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Charles O'Malley, The Irish Dragoon Volume Ii Part 18

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CHAPTER XVIII.

THE MASQUERADE.

To form one's impression of a masked ball from the attempts at this mode of entertainment in our country, is but to conceive a most imperfect and erroneous notion. With us, the first _coup d'oeil_ is everything; the nuns, the shepherdesses, the Turks, sailors, eastern princes, watchmen, moonshees, milestones, devils, and Quakers are all very well in their way as they pa.s.s in the review before us, but when we come to mix in the crowd, we discover that, except the turban and the cowl, the crook and the broad-brim, no further disguise is attempted or thought of. The nun, forgetting her vow and her vestments, is flirting with the devil; the watchman, a very fastidious elegant, is ogling the fishwomen through his gla.s.s; while the Quaker is performing a _pas seul_ Alberti might be proud of, in a quadrille of riotous Turks and half-tipsy Hindoos; in fact, the whole wit of the scene consists in absurd a.s.sociations. Apart from this, the actors have rarely any claims upon your attention; for even supposing a person clever enough to sustain his character, whatever it be, you must also supply the other personages of the drama, or, in stage phrase, he'll have nothing to "play up to." What would be Bardolph without Pistol; what Sir Lucius O'Triuger without Acres? It is the relief which throws out the disparities and contradictions of life that afford us most amus.e.m.e.nt; hence it is that one swallow can no more make a summer, than one well-sustained character can give life to a masquerade. Without such sympathies, such points of contact, all the leading features of the individual, making him act and be acted upon, are lost; the characters being mere parallel lines, which, however near they approach, never bisect or cross each other.

This is not the case abroad: the domino, which serves for mere concealment, is almost the only dress a.s.sumed, and the real disguise is therefore thrown from necessity upon the talents, whatever they be, of the wearer. It is no longer a question of a beard or a spangled mantle, a Polish dress or a pasteboard nose; the mutation of voice, the a.s.sumption of a different manner, walk, gesture, and mode of expression, are all necessary, and no small tact is required to effect this successfully.

I may be pardoned this little digression, as it serves to explain in some measure how I felt on entering the splendidly lit up _salons_ of the villa, crowded with hundreds of figures in all the varied costumes of a carnival,--the sounds of laughter mingled with the crash of the music; the hurrying hither and thither of servants with refreshments; the crowds gathered around fortune-tellers, whose predictions threw the parties at each moment into shouts of merriment; the eager following of some disappointed domino, interrogating every one to find out a lost mask.

For some time I stood an astonished spectator at the kind of secret intelligence which seemed to pervade the whole a.s.semblage, when suddenly a mask, who for some time had been standing beside me, whispered in French,--

"If you pa.s.s your time in this manner, you must not feel surprised if your place be occupied."

I turned hastily round, but she was gone. She, I say, for the voice was clearly a woman's; her pink domino could be no guide, for hundreds of the same color pa.s.sed me every instant. The meaning of the allusion I had little doubt of. I turned to speak to Power, but he was gone; and for the first moment of my life, the bitterness of rivalry crossed my mind. It was true I had resigned all pretensions in his favor. My last meeting with Lucy had been merely to justify my own character against an impression that weighed heavily on me; still, I thought he might have waited,--another day and I should be far away, neither to witness nor grieve over his successes.

"You still hesitate," whispered some one near me.

I wheeled round suddenly, but could not detect the speaker, and was again relapsing into my own musings, when the same voice repeated,--

"The white domino with the blue cape. Adieu."

Without waiting to reflect upon the singularity of the occurrence, I now hurried along through the dense crowd, searching on every side for the domino.

"Isn't that O'Malley?" said an Englishman to his friend.

"Yes," replied the other; "the very man we want. O'Malley, find a partner; we have been searching a _vis-a-vis_ this ten minutes."

The speaker was an officer I had met at Sir George Dashwood's. "How did you discover me?" said I, suddenly.

"Not a very difficult thing if you carry your mask in your hand that way,"

was the answer.

And I now perceived that in the distraction of my thoughts I had been carrying my mask in this manner since my coming into the room.

"There now, what say you to the blue domino? I saw her foot, and a girl with such an instep must be a waltzer."

I looked round, a confused effort at memory pa.s.sing across my mind; my eyes fell at the instant upon the embroidered sleeve of the domino, where a rosebud worked in silver at once reminded me of Catrina's secret. "Ah,"

thought I, "La Senhora herself!" She was leaning upon the arm of a tall and portly figure in black; who this was I knew not, nor sought to discover, but at once advancing towards Donna Inez asked her to waltz.

Without replying to me she turned towards her companion, who seemed as it were to press her acceptance of my offer; she hesitated, however, for an instant, and curtsying deeply, declined it. "Well," thought I, "she at least has not recognized me."

"And yet, Senhora," said I, half jestingly, "I _have_ seen you join a bolero before now."

"You evidently mistake me," was the reply, but in a voice so well feigned as almost to convince me she was right.

"Nay, more," said I, "under your own fair auspices did I myself first adventure one."

"Still in error, believe me; I am not known to you."

"And yet I have a talisman to refresh your memory, should you dare me further."

At this instant my hand was grasped warmly by a pa.s.sing mask. I turned round rapidly, and Power whispered in my ear,--

"Yours forever, Charley; you've made my fortune."

As he hurried on I could perceive that he supported a lady on his arm, and that she wore a loose white domino with a deep blue cape. In a second all thought of Inez was forgotten, and anxious only to conceal my emotion, I turned away and mingled in the crowd. Lost to all around me, I wandered carelessly, heedlessly on, neither noticing the glittering throng around, nor feeling a thought in common with the gay and joyous spirits that flitted by. The night wore on, my melancholy and depression growing ever deeper, yet so spell-bound was I that I could not leave the place. A secret sense that it was the last time we were to meet had gained entire possession of me, and I longed to speak a few words ere we parted forever.

I was leaning on a window which looked out upon the courtyard, when suddenly the tramp of horses attracted my attention, and I saw by the clear moonlight a group of mounted men, whose long cloaks and tall helmets announced dragoons, standing around the porch. At the same moment the door of the _salon_ opened, and an officer in undress, splashed and travel-stained, entered. Making his way rapidly through the crowd, he followed the servant, who introduced him towards the supper-room. Thither the dense ma.s.s now pressed to learn the meaning of the singular apparition; while my own curiosity, not less excited, led me towards the door. As I crossed the hall, however, my progress was interrupted by a group of persons, among whom I saw an aide-de-camp of Lord Wellington's staff, narrating, as it were, some piece of newly-arrived intelligence. I had no time for further inquiry, when a door opened near me, and Sir George Dashwood, accompanied by several general officers, came forth, the officer I had first seen enter the ball-room along with them. Every one was by this unmasked, and eagerly looking to hear what had occurred.

"Then, Dashwood, you'll send off an orderly at once?" said an old general officer beside me.

"This instant, my Lord. I'll despatch an aide-de-camp. The troops shall be in marching order before noon. Oh, here's the man I want! O'Malley, come here. Mount your horse and dash into town. Send for Brotherton and M'Gregor to quarters, and announce the news as quickly as possible."

"But what am I to announce, Sir George?"

"That the French are in retreat,--Ma.s.sena in retreat, my lad."

A tremendous cheer at this instant burst from the hundreds in the _salon_, who now heard the glorious tidings. Another cheer and another followed,--ten thousand _vivas_ rose amidst the crash of the band, as it broke into a patriotic war chant. Such a scene of enthusiasm and excitement I never witnessed. Some wept with joy. Others threw themselves into their friends' arms.

"They're all mad, every mother's son of them!" said Maurice Quill, as he elbowed his way through the ma.s.s; "and here's an old vestal won't leave my arm. She has already embraced me three times, and we've finished a flask of Malaga between us."

"Come, O'Malley, are you ready for the road?"

My horse was by this time standing saddled at the front. I sprang at once to the saddle, and without waiting for a second order, set out for Lisbon.

Ten minutes had scarce elapsed,--the very shouts of joy of the delighted city were still ringing in my ears,--when I was once again back at the villa. As I mounted the steps into the hall, a carriage drew up,--it was Sir George Dashwood's. He came forward, his daughter leaning upon his arm.

"Why, O'Malley, I thought you had gone."

"I have returned, Sir George. Colonel Brotherton is in waiting, and the staff also. I have received orders to set out for Benejos, where the 14th are stationed, and have merely delayed to say adieu."

"Adieu, my dear boy, and G.o.d bless you!" said the warm-hearted old man, as he pressed my hand between both his. "Lucy, here's your old friend about to leave; come and say good-by."

Miss Dashwood had stopped behind to adjust her shawl. I flew to her a.s.sistance. "Adieu, Miss Dashwood, and forever!" said I, in a broken voice, as I took her hand in mine. "This is not your domino," said I, eagerly, as a blue silk one peeped from beneath her mantle; "and the sleeve, too,--did you wear this?" She blushed slightly, and a.s.sented.

"I changed with the senhora, who wore mine all the evening."

"And Power, then, was not your partner?"

"I should think not,--for I never danced."

"Lucy, my love, are you ready? Come, be quick."

"Good-by, Mr. O'Malley, and _au revoir, n'est-ce pas?_"

I drew her glove from her hand as she spoke, and pressing my lips upon her fingers, placed her within the carriage. "Adieu, and _au revoir!_" said I.

The carriage turned away, and a white glove was all that remained to me of Lucy Dashwood!

The carriage had turned the angle of the road, and its retiring sounds were growing gradually fainter, ere I recovered myself sufficiently to know where I stood. One absorbing thought alone possessed me. Lucy was not lost to me forever; Power was not my rival in that quarter,--that was enough for me. I needed no more to nerve my arm and steel my heart. As I reflected thus, the long loud blast of a trumpet broke upon the silence of the night, and admonished me to depart. I hurried to my room to make my few preparations for the road; but Mike had already antic.i.p.ated everything here, and all was in readiness.

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Charles O'Malley, The Irish Dragoon Volume Ii Part 18 summary

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