Castilian Days Part 7

The window just above them slammed, and another officer came up and said that the Adversary was to pay. "THE QUEEN was at the window and heard every word you said."

An hour after the colonel received an order from the commandant of the place, revoking his leave of absence and ordering him to duty in Madrid.

It is not very surprising that this officer was at the Bridge of Alcolea.

At noon the day grew dark with clouds, and the black storm-wreath came down over the mountains. A terrific fire of artillery resounded for a half-hour in the craggy peaks about us, and a driving shower pa.s.sed over palace and gardens. Then the sun came out again, the pleasure-grounds were fresher and greener than ever, and the visitors thronged in the court of the palace to see the fountains in play. The regent led the way on foot. The general followed in a pony phaeton, and ministers, adjutants, and the population of the district trooped along in a party-colored ma.s.s.

It was a good afternoon's work to visit all the fountains. They are twenty-six in number, strewn over the undulating grounds. People who visit Paris usually consider a day of Grandes Eaux at Versailles the last word of this species of costly trifling. But the waters at Versailles bear no comparison with those of La Granja. The sense is fatigued and bewildered here with their magnificence and infinite variety. The vast reservoir in the bosom of the mountain, filled with the purest water, gives a possibility of more superb effects than have been attained anywhere else in the world. The Fountain of the Winds is one, where a vast ma.s.s of water springs into the air from the foot of a great cavernous rock; there is a succession of exquisite cascades called the Race-Course, filled with graceful statuary; a colossal group of Apollo slaying the Python, who in his death agony bleeds a torrent of water; the Basket of Flowers, which throws up a system of forty jets; the great single jet called Fame, which leaps one hundred and thirty feet into the air, a Niagara reversed; and the crowning glory of the garden, the Baths of Diana, an immense stage scene in marble and bronze, crowded with nymphs and hunting-parties, wild beasts and birds, and everywhere the wildest luxuriance of spouting waters. We were told that it was one of the royal caprices of a recent tenant of the palace to emulate her chaste prototype of the silver bow by choosing this artistic basin for her ablutions, a sufficient number of civil guards being posted to prevent the approach of Castilian Actaeons. Ford aptly remarks of these extravagant follies: "The yoke of building kings is grievous, and especially when, as St. Simon said of Louis XIV. and his Versailles, 'II se plut a tyranniser la nature.'"

As the bilious Philip paused before this ma.s.s of sculptured extravagance, he looked at it a moment with evident pleasure. Then he thought of the bill, and whined, "Thou hast amused me three minutes and hast cost me three millions."

To do Philip justice, he did not allow the bills to trouble him much. He died owing forty-five million piastres, which his dutiful son refused to pay. When you deal with Bourbons, it is well to remember the Spanish proverb, "A sparrow in the hand is better than a bustard on the wing."

We wasted an hour in walking through the palace. It is, like all palaces, too fine and dreary to describe. Miles of drawing-rooms and boudoirs, with an infinity of tapestry and gilt chairs, all the apartments haunted by the demon of ennui. All idea of comfort is sacrificed to costly glitter and flimsy magnificence. Some fine paintings were pining in exile on the desolate walls. They looked homesick for the Museum, where they could be seen of men.

The next morning we drove down the mountain and over the rolling plain to the fine old city of Segovia. In point of antiquity and historic interest it is inferior to no town in Spain. It has lost its ancient importance as a seat of government and a mart of commerce. Its population is now not more than eleven thousand. Its manufactures have gone to decay. Its woollen works, which once employed fourteen thousand persons and produced annually twenty-five thousand pieces of cloth, now sustain a sickly existence and turn out not more than two hundred pieces yearly. Its mint, which once spread over Spain a Danaean shower of ounces and dollars, is now reduced to the humble office of striking copper cuartos. More than two centuries ago this decline began. Boisel, who was there in 1669, speaks of the city as "presque desert et fort pauvre." He mentions as a mark of the general unthrift that the day he arrived there was no bread in town until two o'clock in the afternoon, "and no one was astonished at it."

Yet even in its poverty and rags it has the air of a town that has seen better days. Tradition says it was founded by Hercules. It was an important city of the Roman Empire, and a great capital in the days of the Arab monarchy. It was the court of the star-gazing King Alonso the Wise. Through a dozen centuries it was the flower of the mountains of Castile. Each succeeding age and race beautified and embellished it, and each, departing, left the trace of its pa.s.sage in the abiding granite of its monuments. The Romans left the glorious aqueduct, that work of demiG.o.ds who scorned to mention it in their histories; its mediaeval bishops bequeathed to later times their ideas of ecclesiastical architecture; and the Arabs the science of fortification and the industrial arts.

Its very ruin and decay makes it only more precious to the traveller.

There are here none of the modern and commonplace evidences of life and activity that shock the artistic sense in other towns. All is old, moribund, and picturesque. It lies here in the heart of the Guadarramas, lost and forgotten by the civilization of the age, muttering in its senile dream of the glories of an older world. It has not vitality enough to attract a railroad, and so is only reached by a long and tiresome journey by diligence. Its solitude is rarely intruded upon by the impertinent curious, and the red back of Murray is a rare apparition in its winding streets.

Yet those who come are richly repaid. One does not quickly forget the impression produced by the first view of the vast aqueduct, as you drive into the town from La Granja. It comes upon you in an instant,--the two great ranges of superimposed arches, over one hundred feet high, spanning the ravine-like suburb from the outer hills to the Alcazar. You raise your eyes from the market-place, with its d.i.c.kering crowd, from the old and squalid houses cl.u.s.tered like shot rubbish at the foot of the chasm, to this grand and soaring wonder of utilitarian architecture, with something of a fancy that it was never made, that it has stood there since the morning of the world. It has the lightness and the strength, the absence of ornament and the essential beauty, the vastness and the perfection, of a work of nature.

It is one of those gigantic works of Trajan, so common in that magnificent age that Roman authors do not allude to it. It was built to bring the cool mountain water of the Sierra Fonfria a distance of nine miles through the hills, the gulches, and the pine forests of Valsain, and over the open plain to the thirsty city of Segovia. The aqueduct proper runs from the old tower of Caseron three thousand feet to the reservoir where the water deposits its sand and sediment, and thence begins the series of one hundred and nineteen arches, which traverse three thousand feet more and pa.s.s the valley, the arrabal, and reach the citadel. It is composed of great blocks of granite, so perfectly framed and fitted that not a particle of mortar or cement is employed in the construction.

The wonder of the work is not so much in its vastness or its beauty as in its tremendous solidity and duration. A portion of it had been cut away by barbarous armies during the fifteenth century, and in the reign of Isabella the Catholic the monk-architect of the Parral, Juan Escovedo, the greatest builder of his day in Spain, repaired it. These repairs have themselves twice needed repairing since then. Marshal Ney, when he came to this portion of the monument, exclaimed, "Here begins the work of men's hands."

The true Segovian would hoot at you if you a.s.signed any mortal paternity to the aqueduct. He calls it the Devil's Bridge, and tells you this story. The Evil One was in love with a pretty girl of the upper town, and full of protestations of devotion. The fair Segovian listened to him one evening, when her plump arms ached with the work of bringing water from the ravine, and promised eyes of favor if his Infernal Majesty would build an aqueduct to her door before morning. He worked all night, like the Devil, and the maiden, opening her black eyes at sunrise, saw him putting the last stone in the last arch, as the first ray of the sun lighted on his shining tail. The Church, we think very unfairly, decided that he had failed, and released the coquettish contractor from her promise; and it is said the Devil has never trusted a Sego-vian out of his sight again.

The bartizaned keep of the Moorish Alcazar is perched on the western promontory of the city that guards the meeting of the streams Eresma and Clamores. It has been in the changes of the warring times a palace, a fortress, a prison (where our friend--everybody's friend--Gil Blas was once confined), and of late years a college of artillery. In one of its rooms Alonso the Wise studied the heavens more than was good for his orthodoxy, and from one of its windows a lady of the court once dropped a royal baby, of the bad blood of Trasta-mara. Henry of Trastamara will seem more real if we connect him with fiction. He was the son of "La Favorita," who will outlast all legitimate princesses, in the deathless music of Donizetti.

Driving through a throng of beggars that enc.u.mbered the carriage wheels as gra.s.shoppers sometimes do the locomotives on a Western railway, we came to the fine Gothic Cathedral, built by Gil de Ontanon, father and son, in the early part of the sixteenth century. It is a delight to the eyes; the rich harmonious color of the stone, the symmetry of proportion, the profuse opulence and grave finish of the details. It was built in that happy era of architecture when a builder of taste and culture had all the past of Gothic art at his disposition, and before the degrading influence of the Jesuits appeared in the churches of Europe. Within the Cathedral is remarkably airy and graceful in effect.

A most judicious use has been made of the exquisite salmon-colored marbles of the country in the great altar and the pavement.

We were met by civil ecclesiastics of the foundation and shown the beauties and the wonders of the place. Among much that is worthless, there is one very impressive Descent from the Cross by Juan de Juni, of which that excellent Mr. Madoz says "it is worthy to rank with the best masterpieces of Raphael or--Mengs;" as if one should say of a poet that he was equal to Shakespeare or Southey.

We walked through the cloisters and looked at the tombs. A flood of warm light poured through the graceful arches and lit up the trees in the garden and set the birds to singing, and made these cloisters pleasanter to remember than they usually are. Our attendant priest told us, with an earnest credulity that was very touching, the story of Maria del Salto, Mary of the Leap, whose history was staring at us from the wall. She was a Jewish lady, whose husband had doubts of her discretion, and so threw her from a local Tarpeian rock. As she fell she invoked the Virgin, and came down easily, sustained, as you see in the picture, by her faith and her petticoats.

As we parted from the good fathers and entered our carriages at the door of the church, the swarm of mendicants had become an army. The word had doubtless gone through the city of the outlandish men who had gone into the Cathedral with whole coats, and the result was a _levee en ma.s.se_ of the needy. Every coin that was thrown to them but increased the clamor, as it confirmed them in their idea of the boundless wealth and munificence of the givers. We recalled the profound thought of Emerson, "If the rich were only as rich as the poor think them!"

At last we drove desperately away through the ragged and screaming throng. We pa.s.sed by the former home of the Jeronomite monks of the Parral, which was once called an earthly paradise, and in later years has been a pen for swine; past crumbling convents and ruined churches; past the charming Romanesque San Millan, girdled with its round-arched cloisters; the granite palace of his Reverence the Bishop of Segovia, and the elegant tower of St. Esteban, where the Roman is dying and the Gothic is dawning; and every step of the route is a study and a joy to the antiquarian.

But though enriched by all these legacies of an immemorial past, there seems no hope, no future for Segovia. It is as dead as the cities of the Plain. Its spindles have rusted into silence. Its gay company is gone.

Its streets are too large for the population, and yet they swarm with beggars. I had often heard it compared in outline to a ship,--the sunrise astern and the prow pointing westward,--and as we drove away that day and I looked back to the receding town, it seemed to me like a grand hulk of some richly laden galleon, aground on the rock that holds it, alone, abandoned to its fate among the barren billows of the tumbling ridges, its crew tired out with struggling and apathetic in despair, mocked by the finest air and the clearest sunshine that ever shone, and gazing always forward to the new world and the new times hidden in the rosy sunset, which they shall never see.

THE CITY OF THE VISIGOTHS

Emilio Castelar said to me one day, "Toledo is the most remarkable city in Spain. You will find there three strata of glories,--Gothic, Arab, and Castilian,--and an upper crust of beggars and silence."

I went there in the pleasantest time of the year, the first days of June. The early harvest was in progress, and the sunny road ran through golden fields which were enlivened by the reapers gathering in their grain with shining sickles. The borders of the Tagus were so cool and fresh that it was hard to believe one was in the arid land of Castile.

From Madrid to Aranjuez you meet the usual landscapes of dun hillocks and pale-blue vegetation, such as are only seen in nature in Central Spain, and only seen in art on the matchless canvas of Velazquez. But from the time you cross the tawny flood of the Tagus just north of Aranjuez, the valley is gladdened by its waters all the way to the Primate City.

I am glad I am not writing a guide-book, and do not feel any responsibility resting upon me of advising the gentle reader to stop at Aranjuez or to go by on the other side. There is a most amiable and praiseworthy cla.s.s of travellers who feel a certain moral necessity impelling them to visit every royal abode within their reach. They always see precisely the same things,--some thousand of gilt chairs, some faded tapestry and marvellous satin upholstery, a room in porcelain, and a room in imitation of some other room somewhere else, and a picture or two by that worthy and tedious young man, Raphael Mengs. I knew I would see all these things at Aranjuez, and so contented myself with admiring its pretty site, its stone-cornered brick facade, its high-shouldered French roof, and its general air of the Place Royale, from the outside. The gardens are very pleasant, and lonely enough for the most philosophic stroller. A clever Spanish writer says of them, "They are sombre as the thoughts of Philip II., mysterious and gallant as the pleasures of Philip IV." To a revolutionary mind, it is a certain pleasure to remember that this was the scene of the _emeute_ that drove Charles IV. from his throne, and the Prince of Peace from his queen's boudoir. Ferdinand VII., the turbulent and restless Prince of Asturias, reaped the immediate profit of his father's abdication; but the two worthless creatures soon called in Napoleon to decide the squabble, which he did in his leonine way by taking the crown away from both of them and handing it over for safe-keeping to his lieutenant brother Joseph. Honor among thieves!--a silly proverb, as one readily sees if he falls into their hands, or reads the history of kings.

If Toledo had been built, by some caprice of enlightened power, especially for a show city, it could not be finer in effect. In detail, it is one vast museum. In ensemble, it stands majestic on its hills, with its long lines of palaces and convents terraced around the rocky slope, and on the height the soaring steeples of a swarm of churches piercing the blue, and the huge cube of the Alcazar crowning the topmost crest, and domineering the scene. The magnificent zigzag road which leads up the steep hillside from the bridge of Alcantara gives an indefinable impression, as of the lordly ramp of some fortress of impossible extent.

This road is new, and in perfect condition. But do not imagine you can judge the city by the approaches. When your carriage has mounted the hill and pa.s.sed the evening promenade of the To-ledans, the quaint triangular Place,--I had nearly called it Square,--"waking laughter in indolent reviewers," the Zocodover, you are lost in the dae-dalian windings of the true streets of Toledo, where you can touch the walls on either side, and where two carriages could no more pa.s.s each other than two locomotives could salute and go by on the same track. This interesting experiment, which is so common in our favored land, could never be tried in Toledo, as I believe there is only one turnout in the city, a minute omnibus with striped linen hangings at the sides, driven by a young Castilian whose love of money is the root of much discussion when you pay his bill. It is a most remarkable establishment. The horses can cheerfully do their mile in fifteen or twenty minutes, but they make more row about it than a high-pressure Mississippi steamer; and the crazy little trap is noisier in proportion to its size than anything I have ever seen, except perhaps an Indiana tree-toad. If you make an excursion outside the walls, the omnibus, noise and all, is inevitable; let it come. But inside the city you must walk; the slower the better, for every door is a study.

It is hard to conceive that this was once a great capital with a population of two hundred thousand souls. You can easily walk from one end of the city to the other in less than half an hour, and the houses that remain seem comfortably filled by eighteen thousand inhabitants.

But in this narrow s.p.a.ce once swarmed that enormous and busy mult.i.tude.

The city was walled about by powerful stone ramparts, which yet stand in all their ma.s.sy perfection. So there could have been no suburbs. This great aggregation of humanity lived and toiled on the crests and in the wrinkles of the seven hills we see to-day. How important were the industries of the earlier days we can guess from the single fact that John of Padilla, when he rose in defence of munic.i.p.al liberty in the time of Charles V., drew in one day from the teeming workshops twenty thousand fighting men. He met the usual fate of all Spanish patriots, shameful and cruel death. His palace was razed to the ground. Successive governments, in shifting fever-fits of liberalism and absolutism, have set up and pulled down his statue. But his memory is loved and honored, and the example of this n.o.blest of the comuneros impresses powerfully to-day the ardent young minds of the new Spain.

Your first walk is of course to the Cathedral, the Primate Church of the kingdom. Besides its ecclesiastical importance, it is well worthy of notice in itself. It is one of the purest specimens of Gothic architecture in existence, and is kept in an admirable state of preservation. Its situation is not the most favorable. It is approached by a network of descending streets, all narrow and winding, as streets were always built under the intelligent rule of the Moors. They preferred to be cool in summer and sheltered in winter, rather than to lay out great deserts of boulevards, the haunts of sunstroke and pneumonia. The site of the Cathedral was chosen from strategic reasons by St. Eugene, who built there his first Episcopal Church. The Moors made a mosque of it when they conquered Castile, and the fastidious piety of St. Ferdinand would not permit him to worship in a shrine thus profaned. He tore down the old church and laid, in 1227, the foundations of this magnificent structure, which was two centuries after his death in building. There is, however, great unity of purpose and execution in this Cathedral, due doubtless to the fact that the architect Perez gave fifty years of his long life to the superintendence of the early work. Inside and outside it is marked by a grave and harmonious majesty. The great western facade is enriched with three splendid portals,--the side ones called the doors of h.e.l.l and Judgment; and the central a beautiful ogival arch divided into two smaller ones, and adorned with a lavish profusion of delicately sculptured figures of saints and prophets; on the chaste and severe cornice above, a group of spirited busts represents the Last Supper. There are five other doors to the temple, of which the door of the Lions is the finest, and just beside it a heavy Ionic portico in the most detestable taste indicates the feeling and culture that survived in the reign of Charles IV.

To the north of the west facade rises the ma.s.sive tower. It is not among the tallest in the world, being three hundred and twenty-four feet high, but is very symmetrical and impressive. In the preservation of its pyramidal purpose it is scarcely inferior to that most consummate work, the tower of St. Stephen's in Vienna. It is composed of three superimposed structures, gradually diminishing in solidity and ma.s.siveness from the square base to the high-springing octagonal spire, garlanded with th.o.r.n.y crowns. It is balanced at the south end of the facade by the pretty cupola and lantern of the Mozarabic Chapel, the work of the Greek Theotocopouli.

But we soon grow tired of the hot glare of June, and pa.s.s in a moment into the cool twilight vastness of the interior, refreshing to body and soul. Five fine naves, with eighty-four pillars formed each of sixteen graceful columns,--the entire edifice measuring four hundred feet in length and two hundred feet in breadth,--a grand and shadowy temple grove of marble and granite. At all times the light is of an unearthly softness and purity, toned by the exquisite windows and rosaces. But as evening draws on, you should linger till the sacristan grows peremptory, to watch the gorgeous glow of the western sunlight on the blazing roses of the portals, and the marvellous play of rich shadows and faint gray lights in the eastern chapels, where the grand aisles sweep in their perfect curves around the high altar. A singular effect is here created by the gilded organ pipes thrust out horizontally from the choir. When the powerful choral anthems of the church peal out over the kneeling mult.i.tude, it requires little fancy to imagine them the golden trumpets of concealed archangels, who would be quite at home in that incomparable choir.

If one should speak of all the noteworthy things you meet in this Cathedral, he would find himself in danger of following in the footsteps of Mr. Parro, who wrote a handbook of Toledo, in which seven hundred and forty-five pages are devoted to a hasty sketch of the basilica. For five hundred years enormous wealth and fanatical piety have worked together and in rivalry to beautify this spot. The boundless riches of the Church and the boundless superst.i.tion of the laity have left their traces here in every generation in forms of magnificence and beauty. Each of the chapels--and there are twenty-one of them--is a separate masterpiece in its way. The finest are those of Santiago and St. Ildefonso,--the former built by the famous Constable Alvaro de Luna as a burial-place for himself and family, and where he and his wife lie in storied marble; and the other commemorating that celebrated visit of the Virgin to the bishop, which is the favorite theme of the artists and ecclesiastical gossips of Spain.

There was probably never a morning call which gave rise to so much talk.

It was not the first time the Virgin had come to Toledo. This was always a favorite excursion of hers. She had come from time to time, escorted by St. Peter, St. Paul, and St. James. But on the morning in question, which was not long after Bishop Ildefonso had written his clever treatise, "De Virginitate Stae Mariae," the Queen of Heaven came down to matin prayers, and, taking the bishop's seat, listened to the sermon with great edification. After service she presented him with a nice new chasuble, as his own was getting rather shabby, made of "cloth of heaven," in token of her appreciation of his spirited pamphlet in her defence. This chasuble still exists in a chest in Asturias. If you open the chest, you will not see it; but this only proves the truth of the miracle, for the chroniclers say the sacred vestment is invisible to mortal eyes.

But we have another and more palpable proof of the truth of the history.

The slab of marble on which the feet of the celestial visitor alighted is still preserved in the Cathedral in a tidy chapel built on the very spot where the avatar took place. The slab is enclosed in red jasper and guarded by an iron grating, and above it these words of the Psalmist are engraved in the stone, _Adorabimus in loco ubi steterunt pedes ejus._

This story is cut in marble and carved in wood and drawn upon bra.s.s and painted upon canvas, in a thousand shapes and forms all over Spain. You see in the Museum at Madrid a picture by Murillo devoted to this idle fancy of a cunning or dreaming priest. The subject was unworthy of the painter, and the result is what might have been expected,--a picture of trivial and mundane beauty, without the least suggestion of spirituality.

But there can be no doubt of the serious, solemn earnestness with which the worthy Castilians from that day to this believe the romance. They came up in groups and families, touching their fingers to the sacred slab and kissing them reverentially with muttered prayers. A father would take the first kiss himself, and pa.s.s his consecrated finger around among his awe-struck babes, who were too brief to reach to the grating. Even the aged verger who showed us the shrine, who was so frail and so old that we thought he might be a ghost escaped from some of the mediaeval tombs in the neighborhood, never pa.s.sed that pretty white-and-gold chapel without sticking in his thumb and pulling out a blessing.

A few feet from this worship-worn stone, a circle drawn on one of the marble flags marks the spot where Santa Leocadia also appeared to this same favored Ildefonso and made her compliments on his pamphlet. Was ever author so happy in his subject and his gentle readers? The good bishop evidently thought the story of this second apparition might be considered rather a heavy draught on the credulity of his flock, so he whipped out a convenient knife and cut off a piece of her saint-ship's veil, which clinched the narrative and struck doubters dumb. That great king and crazy relic-hunter, Philip II., saw this rag in his time with profound emotion,--this tiger heart, who could order the murder of a thousand innocent beings without a pang.

There is another chapel in this Cathedral which preaches forever its silent condemnation of Spanish bigotry to deaf ears. This is the Mozarabic Chapel, sacred to the celebration of the early Christian rite of Spain. During the three centuries of Moorish domination the enlightened and magnanimous conquerors guaranteed to those Christians who remained within their lines the free exercise of all their rights, including perfect freedom of worship. So that side by side the mosque and the church worshipped G.o.d each in its own way without fear or wrong.

But when Alonso VI. recaptured the city in the eleventh century, he wished to establish uniformity of worship, and forbade the use of the ancient liturgy in Toledo. That which the heathen had respected the Catholic outraged. The great Cardinal Ximenez restored the primitive rite and devoted this charming chapel to its service. How ill a return was made for Moorish tolerance we see in the infernal treatment they afterwards received from king and Church. They made them choose between conversion and death. They embraced Christianity to save their lives.

Then the priests said, "Perhaps this conversion is not genuine! Let us send the heathen away out of our sight." One million of the best citizens of Spain were thus torn from their homes and landed starving on the wild African coast. And Te Deums were sung in the churches for this triumph of Catholic unity. From that hour Spain has never prospered. It seems as if she were lying ever since under the curse of these breaking hearts.

Pa.s.sing by a world of artistic beauties which never tire the eyes, but soon would tire the chronicler and reader, stepping over the broad bronze slab in the floor which covers the dust of the haughty primate Porto Carrero, but which bears neither name nor date, only this inscription of arrogant humility, HIC JACET PULVIS CINIS ET NIHIL, we walk into the verdurous and cheerful Gothic cloisters. They occupy the site of the ancient Jewish markets, and the zealous prelate Tenorio, cousin to the great lady's man Don Juan, could think of no better way of acquiring the ground than that of stirring up the mob to burn the houses of the heretics. A fresco that adorns the gate explains the means employed, adding insult to the old injury. It is a picture of a beautiful child hanging upon a cross; a fiendish-looking Jew, on a ladder beside him, holds in his hand the child's heart, which he has just taken from his bleeding breast; he holds the dripping knife in his teeth. This brutal myth was used for centuries with great effect by the priesthood upon the mob whenever they wanted a Jew's money or his blood.

Even to-day the old poison has not lost its power. This very morning I heard under my window loud and shrill voices. I looked out and saw a group of brown and ragged women, with babies in their arms, discussing the news from Madrid. The Protestants, they said, had begun to steal Catholic children. They talked themselves into a fury. Their elf-locks hung about their fierce black eyes. The sinews of their lean necks worked tensely in their voluble rage. Had they seen our mild missionary at that moment, whom all men respect and all children instinctively love, they would have torn him in pieces in their Maenad fury, and would have thought they were doing their duty as mothers and Catholics.

This absurd and devilish charge was seriously made in a Madrid journal, the organ of the Moderates, and caused great fermentation for several days, street rows, and debates in the Cortes, before the excitement died away. Last summer, in the old Murcian town of Lorca, an English gentleman, who had been several weeks in the place, was attacked and nearly killed by a mob, who insisted that he was engaged in the business of stealing children, and using their spinal marrow for lubricating telegraph wires! What a picture of blind and savage ignorance is here presented! It reminds us of that sad and pitiful "blood-bath revolt" of Paris, where the wretched mob rose against the wretched tyrant Louis XV., accusing him of bathing in the blood of children to restore his own wasted and corrupted energies.

Toledo is a city where you should eschew guides and trust implicitly to chance in your wanderings. You can never be lost; the town is so small that a short walk always brings you to the river or the wall, and there you can take a new departure. If you do not know where you are going, you have every moment the delight of some unforeseen pleasure. There is not a street in Toledo that is not rich in treasures of architecture,--hovels that once were marvels of building, balconies of curiously wrought iron, great doors with sculptured posts and lintels, with gracefully finished hinges, and studded with huge nails whose fanciful heads are as large as billiard b.a.l.l.s. Some of these are still handsome residences, but most have fallen into neglect and abandonment.

You may find a beggar installed in the ruined palace of a Moorish prince, a cobbler at work in the pleasure-house of a Castilian conqueror. The graceful carvings are mutilated and destroyed, the delicate arabesques are smothered and hidden under a triple coat of whitewash. The most beautiful Moorish house in the city, the so-called Taller del Moro, where the grim governor of Huesca invited four hundred influential gentlemen of the province to a political dinner, and cut off all their heads as they entered (if we may believe the chronicle, which we do not), is now empty and rapidly going to ruin. The exquisite panelling of the walls, the endlessly varied stucco work that seems to have been wrought by the deft fingers of ingenious fairies, is shockingly broken and marred. Gigantic cacti look into the windows from the outer court. A gay pomegranate-tree flings its scarlet blossoms in on the ruined floor. Rude little birds have built their nests in the beautiful fretted rafters, and flutter in and out as busy as brokers.

But of all the feasting and loving and plotting these lovely walls beheld in that strange age that seems like fable now,--the vivid, intelligent, scientific, tolerant age of the Moors,--even the memory has perished utterly and forever.