Boyhood in Norway Part 6

Let the master talk as much as he liked, catch it he would and catch it he must. But he must acquire greater skill before he would be able to render something so delicate and elusive.

Accordingly Nils applied himself with all his might and main to his music, in the intervals between his work.

He was big enough now to accompany his father to the woods, and help him pile turf and earth on the heap of logs that were to be burned to charcoal. He did not see the Hulder face to face, though he was constantly on the watch for her; but once or twice he thought he saw a swift flash of scarlet and gold in the underbrush, and again and again he thought he heard her soft, teasing laughter in the alder copses.

That, too, he imagined he might express in music; and the next time he got hold of the schoolmaster's fiddle he quavered away on the fourth string, but produced nothing that had the remotest resemblance to melody, much less to that sweet laughter.

He grew so discouraged that he could have wept. He had a wild impulse to break the fiddle, and never touch another as long as he lived. But he knew he could not live up to any such resolution. The fiddle was already too dear to him to be renounced for a momentary whim. But it was like an unrequited affection, which brought as much sorrow as joy.

There was so much that Nils burned to express; but the fiddle refused to obey him, and screeched something utterly discordant, as it seemed, from sheer perversity.

It occurred to Nils again, that unless the Nixy took pity on him and taught him that marvellous, airy strain he would never catch it. Would he then ever be good enough to win the favor of the Nixy?

For in the fairy tales it is always the bad people who come to grief, while the good and merciful ones are somehow rewarded.

It was evidently because he was yet far from being good enough that both Hulder and Nixy eluded him. Sunday child though he was, there seemed to be small chance that he would ever be able to propound his three wishes.

Only now, the third wish was no longer a five-bladed pocket-knife, but a violin of so fine a ring and delicate modulation that it might render the Nixy's strain.

While these desires and fancies fought in his heart, Nils grew to be a young man; and he still was, what he had always been--a charcoal-burner.

He went to the parson for half a year to prepare for confirmation; and by his gentleness and sweetness of disposition attracted not only the good man himself, but all with whom he came in contact. His answers were always thoughtful, and betrayed a good mind.

He was not a prig, by any means, who held aloof from sport and play; he could laugh with the merriest, run a race with the swiftest, and try a wrestling match with the strongest.

There was no one among the candidates for confirmation, that year, who was so well liked as Nils. Gentle as he was and soft-spoken, there was a manly spirit in him, and that always commands respect among boys.

He received much praise from the pastor, and no one envied him the kind words that were addressed to him; for every one felt that they were deserved. But the thought in Nils's mind during all the ceremony in the church and in the parsonage was this:

"Now, perhaps, I shall be good enough to win the Nixy's favor. Now I shall catch the wondrous strain."

It did not occur to him, in his eagerness, that such a reflection was out of place in church; nor was it, perhaps, for the Nixy's strain was constantly a.s.sociated in his mind with all that was best in him; with his highest aspirations, and his constant strivings for goodness and n.o.bleness in thought and deed.

It happened about this time that the old schoolmaster died, and in his will it was found that he had bequeathed his fiddle to Nils. He had very little else to leave, poor fellow; but if he had been a Croesus he could not have given his favorite pupil anything that would have delighted him more.

Nils played now early and late, except when he was in the woods with his father. His fame went abroad through all the valley as the best fiddler in seven parishes round, and people often came from afar to hear him. There was a peculiar quality in his playing--something strangely appealing, that brought the tears to one's eyes--yet so elusive that it was impossible to repeat or describe it.

It was rumored among the villagers that he had caught the Nixy's strain, and that it was that which touched the heart so deeply in his improvisations. But Nils knew well that he had not caught the Nixy's strain; though a faint echo--a haunting undertone--of that vaguely remembered s.n.a.t.c.h of melody, heard now and then in the water's roar, would steal at times into his music, when he was, perhaps, himself least aware of it.

Invitations now came to him from far and wide to play at wedding and dancing parties and funerals. There was no feast complete without Nils; and soon this strange thing was noticed, that quarrels and brawls, which in those days were common enough in Norway, were rare wherever Nils played.

It seemed as if his calm and gentle presence called forth all that was good in the feasters and banished whatever was evil. Such was his popularity that he earned more money by his fiddling in a week than his father had ever done by charcoal-burning in a month.

A half-superst.i.tious regard for him became general among the people; first, because it seemed impossible that any man could play as he did without the aid of some supernatural power; and secondly, because his gentle demeanor and quaint, terse sayings inspired them with admiration.

It was difficult to tell by whom the name, Wise Nils, was first started, but it was felt by all to be appropriate, and it therefore clung to the modest fiddler, in spite of all his protests.

Before he was twenty-five years old it became the fashion to go to him and consult him in difficult situations; and though he long shrank from giving advice, his reluctance wore away, when it became evident to him that he could actually benefit the people.

There was nothing mysterious in his counsel. All he said was as clear and rational as the day-light. But the good folk were nevertheless inclined to attribute a higher authority to him; and would desist from vice or folly for his sake, when they would not for their own sake. It was odd, indeed: this Wise Nils, the fiddler, became a great man in the valley, and his renown went abroad and brought him visitors, seeking his counsel, from distant parishes. Rarely did anyone leave him disappointed, or at least without being benefited by his sympathetic advice.

One summer, during the tourist season, a famous foreign musician came to Norway, accompanied by a rich American gentleman. While in his neighborhood, they heard the story of the rustic fiddler, and became naturally curious to see him.

They accordingly went to his cottage, in order to have some sport with him, for they expected to find a vain and ignorant charlatan, inflated by the flattery of his more ignorant neighbors. But Nils received them with a simple dignity which quite disarmed them. They had come to mock; they stayed to admire. This peasant's artless speech, made up of ancient proverbs and shrewd common-sense, and instinct with a certain sunny beneficence, impressed them wonderfully.

And when, at their request, he played some of his improvisations, the renowned musician exclaimed that here was, indeed, a great artist lost to the world. In spite of the poor violin, there was a marvellously touching quality in the music; something new and alluring which had never been heard before.

But Nils himself was not aware of it. Occasionally, while he played, the Nixy's haunting strain would flit through his brain, or hover about it, where he could feel it, as it were, but yet be unable to catch it. This was his regret--his constant chase for those elusive notes that refused to be captured.

But he consoled himself many a time with the reflection that it was the fiddle's fault, not his own. With a finer instrument, capable of rendering more delicate shades of sound, he might yet surprise the Nixy's strain, and record it unmistakably in black and white.

The foreign musician and his American friend departed, but returned at the end of two weeks. They then offered to accompany Nils on a concert tour through all the capitals of Europe and the large cities of America, and to insure him a sum of money which fairly made him dizzy.

Nils begged for time to consider, and the next day surprised them by declining the startling offer.

He was a peasant, he said, and must remain a peasant. He belonged here in his native valley, where he could do good, and was happy in the belief that he was useful.

Out in the great world, of which he knew nothing, he might indeed gather wealth, but he might lose his peace of mind, which was more precious than wealth. He was content with a moderate prosperity, and that he had already attained. He had enough, and more than enough, to satisfy his modest wants, and to provide those who were dear to him with reasonable comfort in their present condition of life.

The strangers were amazed at a man's thus calmly refusing a fortune that was within his easy grasp, for they did not doubt that Nils, with his entirely unconventional manner of playing, and yet with that extraordinary moving quality in his play, would become the rage both in Europe and America, as a kind of heaven-born, untutored genius, and fill both his own pockets and theirs with shekels.

They made repeated efforts to persuade him, but it was all in vain. With smiling serenity, he told them that he had uttered his final decision.

They then took leave of him, and a month after their departure there arrived from Germany a box addressed to Nils. He opened it with some trepidation, and it was found to contain a Cremona violin--a genuine Stradivarius.

The moment Nils touched the strings with the bow, a thrill of rapture went through him, the like of which he had never experienced. The divine sweetness and purity of the tone that vibrated through those magic chambers resounded through all his being, and made him feel happy and exalted.

It occurred to him, while he was coaxing the intoxicating music from his instrument, that tonight would be midsummer night. Now was his chance to catch the Nixy's strain, for this exquisite violin would be capable of rendering the very chant of the archangels in the morning of time.

To-night he would surprise the Nixy, and the divine strain should no more drift like a melodious mist through his brain; for at midsummer night the Nixy always plays the loudest, and then, if ever, is the time to learn what he felt must be the highest secret of the musical art.

Hugging his Stradivarius close to his breast, to protect it from the damp night-air, Nils hurried through the birch woods down to the river.

The moon was sailing calmly through a fleecy film of cloud, and a light mist hovered over the tops of the forest.

The fiery afterglow of the sunset still lingered in the air, though the sun had long been hidden, but the shadows of the trees were gaunt and dark, as in the light of the moon.

The sound of the cataract stole with a whispering rush through the underbrush, for the water was low at midsummer, and a good deal of it was diverted to the mill, which was working busily away, with its big water-wheel going round and round.

Nils paused close to the mill, and peered intently into the rushing current; but nothing appeared. Then he stole down to the river-bank, where he seated himself on a big stone, barely out of reach of the spray, which blew in gusts from the cataract. He sat for a long while motionless, gazing with rapt intentness at the struggling, foaming rapids, but he saw or heard nothing.

Then all of a sudden it seemed to him that the air began to vibrate faintly with a vague, captivating rhythm. Nils could hear his heart beat in his throat. With trembling eagerness he unwrapped the violin and raised it to his chin.

Now, surely, there was a note. It belonged on the A string. No, not there. On the E string, perhaps. But no, not there, either.

Look! What is that?

A flash, surely, through the water of a beautiful naked arm.

And there--no, not there--but somewhere from out of the gentle rush of the middle current there seemed to come to him a marvellous mist of drifting sound--ineffably, rapturously sweet!

With a light movement Nils runs his bow over the strings, but not a ghost, not a semblance, can he reproduce of the swift, scurrying flight of that wondrous melody. Again and again he listens breathlessly, and again and again despair overwhelms him.

Should he, then, never see the Nixy, and ask the fulfilment of his three wishes?