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He went to his room, leaving the bewildered butler to retire to the kitchen, where he informed the cook that the old man was off his head worse than common to-night.
"Blessed if he don't think he's a trotting horse!" said Edwards.
CHAPTER XI
The note on the dining room table proved, to the captain's delight, to be from James Pearson. It was brief and to the point.
"Why don't you come and see me?" wrote the young man. "I've been expecting you, and you promised to come. Have you forgotten my address?
If so, here it is. I expect to be in all day to-morrow."
The consequence of this was that eleven o'clock the next day found Captain Elisha pulling the bell at a brick house in a long brick block on a West Side street. The block had evidently been, in its time, the homes of well-to-do people, but now it was rather dingy and gone to seed. Across the street the first floors were, for the most part, small shops, and in the windows above them doctors' signs alternated with those of modistes, manicure artists, and milliners.
The captain had come a roundabout way, stopping in at the Moriarty flat, where he found Mrs. Moriarty in a curious state of woe and tearful pride. "Oh, what will I do, sir?" she moaned. "When I think he's gone, it seems as if I'd die, too. But, thanks to you and Miss Warren--Mary make it up to her!--my Pat'll have the finest funeral since the Guinny saloon man was buried. Ah, if he could have lived to see it, he'd have died content!"
The pull at the boarding-house bell was answered by a rather slatternly maid, who informed the visitor that she guessed Mr. Pearson was in; he 'most always was around lunch time. So Captain Elisha waited in a typical boarding-house parlor, before a grate with no fire in it and surrounded by walnut and plush furniture, until Pearson himself came hurrying downstairs.
"Say, you're a brick, Captain Warren!" he declared, as they shook hands.
"I hoped you'd come to-day. Why haven't you before?"
The captain explained his having mislaid the address.
"Oh, was that it? Then I'm glad I reminded you. Rather a cheeky thing to do, but I've been a reporter, and nerve is necessary in that profession.
I began to be afraid living among the blue-bloods had had its effect, and you were getting finicky as to your acquaintances."
"You didn't believe any such thing."
"Didn't I? Well, perhaps I didn't. Come up to my room. I think we can just about squeeze in, if you don't mind sitting close."
Pearson's room was on the third flight, at the front of the house.
Through the window one saw the upper half of the buildings opposite, and above them a stretch of sky. The bed was a small bra.s.s and iron affair, but the rest of the furniture was of good quality, the chairs were easy and comfortable, and the walls were thickly hung with photographs, framed drawings, and prints.
"I put those up to cover the wall paper," explained the host. "I don't offer them as an art collection, but as a screen. Sit down. Put your coat on the bed. Shall I close the window? I usually keep the upper half open to let out the pipe smoke. Otherwise I might not be able to navigate without fog signals."
His visitor chuckled, followed directions with his coat and hat, and sat down. Pearson took the chair by the small flat-topped desk.
"How about that window?" he asked. "Shall I shut it?"
"No, no! We'll be warm enough, I guess. You've got steam heat, I see."
"You mean you hear. Those pipes make noise enough to wake the dead. At first I thought I couldn't sleep because of the racket they made. Now I doubt if I could without it. Would you consider a cigar, Captain?"
"Hum! I don't usually stop to consider. But I tell you, Jim--just now you said something about a pipe. I've got mine aboard, but I ain't dared to smoke it since I left South Denboro. If you wouldn't mind--"
"Not a bit. Tobacco in this jar on the desk. I keep a temporary supply in my jacket pocket. Matches? Here you are! What do you think of my--er--stateroom?"
"Think it makes nice, snug quarters," was the prompt answer.
"Humph! Snug is a good word. Much like living in an omnibus, but it answers the purpose. I furnished it myself, except for the bed. The original bureau had pictures of cauliflowers painted on each drawer front. Mrs. Hepton--my landlady--was convinced that they were roses. I told her she might be right, but, at all events, looking at them made me hungry. Perhaps she noticed the effect on my appet.i.te and was willing for me to subst.i.tute."
The captain laughed. Then, pointing, he asked: "What's that handbill?"
The "handbill" was a fair-sized poster announcing the production at the "Eureka Opera House" of the "Thrilling Comedy-Drama, The Golden G.o.ds."
Pearson looked at it, made a face, and shook his head.
"That," he said, "is my combined crusher and comforter. It is the announcement of the first, and next to the last, performance of a play I wrote in my calf days. The 'Eureka Opera House' is--or was, if the 'G.o.ds' weren't too much for it--located at Daybury, Illinois. I keep that bill to prevent my conceit getting away with me. Also, when I get discouraged over my novel, it reminds me that, however bad the yarn may turn out to be, I have committed worse crimes."
This led to the captain's asking about the novel and how it was progressing. His companion admitted having made some progress, more in the line of revision than anything else. He had remodeled his hero somewhat, in accordance with his new friend's suggestions during their interview at the Warren apartment, and had introduced other characters, portrait sketches from memory of persons whom he had known in his boyhood days in the Maine town. He read a few chapters aloud, and Captain Elisha waxed almost enthusiastic over them.
Then followed a long discussion over a point of seamanship, the handling of a bark in a gale. It developed that the young author's knowledge of salt.w.a.ter strategy was extensive and correct in the main, though somewhat theoretical. That of his critic was based upon practice and hard experience. He cited this skipper and that as examples, and carried them through no'theasters off Hatteras and typhoons in the Indian Ocean.
The room, in spite of the open window, grew thick with pipe smoke, and the argument was punctuated by thumps on the desk and chair arms, and ill.u.s.trated by diagrams drawn by the captain's forefinger on the side of the dresser. The effects of oil on breaking rollers, the use of a "sea-anchor" over the side to "hold her to it," whether or not a man was justified in abandoning his ship under certain given circ.u.mstances, these were debated pro and con. Always Pearson's "Uncle Jim" was held up as the final authority, the paragon of sea captains, by the visitor, and, while his host pretended to agree, with modest reservations, in this estimate of his relative, he was more and more certain that his hero was bound to become a youthful edition of Elisha Warren himself--and he thanked the fates which had brought this fine, able, old-school mariner to his door.
At length, Captain Elisha, having worked "Uncle Jim" into a safe harbor after a hundred mile cruise under jury jig, with all hands watch and watch at the pumps, leaned forward in triumph to refill his pipe. Having done so, his eyes remained fixed upon a photograph standing, partially hidden by a leather collar box, upon the dresser. He looked at it intently, then rose and took it in his hand.
"Well, I swan!" he exclaimed. "Either what my head's been the fullest of lately has struck to my eyesight, or else--why, say, Jim, that's Caroline, ain't it?"
Pearson colored and seemed embarra.s.sed. "Yes," he answered, "that is Miss Warren."
"Humph! Good likeness, too! But what kind of rig has she got on? I've seen her wear a good many dresses--seems to have a different one for every day, pretty nigh--but I never saw her in anything like that.
Looks sort of outlandish; like one of them foreign girls at Geneva--or Leghorn, say."
"Yes. That is an Italian peasant costume. Miss Warren wore it at a fancy dress ball a year ago."
"Want to know! I-talian peasant, hey! Fifth Avenue peasant with diamonds in her hair. Becomin' to her, ain't it."
"I thought so."
"Yup. She looks pretty _enough_! But she don't need diamonds nor hand-organ clothes to make her pretty."
Then, looking up from the photograph, he asked, "Give you this picture, did she?"
His friend's embarra.s.sment increased. "No," he answered shortly. Then, after an instant's hesitation. "That ball was given by the As...o...b..lts and was one of the most swagger affairs of the season. The _Planet_--the paper with which I was connected--issues a Sunday supplement of half-tone reproductions of photographs. One page was given up to pictures of the ball and the costumes worn there."
"I see. Astonishin' how folks do like to get their faces into print.
I used to know an old woman--Aunt Hepsibah Tucker, her name was--she's dead now. The pride of Aunt Hepsy's heart was that she took nineteen bottles of 'Balm of Burdock Tea' and the tea folks printed her picture as a testimonial that she lived through it. Ho, ho! And society big-bugs appear to have the same cravin'."
"Some of them do. But that of your niece was obtained by our society reporter from the photographer who took it. Bribery and corruption, of course. Miss Warren would have been at least surprised to see it in our supplement. I fancied she might not care for so much publicity and suppressed it."
"Um-hm. Well, I guess you did right. I'll thank you for her. By the way, I told Caroline where I was cal'latin' to go this mornin', and she wished to be remembered to you."
Pearson seemed pleased, but he made no comment. Captain Elisha blew a smoke ring from his pipe.
"And say, Jim," he added, embarra.s.sed in his turn, "I hope you won't think I'm interferin' in your affairs, but are you still set against comin' up to where I live? I know you said you had a reason, but are you sure it's a good one?"
He waited for an answer but none came. Pearson was gazing out of the window. The captain looked at his watch and rose.