Chance Part 10

He was startled by her tone. Its unexpected, unladylike harshness fell on his trained ear with the disagreeable effect of a false note. "Yes.

I am going away. And the best thing for all of you is to go away too, as soon as you like. You can go now, to-day, this moment. You had your wages paid you only last week. The longer you stay the greater your loss. But I have nothing to do with it now. You are the servants of Mr de Barral--you know."

The butler was astounded by the manner of this advice, and as his eyes wandered to the drawing-room door the governess extended her arm as if to bar the way. "n.o.body goes in there." And that was said still in another tone, such a tone that all trace of the trained respectfulness vanished from the butler's bearing. He stared at her with a frank wondering gaze. "Not till I am gone," she added, and there was such an expression on her face that the man was daunted by the mystery of it.

He shrugged his shoulders slightly and without another word went down the stairs on his way to the bas.e.m.e.nt, brushing in the hall past Mr Charles who hat on head and both hands rammed deep into his overcoat pockets paced up and down as though on sentry duty there.

The ladies' maid was the only servant upstairs, hovering in the pa.s.sage on the first floor, curious and as if fascinated by the woman who stood there guarding the door. Being beckoned closer imperiously and asked by the governess to bring out of the now empty rooms the hat and veil, the only objects besides the furniture still to be found there, she did so in silence but inwardly fluttered. And while waiting uneasily, with the veil, before that woman who, without moving a step away from the drawing-room door was pinning with careless haste her hat on her head, she heard within a sudden burst of laughter from Miss de Barral enjoying the fun of the water-colour lesson given her for the last time by the cheery old man.

Mr and Mrs Fyne ambushed at their window--a most incredible occupation for people of their kind--saw with renewed anxiety a cab come to the door, and watched some luggage being carried out and put on its roof.

The butler appeared for a moment, then went in again. What did it mean?

Was Flora going to be taken to her father; or were these people, that woman and her horrible nephew, about to carry her off somewhere? Fyne couldn't tell. He doubted the last, Flora having now, he judged, no value, either positive or speculative. Though no great reader of character he did not credit the governess with humane intentions. He confessed to me naively that he was excited as if watching some action on the stage. Then the thought struck him that the girl might have had some money settled on her, be possessed of some means, of some little fortune of her own and therefore--

He imparted this theory to his wife who shared fully his consternation.

"I can't believe the child will go away without running in to say good-bye to us," she murmured. "We must find out! I shall ask her."

But at that very moment the cab rolled away, empty inside, and the door of the house which had been standing slightly ajar till then was pushed to.

They remained silent staring at it till Mrs Fyne whispered doubtfully "I really think I must go over." Fyne didn't answer for a while (his is a reflective mind, you know), and then as if Mrs Fyne's whispers had an occult power over that door it opened wide again and the white-bearded man issued, astonishingly active in his movements, using his stick almost like a leaping-pole to get down the steps; and hobbled away briskly along the pavement. Naturally the Fynes were too far off to make out the expression of his face. But it would not have helped them very much to a guess at the conditions inside the house. The expression was humorously puzzled--nothing more.

For, at the end of his lesson, seizing his trusty stick and coming out with his habitual vivacity, he very nearly cannoned just outside the drawing-room door into the back of Miss de Barral's governess. He stopped himself in time and she turned round swiftly. It was embarra.s.sing; he apologised; but her face was not startled; it was not aware of him; it wore a singular expression of resolution. A very singular expression which, as it were, detained him for a moment. In order to cover his embarra.s.sment, he made some inane remark on the weather, upon which, instead of returning another inane remark according to the tacit rules of the game, she only gave him a smile of unfathomable meaning. Nothing could have been more singular. The good-looking young gentleman of questionable appearance took not the slightest notice of him in the hall. No servant was to be seen. He let himself out pulling the door to behind him with a crash as, in a manner, he was forced to do to get it shut at all.

When the echo of it had died away the woman on the landing leaned over the banister and called out bitterly to the man below "Don't you want to come up and say good-bye." He had an impatient movement of the shoulders and went on pacing to and fro as though he had not heard. But suddenly he checked himself, stood still for a moment, then with a gloomy face and without taking his hands out of his pockets ran smartly up the stairs. Already facing the door she turned her head for a whispered taunt: "Come! Confess you were dying to see her stupid little face once more,"--to which he disdained to answer.

Flora de Barral, still seated before the table at which she had been working on her sketch, raised her head at the noise of the opening door.

The invading manner of their entrance gave her the sense of something she had never seen before. She knew them well. She knew the woman better than she knew her father. There had been between them an intimacy of relation as great as it can possibly be without the final closeness of affection. The delightful Charley walked in, with his eyes fixed on the back of her governess whose raised veil hid her forehead like a brown band above the black line of the eyebrows. The girl was astounded and alarmed by the altogether unknown expression in the woman's face. The stress of pa.s.sion often discloses an aspect of the personality completely ignored till then by its closest intimates.

There was something like an emanation of evil from her eyes and from the face of the other, who, exactly behind her and overtopping her by half a head, kept his eyelids lowered in a sinister fashion--which in the poor girl, reached, stirred, set free that faculty of unreasoning explosive terror lying locked up at the bottom of all human hearts and of the hearts of animals as well. With suddenly enlarged pupils and a movement as instinctive almost as the bounding of a startled fawn, she jumped up and found herself in the middle of the big room, exclaiming at those amazing and familiar strangers.

"What do you want?"

You will note that she cried: What do you want? Not: What has happened?

She told Mrs Fyne that she had received suddenly the feeling of being personally attacked. And that must have been very terrifying. The woman before her had been the wisdom, the authority, the protection of life, security embodied and visible and undisputed.

You may imagine then the force of the shock in the intuitive perception not merely of danger, for she did not know what was alarming her, but in the sense of the security being gone. And not only security. I don't know how to explain it clearly. Look! Even a small child lives, plays and suffers in terms of its conception of its own existence. Imagine, if you can, a fact coming in suddenly with a force capable of shattering that very conception itself. It was only because of the girl being still so much of a child that she escaped mental destruction; that, in other words she got over it. Could one conceive of her more mature, while still as ignorant as she was, one must conclude that she would have become an idiot on the spot--long before the end of that experience. Luckily, people, whether mature or not mature (and who really is ever mature?) are for the most part quite incapable of understanding what is happening to them: a merciful provision of nature to preserve an average amount of sanity for working purposes in this world...

"But we, my dear Marlow, have the inestimable advantage of understanding what is happening to others," I struck in. "Or at least some of us seem to. Is that too a provision of nature? And what is it for? Is it that we may amuse ourselves gossiping about each other's affairs? You for instance seem--"

"I don't know what I seem," Marlow silenced me, "and surely life must be amused somehow. It would be still a very respectable provision if it were only for that end. But from that same provision of understanding, there springs in us compa.s.sion, charity, indignation, the sense of solidarity; and in minds of any largeness an inclination to that indulgence which is next door to affection. I don't mean to say that I am inclined to an indulgent view of the precious couple which broke in upon an unsuspecting girl. They came marching in (it's the very expression she used later on to Mrs Fyne) but at her cry they stopped.

It must have been startling enough to them. It was like having the mask torn off when you don't expect it. The man stopped, for good; he didn't offer to move a step further. But, though the governess had come in there for the very purpose of taking the mask off for the first time in her life, she seemed to look upon the frightened cry as a fresh provocation. 'What are you screaming for, you little fool?' she said advancing alone close to the girl who was affected exactly as if she had seen Medusa's head with serpentine locks set mysteriously on the shoulders of that familiar person, in that brown dress, under that hat she knew so well. It made her lose all her hold on reality. She told Mrs Fyne: 'I didn't know where I was. I didn't even know that I was frightened. If she had told me it was a joke I would have laughed. If she had told me to put on my hat and go out with her I would have gone to put on my hat and gone out with her and never said a single word; I should have been convinced I had been mad for a minute or so, and I would have worried myself to death rather than breathe a hint of it to her or anyone. But the wretch put her face close to mine and I could not move. Directly I had looked into her eyes I felt grown on to the carpet.'"

It was years afterwards that she used to talk like this to Mrs Fyne-- and to Mrs Fyne alone. n.o.body else ever heard the story from her lips.

But it was never forgotten. It was always felt; it remained like a mark on her soul, a sort of mystic wound, to be contemplated, to be meditated over. And she said further to Mrs Fyne, in the course of many confidences provoked by that contemplation, that, as long as that woman called her names, it was almost soothing, it was in a manner rea.s.suring. Her imagination had, like her body, gone off in a wild bound to meet the unknown; and then to hear after all something which more in its tone than in its substance was mere venomous abuse, had steadied the inward flutter of all her being.

"She called me a little fool more times than I can remember. I! A fool! Why, Mrs Fyne! I do a.s.sure you I had never yet thought at all; never of anything in the world, till then. I just went on living. And one can't be a fool without one has at least tried to think. But what had I ever to think about?"

"And no doubt," commented Marlow, "her life had been a mere life of sensations--the response to which can neither be foolish nor wise. It can only be temperamental; and I believe that she was of a generally happy disposition, a child of the average kind. Even when she was asked violently whether she imagined that there was anything in her, apart from her money, to induce any intelligent person to take any sort of interest in her existence, she only caught her breath in one dry sob and said nothing, made no other sound, made no movement. When she was viciously a.s.sured that she was in heart, mind, manner and appearance, an utterly common and insipid creature, she remained still, without indignation, without anger. She stood, a frail and pa.s.sive vessel into which the other went on pouring all the acc.u.mulated dislike for all her pupils, her scorn of all her employers (the ducal one included), the acc.u.mulated resentment, the infinite hatred of all these unrelieved years of--I won't say hypocrisy. The practice of perfect hypocrisy is a relief in itself, a secret triumph of the vilest sort, no doubt, but still a way of getting even with the common morality from which some of us appear to suffer so much. No! I will say the years, the pa.s.sionate, bitter years, of restraint, the iron, admirably mannered restraint at every moment, in a never-failing perfect correctness of speech, glances, movements, smiles, gestures, establishing for her a high reputation, an impressive record of success in her sphere. It had been like living half-strangled for years."

And all this torture for nothing, in the end! What looked at last like a possible prize (oh, without illusions! but still a prize) broken in her hands, fallen in the dust, the bitter dust, of disappointment, she revelled in the miserable revenge--pretty safe too--only regretting the unworthiness of the girlish figure which stood for so much she had longed to be able to spit venom at, if only once, in perfect liberty.

The presence of the young man at her back increased both her satisfaction and her rage. But the very violence of the attack seemed to defeat its end by rendering the representative victim as it were insensible. The cause of this outrage naturally escaping the girl's imagination her att.i.tude was in effect that of dense, hopeless stupidity. And it is a fact that the worst shocks of life are often received without outcries, without gestures, without a flow of tears and the convulsions of sobbing. The insatiable governess missed these signs exceedingly. This pitiful stolidity was only a fresh provocation. Yet the poor girl was deadly pale.

"I was cold," she used to explain to Mrs Fyne. "I had had time to get terrified. She had pushed her face so near mine and her teeth looked as though she wanted to bite me. Her eyes seemed to have become quite dry, hard and small in a lot of horrible wrinkles. I was too afraid of her to shudder, too afraid of her to put my fingers to my ears. I didn't know what I expected her to call me next, but when she told me I was no better than a beggar--that there would be no more masters, no more servants, no more horses for me--I said to myself: Is that all? I should have laughed if I hadn't been too afraid of her to make the least little sound."

It seemed that poor Flora had to know all the possible phases of that sort of anguish, beginning with instinctive panic, through the bewildered stage, the frozen stage and the stage of blanched apprehension, down to the instinctive prudence of extreme terror--the stillness of the mouse. But when she heard herself called the child of a cheat and a swindler, the very monstrous unexpectedness of this caused in her a revulsion towards letting herself go. She screamed out all at once "You mustn't speak like this of Papa!"

The effort of it uprooted her from that spot where her little feet seemed dug deep into the thick luxurious carpet, and she retreated backwards to a distant part of the room, hearing herself repeat, "You mustn't, you mustn't," as if it were somebody else screaming. She came to a chair and flung herself into it. Thereupon the somebody else ceased screaming and she lolled, exhausted, sightless, in a silent room, as if indifferent to everything and without a single thought in her head.

The next few seconds seemed to last for ever so long; a black abyss of time separating what was past and gone from the reappearance of the governess and the reawakening of fear. And that woman was forcing the words through her set teeth:

"You say I mustn't, I mustn't. All the world will be speaking of him like this to-morrow. They will say it, and they'll print it. You shall hear it and you shall read it--and then you shall know whose daughter you are."

Her face lighted up with an atrocious satisfaction. "He's nothing but a thief," she cried, "this father of yours. As to you I have never been deceived in you for a moment. I have been growing more and more sick of you for years. You are a vulgar, silly nonent.i.ty, and you shall go back to where you belong, whatever low place you have sprung from, and beg your bread--that is if anybody's charity will have anything to do with you, which I doubt--"

She would have gone on regardless of the enormous eyes, of the open mouth of the girl who sat up suddenly with the wild staring expression of being choked by invisible fingers on her throat, and yet horribly pale. The effect on her const.i.tution was so profound, Mrs Fyne told me, that she who as a child had a rather pretty delicate colouring, showed a white bloodless face for a couple of years afterwards, and remained always liable at the slightest emotion to an extraordinary ghost-like whiteness. The end came in the abomination of desolation of the poor child's miserable cry for help: "Charley! Charley!" coming from her throat in hidden gasping efforts. Her enlarged eyes had discovered him where he stood motionless and dumb.

He started from his immobility, a hand withdrawn brusquely from the pocket of his overcoat, strode up to the woman, seized her by the arm from behind, saying in a rough commanding tone: "Come away, Eliza." In an instant the child saw them close together and remote, near the door, gone through the door, which she neither heard nor saw being opened or shut. But it was shut. Oh yes, it was shut. Her slow unseeing glance wandered all over the room. For some time longer she remained leaning forward, collecting her strength doubting if she would be able to stand.

She stood up at last. Everything about her spun round in an oppressive silence. She remembered perfectly--as she told Mrs Fyne--that clinging to the arm of the chair she called out twice "Papa! Papa!" At the thought that he was far away in London everything about her became quite still. Then, frightened suddenly by the solitude of that empty room, she rushed out of it blindly.

With that fatal diffidence in well doing, inherent in the present condition of humanity, the Fynes continued to watch at their window.

"It's always so difficult to know what to do for the best," Fyne a.s.sured me. It is. Good intentions stand in their own way so much. Whereas if you want to do harm to anyone you needn't hesitate. You have only to go on. No one will reproach you with your mistakes or call you a confounded, clumsy meddler. The Fynes watched the door, the closed street door inimical somehow to their benevolent thoughts, the face of the house cruelly impenetrable. It was just as on any other day. The unchanged daily aspect of inanimate things is so impressive that Fyne went back into the room for a moment, picked up the paper again, and ran his eyes over the item of news. No doubt of it. It looked very bad.

He came back to the window and Mrs Fyne. Tired out as she was she sat there resolute and ready for responsibility. But she had no suggestion to offer. People do fear a rebuff wonderfully, and all her audacity was in her thoughts. She shrank from the incomparably insolent manner of the governess. Fyne stood by her side, as in those old-fashioned photographs of married couples where you see a husband with his hand on the back of his wife's chair. And they were about as efficient as an old photograph, and as still, till Mrs Fyne started slightly. The street door had swung open, and, bursting out, appeared the young man, his hat (Mrs Fyne observed) tilted forward over his eyes. After him the governess slipped through, turning round at once to shut the door behind her with care. Meantime the man went down the white steps and strode along the pavement, his hands rammed deep into the pockets of his fawn overcoat. The woman, that woman of composed movements, of deliberate superior manner, took a little run to catch up with him, and directly she had caught up with him tried to introduce her hand under his arm. Mrs Fyne saw the brusque half turn of the fellow's body as one avoids an importunate contact, defeating her attempt rudely. She did not try again but kept pace with his stride, and Mrs Fyne watched them, walking independently, turn the corner of the street side by side, disappear for ever.

The Fynes looked at each other eloquently, doubtfully: What do you think of this? Then with common accord turned their eyes back to the street door, closed, ma.s.sive, dark; the great, clear-bra.s.s knocker shining in a quiet slant of sunshine cut by a diagonal line of heavy shade filling the further end of the street. Could the girl be already gone? Sent away to her father? Had she any relations? n.o.body but de Barral himself ever came to see her, Mrs Fyne remembered; and she had the instantaneous, profound, maternal perception of the child's loneliness-- and a girl too! It was irresistible. And, besides, the departure of the governess was not without its encouraging influence. "I am going over at once to find out," she declared resolutely but still staring across the street. Her intention was arrested by the sight of that awful, sombrely glistening door, swinging back suddenly on the yawning darkness of the hall, out of which literally flew out, right out on the pavement, almost without touching the white steps, a little figure swathed in a holland pinafore up to the chin, its hair streaming back from its head, darting past a lamp-post, past the red pillar-box...

"Here," cried Mrs Fyne; "she's coming here! Run, John! Run!"

Fyne bounded out of the room. This is his own word. Bounded! He a.s.sured me with intensified solemnity that he bounded; and the sight of the short and muscular Fyne bounding gravely about the circ.u.mscribed pa.s.sages and staircases of a small, very high-cla.s.s, private hotel, would have been worth any amount of money to a man greedy of memorable impressions. But as I looked at him, the desire of laughter at my very lips, I asked myself: how many men could be found ready to compromise their cherished gravity for the sake of the unimportant child of a ruined financier with an ugly, black cloud already wreathing his head.

I didn't laugh at little Fyne. I encouraged him: "You did!--very good... Well?"

His main thought was to save the child from some unpleasant interference. There was a porter downstairs, page boys; some people going away with their trunks in the pa.s.sage; a railway omnibus at the door, white-breasted waiters dodging about the entrance.

He was in time. He was at the door before she reached it in her blind course. She did not recognise him; perhaps she did not see him. He caught her by the arm as she ran past and, very sensibly, without trying to check her, simply darted in with her and up the stairs, causing no end of consternation amongst the people in his way. They scattered.

What might have been their thoughts at the spectacle of a shameless middle-aged man abducting headlong into the upper regions of a respectable hotel a terrified young girl obviously under age, I don't know. And Fyne (he told me so) did not care for what people might think. All he wanted was to reach his wife before the girl collapsed.

For a time she ran with him but at the last flight of stairs he had to seize and half drag, half carry her to his wife. Mrs Fyne waited at the door with her quite unmoved physiognomy and her readiness to confront any sort of responsibility, which already characterised her, long before she became a ruthless theorist. Relieved, his mission accomplished, Fyne closed hastily the door of the sitting-room.

But before long both Fynes became frightened. After a period of immobility in the arms of Mrs Fyne, the girl, who had not said a word, tore herself out from that slightly rigid embrace. She struggled dumbly between them, they did not know why, soundless and ghastly, till she sank exhausted on a couch. Luckily the children were out with the two nurses. The hotel housemaid helped Mrs Fyne to put Flora de Barral to bed. She was as if gone speechless and insane. She lay on her back, her face white like a piece of paper, her dark eyes staring at the ceiling, her awful immobility broken by sudden shivering fits with a loud chattering of teeth in the shadowy silence of the room, the blinds pulled down, Mrs Fyne sitting by patiently, her arms folded, yet inwardly moved by the riddle of that distress of which she could not guess the word, and saying to herself: "That child is too emotional-- much too emotional to be ever really sound!" As if anyone not made of stone could be perfectly sound in this world. And then how sound? In what sense--to resist what? Force or corruption? And even in the best armour of steel there are joints a treacherous stroke can always find if chance gives the opportunity.

General considerations never had the power to trouble Mrs Fyne much.

The girl not being in a state to be questioned she waited by the bedside. Fyne had crossed over to the house, his scruples overcome by his anxiety to discover what really had happened. He did not have to lift the knocker; the door stood open on the inside gloom of the hall; he walked into it and saw no one about, the servants having a.s.sembled for a fatuous consultation in the bas.e.m.e.nt. Fyne's uplifted ba.s.s voice startled them down there, the butler coming up, staring and in his shirt sleeves, very suspicious at first, and then, on Fyne's explanation that he was the husband of a lady who had called several times at the house-- Miss de Barral's mother's friend--becoming humanely concerned and communicative, in a man to man tone, but preserving his trained high-cla.s.s servant's voice: "Oh bless you, sir, no! She does not mean to come back. She told me so herself"--he a.s.sured Fyne with a faint shade of contempt creeping into his tone.

As regards their young lady n.o.body downstairs had any idea that she had run out of the house. He dared say they all would have been willing to do their very best for her, for the time being; but since she was now with her mother's friends ...

He fidgeted. He murmured that all this was very unexpected. He wanted to know what he had better do with letters or telegrams which might arrive in the course of the day.

"Letters addressed to Miss de Barral, you had better bring over to my hotel over there," said Fyne beginning to feel extremely worried about the future. The man said "Yes, sir," adding, "and if a letter comes addressed to Mrs.."

Fyne stopped him by a gesture. "I don't know... Anything you like."

"Very well, sir."

The butler did not shut the street door after Fyne, but remained on the doorstep for a while, looking up and down the street in the spirit of independent expectation like a man who is again his own master. Mrs Fyne hearing her husband return came out of the room where the girl was lying in bed. "No change," she whispered; and Fyne could only make a hopeless sign of ignorance as to what all this meant and how it would end.

He feared future complications--naturally; a man of limited means, in a public position, his time not his own. Yes. He owned to me in the parlour of my farmhouse that he had been very much concerned then at the possible consequences. But as he was making this artless confession I said to myself that, whatever consequences and complications he might have imagined, the complication from which he was suffering now could never, never have presented itself to his mind. Slow but sure (for I conceive that the Book of Destiny has been written up from the beginning to the last page) it had been coming for something like six years--and now it had come. The complication was there! I looked at his unshaken solemnity with the amused pity we give the victim of a funny if somewhat ill-natured practical joke.