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Captivity Part 66

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"How did you know? Did Louis tell you?" asked Marcella in a low voice.

The pain had been unbearable all day but she had wrapt herself in a great cape of her father's and taken it out on Lashnagar, where no one could see her, leaving Andrew at the hut with Wullie. For a long time she had lost consciousness, to waken very cold in the winter dusk.

"No, Louis said nothing. But I've eyes. You're marked for death. I saw it when you came in at the door that night. Besides, you and I are very much alike, so I understand you. And you're getting very much like your mother."

"I think I'll see Dr. Angus to-morrow," said Marcella presently. "But I don't think it's much use. That's the worst of being married to an enthusiastic medical student! You know so much!"

The wood crackled for a while before Aunt Janet spoke.

"We are getting wiped out, Marcella! Only an old stick like me, who has repressed everything, lives to tell the tale. I've ruled myself never to feel anything."

"I'm glad I haven't. I'd rather be smashed up with pain than be dead.

You see, Aunt Janet, you repressed things and I took them out and walked over them."

"Maybe I would if I had my time to go over again. But I don't know. It's a blessing not to feel. I'm fond of you, you know, but I scarcely felt your going away. And I don't suppose I shall feel your dying very much."

"You care about Andrew," said Marcella quickly.

"Yes, I care about Andrew," said Aunt Janet and gathered herself into the past.

The next day Marcella went to see Dr. Angus who was horrified and incredulous, and wired for a specialist from Edinburgh. Marcella knew it was all useless, and when the specialist went away after talking to Dr.

Angus, without saying anything more about operations, she felt very glad.

Louis suspected nothing; he was working very hard for his first examination the week before Easter and she would not have him worried; she wrote to him every day, though writing grew more and more difficult.

She fought desperately against being an invalid and staying in bed, but at last she had to give way; Dr. Angus came every day and talked to her for hours; sometimes he gave her morphia; once or twice when the pain had stranded her almost unbreathing on a sh.o.r.e of numbness and exhaustion she wished that she had died in the hospital in Sydney: but not for long; in spite of the pain she wanted to live. Once or twice, when all was quiet, and the pain was having its night-time orgy with her, she cried out in the unbearable agony of it. She would have no one with her at nights, but Aunt Janet's uncanny penetration guessed at the pain and she made Dr. Angus leave morphia tablets for her. At first, though they were at her hand, she refused them.

"I don't want to waste time in unconsciousness," she said once. Later, she grew glad to waste time: she understood how her father used to pray for drugs when he was too tired to pray for courage in those weary nights of his. Another time she said that it was cowardly: Louis, in his whisky days, had been seeking anesthesia from painful thoughts; she was too proud to seek it for a painful body. She tried hard, too, to keep shining Kraill's conception of her courage; she did not realize that he would never know, however much she gave way: always, for her, he lived just on the threshold of her consciousness.

One day when the doctor was sitting beside her and she had got out of a maze of pain into a buoyant sea of bodily unconsciousness, she talked to him about his letter in which he had grieved at his inadequacy. Then she told him about Louis, and about Kraill, for she thought it might encourage him to know how the miracle of healing had come about.

"He wrote to me this morning, doctor," she said. "Will you feel under my pillow and get the letter? I know he wouldn't mind your reading it."

The doctor unfolded the thick bundle of pages and read--and as he read he saw that the words were all blurred by tears, and guessed that they were certainly not tears shed by the exuberant young man who had written the letter.

"Three cheers, old girl. The week of torture is past! I know I got through. I simply sailed through. My brain is a fifty times better machine than it was seven years ago. And they're accommodating at these Scotch medical schools. I told 'em I'd got through part of my Final in London before the bust-up came, and the Dean sent for me to-day and said it seemed a pity for me to slog at the donkey-work again, when I knew it. So we talked it over, and he says I ought to do the Final next year.

And then, Marcella, look out! I've told you I've laid down my challenge to sickness! I'll have it whacked before I die. I can't see why anyone should die except of senile decay or accident--and those we'll eliminate in time! I feel that there's only a d.y.k.e of matchboarding between me and the ocean of knowledge. One day it's going to break, and I'll be flooded with it. It's a most uncanny feeling, old girl. One of the chaps here--a rather mad American--says that there are people who've broken that d.y.k.e down--Shakespeare, for instance. (But if I broke it down, I wouldn't be such a footler as to write plays and poems, would you?) Corlyon--that's the mad American--is the son of a big psychologist at Harvard; he gave me some light on Kraill's remark about dreams that day. He says they're being used a lot by some German and American alienists in curing all sorts of neuroses. (By the way, old girl, next time you write, tell me if you understand all these technicalities. I want you to understand them, and if you don't I'll explain as I go on. One never can be sure about you. Sometimes you seem no end of a duffer, and next minute you come out with an amazing piece of penetration.) Well, these new psychologists say that things like drinking, s.e.x, drugging, kleptomania, and all these bally nuisances that make people impossible members of a community, come from repression. A man has a perfectly well-meaning impulse to do something. His education, or his religion or his convention tells him it's wrong, so he represses it. He fights it, pushes it back. It gets encysted and, in time, forms a spiritual abscess. It's got to break through. Of course, the idea is not to repress things at all. I don't say let things rip, and go in for a whole glorious orgy of wine, woman and song. But take the desire out, have a talk with it, and make it look silly like Kraill made whisky look silly to me. There, I thought that would interest you. (A bit more proof how d.a.m.nably clever he was!)

"Marcella, I told you then I'd be the same to you as Kraill was, didn't I? I worshipped you; I wanted you; you were my saviour, and I'd have picked up the Great Pyramid and walked off staggering with it if you'd asked me. That was the path that carried me over my particular messy mora.s.s (that, and my acquisitive spirit that objected to giving up part of my goods and chattels!) And now--listen here, old lady! It's a thing a chap couldn't say to most of his wives. I can say it to you and know that you'll understand. (That's the heavenly safeness of you. You do understand, and never judge resentfully) Marcella, I'm going to be the sort of man Kraill is! And I'm going to be it not for you at all now!

I'm going to be bigger than he, even. And I know he'll be big enough to be glad if I am. A good doctor's reward is in his patient's recovery, and in a way, whatever the patient does afterwards counts to the doctor, doesn't it? So now, old girl, if there was no you on earth, I'd still keep my tail up! Put that in your pipe of peace and smoke it! Different days, isn't it to the time when I couldn't be sent to buy a baby's feeding-bottle without getting boozed? I knew you'd like to know that.

Oh, wasn't I a fool to think you wanted to tie me to your ap.r.o.n strings?

I've got to neglect you for a bit now. I've got to run on without you, dear. Thank G.o.d you're not the sort to get huffy about it, and want me dancing attendance on you. A man with a man's job to do can't have time for the softness of women about him: he can't stop to look to right or left! But when I'm in Harley Street--well there! No more decayed castles or wooden huts for you!

"I'm aching to see you, Marcella. It's the Mater's birthday on Easter Sunday, so I'm running down to see her on Sat.u.r.day. I shall travel back by that train that leaves Euston at midnight on Sunday. It's great to be away from you, because it's so great to come back."

The doctor looked at her as he put the letter down, and blew his nose and polished his gla.s.ses.

"Two or three years ago I'd have been sick to think I was only the bridge to carry him over--to his job. But now--" She smiled a little, wondering why he should talk to her of the softness of women, that he must dispense with for a while; and Kraill had seen her hard, and asked her to be courageous for him!

After the doctor had gone Andrew came in, warm and rosy from his bath.

He had had a glorious day on the beach with Wullie; he scrambled into Jean's arms to be carried to bed, because they had forgotten his slippers and his feet were cold.

"Night, night, mummy," he said. "Inve morning I shan't wake you up, 'cos I'm going to see the boats come in at five! An' Jean's putting oatcake in my pocket--like a man--!"

He went off, laughing. After he was in bed, she heard him singing for a long time until his voice droned away to drowsiness.

She lay silent and motionless. Aunt Janet came in. She took up the hypodermic syringe impa.s.sively. Marcella shook her head.

"No. I want to think to-night. Louis's coming on Monday. I've to think of some way of not letting him know how ill I am, because of his work,"

she said. "But will you put pencil and paper where I can get it?"

"You'll not be writing letters to-night, Marcella?" said Aunt Janet.

"No. I'm going to make my will," she laughed. "I've only Louis and Andrew to leave--"

Her aunt kissed her and turned away. Through the open window came the soft roar of the sea. It was very still to-night; the moon shone across it, but that she could not see: she had seen it so often that it was there in her imagination. On Ben Grief the shadows lay inky in the silver light. She looked at the syringe, and then at the tabloids, and sighed a little; the pain was a thing tearing and burning; several times she tried to begin to write and had to lie back with closed eyes floating away on a sea of horror. Several times her hand quivered towards the tabloids and came back to the pencil. The shadows seemed to jostle each other about the room. Kraill's eyes shone out of them for an instant, blue and impelling. She got a grip on herself and wrote, a word at a time, making each letter with proud precision:

DEAR PROFESSOR KRAILL,

I am sending you a letter I had from my husband to-day. Have you forgotten us, and that wonderful thing you did out in the Bush? You told me then that you liked to interfere in other people's business, but that they didn't always take the interfering nicely. I want you to know what your interfering has meant to us.

You will gather from Louis's letter what you meant to him. It is more difficult to explain what you meant to me. Can you understand if I say you've been a constant goad to me? It would have been easier for me if I had never seen you, because you have been the censor of my spirit ever since. After you went away I was blazing with misery. I hadn't got so far as you, you see. I was pa.s.sionately wishing that I'd known you when you were more on my level. And I saw that you had had a vision of me that was very much better than I shall ever be now. As Oliver Wendell Holmes wrote, there are three Marcellas--the one Marcella herself knows, the one the people round about know, and the one G.o.d knows. That was the one you saw for a minute and, not to disappoint you, I've had to live up to it. It hasn't been easy. As you will see from his letter, even Louis doesn't need me now. And as for my boy--I know now, that though beasts claw at his life and colds and hungers and desolations come to him, they cannot put out the shine of him. But for me it has been very lonely. I wanted to be the thing of soft corners and seduction that you were sickened of. I had to rip myself to bits and make myself the rather rarefied sort of thing you demanded. I didn't dare not to be brave, because you were so much enthroned in my life that every thought was a deliberate homage to you. I might have got considerably happy, and found many thrills out of thinking about you softly, imagining kisses, adventures, perhaps. Many women would, and I'm sure many men. I couldn't do that because it would have made you less shining, though more dear in my mind. And when I tell you that almost ever since you went away I have been very ill, much of the time in horrible pain, you will see that you gave me something to live up to when you said you needed my courage.

There's a fight going on all the time between my spirit and my body.

Sometimes, when the pain has been appalling, I have thought I would write to you and ask you to release me from being brave. But I did not want to seem to you a tortured thing--Sometimes, too, I have deliberately pushed the morphia on one side and stuck it out. It was one way of getting my own back on this bundle of nerves and sensations that has played such havoc with me and that, as you scornfully told me, has once or twice cheapened me to an unworthy pleasure--'like a queen going on the streets.' I've been d.a.m.ned, d.a.m.ned, by this overlordship of the body. Now I'm going to get rid of it, and even now I don't want to! I know now I am dying, and there is morphia here under my hand. But I'll be d.a.m.ned in pain rather than be beaten by it! I won't die a cow's death, as the old Nors.e.m.e.n used to call it! I'll fight every inch of the way.--But I wish Aunt Janet would come in and jab the needle in me, forcibly. That would be quite honourable, wouldn't it?

The candle began to flicker and, turning, she saw that it was spending its last dying flame. It was impossible to write. She lay still, watching the glimmering dark square of the window. She could not see another candle there. All she could see was the little phial of tabloids. But she lay back and let the pain fasten on her. The blazing needles that were piercing her, the blazing hammers that were battering her, gathered in fury and for a few merciful hours she lost consciousness.

When she wakened again the pain had completely gone and the first faint cool light was struggling through the mists on Ben Grief. She groped about the counterpane and found her pencil, and went on writing. This time the letters were not so proudly neat. Many of them were shaky and spindlelegged and she knew it.

The candle went out, then. Some hours have pa.s.sed, and with them the pain. A very beautiful thing has come to me;--the peace that pa.s.seth all understanding until you've lost your body. I understand now, very well. Our lives are just G.o.d's pathway, and we get in His way and have to be hurt before He can get along us. I was, unconsciously, His pathway to Louis until you came along--and you were a smoother pathway than I.

His feet have blazed along my life now, burning out all the roughnesses--crushing me down. It's been a heavy weight to carry--the burden of salvation. It is such a heavy weight that one can't carry anything else. I tried to carry myself, and prides and hungers and love for you. All of them had to be blazed out.--No--not the love. That could not go. That and the courage will go on; pity perhaps will go, for only our bodies are pitiful. But the love is deathless. G.o.d's banner over me was love. I think I've read that somewhere His footmarks over my life were love. I've not read that. I had to find it out--slowly, hungrily, painfully, strivingly, because I've always been such a fool. But just this minute I've seen that I've been G.o.d's Fool--and G.o.d is Love.

The sun came up behind the pines on Ben Grief, golden and silver in the April morning. Very faintly came the voices of the fishermen; in the next room she heard small, busy sounds; two faint falls made her smile.

Andrew had mechanically put on his shoes, thought better of it and kicked them off again. She heard him creep along the landing to her door and listen. When she tried to call him to come and kiss her she found that her voice had died. She heard him say, quietly:

"Mummy's fast asleep," and smiled again as she felt that he was running through the unbarred door shrieking and laughing in the delight of the soft air, the dancing sea, the kindly sun. She knew that he had not washed his face, and worried a little about it, and then smiled again.

His voice grew fainter. She tried to lift her hand to fold her letter.

It felt as though it were miles away from her, and too heavy to move.

"Why, I'm dying now," she thought, and was surprised to find it such an ordinary, unvolitional thing to do. It was very good to do something unvolitional, very restful.--Little snappings sounded in her ears, and distant crashings and thunders as of a storm perceived by a deaf man who can see and understand without hearing.

She thought very clearly of Death for a moment, and then of G.o.d. She had often thought of Death and of G.o.d, and was surprised to find that she had been wrong about both.

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Captivity Part 66 summary

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