Bye-Ways Part 6

"Quite. From here you can see all the people travelling away from the city towards the sea?"

"Yes."

"Have you been watching them?"

"Yes, indeed; for half the afternoon."

She turned her great eyes on him searchingly, and seemed as if she checked a question which was almost on her lips.

"They must have been a strange mult.i.tude," she said at length. "I wonder where they are all going?"

"Some to the villages in the plain, some to the coast. I saw the Riffs who were in the Soko pa.s.s by. I suppose they were returning to the caverns from which they plunder becalmed vessels, Spanish and Portuguese."

"The Riffs--yes?"

Her intonation suggested that she was waiting for some further information. Renfrew's curiosity was aroused.

"Why do you look at me like that?" he asked. "What do you want to know?"

"Nothing, Desmond. How dark it is getting! There is Mohammed ringing the bell. And look, those must be the soldiers. They are just marching in from the city."

With the coming of night a wind arose, blowing towards the sea from the mountains; and with it came up a troop of clouds which blotted out stars and moon, and plunged the plain into a gulf of darkness. Tetuan does not gleam with lamps at night like a European city, and all the distant villas of the Moors were closely shuttered. So the wind, warm and scented and strong, swept over a black land, deserted and vacant. Only in the camp was there movement, music, and an illumination that strove up in the night, as if it would climb to the clouds. Scarcely had Claire and Renfrew finished dinner, when Absalem and Mohammed ceremoniously appeared to conduct them out to the bare s.p.a.ce before the tents on which the African fire had been carefully built. Absalem carried a lamp which swung in the wind, and, behind, there appeared from the kitchen tent some of the porters, bearing burning brands, the flames of which were at right angles to the wood from which they sprung. The guard of soldiers, one dozen in all, armed with immense guns and wrapped in hooded cloaks, were already crouched in a silent ma.s.s before the lifeless and portentous erection which came out of the darkness, as Absalem swung forward the lamp, like the skeleton of a monster. They turned their shadowy faces on Claire, and stared with eyes intent and unself-conscious as those of an animal. The porters flung their brands on to the mountain of twigs, and instantaneously a huge sheet of livid gold sprang up against the black background of the night, as if it had been shaken out on the wind by invisible hands. This sheet expanded, swayed, fluttered in ragged edges, and cast forth a cloud of sparks which were carried away into the air and vanished in the sky. The shrubs caught fire and crackled furiously, and finally the foundation of gigantic logs began to glow steadily, and to fill the wind with a scorching heat. The camp was gradually defined, at first vaguely and in sections,--the peak of a tent, the head of a mule, a startled pariah dog, a Moor set in the eye of the flames; then clearly, as the buildings one may see in a furnace, complete and glowing. The faces of the soldiers were barred with flickering orange, and red lights played in their huge and staring eyeb.a.l.l.s. The horses and mules could be counted.

Before the kitchen tent the sacrifice of sheep was visible, stewing in enormous pans upon red embers in a trench of earth. And the grave cook, who was distinguished by a white turban, shone like a pantomime magician at the mouth of an enchanted cave. Warmth, light, life poured upon the night, and the voices of men began to mingle with the continuous voice of this superb fire. The Moors, soldiers, servants, porters, kindled into furious gaiety with the swiftness of the canes and olive boughs.

They sprang up from the ground, pulled the shrouding hoods from their faces, tossed away their djelabes, and began, with shouts and e.j.a.c.u.l.a.t.i.o.ns, to dance up and down before the golden sheet, spreading their hands to it with the glee of children. A sudden joy beamed in the dusky and solemn faces, twinkled in the sombre eyes. One man flung away his fez, another dashed his turban to the ground. Round, shaven heads, bare arms, brown legs, half concealed by fluttering linen knickerbockers, lithe bodies emerged with eager haste into the light.

Shadows became abruptly men, formless humps athletes. Mutes sent out great voices to startle the sweeping bats. Mourners turned into maniacs.

It was a fantasia that exploded into life like a rocket, shedding a stream of vivid human fire. Mohammed drew away from the flames, taking a dozen swift footsteps to the rear. Then, with a shout, he dashed forward, bounded into the golden sheet, and disappeared as a clown disappears through a paper hoop. Only the paper closed up behind him. He leaped through light to darkness, pursued by a thousand eager sparks.

One soldier followed him, then another, and another. The porters, linking hands, leaped in twos and threes. Even the cook, old, and serious with a weight of savoury knowledge, tottered to the edge of the fire, which was now becoming a furnace, and took it as an Irish horse takes a stone wall, striking the topmost branches with his bare feet amid a chorus of yells.

Claire watched the darting figures with a silent gravity. She did not seem to be stirred by the fantasia of the firelight, or to catch any gaiety or life from the boisterous activity of those about her. The flames lit up the whiteness of her face, and showed Renfrew that she was looking gloomy and even despairing.

"Is anything the matter, Claire?" he asked anxiously.

"No. How could there be?"

The wind, which was increasing in violence, blew her thin dress forward, and she shivered. Absalem noticed it.

"Wear djelabe, lady," he said.

And in a moment he had taken his off, and was carefully wrapping Claire in it. She seemed glad of it, thanked him, and, with a quick gesture that hurt Renfrew, pulled the big brown hood up over her head, so that her face was entirely concealed from view. She now looked exactly like a Moor, and might have been mistaken for one of the soldiers before the fire was lit and all impeding garments were thrown aside.

Renfrew, uneasy, and wondering what conduct on his part would best suit her mysterious mood, after one or two remarks to which she barely replied, drew away a little, and gave his attention to the antics of the soldiers. Some of them were already resuming their djelabes, in preparation for the feast, which they sniffed even through the odour of burning wood and leaves. The cook, after his emotional and acrobatic outburst, had returned to his pans, which he was stirring tenderly with a stick. When Renfrew again looked towards Claire, he found it impossible to tell which cloak shrouded her from his sight. Four or five hooded figures stood near the fire. She must be one of them. He approached the group, but found, to his surprise, that all the members of it were soldiers. Claire had moved away. Renfrew stood for a few minutes with the men, till they were summoned to their feast, which, strangely enough, was to take place away from the fire in the dense darkness behind the tents. Then he was left alone by the huge ma.s.s of flame, which roared hoa.r.s.ely in the wind. Where could Claire be? On any ordinary occasion Renfrew would certainly have sought for her, but to-night something held him back. He knew very well that she wished to be alone, that something was closely occupying her mind. Whether she was still brooding over the event of the afternoon, when he had forcibly led her away in the very crisis of the snake-charmer's performance, he could not tell. To an ordinary woman such a matter would have been a trifle; but Renfrew understood that Claire felt it more deeply. Her mind appeared to be mysteriously moved and awakened by this savage from the depths of Morocco. Various circ.u.mstances combined to render him more interesting to her than he could possibly be to any ordinary traveller.

Renfrew recognised that fully and quietly. The genius of Claire had enabled her to realise in London all the wildly picturesque idiosyncrasies of a man whom she had never seen or heard of. Suddenly fate had led her to him, and she had beheld her own performance, the original of her imitation. As Renfrew stood by the fire, he began to feel the folly of his proceeding of the afternoon, and to imagine more clearly than before the condition into which it had thrown Claire. It is a sin to disturb the contemplations of genius. It is sacrilege. And then Renfrew had been moved to his act by a preposterous access of jealousy.

He acknowledged this to himself. He had been jealous of Claire's interest in this man's performance, jealous perhaps even of her dream among the hills in the midnight camp, where the man stood before her sleeping eyes, and played with his visionary serpent. How mad can a lover be? He resolved to go to Claire, and ask her pardon. This resolve thrilled him. To carry it out, he would have to draw very near to Claire, to unpack his heart to her. After all, she had given herself to him. But he had appreciated the wonder of his role as possessor so keenly, that he had waited upon her moods with an almost trembling awe.

Now, in asking pardon, he would show that in his pa.s.sion he could be strong. Women want to see the man in the lover, as well as the devotee.

Renfrew, in acknowledging his jealousy of a black savage, meant to clasp Claire with the arms of a whirlwind.

Meanwhile she was hidden from him. The wind blew strongly. The sparks leaped away in clouds toward the sea. From the dense darkness behind him came a sound of music. The soldiers were feasting. The porters were striking the lute, and singing songs of the dance and of love and of victory. It was a night of comradeship and of rejoicing. Yet he stood alone; and the turmoil of his heart was unheeded. He tried to explore the blackness of the night which stood round the golden fire with his eyes. Claire must be in that blackness close to him. Doubtless she saw him, a red and yellow creature, painted into fict.i.tious brilliance by the illumination which was shed upon him. She saw him and kept from him. Renfrew resolved to be patient. When her mood of reserve died she would come to him, in her dress of a Moor, and he would kiss the white face beneath the hood, and put his arms round the thin figure that was lost in the djelabe of brawny Absalem, and tell her the true story of his heart, never fully told to her yet. He squatted down before the fire, lit his pipe, shrugged his shoulders against the tempest from the mountains, and waited, listening to the weird music that swept by him like a hidden bird on the wind.

And Claire--where was she? When Absalem wrapped her in the huge djelabe it seemed to Claire that he had divined her secret longing to be in hiding. She disappeared into the mighty hood of the garment as into a cave. Its shadow concealed her from the watching eyes of Renfrew. There was warmth in it and a beautiful darkness. She desired both. She saw Renfrew turn to watch the leaping soldiers, and stole away out of the illuminated circle formed by the glow from the fire, into the night beyond. She did not go far, only into the nearest shadow. And there she sat down on the short dry gra.s.s, and forgot Renfrew, the roaring flames, the wind that felt incessantly at her robe, the shouting guard, the radiant and dancing attendants. She forgot them all as completely as if they had never been in her life; for the strangeness of certain incidents preoccupied her, to the exclusion of everything else. In the double existence of a really great actress there are many moments in which the truths of the imagination seem more important than the truths of physical phenomena of things seen by the eye, of sounds received and appreciated by the ear. In these moments, genius usurps the throne of reason, and the mind beholds fancies as sunlit G.o.ds, facts as timid and scarcely defined shadows. So it was with Claire now. Even the snake-charmer, as he gave his performance in the Soko, was a shadow in comparison with that man who summoned her to the tent door in the solitary encampment. And behind and beyond both these figures of truth and dreaming stood a third, created for herself by Claire in London, that figure into whom she had poured her soul as into a mould, when she charmed imaginary serpents, and prayed to the G.o.d in whom, for a moment, she believed with the pa.s.sion of the perfect mime. This trio Claire placed in line, and reviewed: charmer of her imagination, of her dream, of the Soko.

They were the same, and yet not the same. For the first was dominated, even was created by her. The second stood above her, like some magician, and summoned her as one possessing a right. The third--what of him? He was a wild creature of blood and foam, crafty, a player like herself, a maker of money, a savage in sacking, and almost nothing to her now. Out of the desert he came. Into the desert he was, perhaps, even now, returning, with his snakes sleeping in his bosom, and the money of the Tetuan Moors jingling in his pouch.

Yes, she saw him, travelling like a shadow in the night, one of those grotesques which leap on bedroom walls when a lamp flares in the wind that sighs through an open cas.e.m.e.nt. He was going; but the man of the dream remained. The dream man had come up out of the world that is vaguer to us than the desert when we wake, and clearer to us than the desert when we sleep. Claire saw him still, and, while the wonderful mountebank of the Soko pa.s.sed, he stood in the tent door like a statue of ebony, a rooted reality. And the snake was in his bosom; and the pipe was at his lips; and the power was in his heart. And as he played, Claire thought beneath the djelabe of Absalem, there came to him, with the faltering steps of a thing irresistibly charmed, that third man whose soul she had seen in London, like approaching like, with the manner of a slave and the glance of the conquered. And her soul was still within that charmed figure. She could not rescue it now from the place where she had put it. And the statue at the tent door played the irresistible melody until his wild and cringing double stole to his very feet, and nearer and nearer, till they melted together, and where two men had been, there was only one. He smiled with a subtle triumph, laid down his pipe, stretched out his arms and vanished. But within him now was the soul of Claire, borne wherever he should go, his captive, his possession for all eternity.

Behind her, in the cloudy darkness, Claire heard a movement, and the gliding of soft feet on gra.s.s. She did not turn her head, supposing that one of the soldiers was keeping his guard. The movement ceased. But the little noise had broken the thread on which her fancies were strung.

They were scattered like beads. She found herself feeling quite ordinary, and listening with an urging attention for a renewal of the trifling noise behind her. In the distance she could see Renfrew, now crouching before the fire, which poured colour and a piercing vitality upon him. She heard also, and for the first time, the sound of the porters' music, which had been audible in the night all through her reverie, though she was entirely unaware of the fact. She realised that the soldiers were devouring the stew of mutton, and that she was in a gay camp, full of human beings in a state of unusual satisfaction. One of these human beings must be close to her. She turned her head. But she was sitting in the darkness beyond the illumination of the fire, and beyond her the night was like a black wall. Whatever had moved there was invisible to her. She had not heard the gliding step go away, and she felt that she was not alone. This feeling began to render her uneasy.

She got up, with the intention of returning to the firelight and to Renfrew. Indeed she had taken a step or two in his direction, when she was checked by an unreasonable desire to see who had come so close to her, who had broken her reverie. Acting upon the sudden impulse, she turned swiftly and came on into the darkness. Almost instantly she stood before the dim outline of a man, and paused. Here in the night it was very lonely, even though the illuminated camp was so near. Claire hesitated to approach this man who seemed to be on watch and who was perfectly motionless. She waited a moment, wishing that he would come to her in order that she might see what he was like, whether he carried a gun and was a soldier. But it was soon evident that he did not mean to move. Then Claire went up so close to him that his coa.r.s.e garment rubbed against her djelabe and his eyes stared right down into hers. And she saw that it was the snake-charmer from the Soko, who was looking into her face with the very smile of the man in her dream. Round his bare throat one of his snakes was twined, and he held its neck between the fingers of his left hand. The wind tossed his short and ragged cloak wildly to and fro, and whirled the long lock of hair at the back of his shaven head about, and made it dance like a living thing. When Claire came up to him, he never said a word, or moved at all. It seemed to her that his face was that of some dark and triumphant being, waiting immovably for something that was certain to come to him, and to come so close that he need not even stretch out his hand to take it as his possession. What was the thing he waited for? She looked at his black face and at the snake which moved slowly, trying to thrust its way downward into the warmth of his bosom, out of the reach of the wind and of the night. And, when the man's fingers unclosed to release it, and it slid away and softly disappeared beneath his garment, Claire shuddered under the influence of a sensation that was surely mad. For she felt that she envied the snake, and that the charmer was waiting there in the darkness for her. As the snake vanished, Claire recoiled towards the fire. The charmer did not attempt to follow her, and his huge and watchful figure quickly faded from Claire's eyes till his blackness had become one with the blackness of the night.

IV

Renfrew, as he crouched before the fire, felt a light touch on his shoulder. He looked up, saw Claire's white face peering down on him, and sprang to his feet.

"I thought you were never coming, that you had deserted me altogether, and left me lonely in the midst of the fantasia," he cried, seizing her hands.

"I am cold," she said; "horribly cold. Let me sit beside you, close to the fire."

She sat down on the ground, almost touching the roaring flames.

"Where have you been?"

"Sitting in the dark. The soldiers are feasting?"

"Yes, and the camp fellows are all singing and playing. Don't you hear them? We are quite alone. That's all I want, all I care for. Claire, when you go away like this, and leave me, even for a few minutes, Morocco is the most desolate place in all the world, and I'm the most desolate vagabond in it."

He put his arm round her. The terrific glow from the fire played over her face, danced in the deep folds of her djelabe, shone in her eyes, showered a cloud of gold and red about her hair. For she had let her hood fall down on her shoulders. She attained to that fine and almost demoniacal picturesqueness which glorifies even the most commonplace smith when you see him in his forge by night. Her cheeks were suffused with scarlet, as if she had suddenly painted them to go on the stage.

Yet she shivered again as Renfrew spoke.

"You should not have left the fire," he said. "And yet the wind is warm."

"It can't be. But it's not the wind, it's the darkness that has chilled me."

"Or is it the loneliness?" he asked, tenderly. "For you have been alone as well as I, and nothing on earth makes one so cold as solitude."

"I scarcely ever feel alone, Desmond," she said.

And, as she spoke, she cast a glance behind her into the darkness from which she had just come. Renfrew noticed it.

"You have been alone?" he asked hastily. Then he checked himself with an ashamed laugh.

"What a fool I am," he exclaimed.

He clasped her more closely.

"A fool, because I'm so desperately in love with you, Claire," he said, rushing on his confession with the swiftness of alarmed bravery. "Look here, I want to tell you something. You must put everything I do, everything I am, down to the account of my love,--shyness, anger, abruptness, violence,--everything, Claire. My love's responsible. It does play the devil with an ordinary man when he's given his very soul to--to a woman like you, to a great woman. It keeps him back when he ought to go on, and sends him on when he ought to stay quiet, and makes him jealous of stones and--and savages."

"Savages, Desmond?"

Renfrew's face was scarlet. He put up his hand before it and muttered:--