By Blood We Live Part 20

She shook out a linen napkin and placed it on her lap. A man appeared beside her dressed as a waiter-he had moved so silently that I hadn't noticed him-and poured water into our crystal gla.s.ses. He filled Tom's as well, and Ari stared at the empty place.

"I wish he wouldn't call her before lunch," she said. "It disturbs my digestion."

I didn't want to ask what Ari was referring to. I didn't want to get trapped in their private lives.

She sighed and brushed a strand of hair out of her face. "But I don't want to talk about Tom's awful woman. I understand you live next door to the man they call Fitz."

I nodded as the waiter appeared again, bringing fresh bread in a ceramic basket.

"I would love," she said, leaning forward just enough to let me know this was the real reason behind my invitation, "to see the inside of his home."

Tom never joined us. We finished our lunch, walked through the garden, and had mint juleps in the late afternoon, after which everything seemed a bit funnier than it had before. As I left in the approaching twilight, it felt as if Ari and I had been friends instead of acquaintances linked by a happenstance of birth.

By the time I got home, it was dark. The house retained the heat of the day, and so I went into the back yard and stared at the path that led up to Fitz's mansion. The lights blazed on the hillside, and the sound of laughter washed down to me like the blessing of a G.o.d. Perhaps Ari's casual suggestion put something in my mind, or perhaps I was still feeling the effects of the mint juleps, but whatever the cause, I walked up the path feeling drawn to the house like a moth to light.

My shoes crunched against the hardpacked earth, and my legs, unused to such strenuous exercise, began to ache. Midway up, the coolness of the valley had disappeared, and perspiration made my shirt cling to my chest. The laughter grew closer, and with it, s.n.a.t.c.hes of conversation-women's voices rising with pa.s.sion, men speaking in low tones, pretending that they couldn't be overheard.

I stopped at a small rock formation just before the final rise to Fitz's house. The rocks extended over the valley below like a platform, and from them, I could see the winding road I had driven that afternoon to Ari's house. A car pa.s.sed below and I followed the trail of its headlights until they disappeared into the trees.

As I turned to leave the platform, my desire to reach the party gone, I caught a glimpse of a figure moving against the edge of the path. A man stood on the top of the rise, staring down at the road, as I had. He wore dark evening dress with a white shirt and a matching white scarf draped casually around his neck. The light against his back caused his features to be in shadow-only when he cupped his hands around a burning match to light a cigarette already in his mouth did I get a sense of his face.

He had an older beauty-clean-shaven, almost womanish, with a long nose, high cheekbones and wide, dark eyes. A kind of beauty that had been fashionable in men when my grandfather was young-the Rudolph Valentino, Leslie Howard look that seemed almost effete by the standards of today.

As he tossed the match away, a waltz started playing behind him, and it gave him context. He stared down at the only other visible point of light-Ari's knoll-and his posture suggested such longing that I half expected the music to swell, to add too much violin in the suggestion of a world half-forgotten.

I knew, without being told, that this was my neighbor. I almost called to him, but felt that to do so would ruin the perfection of the moment. He stared until he finished his cigarette, then dropped it, ground it with his shoe, and, slipping his hands in his pockets, wandered back to the party-alone.

Chapter III.

The next afternoon I was lounging on my sofa with the air conditioning off, lingering over the book review section of the Sunday Times, when the crunch of gravel through the open window alerted me to a car in my driveway. I stood up in time to see a black Rolls Royce stop outside my garage. The driver's door opened, and a chauffeur got out, wearing, unbelievably, a uniform complete with driving cap. He walked up to the door, and I watched him as though he were a ghost. He clasped one hand behind his back and, with the other, rang the bell.

The chimes pulled me from my stupor. I opened the door, feeling ridiculously informal in my polo shirt and my stocking feet. The chauffeur didn't seem to notice. He handed me a white invitation embossed in gold and said, "Mr. Fitzgerald would like the pleasure of your company at his festivities this evening."

I stammered something to the effect that I would be honored. The chauffeur nodded and returned to the Rolls, backing it out of the driveway with an ease that suggested years of familiarity. I watched until he disappeared up the hill. Then I took the invitation inside and stared at it, thinking that for once, my Midwestern instincts had proven correct.

The parties began at sundown. In the late afternoon, I would watch automobiles with words painted on their sides climb the winding road to Fitz's mansion.

Apple Valley Caterers. Signal Wood Decorators. Musicians of all stripes, and extra service personnel, preparing for an evening of work that would last long past dawn. By the time I walked up the hill, the sun had set and the lights strung on the trees and around the frame of the house sent a glow bright as daylight down the walk to greet me.

Cars still drove past-the sleek models this time-drivers often visible, but the occupants hidden by shaded windows. As I trudged, my face heated. I looked like a schoolboy, prowling the edges of an adult gathering at which he did not belong.

By the time I arrived, people flowed in and out of the house like moths chasing the biggest light. The women wore their hair short or up, showing off cleavage and dresses so thin that they appeared to be gauze. Most of the men wore evening clothes, some of other eras, long-waisted jackets complete with tails and spats. One man stood under the fake gaslight beside the door, his skin so pale it looked bloodless, his hair slicked back like a thirties gangster, his eyes hollow dark points in his empty face. He supervised the attendants parking the cars, giving directions with the flick of a bejeweled right hand. When he saw me, he nodded, as if I were expected and inclined his head toward the door.

I flitted through. A blond woman, her hair in a marcel, gripped my arm as if we had come together, her bow-shaped lips painted a dark wine red. The crowd parted for us, and she said nothing, just squeezed my arm, and then disappeared up a flight of stairs to the right.

It was impossible to judge the house's size or decor. People littered its hallways, sprawled along its stairs. Waiters, carrying trays of champagne aloft, slipped through the crowd. Tables heaped in ice and covered in food lined the walls. The orchestra played on the patio, and couples waltzed around the pool. Some of the people had a glossy aura, as if they were photographs come to life. I recognized a few faces from the jumble of Wall Street, others from the occasional evening at the Met, but saw no one I knew well enough to speak to, no one with whom to have even a casual conversation.

When I arrived, I made an attempt to find my host, but the two or three people of whom I asked his whereabouts stared at me in such an amazed way, and denied so vehemently any knowledge of his movements that I slunk off in the direction of the open bar-the only place on the patio where a single man could linger without looking purposeless and alone.

I ordered a vodka martini although I rarely drank hard liquor-it seemed appropriate to the mood-and watched the crowd's mood switch as the orchestra slid from the waltz to a jitterbug. Women dressed like flappers, wearing no-waisted fringed dresses and pearls down to their thighs, danced with an abandon I had only seen in movies. Men matched their movements, sweat marring the perfection of their tailored suits.

A hand gripped my shoulder, the feeling tight but friendly, unlike Tom's clap of the week before. As I looked up, I realized that the crowd of single men around the bar had eased, and I was standing alone, except for the bartender and the man behind me.

Up close, he was taller and more slender than he had looked in the moonlight. His cheekbones were high, his lips thin, his eyes hooded. "Your face looks familiar," he said. "Perhaps you're related to the Carraways of St. Paul, Minnesota."

"Yes," I said. The drink had left an unpleasant tang on my tongue. "I grew up there."

"And Nick Carraway, the bondsman, would be your-grandfather? Great-grandfather?"

That he knew my grandfather startled me. Fitz looked younger than that, more of an age with me. Perhaps there were family ties I did not know about. "Grandfather," I said.

"Odd," he murmured. "How odd, the way things grow beyond you."

He had kept his hand on my shoulder, making it impossible to see more than half of his face. "I wanted to thank you for inviting me," I said.

"It would be churlish not to," he said. "Perhaps, in the future, we'll actually be able to talk."

He let go of my shoulder. I could still feel the imprint of his hand as he walked away. He had an air of invisibleness to him, a way of moving unnoticed through a crowd. When he reached the edge of the dancers, he stopped and looked at me with a gaze piercing with its intensity.

"Next time, old sport," he said, the old-fashioned endearment tripping off his tongue like a new and original phrase, "bring your cousin. I think she might like the light."

At least, that was what I thought he said. Later, when I had time to reflect, I wondered if he hadn't said, "I think she might like the night."

Chapter IV.

Men with little imagination often have a clarity of vision that startles the mind. For all their inability to imagine beauty, they seem able to see the ugliness that lies below any surface. They have a willingness to believe in the baser, cruder side of life.

On the following Wednesday afternoon, I found myself in a bar at the edge of the financial district, a place where men in suits rarely showed their faces, where the average clientele had muscles thick as cue b.a.l.l.s and just as hard. Tom had corralled me as I left the office, claiming he wanted to play pool and that he knew a place, but as we walked in, it became clear that we were not there for a game, but for an alibi.

The woman he met was the ant.i.thesis of Ari. She was tall, big-chested with thick ankles, more a child of my aunt than Ari ever could be. The woman-Rita-wore her clothes like an ill-fitting bathrobe, slipping to one side to reveal a mound of flesh and a bit of nipple. Lipstick stained the side of her mouth and the edges of her teeth. She laughed loud and hard, like a man, and her eyes were bright with too much drink. She and Tom disappeared into the back, and I remained, forgotten, in the smoky haze.

I stuck my tie in my pocket, pulled off my suitjacket and draped it over a chair, rolling up my sleeves before I challenged one of the large men in a ripped t-shirt to a game of eight-ball. I lost fifty dollars to him before he decided there was no challenge in it; by then Tom and Rita had reappeared, her clothing straight and her lipstick neatly applied.

Tom clapped my back before I could step away, and the odors of sweat, musk and newly applied cologne swept over me. "Thanks, man," he said, as if my accompanying him on this trip had deepened our friendship.

I could not let the moment slide without exacting my price. "My neighbor asked that Ari come to one of his parties this week."

Rita slunk back as if Ari's name lessened Rita's power. Tom stepped away from me.

"Fitzgerald's a ghoul," he said. "They say people go ta his house and never come back."

"I was there on Sunday."

"You're lucky ta get out alive."

"Hundreds of people go each night." I unrolled my sleeves, b.u.t.toned them, and then slipped into my suitcoat. "I plan to take Ari."

Tom stared at me for a moment, the male camaraderie gone. Finally he nodded, the acknowledgment of a price paid.

"Next time you go," Rita said, addressing the only words she would ever say to me, "take a good look at his guests."

I drove Ari up in my car. Even though I spent the afternoon washing and polishing it, the car's age showed against the sleek new models, something in the lack of shine of the b.u.mpers, the crude design of a model year now done. The attendant was polite as he took my place, but lacked the enthusiasm he had shown over a Rolls just moments before.

Ari stared at the house, her tiny mouth agape, her eyes wide. The lights reflected in her pupils like a hundred dancing stars. She left my side immediately and ran up the stairs as if I were not even there.

I tipped the attendant and strode in, remembering Rita's admonishment. The faces that looked familiar had a photographic edge to them-the patina of images I had seen a thousand times in books, in magazines, on film. But as I scanned, I could not see Ari. It was as if she had come into the mammoth house and vanished.

I grabbed a flute of champagne from a pa.s.sing waiter and wandered onto the patio. The orchestra was playing "Alexander's Ragtime Band" and the woman with the marcel danced in the center, alone, as if she were the only one who understood the music.

Beside me, a burly man with dark hair and a mustache that absorbed his upper lip spoke of marlin fishing as if it were a combat sport. A lanky and lean man who spoke with a Mississippi accent told a familiar story about a barn-burning to a crowd of women who gazed adoringly at his face. Behind him, a tiny woman with an acid tongue talked in disparaging terms of the Algonquin, and another man with white hair, a face crinkled from too much drink, and a body so thin it appeared dapper, studied the edges of the conversation as if the words were written in front of him.

They all had skin as pale as Fitz's, and a life force that seemed to have more energy than substance.

There were others scattered among the crowd: a man with an unruly shock of white hair who spoke of his boyhood in Illinois, his cats, and the workings of riverboats powered by steam; the demure brown-haired woman wearing a long white dress, standing in a corner, refusing to meet anyone's gaze. "She's a poet," a young girl beside me whispered, and I nodded, recognizing the heart-shaped face, the quiet, steady eyes.

In that house, on that night, I never questioned their presence, as if being in the company of people long-dead were as natural as speaking to myself. I avoided them: they had nothing to do with me. I was drawn to none of them, except, perhaps, Fitz himself.

He was as invisible as Ari. I wandered through the manse three times, pushing past bodies flushed from dancing, bright with too much drink, letting the conversation flow over me like water over a stone. Most of my colleagues spoke of Fitz himself, how he had favored them in one way or another, with a commission or, in the case of the women, with time alone. They spoke with a sigh, their eyes a bit glazed, as if the memory were more of a dream, and as they spoke, they touched their throats, or played with pearl chokers around their necks. A shudder ran through me and I wondered what I had brought Arielle into.

I found her at 3 a.m., waltzing in the empty grand ballroom with Fitz. He wore an ice cream suit, perfectly tailored, his hair combed back, and she wore a white gown that rippled around her like her hair. She gazed at him like a lover, her lips parted and moist, her body pressed against his, and as they whirled to the imaginary music, I caught glimpses of his face, his brows brought together in concentration, his eyes sparkling and moist. He looked like a man caught in a dream from which he could not wake, a dream which had gone bad, a dream which, when he remembered it, he would term a nightmare.

Then she saw me, and her expression changed. "Nick," she said. "Nick Carraway." And she laughed. The voice was not hers. It had more music than before, but beneath it, a rasp older women gained from too many cigarettes, too much drink. "He will never leave us alone, Scott."

Fitz looked at me. If anything, he appeared paler than he had before. The sparkle in his eyes was not tears, but the hard glare of a man who could not cry. "Thanks for all your help, old man," he said, and with that I knew I had been dismissed.

Chapter V.

About a week before, an ambitious young reporter appeared on Fitz's doorstep as one of the parties began. He managed to find Fitz at the edge of the pool and asked him if he had anything to say.

"About what?" Fitz asked.

"About anything."

It transpired after a few minutes that the young man had heard Fitz's name around the office in a connection he wouldn't or couldn't reveal and, it being his day off, had hurried out to Connecticut "to see."

It was a random shot and yet the reporter's instinct had been right. Fitz's reputation, as spread by the people who saw him, the people who came to his gatherings, had that summer fallen just short of news. Stories of his mysterious past persisted, and yet none came close to the truth.

You see, he did not die of a heart attack in 1940. Instead he fell in, as he later said, with the ghouls of the Hollywood crowd. Obsessed with immortality, glamour and youth, they convinced him to meet a friend, a person whose name remains forever elusive. He succ.u.mbed to the temptation, as he had so often before, and discovered, only after he had changed, that in giving up life he had given up living and that the needs which drove his fiction disappeared with his need for food and strong drink.

He watched his daughter from afar and occasionally brought others into the fold, as the loneliness ate at him. He began throwing large parties and in them found sustenance, and others like him who had managed to move from human fame into a sort of shadowed, mythical existence. But the loneliness did not abate, and over time he learned that he had only one more chance, another opportunity to make things right. And so he monitored the baby wards in the South, allowing his own brush with the supernatural to let him see when her soul returned. For his love affair with her was more haunting and tragic than those he wrote about, and he hoped, with his new understanding, that he could make amends.

Some of this I learned, and some of this he told me. I put it down here as a way of noting that the rumors about him weren't even close to the truth, that the truth is, in fact, as strange as fiction, and I would not believe it if I had not seen it with my own eyes. What he did tell me, he said at a time of great confusion, and I might not have believed him, even then, if later that year, I hadn't found the books, the novels, the biographies, that somehow even with my literary education, I had managed to overlook.

That night, I did not sleep. The phone rang three times, and all three times, the machine picked up. Tom's coa.r.s.e accent echoed in the darkness of my bedroom, demanding to know why Ari had not returned home. Finally I slipped on a faded pair of jeans and loafers, and padded up the hill to see if I could convince her to leave before Tom created trouble.

Only the light in the ballroom remained on, casting a thin glow across the yard. The cars were gone as were their occupants. Discarded cigarette b.u.t.ts, broken champagne gla.s.ses, and one woman's shoe with the heel missing were the only evidence of the gaiety that had marked the evening. Inside, I heard Ari sobbing hysterically, and as I walked up the steps, a hand pushed against my chest.

I hadn't seen him in the dark. He had been sitting on the steps, staring at the detritus in the driveway, an unlit cigarette in his hands. "You can't help her," he said, and in his voice, I heard the weariness of a man whose dreams were lost.

Still, I pushed past him and went inside. Ari sat on the floor, her bare feet splayed in front of her, her dress still the white of pure snow. When she saw me, the crying stopped. "Nicky," she said in that raspy, not-her voice, and then the laughter started, as uncontrolled as the crying. I went to her, put my arm around her shoulder and tried to lift her up. She shook her head and pulled out of my grasp. For a moment, the horrible laughter stopped and she gazed up at me, her eyes as clear as the sky on a summer morning. "You don't understand, do you?" she asked. "When I'm here, this is where I belong."

Then the laughter began again, a harsh, almost childish sound too close to tears. Fitz glided past me, still wearing the white suit he had worn earlier. He picked her up and shushed her, and she buried her face against his shoulder as if he gave her strength.

Her thin, fragile neck was clear and unmarked. G.o.d help me, I checked. But he had not touched her, at least in that way.

He carried her to the plush sofa pushed back to the wall beneath the windows. Then he pushed the hair off her face, wiped the tears from her cheeks, and whispered to her, hauntingly: sleep. Her eyes closed and her breathing evened, and once again she was the Arielle I had always known, pink-cheeked and delicate.

He looked at me, and said, "This is why Daisy had to leave Gatsby, because he was wrong for her. The better part of me knew that being with me shattered her spirit. But we are not Daisy and Gatsby, and I could not let her go. You knew that, didn't you, old man? That I could not let her go?"

But I didn't know, and I didn't understand until much later. So I remained quiet. Wisely, as it turned out.

"Ah, Nick," he said, his fingers brushing her brow. "Your arrival surprised me. I never thought-I never realized-how the characters live on, even when the story's over. I could believe in my own transformation but not your existence. And I never understood the past, so here I am repeating it."

He smiled then, a self-deprecating smile that made all his words seem like the foolish ravings of a man who had had little sleep. And yet he continued, telling me some of the things of which I have already wrote, and others, which I shall never commit to the page.

"Go home, old sport," he finally said. "Everything will look different in the light of day."

I must have glanced at Arielle with concern, for he cupped her cheek possessively. "Don't worry," he said. "I'll take good care of her."

Something in the throb of his voice made me trust him, made me turn on my heel even though I knew it was wrong, and leave him there with her. Some warble, some imperative moved me, as if he were the creator and I the created. I wandered down the hill in the dark, and didn't return until the light of day.

Chapter VI.

I had slept maybe twenty minutes when I woke to the sound of tires peeling on the road outside my house. An engine raced, powering a fast-moving car up the hill. As I sat up, brakes squealed and a voice raised in a shout that echoed down the valley. The shouts continued until they ended abruptly-mid-sentence-followed by a moment of silence and a woman's high-pitched scream.