingers, smelt it, smiled, then "broke" it, and looked at the cylinder. "Just as I supposed," he added, turning to Narkom. "One chamber has been fouled by a shot and one cartridge has been exploded.

But not to-day, not even yesterday. That sour smell tells its own story, Mr. Narkom. This revolver was discharged two or three days ago. The a.s.sa.s.sin had everything prepared for this little event; but he was a fool, for all his cleverness, for you will observe that in his haste, when he put the revolver in the dead hand to make it appear a case of suicide, he laid it down just as he himself took it from his pocket, with the b.u.t.t toward the victim's body and the muzzle pointing outward between the thumb and forefinger, and with the bottom of the cylinder, instead of the top of the trigger, touching the ball of the thumb! It is a clear case of murder, Mr. Narkom."

"But, sir," interposed the station-master, overhearing this a.s.sertion, and looking at Cleek with eyes of blank bewilderment, "if somebody killed him, where has that 'somebody' gone? This train has made no stop until now since it started from London Bridge; so, even if the party was in it at the start, how in the world could he get out?"

"Maybe he chucked hisself out of the window, guv'ner," suggested Webb; "or maybe he slipped out and hung on to the footboard until the train slowed down, and then dropped off just before it come into the station here."

"Don't talk rubbish, Webb. Both doors were locked and both windows closed when we discovered the body. You saw that as plainly as I."

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Cleek, the Master Detective Part 21 summary

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