Broken to the Plow Part 21

A great surge of relief swept over Fred. A smoke! Somehow, he had forgotten that such a solace existed in this new world of terror and pain.

It appeared that the only place indoors where smoking was permitted was the lavatory, but when they reached the corridor they found a line forming ready to march out to take the air. They decided to wait and have their smoke in the open. Fred and his companion exchanged names.

The youth was Felix Monet.

"I'm not sure whether you go out with us," Monet admitted, as they swung into place. "This crowd is bound for the front parade ground.

It's not usual for newcomers to have that privilege."

Fred made no reply. The line of men shuffled forward.

"We go downstairs first for our shoes," the youth finished.

Presently they found themselves upon the ground floor, in a small room where an attendant distributed shoes and hats. It appeared that Fred's shoes were there, duly labeled. The man in charge made no objection to yielding them up.

"You must have a pull," Monet remarked, as Fred sat down upon a stool to draw on his shoes.

Fred shook his head in silence. Evidently the a.s.sistant superintendent had said a word for him. ... He was not to be put to the torture of the bull pen, then!

Outside, the air was warm and the sunlight dazzling. Fred felt a surge of red-blooded life sweep him as his quivering nostrils drank in the pungent odors from the midsummer foliage. Waves of heat floated wraithlike from the yellow stubble, bathing the distant hills in an arid-blue haze. At convenient intervals clumps of dark-green trees threw contrasting patches of shade upon the tawny, sun-bleached sod.

But Fred ignored their cool invitation. He always had hated hot weather with all his coast-bred soul, but to-day a hunger for warmth possessed him completely.

Monet and he took a broad path which circled for about a quarter of a mile about the grounds. As they progressed, several joined them. Fred was introduced to each in turn, but he responded listlessly. Almost at once the newcomers hurled questions at him... Why was he there? ...

How long was he in for? ... What did he think were the chances of escape? Inevitably, every conversation turned upon this last absorbing topic. These men seemed eager for confidences, they wanted to share their experiences, their grievances, their hopes. But Fred Starratt recoiled. He had not yet reached the stage when a thin trickle of words fell gratefully upon his ears. He had no desire to either hear or speak. All he craved was the healing silence of open s.p.a.ces. But he was soon to learn that this new life held no such soul-cleansing solace. Gradually he fell a bit apart from his chattering comrades.

They pa.s.sed an ill-kept croquet ground and some patches of garden where those who were so disposed could raise vegetables or flowers.

There was something pathetic about the figures bending with childlike faith over their labor of love--attempting to make nature smile upon them. Without the vision of the bull pen Fred Starratt would have found much that afternoon that was revolting. But one glimpse into the horrible inferno of the morning had made him less sensitive to milder impressions.

After a while Monet detached himself from the rest of the walking throng and fell back with Starratt. He seemed to have an instinctive gift for sensing moods, and Fred was grateful for his silence.

They were pa.s.sing by a two-story concrete building in the Colonial style when Monet touched Fred's arm.

"That's the famous Ward Six," Monet explained, softly. "You'll get there finally if you work it right... It's not heaven ... but alongside the other wards it comes pretty near being."

They turned about shortly after this and began to retrace their steps.

Presently a man came in sight, pulling a cardboard box mounted upon four spools.

"An inventor," Monet said, as Fred threw out a questioning glance. "He has an idea that he's perfected a wonderful automobile... You'll get used to them after a while."

A little farther on they met a haughty-looking j.a.panese coming toward them. Monet plucked at Fred's sleeve. "Better step to one side," he cautioned; "that fellow thinks he is the Emperor of j.a.pan!"

Fred did as he was bidden and the j.a.panese swept past gloomily.

"Well, at least he's happy, in his own way!" Monet commented, with a tinge of irony.

Soon after that another man pa.s.sed, weeping bitterly.

"They call him the Weeping Willow," Monet explained. "He weeps because he can find no one who will kill him."

Fred shuddered.

By this time they had reached their starting point. Fred felt suddenly tired. "Let's rest a bit under the trees," he proposed.

Monet a.s.sented, and the two threw themselves into the first shade.

Fred closed his eyes. He had a sense that he was dreaming--that all the scenes that he had witnessed these many days were unreal.

Presently he would wake up to the old familiar ring of his alarm clock, and gradually all the outlines of his bedroom would shape themselves to his recovered senses... There would stand Helen by her dressing table, stooping down to the mirror's level as she popped her thick braids under her pink boudoir cap... In a few minutes the first whiffs of coffee would come floating in from the kitchenette. Then he would crawl slowly out from the warm bedclothes and stretch himself comfortably and give a sudden dash for the bathroom and his cold plunge. There would follow breakfast and the walk over the hill down to the office of Ford, Wetherbee & Co. in a mist-golden morning. And he would hear again the exchange of greetings, and find himself replying to the inevitable question:

"Well, what's new?"

With the equally inevitable answer:

"Not a thing in the world!"

Some one was shaking him. He gave a quick gasp that ended in a groan as he opened his eyes. Monet was bending over him.

"You've been asleep," his companion said. "Come, it's time to go in...

The bell for supper has rung... And you were dreaming, too ... I knew that because you smiled!"

Fred Starratt grasped Monet's hand fervently.

"It was good of you to keep watch," he murmured.

Monet answered with a warm pressure. And at that moment something deep and indefinable pa.s.sed between them ... a silent covenant too precious for words.

Fred Starratt rose to his feet.

"Let us go in!" he said.

At supper Fred Starratt nibbled at some dry bread and drank another strong draught of tea. But he had to force himself to even this scant compromise with expediency. There followed smoking in the lavatory and at seven o'clock the call to turn in. Fred scurried confidently to his cell-like room ... he was quite ready for solitude.

An attendant was moving about. "You sleep in the first dormitory to-night," he explained to Fred. "It's at the end of the hall."

Fred turned away in fresh despair.

Before the door of the first dormitory a number of men were undressing. Monet was in the group and a newspaper man named Clancy that Fred had met that afternoon. Fred stood a moment in indecision.

"You'll have to strip out here," Monet said, in a matter-of-fact tone.

"Just leave your clothes in a pile close against the wall."

Fred obeyed. The rest of the company regarded him with sinister curiosity. Except for Monet and Clancy all seemed obviously insane.

One by one they filed into the room. Fred followed. Twelve spotlessly clean cots gleamed in the twilight.

The twelve men crawled into bed; the door was shut with a bang. Fred heard a key turn... They were locked in!

The ghostly day faded and night settled in. Fitful snorings and groans and incoherent mutterings broke the stillness. At intervals a man near the door would jump to his feet, proclaiming the end of the world.

Sometimes his paroxysm was brief, but again he would keep up his leaping and solemn chanting until he fell to the floor in sheer exhaustion... Gradually even he became quiet, and nothing was audible except heavy breathing and the sound of the watchman in the corridor as he pa.s.sed by regularly, flashing his light into the room through the slits in the door.

Fred Starratt did not close his eyes.