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Charlemont; Or, The Pride of the Village Part 18

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"Stay! before I answer. Do you see yon bird?"

"Where?"

"In the west--there!" she pointed with her fingers, catching his wrist unconsciously, at the same time, with the other hand, as if more certainly to direct his gaze.

"I see it--what bird is it?"

"An eagle! See how it soars and swings; effortless, as if supported by some external power!"

"Indeed--it seems small for an eagle."

"It is one nevertheless! There are thousands of them that roost among the hills in that quarter. I know the place thoroughly. The heights are the greatest that we have in the surrounding country. The distance from this spot is about five miles. He, no doubt, has some fish, or bird now within his talons, with which to feed his young. He will feed them, and they will grow strong, and will finally use their own wings. Shall he continue to feed them after that? Must they never seek their own food?"

"Surely they must."

"If these solitudes have nursed me, must they continue to nurse me always? Must I never use the wings to which they have given vigor? Must I never employ the sight to which they have imparted vigilance? Must I never go forth, and strive and soar, and make air, and earth, and sea, tributary to my wing and eye? Alas! I am a woman!--and her name is weakness! You tell me of what I am, and of what I may become. But what am I? I mock myself too often with this question to believe all your fine speeches. And what may I become? Alas! who can tell me that? I know my strength, but I also know my weakness. I feel the burning thoughts of my brain; I feel the yearning impulses in my heart; but they bring nothing--they promise nothing--I feel the pang of constant denial. I feel that I can be nothing!"

"Say not so, Margaret--think not so, I beseech you. With your genius, your enthusiasm--your powers of expression--there is nothing, becoming in your s.e.x, and worthy of it, which you may not be."

"You can not deceive me! It might be so, if this were Italy; there, where the very peasant burns with pa.s.sion, and breathes his feeblest and meanest thoughts and desires in song. But here, they already call me mad! They look on me as one doomed to Bedlam. They avoid me with sentiments and looks of distrust, if not of fear; and when I am looking into the cloud, striving to pierce, with dilating eye its wild yellow flashing centres, they draw their flaxen-headed infants to their b.r.e.a.s.t.s, and mutter their thanks to G.o.d, that he has not, in a fit of wrath, made them to resemble me! If, forgetful of earth, and trees, and the human stocks around me, I pour forth the language of the great song-masters, they grin at my insanity--they hold me incapable of reason, and declare their ideas of what that is, by asking who knows most of the dairy, the cabbage-patch, the spinning-wheel, the darning-needle--who can best wash Polly's or Patty's face and comb its head--can chop up sausage-meat the finest--make the lightest paste, and more economically dispense the sugar in serving up the tea! and these are what is expected of woman! These duties of the meanest slave! From her mind nothing is expected. Her enthusiasm terrifies, her energy offends, and if her taste is ever challenged, it is to the figures upon a quilt or in a flower-garden, where the pa.s.sion seems to be to make flowers grow in stars, and hearts, and crescents. What has woman to expect where such are the laws; where such are the expectations from her? What am I to hope? I, who seem to be set apart--to feel nothing like the rest--to live in a different world--to dream of foreign things--to burn with a hope which to them is frenzy, and speak a language which they neither understand nor like! What can I be, in such a world? Nothing, nothing! I do not deceive myself. I can never hope to be anything."

Her enthusiasm hurried her forward. In spite of himself, Stevens was impressed. He ceased to think of his evil purposes in the superior thoughts which her wild, unregulated energy inspired. He scarcely wondered, indeed--if it were true--that her neighbors fancied her insane. The indignation of a powerful mind denied--denied justice--baffled in its aims--conscious of the importance of all its struggles against binding and blinding circ.u.mstances--is akin to insanity!--is apt to express itself in the defiant tones of a fierce and feverish frenzy.

"Margaret," said he, as she paused and waited for him, "you are not right in everything. You forget that your lonely little village of Charlemont, is not only not the world, but that it is not even an American world. America is not Italy, I grant you, nor likely soon to become so; but if you fancy there are not cities even in our country, where genius such as yours would be felt and worshipped, you are mistaken."

"Do you believe there are such?" she demanded incredulously.

"I KNOW there are!"

"No! no! I know better. You can not deceive me. It can not be so. I know the sort of genius which is popular in those cities. It is the gentleman and lady genius. Look at their verses for example. I can show you thousands of such things that come to us here, from all quarters of the Union--verses written by nice people--people of small tastes and petty invention, who would not venture upon the utterance of a n.o.ble feeling, or a bold sentiment of originality, for fear of startling the fashionable nerves with the strong words which such a novelty would require. Consider, in the first place, how conclusive it is of the feeblest sort of genius that these people should employ themselves, from morning to night, in spinning their small strains, sc.r.a.ps of verse, song, and sonnet, and invariably on such subjects of commonplace, as can not admit of originality, and do not therefore task reflection. Not an infant dies or is born, but is made the subject of verse; nay, its smiles and tears are put on record; its hobby-horse, and its infant ideas as they begin to bud and breathe aloud. Then comes the eternal strain about summer blooms and spring flowers; autumn's melancholy and winter's storms, until one sickens of the intolerable monotony. Such are the things that your great cities demand. Such things content them. Speak the fearless and always strange language of originality and strength, and you confound and terrify them."

"But, Margaret, these things are held at precisely the same value in the big cities as they are held by you here in Charlemont. The intelligent people smile--they do not applaud. If they encourage at all it is by silence."

"No! no! that you might say, if, unhappily, public opinion did not express itself. The same magazines which bring us the verses bring us the criticism."

"That is to say, the editor puffs his contributors, and disparages those who are not. Look at the rival journal and you will find these denounced and another set praised and beplastered."

"Ah! and what would be my hope, my safety, in communities which tolerate these things; in which the number of just and sensible people is so small that they dare not speak, or can not influence those who have better courage? Where would be my triumphs? I, who would no more subscribe to the petty tyranny of conventional law, than to that baser despotism which is wielded by a mercenary editor, in the absence of a stern justice in the popular mind. Here I may pine to death--there, my heart would burst with its own convulsions."

"No! Margaret, no! It is because they have not the genius, that such small birds are let to sing. Let them but hear the true minstrel--let them but know that there is a muse, and how soon would the senseless twitter which they now tolerate be hushed in undisturbing silence.

In the absence of better birds they bear with what they have. In the absence of the true muse they build no temple--they throng not to hear.

Nay, even now, already, they look to the west for the minstrel and the muse--to these very woods. There is a tacit and universal feeling in the Atlantic country, that leads them to look with expectation to the Great West, for the genius whose song is to give us fame. 'When?' is the difficult--the only question. Ah! might I but say to them--'now'--the muse is already here!"

He took her hand--she did not withhold it; but her look was subdued--the fires had left her eyes--her whole frame trembled with the recoil of those feelings--the relaxation of those nerves--the tension of which we have endeavored feebly to display. Her cheek was no longer flushed but pale; her lips trembled--her voice was low and faint--only a broken and imperfect murmur; and her glance was cast upon the ground.

"You!" she exclaimed.

"Yes, I! Have I not said I am not altogether what I seem? Ah! I may not yet say more. But I am not without power, Margaret, in other and more powerful regions. I too have had my triumphs; I too can boast that the minds of other men hang for judgment upon the utterance of mine."

She looked upward to his glance with a stranger expression of timidity than her features had before exhibited. The form of Stevens had insensibly risen in seeming elevation as he spoke, and the expression of his face was that of a more human pride. He continued:--

"My voice is one of authority in circles where yours would be one of equal attraction and command. I can not promise you an Italian devotion, Margaret; our people, though sufficiently enthusiastic, are too sensible to ridicule to let the heart and blood speak out with such freedom as they use in the warmer regions of the South: but the homage will be more intellectual, more steady, and the fame more enduring. You must let your song be heard--you must give me the sweet privilege of making it known to ears whose very listening is fame."

"Ah!" she said, "what you say makes me feel how foolishly I have spoken.

What is my song? what have I done? what am I? what have I to hope?

I have done nothing--I am nothing! I have suffered, like a child, a miserable vanity to delude me, and I have poured into the ears of a stranger those ravings which I have hitherto uttered to the hills and forests. You laugh at me now--you must."

The paleness on her cheek was succeeded by the deepest flush of crimson.

She withdrew her hand from his grasp.

"Laugh at you, Margaret! You have awakened my wonder. Struck with you when we first met--"

"Nay, no more of that, but let us follow these windings; they lead us to the tarn. It is the prettiest Indian path, and my favorite spot. Here I ramble morning and eve, and try to forget those vain imaginings and foolish strivings of thought which I have just inflicted upon you. The habit proved too much for my prudence, and I spoke as if you were not present. Possibly, had you not spoken in reply, I should have continued until now."

"Why did I speak?"

"Ah! it is better. I wish you had spoken sooner. But follow me quickly.

The sunlight is now falling in a particular line which gives us the loveliest effect, shooting its rays through certain fissures of the rock, and making a perfect arrow-path along the water. You would fancy that Apollo had just dismissed a golden shaft from his quiver, so direct is the levelled light along the surface of the lake."

Speaking thus, they came in sight of the party on the opposite hills, as we have already shown--without, however, perceiving them in turn. It will be conjectured without difficulty that, with a nature so full of impulse, so excitable, as that of Margaret Cooper--particularly in the company of an adroit man like Stevens, whose purpose was to encourage her in that language and feeling of egotism which, while it was the most grateful exercise to herself, was that which most effectually served to blind her to his designs--her action was always animated, expressively adapting itself, not only to the words she uttered, but, even when she did not speak, to the feelings by which she was governed. It was the art of Stevens to say little except by suggestives. A single word, or brief sentence, from his lips, judiciously applied to her sentiments or situation, readily excited her to speech; and this utterance necessarily brought with it the secret of her soul, the desire of her heart, nay, the very shape of the delusion which possessed it. The wily libertine, deliberate as the demon to which we have likened him, could provoke the warmth which he did not share--could stimulate the eloquence which he would not feel--could coldly, like some Mephistopheles of science, subject the golden-winged bird or b.u.t.terfly to the torturous process of examination, with a pin thrust through its vitals, and gravely dilate on its properties, its rich plumage, and elaborate finish of detail, without giving heed to those writhings which declared its agonies. It is not meant to be understood that Stevens found no pleasure himself in the display of that wild, unschooled imagination which was the prevailing quality in the mind of Margaret Cooper. He was a man of education and taste. He could be pleased as an amateur; but he wanted the moral to be touched, and to sympathize with a being so gifted and so feeble--so high aiming, yet so liable to fall.

The ardor of Margaret Cooper, and the profound devotion which it was the policy of Stevens to display, necessarily established their acquaintance, in a very short time, on the closest footing of familiarity. With a nature such as hers, all that is wanted is sympathy--all that she craves is sympathy--and, to win this, no toil is too great, no sufferance too severe; alas, how frequently do we see that no penalty is too discouraging! But the confiding spirit never looks for penalties, and seldom dreams of deceit.

What, then, were the emotions of William Hinkley as he beheld the cordiality which distinguished the manner of Margaret Cooper as she approached the edge of the lake with her companion? In the s.p.a.ce of a single week, this stranger had made greater progress in her acquaintance than HE had been able to make in a period of years. The problem which distressed him was beyond his power to solve. His heart was very full; the moisture was already in his eyes; and when he beheld the animated gestures of the maid--when he saw her turn to her companion, and meet his gaze without shrinking, while her own was fixed in gratified contemplation--he scarcely restrained himself from jumping to his feet.

The old man saw his emotion.

"William," he said, "did I understand you that this young stranger was a preacher?"

"No, sir, but he seeks to be one. He is studying for the ministry, under Brother Cross."

"Brother Cross is a good man, and is scarcely likely to have anything to do with any other than good men. I suppose he knows everything about the stranger?"

William Hinkley narrated all that was known on the subject in the village. In the innocence of his heart, Brother Cross had described Alfred Stevens as a monument of his own powers of conversion. Under G.o.d, he had been a blessed instrument for plucking this brand from the burning. A modified account of the brandy-flask accompanied the narrative. Whether it was that Mr. Calvert, who had been a man of the world, saw something in the story itself, and in the ludicrousness of the event, which awakened his suspicions, or whether the carriage of Alfred Stevens, as he walked with Margaret Cooper, was rather that of a young gallant than a young student in theology, may admit of question; but it was very certain that the suspicions of the old gentleman were somewhat awakened.

Believing himself to be alone with his fair companion, Alfred Stevens was not as scrupulous of the rigidity of manner which, if not actually prescribed to persons occupying his professional position, is certainly expected from them; and, by a thousand little acts of gallantry, he proved himself much more at home as a courtier and a ladies' man than as one filled with the overflow of divine grace, and thoughtful of nothing less than the serious earnest of his own soul. His hand was promptly extended to a.s.sist the progress of his fair companion--a service which was singularly unnecessary in the case of one to whom daily rambles, over hill and through forest, had imparted a most unfeminine degree of vigor. Now he broke the branch away from before her path; and now, stooping suddenly, he gathered for her the pale flower of autumn.

These little acts of courtesy, so natural to the gentleman, were anything but natural to one suddenly impressed with the ascetical temper of methodism. Highly becoming in both instances, they were yet strangely at variance with the straight-laced practices of the thoroughgoing Wesleyan, who sometimes fancies that the condition of souls is so desperate as to leave no time for good manners. Mr. Calvert had no fault to find with Stevens's civility, but there was certainly an inconsistency between his deportment now, and those characteristics which were to be predicated of the manner and mode of his very recent conversion. Besides, there was the story of the brandy-flask, in which Calvert saw much less of honor either to John Cross or his neophyte. But the old man did not express his doubts to his young friend, and they sat together, watching, in a silence only occasionally broken by a monosyllable, the progress of the unconscious couple below.

Meanwhile, our fisherman, occupying his lonely perch just above the stream, had been plying his vocation with all the silent diligence of one to the manner born. Once busy with his angle, and his world equally of thought and observation became confined to the stream before his eyes, and the victim before his imagination. Scarcely seen by his companions on the heights above, he had succeeded in taking several very fine fish; and had his liberality been limited to the supper-table of his venerable friend Calvert, he would long before have given himself respite, and temporary immunity to the rest of the finny tribe remaining in the tarn. But Ned Hinkley thought of all his neighbors, not omitting the two rival widows, Mesdames Cooper and Thackeray.

Something too, there was in the sport, which, on the present occasion, beguiled him rather longer than his wont. More than once had his eye detected, from the advantageous and jutting rock where he lay concealed, just above the water, the dark outlines of a fish, one of the largest he had ever seen in the lake, whose brown sides, and occasionally flashing fins, excited his imagination and offered a challenge to his skill, which provoked him into something like a feeling of personal hostility.

The fish moved slowly to and fro, not often in sight, but at such regularly-recurring periods as to keep up the exciting desire which his very first appearance had awakened in the mind of his enemy.

To Ned Hinkley he was the beau-ideal of the trout genius. He was certainly the hermit-trout of the tarn. Such coolness, such strength, such size, such an outline, and then such sagacity. That trout was a triton among his brethren. A sort of Dr. Johnson among fishes. Ned Hinkley could imagine--for on such subjects his imagination kindled--how like an oracle must be the words of such a trout, to his brethren, gathering in council in their deep-down hole--or driven by a shower under the cypress log--or in any other situation in which an oracle would be apt to say, looking around him with fierceness mingled with contempt, "Let no dog bark." Ned Hinkley could also fancy the contemplations of such a trout as he witnessed the efforts made to beguile him out of the water.

"Not to be caught by a fly like that, my lad!" and precisely as if the trout had spoken what was certainly whispered in his own mind, the fisherman silently changed his gilded, glittering figure on his hook for one of browner plumage--one of the autumn tribe of flies which stoop to the water from the overhanging trees, and glide off for twenty paces in the stream, to dart up again to the trees, in as many seconds, if not swallowed by some watchful fisher-trout, like the one then before the eyes of our companion.

Though his fancy had become excited, Ned Hinkley was not impatient.

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Charlemont; Or, The Pride of the Village Part 18 summary

You're reading Charlemont; Or, The Pride of the Village. This manga has been translated by Updating. Author(s): W. Gilmore Simms. Already has 658 views.

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