Buttered Side Down Part 5

"I ran short last week," continued Louie. "That is, shorter than usual.

I hadn't the fifty cents to give to the woman. You ought to see her! A little, gray-faced thing, with wisps of hair, and no chest to speak of, and one of those mashed-looking black hats. n.o.body could have the nerve to ask her to wait for her money. So I did my own washing. I haven't learned to wear soiled clothes yet. I laughed fit to bust while I was doing it. But--I'll bet my mother dreamed of me that night. The way they do, you know, when something's gone wrong."

Sophy, perched on the third rung of the sliding ladder, was gazing at him. Her lips were parted slightly, and her cheeks were very pink. On her face was a new, strange look, as of something half forgotten. It was as though the spirit of Sophy-as-she-might-have-been were inhabiting her soul for a brief moment. At Louie's next words the look was gone.

"Can't you sew something--a lace yoke--or whatever you call 'em--in that dress?" he persisted.

"Aw, fade!" jeered Sophy. "When a girl's only got one dress it's got to have some tong to it. Maybe this gown would cause a wave of indignation in Oskaloosa, Iowa, but it don't even make a ripple on State Street. It takes more than an aggravated Dutch neck to make a fellow look at a girl these days. In a town like this a girl's got to make a showin' some way.

I'm my own stage manager. They look at my dress first, an' grin. See?

An' then they look at my face. I'm like the girl in the story. Muh face is muh fortune. It's earned me many a square meal; an' lemme tell you, Pink Cheeks, eatin' square meals is one of my favorite pastimes."

"Say looka here!" bellowed the boss, wrathfully. "Just cut out this here Romeo and Juliet act, will you! That there ladder ain't for no balcony scene, understand. Here you, Louie, you shinny up there and get down a pair of them brown satin pumps, small size."

Sophy continued to wear the black dress. The V-cut neck seemed more flaunting than ever.

It was two weeks later that Louie came in from lunch, his face radiant.

He was fifteen minutes late, but he listened to the boss's ravings with a smile.

"You grin like somebody handed you a ten-case note," commented Sophy, with a woman's curiosity. "I guess you must of met some rube from home when you was out t' lunch."

"Better than that! Who do you think I b.u.mped right into in the elevator going down?"

"Well, Brothah Bones," mimicked Sophy, "who did you meet in the elevator going down?"

"I met a man named Ames. He used to travel for a big Boston shoe house, and he made our town every few months. We got to be good friends. I took him home for Sunday dinner once, and he said it was the best dinner he'd had in months. You know how tired those traveling men get of hotel grub."

"Cut out the description and get down to action," snapped Sophy.

"Well, he knew me right away. And he made me go out to lunch with him.

A real lunch, starting with soup. Gee! It went big. He asked me what I was doing. I told him I was working here, and he opened his eyes, and then he laughed and said: 'How did you get into that joint?' Then he took me down to a swell little shoe shop on State Street, and it turned out that he owns it. He introduced me all around, and I'm going there to work next week. And wages! Why say, it's almost a salary. A fellow can hold his head up in a place like that."

"When you leavin'?" asked Sophy, slowly.

"Monday. Gee! it seems a year away."

Sophy was late Sat.u.r.day morning. When she came in, hurriedly, her cheeks were scarlet and her eyes glowed. She took off her hat and coat and fell to straightening boxes and putting out stock without looking up. She took no part in the talk and jest that was going on among the other clerks. One of the men, in search of the missing mate to the shoe in his hand, came over to her, greeting her carelessly. Then he stared.

"Well, what do you know about this!" he called out to the others, and laughed coa.r.s.ely, "Look, stop, listen! Little Sophy Bright Eyes here has pulled down the shades."

Louie turned quickly. The immodest V of Sophy's gown was filled with a black lace yoke that came up to the very lobes of her little pink ears.

She had got some sc.r.a.ps of lace from--Where do they get those bits of rusty black? From some bas.e.m.e.nt bargain counter, perhaps, raked over during the lunch hour. There were nine pieces in the front, and seven in the back. She had sat up half the night putting them together so that when completed they looked like one, if you didn't come too close. There is a certain strain of Indian patience and ingenuity in women that no man has ever been able to understand.

Louie looked up and saw. His eyes met Sophy's. In his there crept a certain exultant gleam, as of one who had fought for something great and won. Sophy saw the look. The shy questioning in her eyes was replaced by a spark of defiance. She tossed her head, and turned to the man who had called attention to her costume.

"Who's loony now?" she jeered. "I always put in a yoke when it gets along toward fall. My lungs is delicate. And anyway, I see by the papers yesterday that collarless gowns is slightly pa.s.say f'r winter."

IV

A BUSH LEAGUE HERO

This is not a baseball story. The grandstand does not rise as one man and shout itself hoa.r.s.e with joy. There isn't a three-bagger in the entire three thousand words, and n.o.body is carried home on the shoulders of the crowd. For that sort of thing you need not squander fifteen cents on your favorite magazine. The modest sum of one cent will make you the possessor of a Pink 'Un. There you will find the season's games handled in masterly fashion by a six-best-seller artist, an expert mathematician, and an original-slang humorist. No mere short story dub may hope to compete with these.

In the old days, before the gentry of the ring had learned the wisdom of investing their winnings in solids instead of liquids, this used to be a favorite conundrum: When is a prize-fighter not a prize-fighter?

Chorus: When he is tending bar.

I rise to ask you Brothah Fan, when is a ball player not a ball player?

Above the storm of facetious replies I shout the answer:

When he's a shoe clerk.

Any man who can look handsome in a dirty baseball suit is an Adonis.

There is something about the baggy pants, and the Micawber-shaped collar, and the skull-fitting cap, and the foot or so of tan, or blue, or pink undershirt sleeve sticking out at the arms, that just naturally kills a man's best points. Then too, a baseball suit requires so much in the matter of leg. Therefore, when I say that Rudie Schlachweiler was a dream even in his baseball uniform, with a dirty brown streak right up the side of his pants where he had slid for base, you may know that the girls camped on the grounds during the season.

During the summer months our ball park is to us what the Grand Prix is to Paris, or Ascot is to London. What care we that Evers gets seven thousand a year (or is it a month?); or that Chicago's new South-side ball park seats thirty-five thousand (or is it million?). Of what interest are such meager items compared with the knowledge that "Pug"

Coulan, who plays short, goes with Undine Meyers, the girl up there in the eighth row, with the pink dress and the red roses on her hat? When "Pug" s.n.a.t.c.hes a high one out of the firmament we yell with delight, and even as we yell we turn sideways to look up and see how Undine is taking it. Undine's shining eyes are fixed on "Pug," and he knows it, stoops to brush the dust off his dirt-begrimed baseball pants, takes an att.i.tude of careless grace and misses the next play.

Our grand-stand seats almost two thousand, counting the boxes. But only the sn.o.bs, and the girls with new hats, sit in the boxes. Box seats are comfortable, it is true, and they cost only an additional ten cents, but we have come to consider them undemocratic, and unworthy of true fans.

Mrs. Freddy Van Dyne, who spends her winters in Egypt and her summers at the ball park, comes out to the game every afternoon in her automobile, but she never occupies a box seat; so why should we? She perches up in the grand-stand with the rest of the enthusiasts, and when Kelly puts one over she stands up and clinches her fists, and waves her arms and shouts with the best of 'em. She has even been known to cry, "Good eye! Good eye!" when things were at fever heat. The only really blase individual in the ball park is Willie Grimes, who peddles ice-cream cones. For that matter, I once saw Willie turn a languid head to pipe, in his thin voice, "Give 'em a dark one, Dutch! Give 'em a dark one!"

Well, that will do for the firsh dash of local color. Now for the story.

Ivy Keller came home June nineteenth from Miss Shont's select school for young ladies. By June twenty-first she was bored limp. You could hardly see the plaits of her white tailored shirtwaist for fraternity pins and secret society emblems, and her bedroom was ablaze with college banners and pennants to such an extent that the maid gave notice every Thursday--which was upstairs cleaning day.

For two weeks after her return Ivy spent most of her time writing letters and waiting for them, and reading the cla.s.sics on the front porch, dressed in a middy blouse and a blue skirt, with her hair done in a curly Greek effect like the girls on the covers of the Ladies' Magazine. She posed against the canvas bosom of the porch chair with one foot under her, the other swinging free, showing a tempting thing in beaded slipper, silk stocking, and what the story writers call "slim ankle."

On the second Sat.u.r.day after her return her father came home for dinner at noon, found her deep in Volume Two of "Les Miserables."

"Whew! This is a scorcher!" he exclaimed, and dropped down on a wicker chair next to Ivy. Ivy looked at her father with languid interest, and smiled a daughterly smile. Ivy's father was an insurance man, alderman of his ward, president of the Civic Improvement club, member of five lodges, and an habitual delegate. It generally was he who introduced distinguished guests who spoke at the opera house on Decoration Day. He called Mrs. Keller "Mother," and he wasn't above noticing the fit of a gown on a pretty feminine figure. He thought Ivy was an expurgated edition of Lillian Russell, Madame De Stael, and Mrs. Pankburst.

"Aren't you feeling well, Ivy?" he asked. "Looking a little pale. It's the heat, I suppose. Gosh! Something smells good. Run in and tell Mother I'm here."

Ivy kept one slender finger between the leaves of her book. "I'm perfectly well," she replied. "That must be beefsteak and onions. Ugh!"

And she shuddered, and went indoors.

Dad Keller looked after her thoughtfully. Then he went in, washed his hands, and sat down at table with Ivy and her mother.

"Just a sliver for me," said Ivy, "and no onions."

Her father put down his knife and fork, cleared his throat, and spake, thus:

"You get on your hat and meet me at the 2:45 inter-urban. You're going to the ball game with me."

"Ball game!" repeated Ivy. "I? But I'd----"

"Yes, you do," interrupted her father. "You've been moping around here looking a cross between Saint Cecilia and Little Eva long enough. I don't care if you don't know a spitball from a fadeaway when you see it.

You'll be out in the air all afternoon, and there'll be some excitement.