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Character Writings of the Seventeenth Century Part 21

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ANOTHER ON THE SAME.

Here lieth one that did most truly prove That he could never die while he could move; So hung his destiny, never to rot While he might still jog on and keep his trot; Made of sphere-metal, never to decay Until his revolution was at stay.

Time numbers motion, yet (without a crime 'Gainst old truth) motion numbered out his time; And, like an engine moved with wheel and weight, His principles being ceased, he ended straight.

Rest, that gives all men life, gave him his death, And too much breathing put him out of breath; Nor were it contradiction to affirm Too long vacation hastened on his term.

Merely to drive the time away he sickened, Fainted, and died, nor would with ale be quickened.



"Nay," quoth he, on his swooning-bed outstretched, "If I mayn't carry, sure I'll ne'er be fetched, But vow, though the cross doctors all stood hearers, For one carrier put down to make six bearers."

Ease was his chief disease; and, to judge right, He died for heaviness that his cart went light.

His leisure told him that his time was come, And lack of load made his life burdensome, That even to his last breath (there be that say't) As he were pressed to death, he cried. "More weight!"

But, had his doings lasted as they were, He had been an immortal carrier.

Obedient to the moon he spent his date In course reciprocal, and had his fate Linked to the mutual flowing of the seas; Yet (strange to think) his wain was his increase.

His letters are delivered all and gone, Only remains the superscription.

_How very sure we should all be that Milton did not write these pieces, if he had not given them a place among his published works! Returning to the crowd of Character-writers we find in 1631, the year of Milton's writing upon Hobson,_

WYE SALTONSTALL,

_author of "Pictures Loquentes, or Pictures drawn forth in Characters.

With a Poeme of a Maid" The poem of a Maid was, of course, suggested by the fact that Sir Thomas Overbury's Characters had joined to them the poem of a Wife. There was a second edition in 1635. Saltonstall's Characters were the World, an Old Man, a Woman, a Widow, a True Lover, a Country Bride, a Ploughman, a Melancholy Man, a Young Heir, a Scholar in the University, a Lawyers Clerk, a Townsman in Oxford, an Usurer, a Wandering Rogue, a Waterman, a Shepherd, a Jealous Man, a Chamberlain, a Maid, a Bailey, a Country Fair, a Country Ale-house, a Horse Race, a Farmer's Daughter, a Keeper, a Gentleman's House in the Country; to which he added in the second edition, a Fine Dame, a Country Dame, a Gardener, a Captain, a Poor Village, a Merry Man, a Scrivener, the Term, a Mower, a Happy Man, an Arrant Knave, and an Old Waiting Gentlewoman.

This is one of his Characters as quoted by Philip Bliss in the Appendix to his edition of Earle_--

THE TERM

Is a time when Justice keeps open court for all comers, while her sister Equity strives to mitigate the rigour of her positive sentence. It is called the term, because it does end and terminate business, or else because it is the _Terminus ad quem_, that is, the end of the countryman's journey, who comes up to the term, and with his hobnail shoes grinds the faces of the poor stones, and so returns again. It is the soul of the year, and makes it quick, which before was dead.

Innkeepers gape for it as earnestly as sh.e.l.l-fish do for salt water after a low ebb. It sends forth new books into the world, and replenishes Paul's Walk with fresh company, where _Quid novi_? is their first salutation, and the weekly news their chief discourse. The taverns are painted against the term, and many a cause is argued there and tried at that bar, where you are adjudged to pay the costs and charges, and so dismissed with "welcome, gentlemen." Now the city puts her best side outward, and a new play at the Blackfriars is attended on with coaches.

It keeps watermen from sinking, and helps them with many a fare voyage to Westminster. Tour choice beauties come up to it only to see and be seen, and to learn the newest fashion, and for some other recreations.

Now many that have been long sick and crazy begins to stir and walk abroad, especially if some young prodigals come to town, who bring more money than wit. Lastly, the term is the joy of the city, a dear friend to countrymen, and is never more welcome than after a long vacation.

_We have also, in 1632, "London and Country Carbonadoed and Quartered into Several Characters" by Donald Lupton; in 1633, the "Character of a Gentleman" appended to Brathwaif's "English Gentleman;" in 1634, "A strange Metamorphosis of Man, transformed into a Wilderness, Deciphered in Characters" of which this is a specimen_:--

THE HORSE

Is a creature made, as it were, in wax. When Nature first framed him, she took a secret complacence in her work. He is even her masterpiece in irrational things, borrowing somewhat of all things to set him forth.

For example, his slick bay coat he took from the chestnut; his neck from the rainbow, which perhaps make him rain so well. His mane belike he took from Pegasus, making him a hobby to make this a complete jennet, which mane he wears so curled, much after the women's fashions now-a-days;--this I am sure of, howsoever, it becomes them, [and] it sets forth our jennet well. His legs he borrowed of the hart, with his swiftness, which makes him a true courser indeed. The stars in his forehead he fetched from heaven, which will not be much missed, there being so many. The little head he hath, broad breast, fat b.u.t.tock, and thick tail are properly his own, for he knew not where to get him better. If you tell him of the horns he wants to make him most complete, he scorns the motion, and sets them at his heel. He is well shod, especially in the upper leather, for as for his soles, they are much at reparation, and often fain to be removed. Nature seems to have spent an apprenticeship of years to make you such a one, for it is full seven years ere he comes to this perfection, and be fit for the saddle: for then (as we), it seems to come to the years of discretion, when he will show a kind of rational judgment with him, and if you set an expert rider on his back, you shall see how sensible they will talk together, as master and scholar. When he shall be no sooner mounted and planted in the seat, with the reins in one hand, a switch in the other, and speaking with his spurs in the horse's flanks, a language he well understands, but he shall prance, curvet, and dance the canaries half an hour together in compa.s.s of a bushel, and yet still, as he thinks, get some ground, shaking the goodly plume on his head with a comely pride.

This will our Bucephalus do in the lists: but when he comes abroad into the fields, he will play the country gentleman as truly, as before the knight in tournament. If the game be up once, and the hounds in chase, you shall see how he will p.r.i.c.k up his ears straight, and tickle at the sport as much as his rider shall, and laugh so loud, that if there be many of them, they will even drown the rural harmony of the dogs. When he travels, of all inns he loves best the sign of the silver bell, because likely there he fares best, especially if he come the first and get the prize. He carries his ears upright, nor seldom ever lets them fall till they be cropped off, and after that, as in despite, will never wear them more. His tail is so essential to him, that if he lose it once he is no longer a horse, but ever styled a curtali. To conclude, he is a blade of Vulcan's forging, made for Mars of the best metal, and the post of Fame to carry her tidings through the world, who, if he knew his own strength, would shrewdly put for the monarchy of our wilderness.

_Then there-were separate Characters, as "of a Projector" (1642); "of an Oxford Incendiary" (1645); and in 1664, "A New Anatomic, or Character of a Christian or Roundhead, expressing his Description, Excellenrie, Happiness, and Innocencie. Wherein may appear how far this blind World is mistaken in their unjust Censures of him." Several Characters were included in Lord North's "Forest of Varieties" published in 1645.

Fourteen Characters, some of individual persons, were in the "Characters and Elegies, by Sir Francis Wortley, Knight and Baronet" published in 1646. The author was son of Sir Richard Wortley of Wortley in Yorkshire.

He was a good royalist, was taken prisoner in the civil wars, and wrote his Characters in the Tower. They were these:--The Character of his Roy all Majestie; the Character of the Queene's Majestie; the Hopeful Prince; a true Character of the ill.u.s.trious James, Duke of York; the Character of a n.o.ble General; a true English Protestant; an Antinomian, or Anabaptistical Independent; a Jesuit; the true Character of a Northern Lady, as she is Wife, Mother, and Sister; the Politique Neuter; the Citie Paragon; a Sharking Committee-man; Britannicus his Pedigree --afatall Prediction of his end; and last, the Phoenix of the Court.

In 1646, T. F., who is named by interlineation on his t.i.tle-page among the King's Pamphlets, T. Ford, servant to Mr. Sam. Man, produced the "Times Anatomized, in several Characters." These were: A Good King, Rebellion, an Honest Subject, an Hypocritical Convert of the Times, a Soldier of Fortune, a Discontented Person, an Ambitious Man, the Vulgar, Error, Truth, a Self-seeker, Pamphlets, an Envious Man, True Valour, Time, a Neuter, a Turn-Coat, a Moderate Man, a Corrupt Committee-man, a Sectary, War, Peace, a Drunkard, a Novice, Preacher, a Scandalous Preacher, a Grave Divine, a Self-Conceited Man, Religion, Death. This is T. Ford's Character of Pamphlets--_

PAMPHLETS

Are the weekly almanacs, showing what weather is in the state, which, like the doves of Aleppo, carry news to every part of the kingdom. They are the silent traitors that affront majesty, and abuse all authority, under the colour of an imprimatur. Ubiquitary flies that have of late so blistered the ears of all men, that they cannot endure the solid truth.

The echoes, whereby what is done in part of the kingdom, is heard all over. They are like the mushrooms, sprung up in a night, and dead in a day; and such is the greediness of men's natures (in these Athenian days) of new, that they will rather feign than want it.

_So the tide ran on. In_ 1647 _there was "The Character of an Agitator,"

and also John Cleveland's Character of a London Diurnal._

JOHN CLEVELAND,

_The Cavalier poet, born at Loitghborough in Leicestershire in_ 1613, _son of an usher in a free school there, was sent to Milton's College, Christ's, at Cambridge in_ 1627, _when he was fifteen years old. Milton had gone to Christ's two years before, but at the age of seventeen.

Cleveland left Christ's College in_ 1631, _when he took his B.A. degree, and went to St. John's, of which he was elected a Fellow in March_ 1634.

_He proceeded M.A. in_ 1634, _and studied afterwards both law and physics, living for nine years at Cambridge. John Cleveland was ejected from his position as Fellow and Tutor by the Parliamentary visitors in February_ 1645 _(new style), and was sent to Newark as judge advocate under Sir Richard Willis, the Governor. After the surrender at Newark, Cleveland depended upon friendship of cavaliers who gave him hospitality for his witty companionship, and the good scholarship that made him valuable as a tutor to their sons, Cleveland, who lives among our poets, wrote in the first days of his trouble these three prose Characters:--_

THE CHARACTER OF A COUNTRY COMMITTEE-MAN, WITH THE EAR-MARK. OF A SEQUESTRATOR.

A committee-man by his name should be one that is possessed, there is number enough in it to make an epithet for legion. He is _persona in concreto_ (to borrow the solecism of a modern statesman). You may translate it by the Red Bull phrase, and speak as properly, Enter seven devils _solus_. It is a well-trussed t.i.tle that contains both the number and the beast; for a committee-man is a noun of mult.i.tude, he must be spelled with figures, like Antichrist wrapped in a pair-royal of sixes.

Thus the name is as monstrous as the man, a complex notion of the same lineage with acc.u.mulative treason. For his office it is the Heptarchy, or England's fritters; it is the broken meat of a crumbling prince, only the royalty is greater; for it is here, as in the miracle of loaves, the voider exceeds the bill of fare. The Pope and he ring the changes; here is the plurality of crowns to one head, join them together and there is a harmony in discord. The triple-headed turnkey of heaven with the triple-headed porter of h.e.l.l. A committee-man is the relics of regal government, but, like holy relics, he outbulks the substance whereof he is a remnant. There is a score of kings in a committee, as in the relics of the cross there is the number of twenty. This is the giant with the hundred hands that wields the sceptre; the tyrannical bead-roll by which the kingdom prays backward, and at every curse drops a committee-man.

Let Charles be waived whose condescending clemency aggravates the defection, and make Nero the question, better a Nero than a committee.

There is less execution by a single bullet than by case-shot.

Now a committee-man is a parti-coloured officer. He must be drawn like Ja.n.u.s with cross and pile in his countenance, as he relates to the soldiers or faces about to his fleecing the country. Look upon him martially, and he is a justice of war, one that hath bound his Dalton up in buff, and will needs be of the Quorum to the best commanders. He is one of Mars his lay-elders; he shares in the government, though a Nonconformist to his bleeding rubric. He is the like sectary in arms, as the Platonic is in love, keeps a fluttering in discourse, but proves a haggard in the action. He is not of the soldiers and yet of his flock.

It is an emblem of the golden age (and such indeed he makes it to him) when so tame a pigeon may converse with vultures. Methinks a committee hanging about a governor, and bandileers dangling about a furred alderman, have an anagram resemblance. There is no syntax between a cap of maintenance and a helmet. Who ever knew an enemy routed by a grand jury and a _Billa vera?_ It is a left-handed garrison where their authority perches; but the more preposterous the more in fashion, the right hand fights while the left rules the reins. The truth is, the soldier and the gentleman are like Don Quixote and Sancho Panza, one fights at all adventures to purchase the other the government of the island. A committee-man properly should be the governor's mattress to fit his truckle, and to new string him with sinews of war; for his chief use is to raise a.s.sessments in the neighbouring wapentake.

The country people being like an Irish cow that will not give down her milk unless she see her calf before her, hence it is he is the garrison's dry nurse; he chews their contribution before he feeds them, so the poor soldiers live like Trochilus by picking the teeth of this sacred crocodile.

So much for his warlike or ammunition face, which is so preter-natural that it is rather a vizard than a face; Mars in him hath but a blinking aspect, his face of arms is like his coat, _partie per pale_, soldier and gentleman much of a scantling.

Now enter his taxing and deglubing face, a squeezing look like that of Vespasia.n.u.s, as if he were bleeding over a close stool.

Take him thus and he is in the inquisition of the purse an authentic gypsy, that nips your bong with a canting ordinance; not a murdered fortune in all the country but bleeds at the touch of this malefactor.

He is the spleen of the body politic that swells itself to the consumption of the whole. At first, indeed, he ferreted for the parliament, but since he hath got off his cope he set up for himself. He lives upon the sins of the people, and that is a good standing dish too.

He verifies the axiom, _lisdem nutritur ex quibus componitur_; his diet is suitable to his const.i.tution. I have wondered often why the plundered countrymen should repair to him for succour, certainly it is under the same notion, as one whose pockets are picked goes to Moll Cutpurse, as the predominant in that faculty.

He outdives a Dutchman, gets a n.o.ble of him that was never worth sixpence; for the poorest do not escape, but Dutch-like he will be draining even in the driest ground. He aliens a delinquent's estate with as little remorse as his other holiness gives away an heretic's kingdom, and for the truth of the delinquency, both chapmen have as little share of infallibility. Lye is the grand salad of arbitrary government, executor to the star-chamber and the high commission; for those courts are not extinct, they survive in him like dollars changed into single money. To speak the truth, he is the universal tribunal; for since these times all causes fall to his cognisance, as in a great infection all diseases turn oft to the plague. It concerns our masters the parliament to look about them; if he proceedeth at this rate the jack may come to swallow the pike, as the interest often eats out the princ.i.p.al. As his commands are great, so he looks for a reverence accordingly. He is punctual in exacting your hat, and to say right his due, but by the same t.i.tle as the upper garment is the vails of the executioner. There was a time when such cattle would hardly have been taken upon suspicion for men in office, unless the old proverb were renewed, that the beggars make a free company, and those their wardens. You may see what it is to hang together. Look upon them severally, and you cannot but fumble for some threads of charity. But oh, they are termagants in conjunction!

like fiddlers who are rogues when they go single, and joined in consort, gentlemen musicianers. I care not much if I untwist my committee-man, and so give him the receipt of this grand Catholicon.

Take a state martyr, one that for his good behaviour hath paid the excise of his ears, so suffered captivity by the land-piracy of ship-money; next a primitive freeholder, one that hates the king because he is a gentleman transgressing the Magna Charta of delving Adam. Add to these a mortified bankrupt that helps out his false weights with some scruples of conscience, and with his peremptory scales can doom his prince with a _mene tekel_. These with a new blue-stockinged justice, lately made of a good basket-hilted yeoman, with a short-handed clerk tacked to the rear of him to carry the knapsack of his understanding, together with two or three equivocal sirs whose religion, like their gentility, is the extract of their acres; being therefore spiritual because they are earthly; not forgetting the man of the law, whose corruption gives the Hogan to the sincere Juncto. These are the simples of this precious compound; a kind of Dutch hotch-potch, the Hogan Mogan committee-man.

The Committee-man hath a sideman, or rather a setter, hight a Sequestrator, of whom you may say, as of the great Sultan's horse, where he treads the gra.s.s grows no more. He is the State's cormorant, one that fishes for the public but feeds himself; the misery is he fishes without the cormorant's property, a rope to strengthen the gullet and to make him disgorge. A sequestrator! He is the devil's nut-hook, the sign with him is always in the clutches. There are more monsters retain to him than to all the limbs in anatomy. It is strange physicians do not apply him to the soles of the feet in a desperate fever, he draws far beyond pigeons. I hope some mountebank will slice him and make the experiment.

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Character Writings of the Seventeenth Century Part 21 summary

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