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Christopher Hibbault, Roadmaker Part 2

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"No, he is quite big, grown up, but he can't get about as you can, he is--a cripple."

He said the words with a sort of forced jerk and half under his breath, but Christopher heard them and shivered.

"Do you live there, too?" he asked, pressing a little nearer the man who was no longer a stranger.

"Live where?"

"With the--your son."



"Yes, I live there too. My boy couldn't get on without me--and here's the White Elephant, which means supper and bed for a tired young man.

Jump down, Christopher."

CHAPTER II

The spirit of waning July hung heavily over London. In mean streets and alleys it was inexpressibly dreary: the f.a.gged inhabitants lacked even energy to quarrel.

But on the high ground westward of the Park, where big houses demand elbow-room and breathing s.p.a.ce and even occasionally exclusive gardens, a little breeze sprang up at sundown and lingered on till dusk.

In this region lies one of the most beautiful houses in London, the country seat of some fine gentleman in Queen Anne's day. It hid its beauties, however, from the public gaze, lying modestly back in a garden whose size had no claim to modesty at all. All one could see from the road, through the iron gates, was a glimpse of a wide portico, and a long row of windows. It stood high and in its ample garden the breeze ran riot, shaking the scent from orange and myrtle trees, from jasmine and roses, and wafting it in at the wide open windows of a room which, projecting from the house, seemed to take command of the garden.

It was a large room and the windows went from ceiling to floor. It was also a very beautiful room. In the gathering dusk the restful harmonies of its colours melted into soft, hazy blue, making it appear vaster than it really was. Also, it was unenc.u.mbered by much furniture and what there was so essentially fitted its place that it was un.o.btrusive. Three big canvases occupied the walls, indiscernible in the dim light, but masterpieces of world fame, heirlooms known all over Europe. There was a curious dearth of small objects and unessentials, nothing in all the great s.p.a.ce that could fatigue the eye or perplex the brain of the occupant.

The owner of the room was lying on a big sofa near one of the open windows. Within reach was a low bookcase, a table with an electric reading lamp, and a little row of electric bells, some scattered papers and an open telegram.

The man on the sofa lay quite still looking into the garden as it sunk from sight under the slowly falling veil of purple night.

He was evidently a tall man, with the head and shoulders of an athlete, and a face of such precise and unusual beauty that one's instinct called out, "Here, then, G.o.d has planned a man."

Aymer Aston, indeed, was not unlike his father, but far more regular in feature, more carefully hewn, and the serenity of the older face was lacking. Here was the face of a fighter, alive with the strong pa.s.sions held in by a stronger will. There was almost riotous vitality expressed in his colouring, coppery-coloured hair and dark brows, eyes of surprising blueness and a tanned skin, for he spent hours lying in the sun, hatless and unshaded, with the avowed intention of "browning"; and he "browned" well except for a queer white triangled scar almost in the centre of his forehead, an ugly mark that showed up with fresh distinctness when any emotion brought the quick blood to his face. There was indeed nothing in his appearance to suggest a cripple or an invalid.

Nevertheless, Aymer Aston, aged thirty-five, the best polo-player, the best fencer, the best athlete of his day at College, possessing more than his share of the vigour of youth and glory of life, had, for over ten years, never moved without help from the sofa on which he lay, and the strange scar and a certain weakness in the left hand and arm were the only visible signs of the catastrophe that had broken his life.

A thin, angular man entered, and crossed the room with an apologetic cough.

"Is that you, Vespasian?" demanded his master without moving. "Have they come?"

"No, sir, but there is a message from the House. I believe Mr. Aston is wanted particularly."

"What a nuisance. Why can't they let him alone? He might as well be in office."

The man, without asking permission, rearranged his master's cushions with a practised hand.

"The young gentleman had better have some supper upstairs, sir, as it's so late," he suggested. "I'll see to it myself."

"Send him in to me directly they come, Vespasian."

"Yes, sir."

He withdrew as quietly as he had entered and Aymer continued to look out at the dark, and think over the change he, of his own will, was about to make in his monotonous existence. He was so lost in thought he did not hear the door open again or realise the "change" was actually an accomplished fact till a half-frightened gasp of "Oh!"

caught his ear. He turned as well as he could, unaided.

"Is that you, Christopher?"

The voice was so singularly like Mr. Aston's that Christopher felt rea.s.sured. The dim vastness of the room had frightened him, also he had thought it empty.

"Come over here to me," said Aymer, holding out his hand, "I can't come to you."

Christopher nervously advanced. The brightness of the corridor outside left his eyes confused in this dim light. Aymer suddenly remembered this and turned on a switch. The vague shadowy s.p.a.ce was flooded with soft radiance. It was like magic to the small boy.

He was first aware of a gorgeous glint of colouring in a rug flung across the sofa, and then of a man lying on a pile of dull-tinted pillows, a man with red hair and blue eyes, watching him eagerly.

Children as a rule are not susceptible to physical beauty, turning with undeviating instinct to the inner soul of things, with a fine disregard for externals, but Christopher, in this, was rather abnormal. He was very actively alive to outward form.

Since Mr. Aston had told him Aymer was a cripple Christopher had been consumed with unspeakable dread. His idea of a cripple was derived from a distorted, evil-faced old man who had lived in the same house that had once sheltered his mother and him. The mere thought of it made him sick with horror. And when the tall gentleman in black, who had met them in the entrance hall and escorted him here, had opened the door and put him inside, he had much ado not to rush out again. He conquered his fear with unrecognised heroism, and this was his reward.

He stood staring, with all his worshipful admiration writ large on his little tired white face. Aymer Aston saw it and laughed. He was quite aware of his own good looks and perfectly unaffected thereby, though he took some pains to preserve them. But his vanity had centred itself on one thing in his earlier life, and that, his great strength, and it died when that was no more.

"Little Christopher," he said, "come and sit down by me: you must be tired to death."

"Are you Mr. Aymer?" demanded Christopher, still staring.

"Yes, only you mustn't call me that, I think. I wonder what you will call me?"

Christopher offered no solution to the problem.

"Would you like to live here with me?"

He looked round. A dim sense of alarm crept back. The room looked so empty and unreal, so "alone." Without knowing why, Christopher, who had never had a real home to pine for, felt miserably homesick.

Aymer watched him closely and did not press the question. Instead, he asked him in a matter-of-fact way to shut the window for him.

The boy did so without blundering. The window-fastening was new to him, and Aymer noticed he looked at it curiously and shut it twice to see how it went. Then he sat down again and continued to gaze at Aymer.

"I forgot, I was to tell you something," he said suddenly, his face wrinkling with distress. "The other one--the gentleman who brought me----"

"My father?"

Christopher nodded. "I oughtn't to have forgotten. He said he had to go to the House, but he'd be back quite soon, he hoped."

"He's had no dinner, I suppose," grumbled Aymer.

"Yes, we had dinner at--I forget the name of the place--and tea. And yesterday we had dinner too."

"That was wise," said Aymer gravely. "Where's Mr. Stapleton?"

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Christopher Hibbault, Roadmaker Part 2 summary

You're reading Christopher Hibbault, Roadmaker. This manga has been translated by Updating. Author(s): Marguerite Bryant. Already has 490 views.

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