Breathing Lessons Part 8

"Well, I didn't," he said glumly.

With just a little stretch of the imagination, Maggie thought, this could be Mr. Alden's civics cla.s.s. (You had to overlook the old lady, who had remained contentedly seated with her tinkling cup of tea.) She glanced around and saw a semicircle of graying men and women, and there was something so worn down about them, so benign and una.s.suming, that she felt at that moment they were as close to her as family. She wondered how she could have failed to realize that they would have been aging along with her all these years, going through more or less the same stages-rearing their children and saying goodbye to them, marveling at the wrinkles they discovered in the mirror, watching their parents turn fragile and uncertain. Somehow, she had pictured them still fretting over Prom Night. in the mirror, watching their parents turn fragile and uncertain. Somehow, she had pictured them still fretting over Prom Night.

Even the sound of the projector came straight from Mr. Alden's cla.s.s-the clickety-click as the reels started spinning and a square of flawed, crackled light was cast upon the window shade. What would Mr. Alden say if he could see them all together again? He was probably dead by now. And anyway, this movie wasn't showing how democracy worked or how laws were born, but- Why, Sissy! Sissy Parton! Young and slender and prim, wearing a tight chignon encircled with artificial daisies like a French maid's frill. She was playing the piano, her wrists so gracefully arched that you could believe it was only the delicacy of her touch that caused the film to remain soundless. Above the white choir robe, the Peter Pan collar of her blouse was just visible, a pale salmon pink (in real life a deep rose, Maggie recalled). She lifted her head and looked purposefully toward a certain point, and the camera followed her gaze and the screen was suddenly filled with a double row of ridiculously clean-cut young people in pleated robes. They sang silently, their mouths perfect ovals. They resembled the carolers on a Christmas card. It was Serena who identified the tune. "'True love,'" she sang, "'true-'" And then she broke off to say, "Oh! Would you look? Mary Jean Bennett! I never even thought to invite her. I forgot all about her. Does anybody know where Mary Jean lives now?"

No one answered, although several, in low, dreamy murmurs, carried on with "'... for you and I have a guardian angel...'"

"There's Nick Bourne, the rat," Serena said. "He claimed it was too far to come to the funeral."

She was sitting on the arm of a chair, craning her neck toward the movie. In profile she looked commanding, almost glorious, Maggie thought, with that silver line of light from the screen running down her large, straight nose and the curve of her lips. glorious, Maggie thought, with that silver line of light from the screen running down her large, straight nose and the curve of her lips.

Maggie herself stood in the front row of the chorus, next to Sugar Tilghman. Her hair was in tiny squiggles all over her head; it made her face look too big. Oh, this was humiliating. But no doubt the others felt the same way. She distinctly heard Sugar groan. And when the camera switched to Durwood, with his wet, black, towering pompadour like the crest on the top of a Dairy Queen cone, he gave a sharp bark of laughter. This younger Durwood strode over to the piano with his robe flapping behind him. He a.s.sumed his position and paused importantly. Then he embarked on a silent "I Want You, I Need You, I Love You" with his eyes closed more often than open, his left arm gesturing so pa.s.sionately that once he swatted a lily in a papier-mache vase. Maggie wanted to laugh but she held it in. So did everyone else, although the old lady said, "Well! My goodness," and rattled her teacup. A couple of people were humming along with this song too, which Maggie thought was charitable of them.

Next the camera swung dizzyingly to Jo Ann Dermott at the front of the church. She gripped the edges of the pulpit and read from a book that the audience couldn't see. Since she wasn't in the chorus, her dress was completely exposed-stiff, square-shouldered, full-skirted, more matronly than anything she would ever wear again. Her lowered eyes looked naked. No one could hum along with The Prophet The Prophet, so the reading just went on and on in total silence. Out in the dining alcove the other guests talked and laughed and clinked ice cubes. "Good Lord, fast-forward it, someone," Jo Ann said, but evidently Max's brother didn't know how (if you could could fast-forward fast-forward these old films), and so they had to sit through it. these old films), and so they had to sit through it.

Then the camera swooped again and there was Sissy playing the piano, with one damp curl plastered to her forehead. Maggie and Ira, side by side, stood watching Sissy gravely. (Ira was a boy, a mere child.) They drew a breath. They started singing. Maggie was slightly bunchy in her robe-she'd been fighting her extra ten pounds even then-and Ira had a plucked, fledgling look. Had he really worn his hair that short? In those days, he'd seemed totally unreadable. His unreadability was his greatest attraction. He'd reminded her of those math geniuses who don't need to write out the process but simply arrive at the answer.

He was twenty-one when that movie was filmed. Maggie was nineteen. Where they'd met, she had no idea, because at the time it hadn't mattered. They had probably pa.s.sed each other in the halls in high school, maybe even elementary school. He might have visited her house, hanging out with her brothers. (He and her brother Josh were nearly the same age.) Certainly he'd sung with her at church; she knew that much. His family were members there, and Mr. Nichols, always short on male voices, had somehow talked Ira into joining the choir. But he hadn't lasted long. About the time he graduated from high school, he quit. Or maybe it was the year after. Maggie hadn't noticed exactly when it was he'd stopped appearing.

Her boyfriend in high school had been a cla.s.smate named Boris Drumm. He was short and dark, with rough skin and a frizz of cropped black hair-manly even at that age, everything she'd been looking for. It was Boris who taught Maggie to drive, and one of his exercises involved her speeding alone across the Sears, Roebuck parking lot till he loomed suddenly in front of the car to test her braking skills. Her clearest picture of him, to this day, was the determined stance he had taken in her path: arms straight out, feet wide apart, jaw set. Rock-hard, he'd seemed. Indestructible. She had had the feeling she could run him over, even, and he'd have bobbed up again untouched, like one of those plastic toy men weighted with lead at the base. test her braking skills. Her clearest picture of him, to this day, was the determined stance he had taken in her path: arms straight out, feet wide apart, jaw set. Rock-hard, he'd seemed. Indestructible. She had had the feeling she could run him over, even, and he'd have bobbed up again untouched, like one of those plastic toy men weighted with lead at the base.

He planned on attending a college in the Midwest after graduation, but it was understood that as soon as he got his degree he and Maggie would marry. Meanwhile Maggie would live at home and go to Goucher. She wasn't much looking forward to it; it was her mother's idea. Her mother, who had taught English before she married, filled out all the application forms and even wrote Maggie's essay for her. It was very important to her that her children should rise in the world. (Maggie's father installed garage doors and had not had any college at all.) So Maggie resigned herself to four years at Goucher. In the meantime, to help with tuition, she took a summer job washing windows.

This was at the Silver Threads Nursing Home, which hadn't yet officially opened. It was a brand-new, modern building off Erdman Avenue, with three long wings and one hundred and eighty-two windows. Each of the larger windows had twelve panes of gla.s.s; the smaller windows had six. And in the left-hand corner of each pane was a white paper snowflake reading KRYSTAL KLEER MFG. CO. KRYSTAL KLEER MFG. CO. These snowflakes clung to the gla.s.s with a force that Maggie had never seen before or since. Whatever substance held them on, she thought later, should have been adopted by NASA. If you peeled off the top layer of paper a lower, fuzzy layer remained, and if you soaked that in hot water and then sc.r.a.ped it with a razor blade there were still gray shreds of rubbery glue, and after those were gone the whole pane, of course, was a mess, finger-printed These snowflakes clung to the gla.s.s with a force that Maggie had never seen before or since. Whatever substance held them on, she thought later, should have been adopted by NASA. If you peeled off the top layer of paper a lower, fuzzy layer remained, and if you soaked that in hot water and then sc.r.a.ped it with a razor blade there were still gray shreds of rubbery glue, and after those were gone the whole pane, of course, was a mess, finger-printed and streaky, so it had to be sprayed with Windex and buffed with a chamois skin. For one whole summer, from nine in the morning till four in the afternoon, Maggie sc.r.a.ped and soaked and sc.r.a.ped again. The tips of her fingers were continually sore. She felt her nails had been driven back into their roots. She didn't have anyone to talk to while she worked, because she was the only window-washer they'd hired. Her sole company was the radio, playing "Moonglow" and "I Almost Lost My Mind." and streaky, so it had to be sprayed with Windex and buffed with a chamois skin. For one whole summer, from nine in the morning till four in the afternoon, Maggie sc.r.a.ped and soaked and sc.r.a.ped again. The tips of her fingers were continually sore. She felt her nails had been driven back into their roots. She didn't have anyone to talk to while she worked, because she was the only window-washer they'd hired. Her sole company was the radio, playing "Moonglow" and "I Almost Lost My Mind."

In August the home started admitting a few patients, although not all the work was finished yet. Of course they were settled in those rooms where the windows were fully sc.r.a.ped, but Maggie got in the habit of taking a break from time to time and going visiting. She would stop at one bed or another to see how people were doing. "Could you move my water pitcher a little closer, doll?" a woman would ask, or, "Would you mind pulling that curtain?" While performing these tasks, Maggie felt valuable and competent. She began attracting a following of those patients who were mobile. Someone in a wheelchair would discover which room she was working in and suddenly there'd be three or four patients sitting around her talking. Their style of conversation was to ignore her presence and argue heatedly among themselves. (Was it the blizzard of '88 or the blizzard of '89? And which number counted more in the blood pressure reading?) But they conveyed an acute awareness of their audience; she knew it was all for her benefit. She would laugh at appropriate moments or make sounds of sympathy, and the old people would take on gratified expressions.

No one in her family understood when she announced that she wanted to forget about college and become an aide in the nursing home instead. Why, an aide was no better than a servant, her mother pointed out; no better than a chambermaid. And here Maggie had such a fine mind and had graduated at the top of her cla.s.s. Did she want to be just ordinary? Her brothers, who had made the same kind of choice themselves (three were involved in some phase of the construction business, while the fourth welded locomotives at the Mount Clare railyards), claimed they had been looking to her to go further. Even her father wondered half audibly whether she knew what she was doing. But Maggie remained firm. What did she want with college? What did she want with those pointless, high-flown bits of information like the ones she'd learned in high school- than a chambermaid. And here Maggie had such a fine mind and had graduated at the top of her cla.s.s. Did she want to be just ordinary? Her brothers, who had made the same kind of choice themselves (three were involved in some phase of the construction business, while the fourth welded locomotives at the Mount Clare railyards), claimed they had been looking to her to go further. Even her father wondered half audibly whether she knew what she was doing. But Maggie remained firm. What did she want with college? What did she want with those pointless, high-flown bits of information like the ones she'd learned in high school-Ontogeny recapitulates phylogeny and and Synecdoche is the use of the part to symbolize the whole? Synecdoche is the use of the part to symbolize the whole? She enrolled in a Red Cross training program, which in those days was all that was needed, and took a job at Silver Threads. She enrolled in a Red Cross training program, which in those days was all that was needed, and took a job at Silver Threads.

So there she was, eighteen and a half years old, working among old people and living with two elderly parents and her one unmarried brother, who was elderly himself, in a way. Boris Drumm had to earn his own school expenses, so he came back to Baltimore only at Christmas and spent the other holidays selling menswear in a shop near his campus. He wrote lengthy letters describing how his studies were altering his perceptions of the universe. The world was so full of injustice! he wrote. He had never realized. Writing back was hard because Maggie had very little to report. She didn't run into many of their friends anymore. Some had gone away to college, and when they returned they had changed. Some had married, which caused an even bigger change. Pretty soon the only people she saw regularly were Sugar and the Barley twins-just because they still sang in the choir-and, of course, Serena, her best friend. But Boris had never thought much of Serena, so Maggie seldom mentioned her in her letters.

Serena worked in a lingerie shop, clerking. She brought home translucent, lacy underwear in colors that made no sense. (Wouldn't a bright-red bra advertise itself through almost any piece of clothing you owned?) Modeling a black nightgown with a see-through bodice, she announced that she and Max were marrying in June, after he had finished his freshman year at UNC. UNC was a deal he had made with his parents. He had promised to try one year of college and then if he really, truly hated it they would let him drop out. What they were hoping, of course, was that he would meet a nice Southern girl and get over his infatuation with Serena. Not that they would admit it.

Max said that after they were married she could quit her job at the lingerie shop and never work again, Serena said; and also, she said (languorously lowering a black lace strap and admiring her own creamy shoulder), he was pleading with her to accompany him to the Blue Hen Motel the next time he came home. They wouldn't do do anything, he said; just be together. Maggie was impressed and envious. It sounded very romantic to her. "You're going, aren't you?" she asked, but Serena said, "What do you think: I'm insane? I'd have to be out of my mind." anything, he said; just be together. Maggie was impressed and envious. It sounded very romantic to her. "You're going, aren't you?" she asked, but Serena said, "What do you think: I'm insane? I'd have to be out of my mind."

"But, Serena-" Maggie began. She was about to say that this was nothing like Anita's situation, nothing whatsoever, but Serena's fierce expression stopped her.

"I'm no sucker," Serena said. no sucker," Serena said.

Maggie wondered what she herself would do if Boris ever invited her to the Blue Hen Motel. She didn't think that would occur to him, though. Maybe it was just because she was forced to rely on his long, stuffy letters for any sense of him these days, but lately Boris had begun to seem less...crisp, you might say; less hard-edged. In his letters now he was talking about entering law school after college and then going into politics. Only in politics, he said, did you have the power to right the world's wrongs. But it was funny: Maggie had never seen politicians as powerful. She saw them as beggars. They were always begging for votes, altering themselves to satisfy their public, behaving spinelessly and falsely in a pathetic bid for popularity. She hated to think that Boris was that way. letters now he was talking about entering law school after college and then going into politics. Only in politics, he said, did you have the power to right the world's wrongs. But it was funny: Maggie had never seen politicians as powerful. She saw them as beggars. They were always begging for votes, altering themselves to satisfy their public, behaving spinelessly and falsely in a pathetic bid for popularity. She hated to think that Boris was that way.

She wondered if Serena ever had second thoughts about Max. No, probably not. Serena and Max seemed perfectly suited. Serena was so lucky.

Maggie's nineteenth birthday-Valentine's Day, 1957-fell on a Thursday, which was choir practice night. Serena brought a cake and after practice she pa.s.sed out slices, along with paper cups of ginger ale, and everyone sang "Happy Birthday." Old Mrs. Britt, who really should have retired from singing years before but no one had the heart to suggest it, looked around her and sighed. "Isn't it sad," she said, "how the young folks are drifting away. Why, Sissy hardly comes at all since she married, and Louisa's moving to Montgomery County, and now I hear the Moran boy's gone and got himself killed."

"Killed?" Serena said. "How did that happen?"

"Oh, one of those freak training accidents," Mrs. Britt said. "I don't know the details."

Sugar, whose fiance was at Camp Lejeune, said, "Lord, Lord, all I want is for Robert to come back safe and in one piece"-as if he were off waging hand-to-hand combat someplace, which of course he wasn't. (It happened to be one of those rare half-minutes in history when the country was not engaged in any serious hostilities.) Then Serena offered seconds on the birthday cake, but everyone had to go home.

That night in bed Maggie started thinking about the Moran boy, for some reason. Although she hadn't known him well, she found she had a clear mental picture of him: a sloucher, tall and high-cheekboned, with straight, oily black hair. She should have guessed he was doomed to die young. He'd been the only boy in the choir who didn't horse around while Mr. Nichols was talking to them. He had had an air of self-possession. She remembered too that he drove a car that ran on pure know-how, on junkyard parts and friction tape. Now that she thought of it, she believed she could envision his hands on the steering wheel. They were tanned and leathery, unusually wide across the base of the thumb, and the creases of his knuckles were deeply ingrained with mechanic's grease. She saw him in an army uniform with knife-sharp creases down the front of the trousers-a man who drove headlong to his death without even changing expression.

It was her first inkling that her generation was part of the stream of time. Just like the others ahead of them, they would grow up and grow old and die. Already there was a younger generation prodding them from behind.

Boris wrote and said he would try his very best to come home for spring vacation. Maggie wished he wouldn't sound so effortful. He had none of Ira Moran's calm a.s.surance.

Serena got an engagement ring with a diamond shaped like a heart. It was dazzling. She began to plan and replan a great involved wedding production scheduled for the eighth of June, a date toward which she moved majestically, like a ship, with all her girlfriends fluttering in her wake. Maggie's mother said it was absurd to make such a fuss about a wedding. She said that people who lived for their weddings experienced a big letdown afterward, and then she said, changing her tone, "That poor, sad child, going to such lengths; I have to say I pity her." Maggie was shocked. (Pity! It seemed to her that Serena was already beginning her life, while she, Maggie, waited on a side rail.) Meanwhile Serena chose an ivory lace wedding dress but then changed her mind and decided white satin would be better, and she selected first an a.s.sortment of sacred music and then an a.s.sortment of secular music, and she notified all her friends that her kitchen would have a strawberry motif. their weddings experienced a big letdown afterward, and then she said, changing her tone, "That poor, sad child, going to such lengths; I have to say I pity her." Maggie was shocked. (Pity! It seemed to her that Serena was already beginning her life, while she, Maggie, waited on a side rail.) Meanwhile Serena chose an ivory lace wedding dress but then changed her mind and decided white satin would be better, and she selected first an a.s.sortment of sacred music and then an a.s.sortment of secular music, and she notified all her friends that her kitchen would have a strawberry motif.

Maggie tried to remember what she knew of Ira Moran's family. They must be devastated by their loss. His mother, she seemed to recall, was dead. His father was a vague, seedy man with Ira's stooped posture, and there had been some sisters-two or three, perhaps. She could point exactly to which pew they'd always occupied in church, but now that she thought to look, she found they weren't there anymore. She watched for them all the rest of February and most of March, but they never showed up.

Boris Drumm came home for spring break and accompanied her to church that Sunday. Maggie stood in the choir section looking down at where he sat, between her father and her brother Elmer, and it occurred to her that he fit in very well. Too well. Like all the men in her family, he a.s.sumed a sort of hangdog expression during hymns and muttered them rather than sang them, or perhaps merely mouthed the words, letting his eyes skate to one side as if hoping not to be noticed. Only Maggie's mother actually sang, jutting her chin forward and enunciating clearly.

After Sunday dinner with her family, Maggie and Boris went out on the porch. Maggie lazily toed the porch swing back and forth while Boris discussed his political aspirations. He said he figured he would start small, maybe just get on the school board or something. Then he would work up to senator. "Hmm," Maggie said. She swallowed a yawn. swing back and forth while Boris discussed his political aspirations. He said he figured he would start small, maybe just get on the school board or something. Then he would work up to senator. "Hmm," Maggie said. She swallowed a yawn.

Then Boris gave a little cough and asked if she had ever thought of going to nursing school. That might be a good plan, he said, if she was so all fired up about taking care of old people. Probably this too had some connection with his career; senators' wives didn't empty bedpans. She said, "But I don't want to be a nurse."

"You were always so smart at your studies, though," he told her.

"I don't want to stand at a nursing station filling out forms; I want to deal with folks!" Maggie said.

Her voice was sharper than she had intended. He drew away.

"Sorry," she said.

She felt too big. She was taller than he when they were seated, especially when he hunkered down, as he was doing now.

He said, "Is something troubling you, Maggie? You haven't seemed yourself all spring vacation."

"Well, I'm sorry," she said, "but I've had a...loss. A very close friend of mine has pa.s.sed away."

She didn't feel she was exaggerating. It did seem, by now, that she and Ira had been close. They just hadn't consciously understood that.

"Well, why didn't you say so?" Boris asked. "Who was it?"

"No one you knew."

"You can't be sure of that! Who was it?"

"Oh, well," she said, "his name was Ira."

"Ira," Boris said. "You mean Ira Moran?"

She nodded, keeping her eyes down.

"Skinny guy? Couple of cla.s.ses ahead of us?"

She nodded.

"Wasn't he part Indian or something?"

She hadn't been aware of this but it sounded right. It sounded perfect.

"Of course I knew him," Boris said. "Just to say h.e.l.lo to, I mean. I mean, he wasn't actually a friend or anything. I didn't realize he was your friend, either."

Where does she get get these characters, his beetled expression was saying. First Serena Palermo and now a red Indian. these characters, his beetled expression was saying. First Serena Palermo and now a red Indian.

"He was one of my favorite people," she said.

"He was? Oh. Is that right. Well. Well, you have my condolences, Maggie," Boris said. "I just wish you'd told me earlier." He considered a minute. He said, "How did it happen, anyway?"

"It was a training accident," Maggie said.

"Training?"

"In boot camp."

"I didn't even know he'd enlisted," Boris said. "I thought he worked in his father's frame shop. Isn't that where I got our prom photo framed? Sam's Frame Shop? Seems to me Ira was the one who waited on me."

"Really?" Maggie said, and she thought of Ira behind a counter, another image to add to her small collection. "Well, he did," she said. "Enlist, I mean. And then he had this accident."

"I'm sorry to hear that," Boris said.

A few minutes later she told him she'd prefer to spend the rest of the day alone, and Boris said that of course he understood.

That night in bed she started crying. Speaking of Ira's death out loud was what had done it. She hadn't mentioned it before, not even to Serena, who would say, "What are you talking about? You barely knew the guy." it before, not even to Serena, who would say, "What are you talking about? You barely knew the guy."

She and Serena were growing apart, Maggie realized. She cried harder, blotting her tears on the hem of her sheet.

The next day Boris went back to school. Maggie had the morning off and so she was the one who drove him to the bus station. She felt lonesome after she had said goodbye. It suddenly seemed very sad that he had come all this way just to see her. She wished she had been nicer to him.

At home, her mother was spring cleaning. She had already rolled up the carpets and laid down the sisal mats for summer, and now she stripped the curtains from the windows with a snapping sound. A bleak white light gradually filled the house. Maggie climbed the stairs to her room and flung herself on her bed. For the rest of her life, probably, she was doomed to live on unmarried in this tedious, predictable family.

After a few minutes, she got up and went to her parents' room. She took the yellow pages from under the telephone. Frames Frames, no. Picture frames Picture frames, yes. Sam's Frame Shop Sam's Frame Shop. She had thought she just wanted to see it in print, but eventually she scribbled the address on a memo pad and took it back to her room.

She owned no black-bordered stationery, so she chose the plainest of what she'd been given for graduation-white with a single green fern in one corner. Dear Mr. Moran Dear Mr. Moran, she wrote.

I used to sing in the choir with your son and I had to let you know how sad I am to hear of his death. I'm not writing just out of politeness. I thought Ira was the most wonderful person I've ever met.There was something special about him and I wanted to tell you that as long as I live, I'm going to remember him fondly.With deepest sympathy, Margaret M. Daley She sealed and addressed the envelope and then, before she could change her mind, she walked to the corner and dropped it in the mailbox.

At first she didn't think about Mr. Moran's answering, but later on, at work, it occurred to her that he might. Of course: People were supposed to answer sympathy notes. Maybe he would say something personal about Ira that she could store up and treasure. Maybe he would say that Ira had mentioned her name. That wasn't completely impossible. Or, seeing how she had been one of the few who had properly valued his son, he might even send her some little memento-maybe an old photo. She would love a photo. She wished now she had thought to ask for one.

Since she'd mailed the letter Monday, it would probably reach Ira's father Tuesday. So his answer could come on Thursday. She hurried through her work Thursday morning in a fever of impatience. At lunch hour she phoned home, but her mother said the mail hadn't arrived yet. (She also said, "Why? What are you expecting?" which was the kind of thing that made Maggie long to get married and move out.) At two she phoned again, but her mother said there'd been nothing for her.

That evening, walking to choir practice, she counted up the days once more and realized that Mr. Moran might not have received her letter on Tuesday after all. She hadn't mailed it till nearly noon, she remembered. This made her feel better. She started walking faster, waving at Serena when she spotted her on the steps of the church.

Mr. Nichols was late, and the choir members joked and gossiped while they waited for him. They were all a little heady now that spring was here-even old Mrs. Britt. The church windows were open and they could hear the neighborhood children playing out on the sidewalk. The night air smelled of newly cut gra.s.s. Mr. Nichols, when he arrived, wore a sprig of lavender in his b.u.t.tonhole. He must have bought it from the street vendor, who had only that morning appeared with his cart for the first time that year. "Sorry, ladies and gentlemen," Mr. Nichols said. He set his briefcase on a pew and rooted through it for his notes.

The church door opened again and in walked Ira Moran.

He was very tall and somber, in a white shirt with the sleeves rolled up and slim black trousers. He wore a stern expression that lengthened his chin, as if there were something lumpy in his mouth. Maggie felt her heart stop. She felt icy at first and then overheated, but she stared through him blankly with dry, wide eyes, keeping her thumb in place in the hymnbook. Even in that first moment, she knew he wasn't a ghost or a mirage. He was as real as the gummy varnished pews, not so flawlessly a.s.sembled as she had pictured but more intricately textured-more physical, somehow; more complicated.

Mr. Nichols said, "Oh, Ira. Glad to see you."

"Thanks," Ira said. Then he filed through the folding chairs toward the rear, where the men sat, and he took a seat. But Maggie saw how his gaze first skimmed the women in front, resting finally on her. She could tell he knew about the letter. She felt a flush pa.s.s over her face. Ordinarily graceful out of pure caution, pure timidity, she had been caught in an error so clumsy that she didn't believe she could ever again meet another person's eyes.

She sang numbly, standing and sitting as ordered. She sang "Once to Every Man and Nation" and "Shall We Gather at the River." Then Mr. Nichols had the men do "Shall We Gather at the River" on their own, and then he asked the accompanist to repeat a certain pa.s.sage. While this was going on, Maggie leaned toward Mrs. Britt and whispered, "Wasn't that the Moran boy? The one who came in late?" sang "Once to Every Man and Nation" and "Shall We Gather at the River." Then Mr. Nichols had the men do "Shall We Gather at the River" on their own, and then he asked the accompanist to repeat a certain pa.s.sage. While this was going on, Maggie leaned toward Mrs. Britt and whispered, "Wasn't that the Moran boy? The one who came in late?"

"Why, yes, I believe it was," Mrs. Britt said pleasantly.

"Didn't you tell us he'd been killed?"

"I did?" Mrs. Britt asked. She looked surprised and sat back in her chair. A moment later, she sat forward again and said, "That was the Rand Rand boy who was killed. Monty Rand." boy who was killed. Monty Rand."

"Oh," Maggie said.

Monty Rand had been a little pale dishcloth of a person with an incongruously deep ba.s.s voice. Maggie had never much liked him.

After choir practice she gathered her belongings as quickly as possible and was first out the door, scuttling down the sidewalk with her purse hugged to her chest, but she hadn't even reached the corner when she heard Ira behind her. "Maggie?" he called.

She slowed beneath a streetlight and then stopped, not looking around. He came up next to her. His legs made a shadow like scissors on the sidewalk.

"Mind if I walk your way?" he said.

"Do what you like," she told him shortly. He fell into step beside her.

"So how've you been?" he asked.

"I'm okay."

"You're out of school now, right?"

She nodded. They crossed a street.

"Got a job?" he asked.

"I work at the Silver Threads Nursing Home."

"Oh. Well, good."

He started whistling the last hymn they had practiced: "Just a Closer Walk with Thee." He sauntered beside her with his hands in his pockets. They pa.s.sed a couple kissing at a bus stop. Maggie cleared her throat and said, "Silly me! I mixed you up with the Rand boy."

"Rand?"

"Monty Rand; he got killed in boot camp and I thought they said it was you."

She still didn't look at him, although he was near enough so she could smell his fresh-ironed shirt. She wondered who had ironed it. One of his sisters, probably. What did that have to do with anything? She tightened her hold on her purse and walked faster, but Ira kept up with her. She was conscious of his dark, hooked presence at her elbow.

"So now will you write to Monty's Monty's father?" he asked her. father?" he asked her.