Buried Alive: a Tale of These Days Part 26

"Yes, I think so," she whispered.

Priam came out of the house with the bag in one hand and the valise in the other, a pipe in his mouth, a stick under his arm, and an overcoat on his shoulder. Alice ran up the steps, gazed within the house, pulled the door to silently, and locked it. Then beneath the summer stars she and Priam hastened furtively, as though the luggage had contained swag, up Werter Road towards Oxford Road. When they had turned the corner they felt very much relieved.

They had escaped.

It was their second attempt. The first, made in daylight, had completely failed. Their cab had been followed to Paddington Station by three other cabs containing the representatives and the cameras of three Sunday newspapers. A journalist had deliberately accompanied Priam to the booking office, had heard him ask for two seconds to Weymouth, and had bought a second to Weymouth himself. They had gone to Weymouth, but as within two hours of their arrival Weymouth had become even more impossible than Werter Road, they had ignominiously but wisely come back.

Werter Road had developed into the most celebrated thoroughfare in London. Its photograph had appeared in scores of newspapers, with a cross marking the abode of Priam and Alice. It was beset and infested by journalists of several nationalities from morn till night. Cameras were as common in it as lamp-posts. And a famous descriptive reporter of the _Sunday News_ had got lodgings, at a high figure, exactly opposite No.

29. Priam and Alice could do nothing without publicity. And if it would be an exaggeration to a.s.sert, that evening papers appeared with Stop-press News: "5.40. Mrs. Leek went out shopping," the exaggeration would not be very extravagant. For a fortnight Priam had not been beyond the door during daylight. It was Alice who, alarmed by Priam's pallid cheeks and tightened nerves, had devised the plan of flight before the early summer dawn.

They reached East Putney Station, of which the gates were closed, the first workman's train being not yet due. And there they stood. Not another human being was abroad. Only the clock of St. Bude's was faithfully awakening every soul within a radius of two hundred yards each quarter of an hour. Then a porter came and opened the gate--it was still exceedingly early--and Priam booked for Waterloo in triumph.

"Oh," cried Alice, as they mounted the stairs, "I quite forgot to draw up the blinds at the front of the house." And she stopped on the stairs.

"What did you want to draw up the blinds for?"

"If they're down everybody will know instantly that we've gone. Whereas if I--"

She began to descend the stairs.

"Alice!" he said sharply, in a strange voice. The muscles of his white face were drawn.

"What?"

"D--n the blinds. Come along, or upon my soul I'll kill you."

She realized that his nerves were in active insurrection, and that a mere nothing might bring about the fall of the government.

"Oh, very well!" She soothed him by her amiable obedience.

In a quarter of an hour they were safely lost in the wilderness of Waterloo, and the newspaper train bore them off to Bournemouth for a few days' respite.

_The Nation's Curiosity_

The interest of the United Kingdom in the unique case of Witt _v_.

Parfitts had already reached apparently the highest possible degree of intensity. And there was reason for the kingdom's pa.s.sionate curiosity.

Whitney Witt, the plaintiff, had come over to England, with his eccentricities, his retinue, his extreme wealth and his failing eyesight, specially to fight Parfitts. A half-pathetic figure, this white-haired man, once a connoisseur, who, from mere habit, continued to buy expensive pictures when he could no longer see them! Whitney Witt was implacably set against Parfitts, because he was convinced that Mr.

Oxford had sought to take advantage of his blindness. There he was, conducting his action regardless of his blindness. There he was, conducting his action regardless of expense. His apartments and his regal daily existence at the Grand Babylon alone cost a fabulous sum which may be precisely ascertained by reference to ill.u.s.trated articles in the papers. Then Mr. Oxford, the youngish Jew who had acquired Parfitts, who was Parfitts, also cut a picturesque figure on the face of London. He, too, was spending money with both hands; for Parfitts itself was at stake. Last and most disturbing, was the individual looming mysteriously in the background, the inexplicable man who lived in Werter Road, and whose ident.i.ty would be decided by the judgment in the case of Witt _v_. Parfitts. If Witt won his action, then Parfitts might retire from business. Mr. Oxford would probably go to prison for having sold goods on false pretences, and the name of Henry Leek, valet, would be added to the list of adventurous scoundrels who have pretended to be their masters. But if Witt should lose--then what a complication, and what further enigmas to be solved! If Witt should lose, the national funeral of Priam Farll had been a fraudulent farce. A common valet lay under the hallowed stones of the Abbey, and Europe had mourned in vain!

If Witt should lose, a gigantic and unprecedented swindle had been practised upon the nation. Then the question would arise, Why?

Hence it was not surprising that popular interest, nourished by an indefatigable and excessively enterprising press, should have mounted till no one would have believed that it could mount any more. But the evasion from Werter Road on that June morning intensified the interest enormously. Of course, owing to the drawn blinds, it soon became known, and the bloodhounds of the Sunday papers were sniffing along the platforms of all the termini in London. Priam's departure greatly prejudiced the cause of Mr. Oxford, especially when the bloodhounds failed and Priam persisted in his invisibility. If a man was an honest man, why should he flee the public gaze, and in the night? There was but a step from the posing of this question to the inevitable inference that Mr. Oxford's line of defence was really too fantastic for credence.

Certainly organs of vast circulation, while repeating that, as the action was _sub judice_, they could say nothing about it, had already tried the action several times in their impartial columns, and they now tried it again, with the entire public as jury. And in three days Priam had definitely become a criminal in the public eye, a criminal flying from justice. Useless to a.s.sert that he was simply a witness subpoenaed to give evidence at the trial! He had transgressed the unwritten law of the English const.i.tution that a person prominent in a _cause celebre_ belongs for the time being, not to himself, but to the nation at large.

He had no claim to privacy. In surrept.i.tiously obtaining seclusion he was merely robbing the public and the public's press of their inalienable right.

Who could deny now the reiterated statement that _he_ was a bigamist?

It came to be said that he must be on his way to South America. Then the public read avidly articles by specially retained barristers on the extradition treaties with Brazil, Argentina, Ecuador, Chili, Paraguay and Uruguay.

The curates Matthew and Henry preached to crowded congregations at Putney and Bermondsey, and were reported verbatim in the _Christian Voice Sermon Supplement_, and other messengers of light.

And gradually the nose of England bent closer and closer to its newspaper of a morning. And coffee went cold, and bacon fat congealed, from the Isle of Wight to Hexham, while the latest rumours were being swallowed. It promised to be stupendous, did the case of Witt _v_.

Parfitts. It promised to be one of those cases that alone make life worth living, that alone compensate for the horrors of climate, in England. And then the day of hearing arrived, and the afternoon papers which appear at nine o'clock in the morning announced that Henry Leek (or Priam Farll, according to your wish) and his wife (or his female companion and willing victim) had returned to Werter Road. And England held its breath; and even Scotland paused, expectant; and Ireland stirred in its Celtic dream.

_Mention of Two Moles_

The theatre in which the emotional drama of Witt Parfitts was to be played, lacked the usual characteristics of a modern place of entertainment. It was far too high for its width and breadth; it was badly illuminated; it was draughty in winter and stuffy in summer, being completely deprived of ventilation. Had it been under the control of the County Council it would have been instantly condemned as dangerous in case of fire, for its gangways were always enc.u.mbered and its exits of a mediaeval complexity. It had no stage, no footlights, and all its seats were of naked wood except one.

This unique seat was occupied by the princ.i.p.al player, who wore a humorous wig and a brilliant and expensive scarlet costume. He was a fairly able judge, but he had mistaken his vocation; his rare talent for making third-rate jokes would have brought him a fortune in the world of musical comedy. His salary was a hundred a week; better comedians have earned less. On the present occasion he was in the midst of a double row of fashionable hats, and beneath the hats were the faces of fourteen feminine relatives and acquaintances. These hats performed the function of 'dressing' the house. The princ.i.p.al player endeavoured to behave as though under the illusion that he was alone in his glory, but he failed.

There were four other leading actors: Mr. Pennington, K.C., and Mr.

Vodrey, K.C., engaged by the plaintiff, and Mr. Ca.s.s, K.C., and Mr.

Crepitude, K.C., engaged by the defendant. These artistes were the stars of their profession, nominally less glittering, but really far more glittering than the player in scarlet. Their wigs were of inferior quality to his, and their costumes shabby, but they did not mind, for whereas he got a hundred a week, they each got a hundred a day. Three junior performers received ten guineas a day apiece: one of them held a watching brief for the Dean and Chapter of the Abbey, who, being members of a Christian fraternity, were pained and horrified by the defendants'

implication that they had given interment to a valet, and who were determined to resist exhumation at all hazards. The supers in the drama, whose business it was to whisper to each other and to the players, consisted of solicitors, solicitors' clerks, and experts; their combined emoluments worked out at the rate of a hundred and fifty pounds a day.

Twelve excellent men in the jury-box received between them about as much as would have kept a K.C. alive for five minutes. The total expenses of production thus amounted to something like six or seven hundred pounds a day. The preliminary expenses had run into several thousands. The enterprise could have been made remunerative by hiring for it Convent Garden Theatre and selling stalls as for Tettrazzini and Caruso, but in the absurd auditorium chosen, crammed though it was to the perilous doors, the loss was necessarily terrific. Fortunately the affair was subsidized; not merely by the State, but also by those two wealthy capitalists, Whitney C. Witt and Mr. Oxford; and therefore the management were in a position to ignore paltry financial considerations and to practise art for art's sake.

In opening the case Mr. Pennington, K.C., gave instant proof of his astounding histrionic powers. He began calmly, colloquially, treating the jury as friends of his boyhood, and the judge as a gifted uncle, and stated in simple language that Whitney C. Witt was claiming seventy-two thousand pounds from the defendants, money paid for worthless pictures palmed off upon the myopic and venerable plaintiff as masterpieces. He recounted the life and death of the great painter Priam Farll, and his solemn burial and the tears of the whole world. He dwelt upon the genius of Priam Farll, and then upon the confiding nature of the plaintiff.

Then he inquired who could blame the plaintiff for his confidence in the uprightness of a firm with such a name as Parfitts. And then he explained by what accident of a dating-stamp on a canvas it had been discovered that the pictures guaranteed to be by Priam Farll were painted after Priam Farll's death.

He proceeded with no variation of tone: "The explanation is simplicity itself. Priam Farll was not really dead. It was his valet who died.

Quite naturally, quite comprehensibly, the great genius Priam Farll wished to pa.s.s the remainder of his career as a humble valet. He deceived everybody; the doctor, his cousin, Mr. Duncan Farll, the public authorities, the Dean and Chapter of the Abbey, the nation--in fact, the entire world! As Henry Leek he married, and as Henry Leek he recommenced the art of painting--in Putney; he carried on the vocation several years without arousing the suspicions of a single person; and then--by a curious coincidence immediately after my client threatened an action against the defendant--he displayed himself in his true ident.i.ty as Priam Farll. Such is the simple explanation," said Pennington, K.C., and added, "which you will hear presently from the defendant. Doubtless it will commend itself to you as experienced men of the world. You cannot but have perceived that such things are constantly happening in real life, that they are of daily occurrence. I am almost ashamed to stand up before you and endeavour to rebut a story so plausible and so essentially convincing. I feel that my task is well-nigh hopeless.

Nevertheless, I must do my best."

And so on.

It was one of his greatest feats in the kind of irony that appeals to a jury. And the audience deemed that the case was already virtually decided.

After Whitney C. Witt and his secretary had been called and had filled the court with the echoing tw.a.n.g of New York (the controlled fury of the aged Witt was highly effective), Mrs. Henry Leek was invited to the witness-box. She was supported thither by her two curates, who, however, could not prevent her from weeping at the stern voice of the usher. She related her marriage.

"Is that your husband?" demanded Vodrey, K.C. (who had now a.s.sumed the princ.i.p.al _role_, Pennington, K.C., being engaged in another play in another theatre), pointing with one of his well-conceived dramatic gestures to Priam Farll.

"It is," sobbed Mrs. Henry Leek.

The unhappy creature believed what she said, and the curates, though silent, made a deep impression on the jury. In cross-examination, when Crepitude, K.C., forced her to admit that on first meeting Priam in his house in Werter Road she had not been quite sure of his ident.i.ty, she replied--

"It's all come over me since. Shouldn't a woman recognize the father of her own children?"

"She should," interpolated the judge. There was a difference of opinion as to whether his word was jocular or not.

Mrs. Henry Leek was a touching figure, but not amusing. It was Mr.

Duncan Farll who, quite unintentionally, supplied the first relief.

Duncan pooh-poohed the possibility of Priam being Priam. He detailed all the circ.u.mstances that followed the death in Selwood Terrace, and showed in fifty ways that Priam could not have been Priam. The man now masquerading as Priam was not even a gentleman, whereas Priam was Duncan's cousin! Duncan was an excellent witness, dry, precise, imperturbable. Under cross-examination by Crepitude he had to describe particularly his boyish meeting with Priam. Mr. Crepitude was not inquisitive.

"Tell us what occurred," said Crepitude.